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Gareth von Kallenbach (980 KP) rated Trainwreck (2015) in Movies
Aug 6, 2019
Admittedly, I did not have a lot of exposure to Amy Schumer going into this film. I was also a little tepid about seeing the film when I found that this is the first film she has ever written, also the first for her to play the leading role. And to keep the firsts going, this is also the first film that Judd Apatow has directed, but not written. There is a lot that could go wrong here. But it didn’t. At the recommendation of several friends, I went into this film optimistic. Boy were they right.
Trainwreck is the story of Amy Townsend (Amy Schumer). A career non-monogamist who kind-of/sort-of has a steady boyfriend, but she also happens to have her fun on the side. Having taken life lessons from her philandering father (Colin Quinn), Amy is all about having fun. She really is what the title of the movie suggests. But what most people don’t understand is that her commitment phobia really stems from her thinking she could never have the type of life and relationship that others, like her sister, have. She is rude, crude and never going to fall in love. Until she meets Aaron Connors (Bill Hader). Amy works for S’Nuff, a men’s magazine that is all about the outrageous stories, such as “How to Masturbate in the Workplace”. Another staffer pitches a piece about Aaron, a sports doctor who has recently developed a new surgery technique that would reduce downtime from knee surgery by half. Amy, being a non-sports fan and having just split with her kind-of/sort-of boyfriend, gets assigned the piece and ends up falling into bed with him and the sparks begin to fly. What could go wrong when a pot-smoking commitment-phobe meets her match and begins to fall in love?
Chock full of cameos, this movie is magic from start to finish. Bringing Schumer’s special brand of comedy to the big screen is no easy task, but it works. Schumer and Hader have such a great chemistry, it makes their relationship seem plausible – the responsible doctor and the slacker magazine writer. From start to finish, the film has great timing in both the comedic moments, and the sadder moments. The supporting cast was tremendous as joining Firth are Tilda Swinton as Amy Schumer’s eccentric boss, Brie Larson as her sister, Mike Birbiglia as her brother-in-law, not to mention Ezra Miller, Lebron James, and various other athletes and stars, including 6 current and past Saturday Night Live cast members. Quick note: I am not a Lebron James fan at all. I have personal opinions about the moves he has made, more the way he has made them, but he was superb in this film. He really can act well enough for the part at hand, and I wouldn’t be surprised if you see him in more roles in the future. You know, after his NBA career ends.
All-in-all, if you are a fan of Amy Schumer. Go see this movie. If you are looking for a great date-night movie. Go see this movie. If you are looking to laugh and some good, and at times inappropriate, humor… go see this movie. I can’t stress it enough. You will not regret it.
Trainwreck is the story of Amy Townsend (Amy Schumer). A career non-monogamist who kind-of/sort-of has a steady boyfriend, but she also happens to have her fun on the side. Having taken life lessons from her philandering father (Colin Quinn), Amy is all about having fun. She really is what the title of the movie suggests. But what most people don’t understand is that her commitment phobia really stems from her thinking she could never have the type of life and relationship that others, like her sister, have. She is rude, crude and never going to fall in love. Until she meets Aaron Connors (Bill Hader). Amy works for S’Nuff, a men’s magazine that is all about the outrageous stories, such as “How to Masturbate in the Workplace”. Another staffer pitches a piece about Aaron, a sports doctor who has recently developed a new surgery technique that would reduce downtime from knee surgery by half. Amy, being a non-sports fan and having just split with her kind-of/sort-of boyfriend, gets assigned the piece and ends up falling into bed with him and the sparks begin to fly. What could go wrong when a pot-smoking commitment-phobe meets her match and begins to fall in love?
Chock full of cameos, this movie is magic from start to finish. Bringing Schumer’s special brand of comedy to the big screen is no easy task, but it works. Schumer and Hader have such a great chemistry, it makes their relationship seem plausible – the responsible doctor and the slacker magazine writer. From start to finish, the film has great timing in both the comedic moments, and the sadder moments. The supporting cast was tremendous as joining Firth are Tilda Swinton as Amy Schumer’s eccentric boss, Brie Larson as her sister, Mike Birbiglia as her brother-in-law, not to mention Ezra Miller, Lebron James, and various other athletes and stars, including 6 current and past Saturday Night Live cast members. Quick note: I am not a Lebron James fan at all. I have personal opinions about the moves he has made, more the way he has made them, but he was superb in this film. He really can act well enough for the part at hand, and I wouldn’t be surprised if you see him in more roles in the future. You know, after his NBA career ends.
All-in-all, if you are a fan of Amy Schumer. Go see this movie. If you are looking for a great date-night movie. Go see this movie. If you are looking to laugh and some good, and at times inappropriate, humor… go see this movie. I can’t stress it enough. You will not regret it.
ClareR (6250 KP) rated The Death of Mrs Westaway in Books
Jul 6, 2018
You'll be on the edge of your seat!
Suspenseful. This is my first Ruth Ware novel, and it was definitely suspenseful. It reminded me a lot of the Agatha Christie films - a family shut away in a big old house with a mystery to solve. But this has a very modern edge to it. The house is still spooky though: I expected it to go full on James Herbert (it didn't)!
Hal gets a letter to tell her that she has come in to some money, after the death of a rich grandmother she has never known about. Up to this point, she has been living hand to mouth with loan sharks after her. She reads tarot cards on Brighton pier (not the good one). She goes to her grandmothers funeral and decides that she is going to try and 'blag' the money out of the will. She can't possibly be related to these people! This is where it gets very interesting and all twisty-turny.
Great characters and a great story. I didn't see the end coming at all!
Thanks to The Pigeonhole and the author for my copy of this book.
Hal gets a letter to tell her that she has come in to some money, after the death of a rich grandmother she has never known about. Up to this point, she has been living hand to mouth with loan sharks after her. She reads tarot cards on Brighton pier (not the good one). She goes to her grandmothers funeral and decides that she is going to try and 'blag' the money out of the will. She can't possibly be related to these people! This is where it gets very interesting and all twisty-turny.
Great characters and a great story. I didn't see the end coming at all!
Thanks to The Pigeonhole and the author for my copy of this book.
Kirk Bage (1775 KP) rated It: Chapter Two (2019) in Movies
Feb 18, 2021
A textbook example of how to have a lot going for you and still show a flagrant disregard for the intelligence of your audience. On paper the grown up cast, representing the gang of kids from the first movie 27 years later, is stellar. But after several back to back scenes of exposition, catch-up and backstory nonsense, even the likes of James McAvoy and Jessica Chastain have lost the will to live (as actors, their characters just won’t fucking die). This film is almost 3 hours long! And I just can’t explain why anyone thought that was necessary. It isn’t as if it is super complicated. It is basically a repetition of hide and seek jump scares painted large in awful CGI over and over again, whilst the “plot” gets more and more lost and we care less and less about the adult kids by the minute. I guess, like the first one, it is almost watchable if you don’t want to think too deeply and don’t mind watching every horror cliche ever rehashed ad nauseum. The end is bonkers too, by the way. Minor cult status, but that is… it.
Madbatdan82 (341 KP) rated Gotham in TV
May 3, 2019
Batman Begins
I wanted to wait until I had watched the series finale to do a full review of the whole show. I can honestly say that in my opinion this is tied with Game of Thrones for the greatest TV show ever made...telling the story of a pre Batman Gotham this show focuses on James Gordon's rise from GCPD detective to Captain and eventual police Commissioner. It also tracks Bruce Wayne's journey from young child who sees his parents gunned down to crime fighting vigilante...what makes this show so good is its attention to detail in the shows characters in particular the villains. We get versions of the classics like penguin, riddler & scarecrow but it's the inclusion of lesser known villains like professor pyg, Solomon grundy & azreal that means theres something for fans of the comics as well as casual viewers. There really aren't any bad series and also no really bad episodes. All the stuff with the mad hatter gets a little slow but that might just be coz I didnt like the character - but maybe that's the point as hes not supposed to be likeable!!!...it all builds to a crescendo in the last season where sometimes so TV shows fall down trying to tie a bow round everything. In Gotham the wait pays off and it the ending feels like watching for all those seasons has paid off...simply put this is not just for comic nerds, it is a quality TV programme the likes of which we may not see again for a while. WATCH THIS SHOW!!!
An Ex For Christmas: Love Unexpectedly 5
Book
An Ex For Christmas is a charming Love Unexpectedly friends-to-lovers rom-com from Lauren Layne, the...
romance
Traditional Country Preserving: From freezing and drying to jams and pickles, how to preserve fruit and vegetables at home
Book
This book will show you how to preserve our wonderful spring, summer and autumn harvests, so that...
Gareth von Kallenbach (980 KP) rated Outlaw King (2018) in Movies
Jul 2, 2019
After more than eight years of war with King Edward I of England (Stephen Dillane) the Scottish Nobles swear allegiance to the crown, ending the brutal. This includes Robert Bruce (Chris Pine) who is one of two men in line to be King of Scots. But by pledging his loyalty to they agree to be under the supervision of the Earl of Pembroke, Aymer de Valence (Sam Spruell). Robert’s father, Robert Bruce Senior (James Cosmo), had pushed for the peace with England but when he dies and the younger Robert is in charge a new fight for independence seems eminent. When the last remaining outlaw, William Wallace, is killed by the English Robert knows the time to fight is now. He decides to meet with his rival for the crown, John Comyn (Callan Mulvey), to have a united Scotland fighting for freedom. When Comyn denies Robert’s request and tells him he will use the information to be named King by Edward I, Robert kills him. This proves costly as it divides the Scottish Lords. Robert is determined and will take a small group loyal to him and fight one of the largest and most feared armies in the world.
This film is based on historical events and follows Robert the Bruce in his guerilla warfare battle for independence against the English. The film definitely seemed to take some poetic license with the story, but overall it feels realistic. Set in the medieval Scotland this is both a gritty and beautifully shot film. The wide shots show the beautiful country and coasts of Scotland. Then the day to day life and the battle scenes are dirty and grimy. The film is a brutal as advertised not only in the battle scenes but also throughout the film. Director David Mackenzie (Hell or High Water, Starred Up) crafts a well thought out story that moves briskly along. I had a couple of issues with the CGI not being super realistic. One brutal scene where someone drawn and quartered, I’ll let you research that, and the body looks like a blob rather than a torso. There were also some awkward cut scenes that didn’t make sense to me. Really not making sense. The opening sequence of the film is done in one shot and might be one of the most impressively shot sequences I have seen in a movie in a long time. The performances are also really good. Billy Howie, Prince of Wales, is a good antagonist and Aaron Taylor-Johnson, James Douglas, is a marvelous madman protector of the Robert the Bruce.
I enjoyed this movie in the theater and think a Netflix view is going to be perfect. It is brutal so the faint of heart should be prepared to look away multiple times. It may get compared to another famous Scottish film from not too long ago and I think this is a nice update. But this is not that film, both in good and bad ways. I enjoyed my watching experience and will definitely catch it streaming on its release date.
This film is based on historical events and follows Robert the Bruce in his guerilla warfare battle for independence against the English. The film definitely seemed to take some poetic license with the story, but overall it feels realistic. Set in the medieval Scotland this is both a gritty and beautifully shot film. The wide shots show the beautiful country and coasts of Scotland. Then the day to day life and the battle scenes are dirty and grimy. The film is a brutal as advertised not only in the battle scenes but also throughout the film. Director David Mackenzie (Hell or High Water, Starred Up) crafts a well thought out story that moves briskly along. I had a couple of issues with the CGI not being super realistic. One brutal scene where someone drawn and quartered, I’ll let you research that, and the body looks like a blob rather than a torso. There were also some awkward cut scenes that didn’t make sense to me. Really not making sense. The opening sequence of the film is done in one shot and might be one of the most impressively shot sequences I have seen in a movie in a long time. The performances are also really good. Billy Howie, Prince of Wales, is a good antagonist and Aaron Taylor-Johnson, James Douglas, is a marvelous madman protector of the Robert the Bruce.
I enjoyed this movie in the theater and think a Netflix view is going to be perfect. It is brutal so the faint of heart should be prepared to look away multiple times. It may get compared to another famous Scottish film from not too long ago and I think this is a nice update. But this is not that film, both in good and bad ways. I enjoyed my watching experience and will definitely catch it streaming on its release date.
Emma @ The Movies (1786 KP) rated Spycies (2020) in Movies
Feb 22, 2020
A lot of the obscure kid's films I see at the cinema just appear with no warning, that means an exciting trip of uncertainty!
Vladimir the cat is a top spy at the Agency but after causing so much damage to property in a recent mission he's sent out to a remote station as penance. There he meets Hector, a tech genius rat who's isolation has left him craving company and eager to bond.
There isn't much excitement in their lives, just Hector's soaps on TV and trying to decide which pizza to heat up. Until one day the dullness is interrupted by a team who infiltrate the compound and steal something from the vault. After they make their escape Vlad and Hector head home to hunt down the perpetrators and get back what was stolen.
What I want to say about Spycies first is that the animation is amazing. I was blown away by some of the shots. The poster states it's from the animators of Despicable Me, Minions and The Secret Life Of Pets, I really thought this was an attempt to cash in on connections, and it is to an extent as this is relatively unknown but it does stand on its own once you see it.
The station that Hector and Vladimir are on is an oil rig out in open water and a lot of the shots are done during a storm, these scenes are incredible. One in particular felt like real footage and not animation, it was absolutely beautiful.
There's no denying that this is Zootropolis/Zootopia with spies, that thought bothered me more after watching it than it did during. It feels like they made a very specific selection of animals to be different. The other big difference is that it's clear it's set at some point in the future, and this is probably my only major issue.
Futuristic isn't something you really get from the world of Spycies, apart from when you look at the vehicles. The opening sequence, while epic on action movie scales, was very chaotic and the vehicles being new and unusual just added to that. With so much tradition around the film this felt out of place.
As an adult watching this film it was noticeable that it was made for a foreign market, it has clear regional influences that might not land for everyone but I suspect that the kids won't be too bothered about them.
I quite like the story but it isn't necessarily anything new. James Bond (yes, there's a Bond, James Bond moment in there) meets Zootropolis with flashes of Spies In Disguise. Familiar might feel stale but I enjoyed it. The script doesn't quite fit with the audience it's aimed at, it's probably not quite fun enough for kids but there's plenty of action and slapstick to keep them entertained as well as adults.
[On the title itself... I'm assuming it's a play on the word "species"?]
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/spycies-movie-review.html
Vladimir the cat is a top spy at the Agency but after causing so much damage to property in a recent mission he's sent out to a remote station as penance. There he meets Hector, a tech genius rat who's isolation has left him craving company and eager to bond.
There isn't much excitement in their lives, just Hector's soaps on TV and trying to decide which pizza to heat up. Until one day the dullness is interrupted by a team who infiltrate the compound and steal something from the vault. After they make their escape Vlad and Hector head home to hunt down the perpetrators and get back what was stolen.
What I want to say about Spycies first is that the animation is amazing. I was blown away by some of the shots. The poster states it's from the animators of Despicable Me, Minions and The Secret Life Of Pets, I really thought this was an attempt to cash in on connections, and it is to an extent as this is relatively unknown but it does stand on its own once you see it.
The station that Hector and Vladimir are on is an oil rig out in open water and a lot of the shots are done during a storm, these scenes are incredible. One in particular felt like real footage and not animation, it was absolutely beautiful.
There's no denying that this is Zootropolis/Zootopia with spies, that thought bothered me more after watching it than it did during. It feels like they made a very specific selection of animals to be different. The other big difference is that it's clear it's set at some point in the future, and this is probably my only major issue.
Futuristic isn't something you really get from the world of Spycies, apart from when you look at the vehicles. The opening sequence, while epic on action movie scales, was very chaotic and the vehicles being new and unusual just added to that. With so much tradition around the film this felt out of place.
As an adult watching this film it was noticeable that it was made for a foreign market, it has clear regional influences that might not land for everyone but I suspect that the kids won't be too bothered about them.
I quite like the story but it isn't necessarily anything new. James Bond (yes, there's a Bond, James Bond moment in there) meets Zootropolis with flashes of Spies In Disguise. Familiar might feel stale but I enjoyed it. The script doesn't quite fit with the audience it's aimed at, it's probably not quite fun enough for kids but there's plenty of action and slapstick to keep them entertained as well as adults.
[On the title itself... I'm assuming it's a play on the word "species"?]
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/spycies-movie-review.html
Lucy Buglass (45 KP) rated Brightburn (2019) in Movies
Jul 2, 2019
It was difficult to avoid trailers for James Gunn’s Brightburn, and as a result it was difficult to avoid my excitement too. I had very much been looking forward to this one, as I’m always interested in characters that use their powers for evil instead of good.
In a similar vein to Josh Trank’s Chronicle, the film follows a teenager who starts to realise he’s got special abilities, but ends up having very dark intentions. For Brightburn, though, it’s because Brandon Bryer (Jackson A Dunn) is not of this world, and he was adopted by Tori (Elizabeth Banks) and Kyle (David Denman) who desperately tried to hide the truth from him.
Jackson A. Dunn is undoubtedly the star of the show here, and a young actor that I’m incredibly impressed with. His emotional range is really fantastic, and the way he portrays genuine psychopathic behaviour feels almost too real. I did find myself lost in his performance, and scared of him too. I really hope to see him on another project in the near future.
Elizabeth Banks and David Denman shared great chemistry too, with conflicting opinions as Brandon starts to uncover who he really is. In a way its cliched, a couple fail to conceive and a child (or ‘blessing’ as Tori often calls it) falls to earth, but it takes that trope and turns it into something monstrous that tears the family apart. There’s nothing angelic about this kid.
The biggest downside to Brightburn for me, is that the trailer gave away all the film’s best moments. I could predict what was going to happen, and there were no real surprises for me. The scenes the trailer missed out were disappointingly average, and nothing special. It could’ve benefited from teasing the audience more.
There is also one scene in particular that has very bad special effects, and ruined the emotion I was supposed to be feeling during it. I wish they had decided to do something more subtly brutal here, as that would’ve upped the emotional factor during this crucial moment.
It’s even more disappointing because I did enjoy certain effects, and the use of the POV camera on victims to make it more disturbingly intimate. I was also impressed with the level of gore and the creativeness of the murders, and how it helped to shape Brandon’s character development throughout.
The film had the potential to be more well polished, but sadly repeatedly opted for big and bold effects that were too jarring for me as a viewer. Having said that, the strength of Brandon’s character, the dynamics between the family, and the strength of one or two scenes helped to redeem the film a bit.
It’s entertaining to watch on the big screen with some effective scares and some gory moments that aren’t for those with a weak stomach. I’m happy I spent an evening watching it, but I can’t say I’ll be rushing to see it again.
In a similar vein to Josh Trank’s Chronicle, the film follows a teenager who starts to realise he’s got special abilities, but ends up having very dark intentions. For Brightburn, though, it’s because Brandon Bryer (Jackson A Dunn) is not of this world, and he was adopted by Tori (Elizabeth Banks) and Kyle (David Denman) who desperately tried to hide the truth from him.
Jackson A. Dunn is undoubtedly the star of the show here, and a young actor that I’m incredibly impressed with. His emotional range is really fantastic, and the way he portrays genuine psychopathic behaviour feels almost too real. I did find myself lost in his performance, and scared of him too. I really hope to see him on another project in the near future.
Elizabeth Banks and David Denman shared great chemistry too, with conflicting opinions as Brandon starts to uncover who he really is. In a way its cliched, a couple fail to conceive and a child (or ‘blessing’ as Tori often calls it) falls to earth, but it takes that trope and turns it into something monstrous that tears the family apart. There’s nothing angelic about this kid.
The biggest downside to Brightburn for me, is that the trailer gave away all the film’s best moments. I could predict what was going to happen, and there were no real surprises for me. The scenes the trailer missed out were disappointingly average, and nothing special. It could’ve benefited from teasing the audience more.
There is also one scene in particular that has very bad special effects, and ruined the emotion I was supposed to be feeling during it. I wish they had decided to do something more subtly brutal here, as that would’ve upped the emotional factor during this crucial moment.
It’s even more disappointing because I did enjoy certain effects, and the use of the POV camera on victims to make it more disturbingly intimate. I was also impressed with the level of gore and the creativeness of the murders, and how it helped to shape Brandon’s character development throughout.
The film had the potential to be more well polished, but sadly repeatedly opted for big and bold effects that were too jarring for me as a viewer. Having said that, the strength of Brandon’s character, the dynamics between the family, and the strength of one or two scenes helped to redeem the film a bit.
It’s entertaining to watch on the big screen with some effective scares and some gory moments that aren’t for those with a weak stomach. I’m happy I spent an evening watching it, but I can’t say I’ll be rushing to see it again.
