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Debbiereadsbook (1087 KP) rated Young Enough (The Age Between Us #2) in Books
Aug 24, 2018
You need book one first!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book two in The Age Between Us set, and you MUST read book one, Old Enough, before you read this one, it is not a stand alone.
I'm not gonna write a blurby bit, cos I might give something away!
When it all starts to unravel for Jane, and indeed for Brian, together, and separately, its like a ball rolling down a hill. As it moves, it gets faster and faster, and for Jane and Brian, things move at great speed, one thing after another after another, til the only way is for them both to walk away. When reading this unraveling, its like Oh My God. Then its, No Freaking WAY! And SAY WHAT NOW!!!
Because Pauls chucks so many, so bloody MANY things at this couple, and at us, it's a wonder they are still standing. So many twists and turns, so much that came totally out of left field, that I was totally blown away with the plot twists!
I've filed it on the darker/grittier shelf, because some of the things that are thrown at Brian and Jane need that tag. But if I tell you what they are, that would give plot lines away, so if anyone wants to know, please feel free to message me, and I will tell you, but I'm not doing that here.
BUT!!!
It's again, first person present tense, from both Jane and Brian's point of view. And as much as I loved this book, more so than the first, I still can't get past that. And for that I'm sorry!
Its very well written, though and you really do feel for both Brian and Jane when things start to go wrong. Strangely, I felt more for Brian than I did for Jane. Well I did, up to a point, and after that point?? It was Jane I felt more for!
So, even though I enjoyed this one more than book one, I still can't get past the present tense .....
4 stars
**same worded review will appear elsewhere**
This is book two in The Age Between Us set, and you MUST read book one, Old Enough, before you read this one, it is not a stand alone.
I'm not gonna write a blurby bit, cos I might give something away!
When it all starts to unravel for Jane, and indeed for Brian, together, and separately, its like a ball rolling down a hill. As it moves, it gets faster and faster, and for Jane and Brian, things move at great speed, one thing after another after another, til the only way is for them both to walk away. When reading this unraveling, its like Oh My God. Then its, No Freaking WAY! And SAY WHAT NOW!!!
Because Pauls chucks so many, so bloody MANY things at this couple, and at us, it's a wonder they are still standing. So many twists and turns, so much that came totally out of left field, that I was totally blown away with the plot twists!
I've filed it on the darker/grittier shelf, because some of the things that are thrown at Brian and Jane need that tag. But if I tell you what they are, that would give plot lines away, so if anyone wants to know, please feel free to message me, and I will tell you, but I'm not doing that here.
BUT!!!
It's again, first person present tense, from both Jane and Brian's point of view. And as much as I loved this book, more so than the first, I still can't get past that. And for that I'm sorry!
Its very well written, though and you really do feel for both Brian and Jane when things start to go wrong. Strangely, I felt more for Brian than I did for Jane. Well I did, up to a point, and after that point?? It was Jane I felt more for!
So, even though I enjoyed this one more than book one, I still can't get past the present tense .....
4 stars
**same worded review will appear elsewhere**
Whatchareadin (174 KP) rated The Sunshine Sisters in Books
Apr 9, 2019
Ronni Sunshine was not a very good mother. Her career as an actress was always most important to her. But when life throws her a curve ball she isn't expecting, she will call her three daughters home together to try to make up for lost time.
Each daughter dealt with their mother's selfish ways the best way they knew how. Nell, the eldest,was unemotional; Meredith, in the middle, took everything to heart; and Lizzy, the youngest ignored her mother and did whatever she wanted to do anyway. They have all gone on to lead separate lives, and rarely spoke to each other. Their childhood and their relationship with they mother have shaped them into the women they became as women. Nell has lived her life being a mother to her son and running a farm, even though she loves her work and her son, is she really happy? Meredith is engaged to be married and has a great job, but is this the life she envisioned? Lizzy is a celebrity chef and is married with a son, but her life isn't as perfect as it looks from the outside.
Thank you to NetGalley and Berkley Publishing for the opportunity to read and review this book.
I love Jane Green's books. They always send a wave of emotions. This book grabs at your heart strings and makes you feel for these characters How do you reconnect with family when you've been apart for so long. I don't think there has ever been a time when I didn't speak with my mom and my sister. I don't know what I would do if anything would happen to either one of them. The character I most connected with in this story was Meredith. I've always been the type of person to always make sure the people around me are taken care of before I've taken care of myself.
This book immediately makes you think of family and how to stay connected to them. Make sure your relationships are well maintained before it's too late. Life is so short and the next day is not promised to anyone. For those you love, you need to always keep them close so that when they go, as we all will someday, you will not feel as though there was something that you should have or could have done
Each daughter dealt with their mother's selfish ways the best way they knew how. Nell, the eldest,was unemotional; Meredith, in the middle, took everything to heart; and Lizzy, the youngest ignored her mother and did whatever she wanted to do anyway. They have all gone on to lead separate lives, and rarely spoke to each other. Their childhood and their relationship with they mother have shaped them into the women they became as women. Nell has lived her life being a mother to her son and running a farm, even though she loves her work and her son, is she really happy? Meredith is engaged to be married and has a great job, but is this the life she envisioned? Lizzy is a celebrity chef and is married with a son, but her life isn't as perfect as it looks from the outside.
Thank you to NetGalley and Berkley Publishing for the opportunity to read and review this book.
I love Jane Green's books. They always send a wave of emotions. This book grabs at your heart strings and makes you feel for these characters How do you reconnect with family when you've been apart for so long. I don't think there has ever been a time when I didn't speak with my mom and my sister. I don't know what I would do if anything would happen to either one of them. The character I most connected with in this story was Meredith. I've always been the type of person to always make sure the people around me are taken care of before I've taken care of myself.
This book immediately makes you think of family and how to stay connected to them. Make sure your relationships are well maintained before it's too late. Life is so short and the next day is not promised to anyone. For those you love, you need to always keep them close so that when they go, as we all will someday, you will not feel as though there was something that you should have or could have done
Bong Mines Entertainment (15 KP) rated Suicidal Since 1995 by Ängie in Music
Jun 7, 2019
Ängie is an electric-pop singer from Stockholm, Sweden. Not too long ago, she released an explosive debut EP, entitled, “Suicidal Since 1995”.
Ängie – “Dope”
The 7-track project begins with the boomin’ lead single, “Dope”, produced by Canto. Everything about this song is dope, down to the title. Also, it’s hypnotizing frequency is so addictive that it has clocked well over a quarter of a million views on YouTube, and that’s within a month of its release.
The artist described “Dope” as a love song where she confuses love with the rush for music and drugs. In the music video, she performs among various vices including drugs, vehicles, and animals.
The second song, “Boss”, is a flirtatious ditty about foreplay in the back of a vehicle. It’s straight to the point, hot, and steamy. Also, it’s a remake of Lana Del Rey’s “You Can Be the Boss”, from the singer’s “Unreleased” album.
Not too long ago, we covered the third track, “Here For My Habits”, which is also the second single from Suicidal Since 1995.
“Here For My Habits”
On the song, Ängie talks about her sexual-invitation experiences with dealers from her past. She explains how some of them tried to hit on her, some even falling in love with her.
The fourth track, “We Run”, is a song about a drug-induced nighttime romance, perpetrated in the dark or secrecy. But when the sun comes up, the hypnotic-tranced lovers run for cover.
The fifth track, “2013”, speaks about living young, wild, and free. Also, lyrics of hiding from cops and papa indicates a certain level of paranoia due to probably smoking too much bomb weed and drinking alcoholic beverages. Then a deep thought sinks in, “18, I can’t believe where the time’s gone?”
The sixth track, “Coke Ain’t Brain”, takes the volume up another notch. The song speaks of someone being addicted to Mary Jane (marijuana) and now they’re trapped to a ball and chain with Charlie (cocaine) stuffed in their nose.
The seventh song, “Venus in Fur”, is laidback, trancey, with a backdrop made of fluffy pillows. When the singer sings, “I am tired, I am weary. I could sleep for a thousand years,” listeners might find themselves under her spell.
Overall, “Suicidal Since 1995” is a solid debut project worth listening to. It has replay value and we highly recommend adding it to your music library.
https://www.bongminesentertainment.com/angie-suicidal-since-1995/
Ängie – “Dope”
The 7-track project begins with the boomin’ lead single, “Dope”, produced by Canto. Everything about this song is dope, down to the title. Also, it’s hypnotizing frequency is so addictive that it has clocked well over a quarter of a million views on YouTube, and that’s within a month of its release.
The artist described “Dope” as a love song where she confuses love with the rush for music and drugs. In the music video, she performs among various vices including drugs, vehicles, and animals.
The second song, “Boss”, is a flirtatious ditty about foreplay in the back of a vehicle. It’s straight to the point, hot, and steamy. Also, it’s a remake of Lana Del Rey’s “You Can Be the Boss”, from the singer’s “Unreleased” album.
Not too long ago, we covered the third track, “Here For My Habits”, which is also the second single from Suicidal Since 1995.
“Here For My Habits”
On the song, Ängie talks about her sexual-invitation experiences with dealers from her past. She explains how some of them tried to hit on her, some even falling in love with her.
The fourth track, “We Run”, is a song about a drug-induced nighttime romance, perpetrated in the dark or secrecy. But when the sun comes up, the hypnotic-tranced lovers run for cover.
The fifth track, “2013”, speaks about living young, wild, and free. Also, lyrics of hiding from cops and papa indicates a certain level of paranoia due to probably smoking too much bomb weed and drinking alcoholic beverages. Then a deep thought sinks in, “18, I can’t believe where the time’s gone?”
The sixth track, “Coke Ain’t Brain”, takes the volume up another notch. The song speaks of someone being addicted to Mary Jane (marijuana) and now they’re trapped to a ball and chain with Charlie (cocaine) stuffed in their nose.
The seventh song, “Venus in Fur”, is laidback, trancey, with a backdrop made of fluffy pillows. When the singer sings, “I am tired, I am weary. I could sleep for a thousand years,” listeners might find themselves under her spell.
Overall, “Suicidal Since 1995” is a solid debut project worth listening to. It has replay value and we highly recommend adding it to your music library.
https://www.bongminesentertainment.com/angie-suicidal-since-1995/
Bob Mann (459 KP) rated Kingsman: The Golden Circle (2017) in Movies
Sep 29, 2021
Vaughn and Golding cross the pond to deliver more of the same.
You would probably need to be living under a rock not to know that “Kingsman: The Golden Circle” is the follow-up film to Matthew Vaughn and Jane Goldman’s highly successful 2015 offering “Kingsman: The Secret Service”: a raucous, violent and rude entry into the spy-caper genre. And the sequel is more of the same: why mess with a crowd-pleasing formula?
The fledgling agent Eggsy (Taron Egerton (“Eddie the Eagle“), curiously called “Eggy” at various points in the film for reasons I didn’t understand) is now the new “Galahad” following the demise in the first film of the original, played by Colin Firth (“Magic in the Moonlight“, “Bridget Jones’ Baby“). But just as he’s getting into his stride the whole Kingsman organisation, now headed by Michael Gambon (“Harry Potter”) as Arthur , is ripped apart by an evil drugs cartel called “The Golden Circle” headed by smiling but deadly Poppy (Juliane Moore, “Still Alice”).
Eggsy and Lancelot (Mark Strong, “Miss Sloane“) in desperation turn to Statesman – the US equivalent organisation – and together with some surprising allies set out to defeat the evil plot to poison all casual drug users.
Subtle this film certainly is not, featuring brash and absurdly unrealistic action scenes that are 90% CGI but – for me at least – enormous fun to watch. As with the first film (and I’m thinking of the grotesquely violent church scene here) the action moves however from ‘edgy’ to “over-the-top/offensive” at times. The ‘burger scene’ and (particularly) the ‘Glastonbury incident’ are the standout moments for all the wrong reasons. I have a theory about how these *might* have come about…
One Mann’s Movies Showcase Theatre
The scene: Matthew Vaughn and Jane Golding are working “The Golden Circle” script at Goldman’s English home.
Vaughn: “OK, so Eggsy is in the tent with Clara and needs to plant the tracking device on her.”
Goldman’s husband Jonathan Ross sticks his head round the door.
Ross: “Hey Guys, I’ve an idea about that. I was on the phone to Wussell Bwand and we came up with a GWEAT idea.”
Vaughn: (rolling his eyes, mutters to himself): “Oh God, not again…”
Ross: “We thought that Eggsy could use his finger to stick the tracker right up her – ahem – ‘lady canal’ and… and… here’s the really great bit… the camera’s gonna be his finger. A camera up the muff! It’ll be weally weally funny!”
Vaughn: “But Jonathan…”.
Goldman nudges him hard.
Goldman (whispering): “Just let it go Matthew… you know what he’s like if he doesn’t get at least a couple of his ideas into the film”.
You can only hope a stunt vagina was used for this scene, else Poppy Delavigne (older sister of Cara) is going to find it very hard to find credible future work. One can only guess what tasteful interlude is being planned for Kingsman 3 – – a prostate-based tracker perhaps?
The film works best when the core team of Taron Egerton, Mark Strong and Colin Firth (yes, Colin Firth!) are together. Jeff Bridges (“Hell or High Water“), Channing Tatum (“Foxcatcher“) and Halle Berry (“Monster’s Ball”) all turn up as key members of ‘Statesman’ – adding star power but not a lot else – together with Pedro Pascal (“The Great Wall“) as ‘Whiskey’…. who I expected to be someone equally famous behind the moustache but wasn’t!
There’s also a very entertaining cameo from a star (no spoilers from me) whose foul-mouthed tirades I found very funny, and who also has the funniest line in the film (playing off one of the most controversial elements of the first film). It’s fair to say though that others I’ve spoken to didn’t think this appearance fitted the film at all.
Julianne Moore makes for an entertaining – if less than credible – villain, as does Bruce Greenwood (“Star Trek: Into Darkness”) as a barely disguised Trump. None of the motivations of the bad ‘uns however support any scrutiny whatsoever: this is very much a “park your brain at the door” film.
I really shouldn’t enjoy this crass, brash, brainless movie fast-food… and I know many have hated it! But my guilty secret is that I really did like it – one of the best nights of unadulterated escapist fun I’ve had since “Baby Driver”. Classy it’s certainly NOT, but I enjoyed this just as much as the original.
The fledgling agent Eggsy (Taron Egerton (“Eddie the Eagle“), curiously called “Eggy” at various points in the film for reasons I didn’t understand) is now the new “Galahad” following the demise in the first film of the original, played by Colin Firth (“Magic in the Moonlight“, “Bridget Jones’ Baby“). But just as he’s getting into his stride the whole Kingsman organisation, now headed by Michael Gambon (“Harry Potter”) as Arthur , is ripped apart by an evil drugs cartel called “The Golden Circle” headed by smiling but deadly Poppy (Juliane Moore, “Still Alice”).
Eggsy and Lancelot (Mark Strong, “Miss Sloane“) in desperation turn to Statesman – the US equivalent organisation – and together with some surprising allies set out to defeat the evil plot to poison all casual drug users.
Subtle this film certainly is not, featuring brash and absurdly unrealistic action scenes that are 90% CGI but – for me at least – enormous fun to watch. As with the first film (and I’m thinking of the grotesquely violent church scene here) the action moves however from ‘edgy’ to “over-the-top/offensive” at times. The ‘burger scene’ and (particularly) the ‘Glastonbury incident’ are the standout moments for all the wrong reasons. I have a theory about how these *might* have come about…
One Mann’s Movies Showcase Theatre
The scene: Matthew Vaughn and Jane Golding are working “The Golden Circle” script at Goldman’s English home.
Vaughn: “OK, so Eggsy is in the tent with Clara and needs to plant the tracking device on her.”
Goldman’s husband Jonathan Ross sticks his head round the door.
Ross: “Hey Guys, I’ve an idea about that. I was on the phone to Wussell Bwand and we came up with a GWEAT idea.”
Vaughn: (rolling his eyes, mutters to himself): “Oh God, not again…”
Ross: “We thought that Eggsy could use his finger to stick the tracker right up her – ahem – ‘lady canal’ and… and… here’s the really great bit… the camera’s gonna be his finger. A camera up the muff! It’ll be weally weally funny!”
Vaughn: “But Jonathan…”.
Goldman nudges him hard.
Goldman (whispering): “Just let it go Matthew… you know what he’s like if he doesn’t get at least a couple of his ideas into the film”.
You can only hope a stunt vagina was used for this scene, else Poppy Delavigne (older sister of Cara) is going to find it very hard to find credible future work. One can only guess what tasteful interlude is being planned for Kingsman 3 – – a prostate-based tracker perhaps?
The film works best when the core team of Taron Egerton, Mark Strong and Colin Firth (yes, Colin Firth!) are together. Jeff Bridges (“Hell or High Water“), Channing Tatum (“Foxcatcher“) and Halle Berry (“Monster’s Ball”) all turn up as key members of ‘Statesman’ – adding star power but not a lot else – together with Pedro Pascal (“The Great Wall“) as ‘Whiskey’…. who I expected to be someone equally famous behind the moustache but wasn’t!
There’s also a very entertaining cameo from a star (no spoilers from me) whose foul-mouthed tirades I found very funny, and who also has the funniest line in the film (playing off one of the most controversial elements of the first film). It’s fair to say though that others I’ve spoken to didn’t think this appearance fitted the film at all.
Julianne Moore makes for an entertaining – if less than credible – villain, as does Bruce Greenwood (“Star Trek: Into Darkness”) as a barely disguised Trump. None of the motivations of the bad ‘uns however support any scrutiny whatsoever: this is very much a “park your brain at the door” film.
I really shouldn’t enjoy this crass, brash, brainless movie fast-food… and I know many have hated it! But my guilty secret is that I really did like it – one of the best nights of unadulterated escapist fun I’ve had since “Baby Driver”. Classy it’s certainly NOT, but I enjoyed this just as much as the original.