Daniel Craig: The Biography
Book
The most successful Bond of all time. One of the most stylish men in Britain. A United Nations...
Maya Angelou: Adventurous Spirit
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A comprehensive biographical and critical reading of the works of American poet and memoirist Maya...
Matthew Krueger (10051 KP) rated Maverick (1994) in Movies
Jul 14, 2020 (Updated Jul 14, 2020)
The plot: This film update of the "Maverick" TV series finds the title cardsharp (Mel Gibson) hoping to join a poker contest with an impressive payoff. In order to enter, Maverick must first put up a large cash sum. He scams hopeful contestants Annabelle (Jodie Foster) and Angel (Alfred Molina) in a preliminary card game to win the money he needs, making enemies of both players. While trying to evade Annabelle and Angel, the crafty Maverick realizes a cunning marshal (James Garner) is also on his tail.
Many cameo appearances by Western film actors, country music stars and other actors. Including Danny Glover, Hal Ketchum, Corey Feldman, Read Morgan, Steve Kahan, Art LaFleur, Leo Gordon, Denver Pyle, Robert Fuller, Doug McClure, Henry Darrow, William Smith, Charles Dierkop, William Marshall, Dennis Fimple, Bert Remsen and Margot Kidder.
Danny Glover's cameo appearance references Donner's Lethal Weapon film series starring Glover and Gibson as cop partners. Their meeting in Maverick sees them share a moment of recognition, complete with Lethal Weapon music, and as he leaves, Glover says Roger Murtaugh's catchphrase: "I'm getting too old for this shit."
Country singers also cameo including Carlene Carter, Waylon Jennings, Kathy Mattea, Reba McEntire, Clint Black, Vince Gill and Janis Gill.
Its a funny entertaining western. A must watch.
Prison Break - Season 4
TV Season
The major storyline for the fourth season concerns a team recruited by Homeland Security agent Don...
Mike Wilder (20 KP) rated Road House (1989) in Movies
May 30, 2018
BankofMarquis (1832 KP) rated 21 Bridges (2019) in Movies
Sep 22, 2020
This charm and charisma is very much in evidence in the by-the-book cops chasing robbers action flick 21 BRIDGES. As the cop chasing "the fugitive", Boseman elevates the proceedings to a level above what this average script had to offer.
Set in NYC, 21 BRIDGES tells the tale of Detective Andre Davis (Bozeman) who must chase down a couple of thieves - and cop killers - before they can escape New York. Told in one night, Davis makes the call to close the "21 Bridges" of the island of Manhattan so the bad guys are stuck on the island.
And...that's the first disappointment with this film, it doesn't do anything with that premise. Do the bad guys try to escape on one of those "21 Bridges"? Nope. The bridges are never really mentioned again...so why call this film "21 Bridges"?
What does work is Boseman's performance. His Davis is competent, honest, smart and earnest and you are drawn into his work. As is the work of the person who is thrust into the action as his partner, Vice Cop Frankie Burns (Sienna Miller). You might roll your eyes when you hear Miller's name for her early career was more about being on the tabloid pages than it was about being on the screen, but she has morphed herself - and her career - into something quite interesting through turns in films like FOXCATCHER and AMERICAN SNIPER and she is as equally interesting as Bozeman in this film. The 2 make a good pair.
The rest of the supporting cast - Taylor Kitsch, Keith David and the great J.K. Simmons - are solid, if not spectacular. But there are 2 standouts. Alexander Siddig (Dr. Bashir in STAR TREK: DEEP SPACE 9) is interesting as the "money launderer" and Stephan James (IF BEALE STREET COULD TALK) is just as charming and charismatic as Bozeman as one of the the thieves on the run. If you are looking for a young, charismatic actor to fill the hole created by Bozeman's death, James could very well fit the bill.
I've mentioned that the script by Adam Mervis and Matthew Michael Carnahan is nothing special, but what is special is the Direction by Brian Kirk (a TV Director of such shows as GAME OF THRONES and LUTHER). This is his Major Motion Picture debut (as far as I could tell) and there were some VERY interesting shots and some taught, tense moments. He'll be a director to watch in the future.
While nothing too special, 21 BRIDGES is better than "good enough" - a cops 'n robbers film that will hold your interest for the relatively quick 1 hour and 39 minute running time.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Daniel Boyd (1066 KP) rated Upgrade (2018) in Movies
Oct 2, 2018 (Updated Oct 3, 2018)
Well this is it.
Upgrade is a Sci-Fi movie that doesn't follow the most unique concept in the genre, but does it in such a fresh and fun way that it works incredibly well. Upgrade also does a really good job at making you feel some genuine emotions of sadness and pity, something that I really didn't expect to get from a movie like this. When it comes to the action and violence in the movie, Upgrade embraces it's B-movie inspiration and gives us some awesome grisly practical effects along with some cool action choreography to go with it.
There are some elements to the plot that may seem bizarre to those not familiar with the more campy side of this genre and the movie does slightly feel like a video game at times. However, I don't feel that this is to the movie's detriment and instead, actually adds to the fun ride that the film is taking you on.
I also like the way the movie ended, although I saw the reveal of who the big bad was going to be coming a mile away, what happened afterward was really surprising and pretty bold and risky. I don't want to spoil anything here if I can help it, but let's just say I thought that they were going one way, which would have been a really poor, cliché ending for a movie like this and then they went in totally the opposite direction, subverting expectations and instead, choosing to end the film on a genuinely unexpected note. Whether you like the ending or not, I think that the guts it took to pull it off, deserves some praise.
Overall, Upgrade is a really fun watch. It has it's high octane action sequences as advertised in the trailer and it also has some surprisingly tender, heartfelt moments to go along with all of the stunts and gore. Definitely worth a watch if you are a sci-fi fan looking for a thrilling, bloody good time.
The Extraordinary Leader: Turning Good Managers into Great Leaders by John Zenger & Joseph Folkman
Business and Book
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This free sample contains the first chapter and access to the full book requires an in-app purchase...
Movie Metropolis (309 KP) rated Into the Woods (2014) in Movies
Jun 11, 2019
However, musical movie adaptations are notoriously difficult to get right, from casting restraints to the inclusion of all the songs, transferring them to the silver screen is not something to be entered into lightly. So does director Rob Marhsall’s effort elevate itself above its peers?
Into the Woods has numerous plot threads that all end up coming together in one way or another, but the main storyline follows a baker (James Corden) and his wife, played gloriously by Emily Blunt, as they come to realise they cannot have a child.
Alas, a witch – who just so happens to live next door – has a way to provide them with what they want as long as they get a few items for her in the meantime.
An all-star cast including the likes of Chris Pine, Anna Kendrick, Christine Baranski, Lucy Punch, Johnny Depp and of course Meryl Streep all give their all in a film that is brimming with tantalising cinematography and stunning songs.
meryl-streep-into-the-woodsGenerally speaking, the female cast fares better in the singing portions of the film, although Chris Pine and Billy Magnussen had the audience in intentional fits of laughter in one particular sequence as two handsome Princes.
Unfortunately, Into the Wood’s greatest asset, its cast, is also its biggest undoing. Having so many story threads means that there isn’t any emotional attachment to the characters – despite the film’s numerous attempts to tug at the heartstrings.
Despite a deeply heartfelt performance of ‘Stay with Me’ from Meryl Streep, the film just steadily rolls itself from admittedly thrilling set piece to set piece without getting bogged down in nitty gritty character development.
Thankfully, the glorious cinematography that featured in the trailer continues throughout. An enclosed feeling makes you feel like you’re actually watching a stage show rather than a film, albeit one with a much higher budget, and this is one of its most captivating features.
Director Rob Marshall has managed to keep the pantomime feel despite the fact the audience is watching in a cinema – the locations are never overdone and everything feels nicely claustrophobic, adding to the eerie atmosphere.
However, the final act is unnecessarily long and its foray into deeper territory means the magic and sparkle is well and truly lost. This is a real shame as there are numerous moments where the film could end on a high, rather than delving into a murky and at times, incomprehensible final third.
Overall, Into the Woods is a charming adaptation of the popular musical and despite its slightly overlong running time and a disappointing final act, it manages to stay on course for a perfectly adequate, if underwhelming finale.
The entire cast have a ball with their characters with Meryl Streep and Emily Blunt being particular highlights throughout.
Parents beware however, its PG certification may be slightly too lenient for smaller children, who will no doubt be intrigued by the premise of combining our most-loved fairytales.
https://moviemetropolis.net/2015/01/17/a-charming-adaptation-into-the-woods-review/
Holby City - Series 19
TV Show
The series was created by Tony McHale and Mal Young as a spin-off from the established BBC medical...
Drama