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Erika Kehlet (21 KP) rated The Kill Switch (Tucker Wayne, #1) in Books
Feb 21, 2018
I love James Rollins' Sigma Force series, and I've enjoyed Tucker and Kane's guest appearances, so I was looking forward to reading this story that focused on the two of them and not the whole Sigma team. I was a little nervous about it after seeing another author's name on the cover though. Not because I have anything against Grant Blackwood - I've never read his books - just because I was afraid the book would lose the James Rollins feel, if you know what I mean, but I wasn't disappointed in the writing.
In The Kill Switch, Sigma enlists the help of Tucker and Kane to get a scientist and his daughter out of Russia. They are pursued by the Russian military, secret service agencies, and hired assassins as they try to escape the country and then locate an ancient plant specimen that is the focus of the doctor's work. The story was very enjoyable. I'm looking forward to Tucker and Kane's next adventure, whether that is with Sigma Force or on their own.
In The Kill Switch, Sigma enlists the help of Tucker and Kane to get a scientist and his daughter out of Russia. They are pursued by the Russian military, secret service agencies, and hired assassins as they try to escape the country and then locate an ancient plant specimen that is the focus of the doctor's work. The story was very enjoyable. I'm looking forward to Tucker and Kane's next adventure, whether that is with Sigma Force or on their own.
Lee KM Pallatina (951 KP) rated Rush Hour 2 (2001) in Movies
Dec 12, 2021
Vacations don't always go to plan
Detective James Carter (Tucker) and Inspector Lee (Chan) are vacationing in Hong Kong.
when a bomb explosion at the US Consulate kills two undercover agents Lee is assigned to the case unbeknownst to detective Carter, causing a rift between the two.
The return of the action comedy duo bring more laughs and action to the table than previously as Rush Hour 2 became a rarity... A solid sequel.
when a bomb explosion at the US Consulate kills two undercover agents Lee is assigned to the case unbeknownst to detective Carter, causing a rift between the two.
The return of the action comedy duo bring more laughs and action to the table than previously as Rush Hour 2 became a rarity... A solid sequel.
David McK (3188 KP) rated Tracker (Sigma Force, #7.5) in Books
Jan 30, 2019
Another whet-the-appetite short story, linked to [a: James Rollins|38809|James Rollins|https://d.gr-assets.com/authors/1328147798p2/38809.jpg] Sigma Force series, this one is set between the events of [b: The Devil Colony|7202829|The Devil Colony (Sigma Force, #7)|James Rollins|https://d.gr-assets.com/books/1264522557s/7202829.jpg|7897971] and [b: Bloodline|8709527|Bloodlines (Bloodlines, #1)|Richelle Mead|https://d.gr-assets.com/books/1297199431s/8709527.jpg|13582374].
Rather than focusing on any of the previous 'main' characters of the series (by which I also include Seichan!), this instead introduces two new character who will become important in the next (the afore-mentioned [b: Bloodline|8709527|Bloodlines (Bloodlines, #1)|Richelle Mead|https://d.gr-assets.com/books/1297199431s/8709527.jpg|13582374]) of Tucker and Kane.
Like [b: The Skeleton Key|103983|Skeleton Key (Alex Rider, #3)|Anthony Horowitz|https://d.gr-assets.com/books/1306076661s/103983.jpg|1443938], this is an extremely fast read, with the bulk of the length given over to an excerpt from the next in the series. However, and unlike that previous mentioned story, there is even (I felt) a teeny-tiny bit of character development in this one!
Rather than focusing on any of the previous 'main' characters of the series (by which I also include Seichan!), this instead introduces two new character who will become important in the next (the afore-mentioned [b: Bloodline|8709527|Bloodlines (Bloodlines, #1)|Richelle Mead|https://d.gr-assets.com/books/1297199431s/8709527.jpg|13582374]) of Tucker and Kane.
Like [b: The Skeleton Key|103983|Skeleton Key (Alex Rider, #3)|Anthony Horowitz|https://d.gr-assets.com/books/1306076661s/103983.jpg|1443938], this is an extremely fast read, with the bulk of the length given over to an excerpt from the next in the series. However, and unlike that previous mentioned story, there is even (I felt) a teeny-tiny bit of character development in this one!
Merissa (11646 KP) rated Colorado Flames With A Texas Twist (Colorado Heart #3) in Books
Apr 15, 2023
We're back with the boys of the Wild Bluff ranch and this time it's James who takes the spotlight. He is following - or stalking in his words - Brody, supposedly to make sure that Brody doesn't talk about the ranch but in reality, it is because James is fascinated with him. Brody comes across as a 'clean-cut boy' but has his own secrets to hide.
The one thing that stuck out for me in this book is the introduction to new characters, a new scene and a whole backstory that I know absolutely nothing about. Whilst I can see them having more importance as the story goes on, I have no idea who they are or what they're about right now. The other thing is that 'Mike' is mentioned more than once but from what I could understand, there is more than one 'Mike' character so I have no idea which one was which and who was being spoken about. I guess if you've read the other series, you will know more but I haven't.
On the whole, this was very enjoyable and I liked spending time with Zander, Marshall, Tucker and Billy, as well as James and Brody. Definitely enjoying these reads.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 9, 2015
The one thing that stuck out for me in this book is the introduction to new characters, a new scene and a whole backstory that I know absolutely nothing about. Whilst I can see them having more importance as the story goes on, I have no idea who they are or what they're about right now. The other thing is that 'Mike' is mentioned more than once but from what I could understand, there is more than one 'Mike' character so I have no idea which one was which and who was being spoken about. I guess if you've read the other series, you will know more but I haven't.
On the whole, this was very enjoyable and I liked spending time with Zander, Marshall, Tucker and Billy, as well as James and Brody. Definitely enjoying these reads.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 9, 2015
Darren (1599 KP) rated 100 Bloody Acres (2013) in Movies
Jun 20, 2019
Story: 100 Bloody Acres starts as we meet one of the brothers Reg (Herriman) who is a part of an organic fertiliser business, after Reg picks up a dead body, he finds himself drawn into picking up three hitchhikers, Sophie (McGahan), James (Ackland) and Wes (Kristian) who are heading to a music festival for a binge filled weekend.
Once Reg arrives back to his brother Lindsay (Sampson) the hapless brothers must decide to kill the three to continue to produce the highly popular fertiliser and keep their reputation up or let them go.
Thoughts on 100 Bloody Acres
Characters/Performance – Reg is the simple-minded brother who is always out to impress his brother, he brings the victims back to the factory. Lindsay is the brains of the act and he must clean up the mess Reg has left him in. He will go through with any killing. Sophie is the main reason Reg stops, she is travelling with her boyfriend but been cheating on him with their other friend. James just believes he is going to have the life he planned with Sophie. Wes is the traveller who enjoys a drug or two finding himself high through the whole film.
Performance wise, Damon and Angus are both good as the brother showing good chemistry as they do come off very different. Anna, Oliver and Jamie are all fine in the victim roles without coming off as interesting characters.
Story – The story has moments that feel fresh in places but in the main it is all just another version of group of travellers get taken by isolated people who must fight to survive or become the latest victims. It has good moments but doesn’t end up being the most memorable story in the genre.
Comedy/Horror – The comedy is good in places and does add to all the events of the film as it is almost what could go wrong does go wrong. The horror works in places too as we get the gore from it.
Settings – The Australian outback always makes for a good setting as we know how isolated the places are when it comes to the horror.
Special Effects – The effects work when needed without being used too often, the highlights come from the wild trip Wes is going through.
Final Thoughts – You want to see an Australian version of Tucker & Dale versus Evil, then this is for you but it doesn’t quite live up to the levels of that one.
Overall: Enjoyable horror comedy.
https://moviesreview101.com/2017/10/18/movie-reviews-101-midnight-halloween-horror-100-bloody-acres-2012/
Once Reg arrives back to his brother Lindsay (Sampson) the hapless brothers must decide to kill the three to continue to produce the highly popular fertiliser and keep their reputation up or let them go.
Thoughts on 100 Bloody Acres
Characters/Performance – Reg is the simple-minded brother who is always out to impress his brother, he brings the victims back to the factory. Lindsay is the brains of the act and he must clean up the mess Reg has left him in. He will go through with any killing. Sophie is the main reason Reg stops, she is travelling with her boyfriend but been cheating on him with their other friend. James just believes he is going to have the life he planned with Sophie. Wes is the traveller who enjoys a drug or two finding himself high through the whole film.
Performance wise, Damon and Angus are both good as the brother showing good chemistry as they do come off very different. Anna, Oliver and Jamie are all fine in the victim roles without coming off as interesting characters.
Story – The story has moments that feel fresh in places but in the main it is all just another version of group of travellers get taken by isolated people who must fight to survive or become the latest victims. It has good moments but doesn’t end up being the most memorable story in the genre.
Comedy/Horror – The comedy is good in places and does add to all the events of the film as it is almost what could go wrong does go wrong. The horror works in places too as we get the gore from it.
Settings – The Australian outback always makes for a good setting as we know how isolated the places are when it comes to the horror.
Special Effects – The effects work when needed without being used too often, the highlights come from the wild trip Wes is going through.
Final Thoughts – You want to see an Australian version of Tucker & Dale versus Evil, then this is for you but it doesn’t quite live up to the levels of that one.
Overall: Enjoyable horror comedy.
https://moviesreview101.com/2017/10/18/movie-reviews-101-midnight-halloween-horror-100-bloody-acres-2012/
JT (287 KP) rated Insidious (2010) in Movies
Mar 10, 2020
James Wan has all the talent but for some reason is unable to put the killer instinct into his films and finish them off like they should be. With the exception of being one of the founding members of the Saw franchise, his films to date haven’t quite lived up to the expectations we know he can and should be able to deliver on.
Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.
When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.
Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.
After some decent scares from the outset including the old “he’s behind you” and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.
It was a real shame as up till that point you’d have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.
The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line “It’s not the house that’s haunted”.
The film moves through the gears well, but it’s that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannel’s other film Dead Silence will know what I mean.
At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!
Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.
When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.
Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.
After some decent scares from the outset including the old “he’s behind you” and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.
It was a real shame as up till that point you’d have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.
The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line “It’s not the house that’s haunted”.
The film moves through the gears well, but it’s that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannel’s other film Dead Silence will know what I mean.
At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!
Chris Sawin (602 KP) rated The Forever Purge (2021) in Movies
Dec 14, 2021
The Purger's costumes (1 more)
The film's genuinely bad ass female characters.
There's no character development. (1 more)
The film is just more of the same.
America, A Ho-Hum Dystopia
Searching for stability in the face of record high levels of illegal immigration resulting from a surge in refugees fleeing cartel violence in Mexico and a growing wave of White Supremacy and anti-hispanic racism in the United States, the New Founding Fathers of America have proposed the unthinkable in order to solve the nation’s problems: the reinstatement of the Purge.
Written by The Purge creator James DeMonaco and directed by Everardo Gout, The Forever Purge is the fifth film in the franchise and its first entry since The Purge TV series ended after only two seasons in 2019.
Taking place primarily in Los Felis Valley, Texas, The Forever Purge follows Mexican refugees Adela (Ana de la Reguera) and Juan (Tenoch Huerta), who despite having made a life in America after living in the country for just ten months, continue to find themselves the victims of racism.
A talented cowboy, Juan works for the financially successful Tucker family on their ranch alongside Dylan (Josh Lucas), a member of the Tucker family who isn’t as good of a cowboy as Juan and lets his “white man good, Mexican bad” mentality drive his actions way more often than he should.
With the announcement that the Purge will be reinstated, the two buckle down and prepare to survive their first ever experience with the country’s most gruesome tradition. While the two successfully find sanctuary and survive the initial 12 hours of the sanctioned Purge, they emerge to find that many US citizens have just outright refused to stop purging.
Amidst the chaos, Canada and Mexico open their borders for six hours, allowing anyone not interesting in partaking in the events and wants to survive to flee to one of respective countries. However, the two countries also announce that after these six hours pass, they will be closing their American borders forever, preventing any further escape.
As the entire nation falls into chaos, its citizens begin to realize that The Forever Purge has begun.
The fifth film in the franchise and the latest installment since The Purge tv series ended in 2019, The Forever Purge is pretty much of the same for the horror franchise – in other words, it’s not going to make or break the opinion you already have about these movies.
A definite improvement over The First Purge, which one could argue is the worst film in the series, the performances in The Forever Purge in particular are leaps and bounds better in comparison to those found in its predecessor
You know how there are some movies where, for some reason or another, you don’t watch every trailer it drops before release, and thus are end up surprised when the film turns out to be completely different from the one-note-concept you imagined it would have?
While the upside to this avoidance of marketing material is that you’re almost completely in the dark about a given film prior to seeing it, the downside is that what your own imagined concept of the film may have more more potential than the final product.
The Forever Purge was one such film for me. For some reason, I thought the movie took place in a not-too-distant future where the majority of the country had become a desolate wasteland, water was scarce, and tumbleweeds were the closest thing to a pet anyone had.
Not only that, but I imagined that The Purge, long-outlawed in this post-apocalyptic future, had been reinstated as a full-time event by a group of crazed desperadoes.
Sadly, my idea of a western-slash-Mad Max-inspired Purge film ended up being way more interesting than The Forever Purge actually was, as most of the film’s creativity is found not in the Purge itself, but rather in the expansion to the franchise’s lore – specifically the state in which the USA is left in by the end of the film, as well as the end credits reveal of where Americans across the country are located
A Purger in The Forever Purge, directed by Everardo Valerio Gout.As a result, The Forever Purge ends with the franchise seemingly having lost whatever bite it may have once had. Kills are about as memorable as a bug splat on your windshield while driving on the highway, character development is minimal at best, and you aren’t invested in the outcome of what’s transpiring whatsoever.
You also don’t really know who the protagonists of the film are. Do you root for the successful family that doesn’t know how to cooperate outside of its own race, or the married couple that came to this country illegally?
Furthermore, why is it that each film’s unique masked purgers, who literally show up for only a handful of scenes in each of their respective appearances, are the best part of these films? It’s like really awesome DLC for a lifelessly dull video game.
While the action-horror film does at least introduce two strong female characters, Dylan Tucker’s wife, Cassidy (Cassidy Freeman), isn’t one of them. Her defining characteristics are that she’s pregnant and helpless.
However, Dylan’s younger sister, Harper (Leven Rambin), is awesome. She knows how to use a gun, is resourceful, intelligent, and breaks the ‘dumb blonde’ stereotype we’re all too familiar with.
Ana de la Reguera also rectifies her death in Army of the Dead with her performance as Adela, a former member of a group of women who fought against the cartel in Mexico who can fight, has knowledge of weapons, and knows how to navigate the city in the safest way possible. In other words, she’s a bad ass.
While The Forever Purge is meant to serve as a ‘final entry’ for the franchise, everything is left wide open at the end of the film, just in case another sequel gets greenlit. After all, we know how the general movie-going population just loves to keep mediocre franchises alive.
As such, nothing is resolved by the end of film, and the Forever Purge ends up being just what it sounds like: never ending.
The issue with this non-ending is that where the franchise could potentially go and where it’s actually going are two entirely different things, and thus the end result of the Forever Purge is way more disappointing because of this split.
A lackluster Purge entry at best that is only considered decent because the film that came before it is so awful, The Forever Purge does put some effort into attempting to put a different spin on how we view immigrants, but even that seems half-cocked at best.
With a concept this stagnant, The Forever Purge has successfully done what other horror movies have never been able to do; make deaths, murdering, and killing a total bore. Hopefully, with any luck, The Purge franchise will pillage and murder itself with this entry.
Written by The Purge creator James DeMonaco and directed by Everardo Gout, The Forever Purge is the fifth film in the franchise and its first entry since The Purge TV series ended after only two seasons in 2019.
Taking place primarily in Los Felis Valley, Texas, The Forever Purge follows Mexican refugees Adela (Ana de la Reguera) and Juan (Tenoch Huerta), who despite having made a life in America after living in the country for just ten months, continue to find themselves the victims of racism.
A talented cowboy, Juan works for the financially successful Tucker family on their ranch alongside Dylan (Josh Lucas), a member of the Tucker family who isn’t as good of a cowboy as Juan and lets his “white man good, Mexican bad” mentality drive his actions way more often than he should.
With the announcement that the Purge will be reinstated, the two buckle down and prepare to survive their first ever experience with the country’s most gruesome tradition. While the two successfully find sanctuary and survive the initial 12 hours of the sanctioned Purge, they emerge to find that many US citizens have just outright refused to stop purging.
Amidst the chaos, Canada and Mexico open their borders for six hours, allowing anyone not interesting in partaking in the events and wants to survive to flee to one of respective countries. However, the two countries also announce that after these six hours pass, they will be closing their American borders forever, preventing any further escape.
As the entire nation falls into chaos, its citizens begin to realize that The Forever Purge has begun.
The fifth film in the franchise and the latest installment since The Purge tv series ended in 2019, The Forever Purge is pretty much of the same for the horror franchise – in other words, it’s not going to make or break the opinion you already have about these movies.
A definite improvement over The First Purge, which one could argue is the worst film in the series, the performances in The Forever Purge in particular are leaps and bounds better in comparison to those found in its predecessor
You know how there are some movies where, for some reason or another, you don’t watch every trailer it drops before release, and thus are end up surprised when the film turns out to be completely different from the one-note-concept you imagined it would have?
While the upside to this avoidance of marketing material is that you’re almost completely in the dark about a given film prior to seeing it, the downside is that what your own imagined concept of the film may have more more potential than the final product.
The Forever Purge was one such film for me. For some reason, I thought the movie took place in a not-too-distant future where the majority of the country had become a desolate wasteland, water was scarce, and tumbleweeds were the closest thing to a pet anyone had.
Not only that, but I imagined that The Purge, long-outlawed in this post-apocalyptic future, had been reinstated as a full-time event by a group of crazed desperadoes.
Sadly, my idea of a western-slash-Mad Max-inspired Purge film ended up being way more interesting than The Forever Purge actually was, as most of the film’s creativity is found not in the Purge itself, but rather in the expansion to the franchise’s lore – specifically the state in which the USA is left in by the end of the film, as well as the end credits reveal of where Americans across the country are located
A Purger in The Forever Purge, directed by Everardo Valerio Gout.As a result, The Forever Purge ends with the franchise seemingly having lost whatever bite it may have once had. Kills are about as memorable as a bug splat on your windshield while driving on the highway, character development is minimal at best, and you aren’t invested in the outcome of what’s transpiring whatsoever.
You also don’t really know who the protagonists of the film are. Do you root for the successful family that doesn’t know how to cooperate outside of its own race, or the married couple that came to this country illegally?
Furthermore, why is it that each film’s unique masked purgers, who literally show up for only a handful of scenes in each of their respective appearances, are the best part of these films? It’s like really awesome DLC for a lifelessly dull video game.
While the action-horror film does at least introduce two strong female characters, Dylan Tucker’s wife, Cassidy (Cassidy Freeman), isn’t one of them. Her defining characteristics are that she’s pregnant and helpless.
However, Dylan’s younger sister, Harper (Leven Rambin), is awesome. She knows how to use a gun, is resourceful, intelligent, and breaks the ‘dumb blonde’ stereotype we’re all too familiar with.
Ana de la Reguera also rectifies her death in Army of the Dead with her performance as Adela, a former member of a group of women who fought against the cartel in Mexico who can fight, has knowledge of weapons, and knows how to navigate the city in the safest way possible. In other words, she’s a bad ass.
While The Forever Purge is meant to serve as a ‘final entry’ for the franchise, everything is left wide open at the end of the film, just in case another sequel gets greenlit. After all, we know how the general movie-going population just loves to keep mediocre franchises alive.
As such, nothing is resolved by the end of film, and the Forever Purge ends up being just what it sounds like: never ending.
The issue with this non-ending is that where the franchise could potentially go and where it’s actually going are two entirely different things, and thus the end result of the Forever Purge is way more disappointing because of this split.
A lackluster Purge entry at best that is only considered decent because the film that came before it is so awful, The Forever Purge does put some effort into attempting to put a different spin on how we view immigrants, but even that seems half-cocked at best.
With a concept this stagnant, The Forever Purge has successfully done what other horror movies have never been able to do; make deaths, murdering, and killing a total bore. Hopefully, with any luck, The Purge franchise will pillage and murder itself with this entry.
Chris Sawin (602 KP) rated Pandorum (2009) in Movies
Jun 22, 2019
A man wakes up in a sleeping chamber of some kind aboard a ship trudging its way through outer space. He has no recollection of who he is, what his mission is, or how long he's been on this vessel. After being awake for an hour, his memory begins to come back to him. He knows his name is Bower and he has a wife who may be on the ship somewhere. That's about the time the power surges begin and Lieutenant Payton wakes up. After realizing that they can't do much without having full power, Bower ventures off on his own to see if he can figure out what's causing these power surges and if anymore of the crew is awake. Bower doesn't get too far before he figures out two things: the first being that he only has about forty five minutes until the reactor goes into emergency shut down unless he can reach it in time from the other side of the ship. The second is that there's something else on board and whatever it is isn't human.
I had wanted to see this film ever since it first hit theaters since it had been a few years since the last sci-fi horror film I really enjoyed and I was really craving one. I missed it during its initial run though since it didn't perform so well at the box office (only a little over $10 million to date) and the response from moviegoers seemed a bit mixed (7.2 on IMDb, 27% fresh on Rotten Tomatoes). I had my doubts about the film since I knew Paul W.S. Anderson was involved and I've been rather disappointed with the majority of his films. Even though he was only a producer this time around, I knew his influence would still be on the project and it certainly was. So how did Pandorum stack up against the rest of Anderson's filmography? Probably about the same, but I enjoyed it overall.
The film starts off with an interesting premise, but the storyline seems to get more and more tangled up in itself as its twists and turns unravel. The viewer is left slightly disoriented by the time it's all said and done. There's at least two twists in there and several complicated conversations explaining what's actually going on. The other big problem for me was the fight scenes. Even though Christian Alvart is in the director's chair this time around, it seems as though some of Anderson's filming techniques left an impression on him as I remember having the same problem during the Resident Evil films (mainly Apocalypse). It's just hard to make out what's going on at times. You know someone has been stabbed or punched or kicked, but the camera zipping around so much sometimes makes it hard to see who is doing what.
The main reason to watch Pandorum is Ben Foster. He's just more and more impressive as an actor with every film he gets under his belt. I grew up watching him as Tucker James on Flash Forward and basically never forgot about him. After appearing in The Punisher, Hostage, and X-Men: The Last Stand, his most impressive role was in 3:10 To Yuma where he almost managed to steal the show from Russel Crowe and Christian Bale. It just seems like the more screen time Foster gets, the more time he has to portray how talented he really is. There are hints of Anderson's work on other films in Pandorum and although I'm not a big fan of his work, it was subtle and enjoyable overall. Event Horizon is the most obvious one, but there was a scene in the film where Bower and a few other people are trying to get to the reactor and they travel through a room that resembled the room in the first Resident Evil film with the lasers that wind up chopping most of them into bits. It was kind of interesting since Anderson's impression was definitely left on the film, but it felt like there was still enough material there for Christian Alvart to do his own thing as director. Speaking of Alvart, I was pleased that his two leads from his film Antibodies (André Hennicke and Wotan Wilke Möhring) had cameos in the film. Even Norman Reedus, who had a small role in Antibodies, managed to have a scene in Pandorum.
While Pandorum's storyline does seem to have about three turns too many and it's a bit difficult to make out what's going on when the action gets intense, it still managed to meet my expectations and be exactly what I was looking for with this type of film. Ben Foster definitely steals the show (Dennis Quaid is pretty good, as well) and the creatures in the film look similar to the ones from The Descent, which makes me think of this film as the offspring of Event Horizon and The Descent. If you're a fan of Event Horizon, Resident Evil, Aliens, or Sunshine, then this may be worth checking out. Considering its reputation, however, it'll probably have to be filed with the rest of my guilty pleasures.
I had wanted to see this film ever since it first hit theaters since it had been a few years since the last sci-fi horror film I really enjoyed and I was really craving one. I missed it during its initial run though since it didn't perform so well at the box office (only a little over $10 million to date) and the response from moviegoers seemed a bit mixed (7.2 on IMDb, 27% fresh on Rotten Tomatoes). I had my doubts about the film since I knew Paul W.S. Anderson was involved and I've been rather disappointed with the majority of his films. Even though he was only a producer this time around, I knew his influence would still be on the project and it certainly was. So how did Pandorum stack up against the rest of Anderson's filmography? Probably about the same, but I enjoyed it overall.
The film starts off with an interesting premise, but the storyline seems to get more and more tangled up in itself as its twists and turns unravel. The viewer is left slightly disoriented by the time it's all said and done. There's at least two twists in there and several complicated conversations explaining what's actually going on. The other big problem for me was the fight scenes. Even though Christian Alvart is in the director's chair this time around, it seems as though some of Anderson's filming techniques left an impression on him as I remember having the same problem during the Resident Evil films (mainly Apocalypse). It's just hard to make out what's going on at times. You know someone has been stabbed or punched or kicked, but the camera zipping around so much sometimes makes it hard to see who is doing what.
The main reason to watch Pandorum is Ben Foster. He's just more and more impressive as an actor with every film he gets under his belt. I grew up watching him as Tucker James on Flash Forward and basically never forgot about him. After appearing in The Punisher, Hostage, and X-Men: The Last Stand, his most impressive role was in 3:10 To Yuma where he almost managed to steal the show from Russel Crowe and Christian Bale. It just seems like the more screen time Foster gets, the more time he has to portray how talented he really is. There are hints of Anderson's work on other films in Pandorum and although I'm not a big fan of his work, it was subtle and enjoyable overall. Event Horizon is the most obvious one, but there was a scene in the film where Bower and a few other people are trying to get to the reactor and they travel through a room that resembled the room in the first Resident Evil film with the lasers that wind up chopping most of them into bits. It was kind of interesting since Anderson's impression was definitely left on the film, but it felt like there was still enough material there for Christian Alvart to do his own thing as director. Speaking of Alvart, I was pleased that his two leads from his film Antibodies (André Hennicke and Wotan Wilke Möhring) had cameos in the film. Even Norman Reedus, who had a small role in Antibodies, managed to have a scene in Pandorum.
While Pandorum's storyline does seem to have about three turns too many and it's a bit difficult to make out what's going on when the action gets intense, it still managed to meet my expectations and be exactly what I was looking for with this type of film. Ben Foster definitely steals the show (Dennis Quaid is pretty good, as well) and the creatures in the film look similar to the ones from The Descent, which makes me think of this film as the offspring of Event Horizon and The Descent. If you're a fan of Event Horizon, Resident Evil, Aliens, or Sunshine, then this may be worth checking out. Considering its reputation, however, it'll probably have to be filed with the rest of my guilty pleasures.