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Dana (24 KP) rated Flame in the Mist in Books
Sep 8, 2017
Enjoyed from beginning to end
Overall, I freaking loved this novel. It's set in feudal Japan and follows a young woman as she is being married off the the emperor's second son. Mariko is a badass, There's no other way to put it. She will take no shit from others which gets her into a lot of trouble. She's also flawed in that aspect too; she's so blinded by her stubbornness to see the actual world around her sometimes. But she's not the only character who gets depth. Her brother, who we see in almost alternating viewpoints in the story, is a character filled with flaws and pride. But that's not all. Several characters get fleshed out back stories (some more in depth than others) and seeing them all grow was a delight to read.
Let's move on to the rich details of the setting. Feudal Japan can be tricky and Renee Ahdieh did it so much justice. It's described so well, I could easily put myself into Mariko's shoes and lose myself in the story. It's so nice to have that level of detail paid attention to in novels set in a different time and place.
And that romance.... oh boy, it was steamy. I must admit my weakness for slow burn romances (especially ones that are hate-to-love) and this did not disappoint. It was a bit awkward; at first I wasn't sure who she was going to get together with, but when it hit it's stride, I was in love. I really don't want to give much away, but it was fantastic to read and fall in love with them.
I am eagerly awaiting the next in the series!
Let's move on to the rich details of the setting. Feudal Japan can be tricky and Renee Ahdieh did it so much justice. It's described so well, I could easily put myself into Mariko's shoes and lose myself in the story. It's so nice to have that level of detail paid attention to in novels set in a different time and place.
And that romance.... oh boy, it was steamy. I must admit my weakness for slow burn romances (especially ones that are hate-to-love) and this did not disappoint. It was a bit awkward; at first I wasn't sure who she was going to get together with, but when it hit it's stride, I was in love. I really don't want to give much away, but it was fantastic to read and fall in love with them.
I am eagerly awaiting the next in the series!
Erika (17788 KP) rated Pokémon: Detective Pikachu (2019) in Movies
May 11, 2019 (Updated May 11, 2019)
I'm not one to hand out a 10 rating, but I loved this film, and can't wait to see it again.
First: This was not obnoxious Deadpool Ryan Reynolds (sorry not sorry), this was peak Ryan Reynolds from 2005 (Waiting/Just Friends), AKA, the best Ryan Reynolds.
I feel like this movie was made largely for the people that grew up with the OG Pokemon. There were several references back to Pokemon: The Movie with the introduction of Mew 2. It all seriously made me smile. It was fairly easy to figure out what exactly was going on, this is technically a kids movie, but I enjoyed the entire ride. I loved the entire world that was built, and I'm completely ready for sequels.
The main character, Tim, played by Justice Smith, was hugely likeable and entertaining. I'm assuming Ryme City was in Japan, and since there's only one Japanese actor in the entire world, Ken Watanabe makes an appearance as Lt Yoshida from the Police Department.
I fricken loved this movie.
First: This was not obnoxious Deadpool Ryan Reynolds (sorry not sorry), this was peak Ryan Reynolds from 2005 (Waiting/Just Friends), AKA, the best Ryan Reynolds.
I feel like this movie was made largely for the people that grew up with the OG Pokemon. There were several references back to Pokemon: The Movie with the introduction of Mew 2. It all seriously made me smile. It was fairly easy to figure out what exactly was going on, this is technically a kids movie, but I enjoyed the entire ride. I loved the entire world that was built, and I'm completely ready for sequels.
The main character, Tim, played by Justice Smith, was hugely likeable and entertaining. I'm assuming Ryme City was in Japan, and since there's only one Japanese actor in the entire world, Ken Watanabe makes an appearance as Lt Yoshida from the Police Department.
I fricken loved this movie.
Mark @ Carstairs Considers (2099 KP) rated Sayonara Slam (Mas Arai #6) in Books
Mar 9, 2018
The World Baseball Classic has come to Dodger Stadium, and Mas Arai is excited about the upcoming match between Japan and Korea. He’s on hand early and witnesses a reporter drop dead at a press conference. Mas has no desire to get involved in the investigation until a friend’s grandson hires him as a driver and interpreter. What will they uncover?
I haven’t read most of the books in this series, but I’ve been wanting to return to it for a while now. The characters are good, although I think I missed some of the character development since I’m not super familiar with them. Some sub-plots bogged down the plot a bit early on, but as the book continued, the mystery got stronger. I learned a bit about World War II history along the way to the logical climax.
NOTE: I was sent an ARC of this book in exchange for my honest review.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/05/book-review-sayonara-slam-by-naomi.html">Carstairs Considers</a>.
I haven’t read most of the books in this series, but I’ve been wanting to return to it for a while now. The characters are good, although I think I missed some of the character development since I’m not super familiar with them. Some sub-plots bogged down the plot a bit early on, but as the book continued, the mystery got stronger. I learned a bit about World War II history along the way to the logical climax.
NOTE: I was sent an ARC of this book in exchange for my honest review.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/05/book-review-sayonara-slam-by-naomi.html">Carstairs Considers</a>.
Beatriz (138 KP) rated Furistas Cat Cafe in Apps
Dec 5, 2018 (Updated Dec 5, 2018)
Appealing Design (4 more)
Simple game
Doesn’t have too many missions at a time
You can decorate your space
Is relaxing for people with anxiety
Furistas Cat Cafe
This is a very simple game that consists in taking care of a cafe that is cat friendly. It was inspired by a coffee shop in japan where customers go to cuddle cats while drinking tea or coffee.
In the game, you simply match a Cat with a customer, that will give you hearts (with the hearts you can level up your cats), you do Batista missions (clean a dirty floor, give customers food and drinks, or give a Cat attention) that will give you coins, you only have 3 missions per day. You also have events that will give you special baskets (where money, hearts and other things to help you level up come from) or special furniture for you to decorate your room. Every time you level up you’ll receive a new cat as well!
It’s a very simple relaxing game.
In the game, you simply match a Cat with a customer, that will give you hearts (with the hearts you can level up your cats), you do Batista missions (clean a dirty floor, give customers food and drinks, or give a Cat attention) that will give you coins, you only have 3 missions per day. You also have events that will give you special baskets (where money, hearts and other things to help you level up come from) or special furniture for you to decorate your room. Every time you level up you’ll receive a new cat as well!
It’s a very simple relaxing game.
Ryan Hill (152 KP) rated The Last Samurai (2003) in Movies
Jun 23, 2019
" I will tell you, how he lived"
The honour and code of the samurai has always been enticing to a Western civilisation that is far removed from such customs, which perhaps makes The Last Samurai such an enticing, enigmatic film. Edward Zwick crafts quite an epic adventure rich in mythology & thematic resonance that while traditionally Hollywood in its construction still manages to exist a cut above many such movies of its ilk, a touch of class surrounding how the story of Captain Nathan Algren is put together, based as it is on several real life legendary American figures who played key roles in the Satsuma Rebellion in Japan during the late 19th century. This isn't a direct re-telling of those events but serves as a leaping off point to construct a tale about a stranger in a strange land, of a man haunted by fighting an unjust war who rediscovers his honour & place in the world through a dying culture. Zwick's film is slick, sweeping, beautifully shot and frequently involving, backed up by a strong performance by Tom Cruise in one of those roles that remind you just what a good actor he can be.
In the role of Algren, Cruise begins a dejected man living out of a bottle, bereft of purpose & suffering post-Civil War nightmares of a man touted as a hero despite feeling the guilt of slaughtering Indians crushed under the might of a military machine; in that sense, The Last Samurai is very anti-war in its message, John Logan's story painting the Americans and specifically the Imperialist Japanese not in the greatest light. Cruise takes Algren on a traditional voyage of discovery, first pitted against the samurai code & eventually becoming consumed by it, consumed by the similarity of the way of the warrior between both cultures - and Ken Watanabe's dignified samurai 'rebel' Katsumoto learns from him, as well as the other way around, with Cruise remaining stoic & only getting flashes of a chance to display the usual Cruise charm, but that's OK - Algren isn't the kind of character to benefit from that, Cruise's natural magnetism is enough here. Wit is provided thankfully through, albeit briefly, Billy Connolly as a tough old Irish veteran & chiefly Timothy Spall as our portly 'narrator' of sorts, who serves to help mythologise Algren & the legend itself. Zwick is most concerned with that, you see, the idea of legends and how men become them, exploring that concept alongside digging into the cultural rituals and practises of a changing Japan.
Algren's story is placed at a time when the old ways of Japan were shifting, under the pressures of global politics & business; the Emperor here is a naive young man, sitting on an empty throne, looking to Watanabe for validation as his advisor's push to quash a rebellion fighting to preserve the old ways, preserve Japanese interests as America knocks on the door. That's why Cruise's role here is so interesting, his character learning of the samurai code & helping those around him remember their history, and Zwick explores well the concept of national identity alongside personal ideas of myth, legend & destiny. It all boils together in a careful script, never overblown, which neatly develops the relationships involved & helps you fully believe Algren's transformation into the eponymous 'last samurai'. Along the way, Zwick doesn't forget theatrics - staging plenty of well staged & intense fight scenes which utilise the strong Japanese production design, before building to a quite epic war climax with army pitted against army, with personal stakes cutting through it, backed up indeed by another superlative score by Hans Zimmer. It becomes more than just a historical swords & armour film, reaching deeper on several levels.
What could have been a slow paced, potentially ponderous movie is avoided well by Edward Zwick, who with The Last Samurai delivers one of the stronger historical adventure epics of recent years. Beautifully shot in many places, with some excellent cinematography & production standards, not to mention an impressive script well acted in particular by Tom Cruise & Ken Watanabe, Zwick creates a recognisably Hollywood picture but for once a movie that doesn't dumb down, doesn't pander and ultimately serves as an often involving, often damn well made story. Especially one to check out if you love the way of the samurai.
In the role of Algren, Cruise begins a dejected man living out of a bottle, bereft of purpose & suffering post-Civil War nightmares of a man touted as a hero despite feeling the guilt of slaughtering Indians crushed under the might of a military machine; in that sense, The Last Samurai is very anti-war in its message, John Logan's story painting the Americans and specifically the Imperialist Japanese not in the greatest light. Cruise takes Algren on a traditional voyage of discovery, first pitted against the samurai code & eventually becoming consumed by it, consumed by the similarity of the way of the warrior between both cultures - and Ken Watanabe's dignified samurai 'rebel' Katsumoto learns from him, as well as the other way around, with Cruise remaining stoic & only getting flashes of a chance to display the usual Cruise charm, but that's OK - Algren isn't the kind of character to benefit from that, Cruise's natural magnetism is enough here. Wit is provided thankfully through, albeit briefly, Billy Connolly as a tough old Irish veteran & chiefly Timothy Spall as our portly 'narrator' of sorts, who serves to help mythologise Algren & the legend itself. Zwick is most concerned with that, you see, the idea of legends and how men become them, exploring that concept alongside digging into the cultural rituals and practises of a changing Japan.
Algren's story is placed at a time when the old ways of Japan were shifting, under the pressures of global politics & business; the Emperor here is a naive young man, sitting on an empty throne, looking to Watanabe for validation as his advisor's push to quash a rebellion fighting to preserve the old ways, preserve Japanese interests as America knocks on the door. That's why Cruise's role here is so interesting, his character learning of the samurai code & helping those around him remember their history, and Zwick explores well the concept of national identity alongside personal ideas of myth, legend & destiny. It all boils together in a careful script, never overblown, which neatly develops the relationships involved & helps you fully believe Algren's transformation into the eponymous 'last samurai'. Along the way, Zwick doesn't forget theatrics - staging plenty of well staged & intense fight scenes which utilise the strong Japanese production design, before building to a quite epic war climax with army pitted against army, with personal stakes cutting through it, backed up indeed by another superlative score by Hans Zimmer. It becomes more than just a historical swords & armour film, reaching deeper on several levels.
What could have been a slow paced, potentially ponderous movie is avoided well by Edward Zwick, who with The Last Samurai delivers one of the stronger historical adventure epics of recent years. Beautifully shot in many places, with some excellent cinematography & production standards, not to mention an impressive script well acted in particular by Tom Cruise & Ken Watanabe, Zwick creates a recognisably Hollywood picture but for once a movie that doesn't dumb down, doesn't pander and ultimately serves as an often involving, often damn well made story. Especially one to check out if you love the way of the samurai.
Debbiereadsbook (1110 KP) rated Fox Tale (Sacred Emblems #0) in Books
Apr 27, 2024
great reading about Japan.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Ava is in Japan, writing a travel article. Meeting Chase, with his wonderful tales of Japanese myths and legends, helps her write a different take. But she never expected to meet up with her ex, Rafe, who left her two years ago without a word. Both men are hiking things. Can Ava choose?
I don't read reviews before I read a book, not anymore, but I will read them AFTER I've read said book, but before I write my review for one reason only: did they feel the same about this book as I did.
In this case: nope. They all loved this book and I . . . didn't.
I'm not saying I didn't like this book, I just found it hard work.
It's almost all written from Ava's point of view, in the first person. Rafe gets two very small bits, not even a chapter, in the third. I needed more from Rafe, and Chase, to be fair, to offset Ava.
There is a huge amount of repeated wording. Mostly around how Ava feels and thinks about Chase. "Apart from his silver hair, he looks young" or words to that effect are the most common. It began to get a bit much. "Seven hundred and seventy *something*, next winter" is another. The same things about the fox stories from Japanese lore pop up time and again too.
Apart from that, I liked this book. I couldn't see where it was going, nor how it was getting there, so when it did all go down, I was surprised and I liked the way it all happened.
Although there is the repetition of the lore, I did enjoy reading about the Japanese traditions and myths and legends.
There are some difficult topics here: death of a spouse, suicide, mental health issues and readers do need to be aware. Things are not how they seem, however, but the warning still needs to be made.
This is the first I've read of this author, and I always ask myself, will I read more? Not at this time. I won't say no to reading something else at a later date though.
3 good stars
*same worded review will appear elsewhere
Ava is in Japan, writing a travel article. Meeting Chase, with his wonderful tales of Japanese myths and legends, helps her write a different take. But she never expected to meet up with her ex, Rafe, who left her two years ago without a word. Both men are hiking things. Can Ava choose?
I don't read reviews before I read a book, not anymore, but I will read them AFTER I've read said book, but before I write my review for one reason only: did they feel the same about this book as I did.
In this case: nope. They all loved this book and I . . . didn't.
I'm not saying I didn't like this book, I just found it hard work.
It's almost all written from Ava's point of view, in the first person. Rafe gets two very small bits, not even a chapter, in the third. I needed more from Rafe, and Chase, to be fair, to offset Ava.
There is a huge amount of repeated wording. Mostly around how Ava feels and thinks about Chase. "Apart from his silver hair, he looks young" or words to that effect are the most common. It began to get a bit much. "Seven hundred and seventy *something*, next winter" is another. The same things about the fox stories from Japanese lore pop up time and again too.
Apart from that, I liked this book. I couldn't see where it was going, nor how it was getting there, so when it did all go down, I was surprised and I liked the way it all happened.
Although there is the repetition of the lore, I did enjoy reading about the Japanese traditions and myths and legends.
There are some difficult topics here: death of a spouse, suicide, mental health issues and readers do need to be aware. Things are not how they seem, however, but the warning still needs to be made.
This is the first I've read of this author, and I always ask myself, will I read more? Not at this time. I won't say no to reading something else at a later date though.
3 good stars
*same worded review will appear elsewhere
Awix (3310 KP) rated Gamera: Advent of Legion (1996) in Movies
Mar 15, 2019 (Updated Mar 15, 2019)
Startlingly sophisticated mash-up of the giant monster and alien invasion B-movie genres; second in Shusuke Kaneko's trilogy of Gamera movies. A meteorite brings the gestalt organism Legion to Earth, specifically Japan (of course). Scientists and the army embark on a desperate race to figure out how to stop the various manifestations of the creature, but may have to rely on their unlikely ally: the giant nuclear turtle Gamera.
The bare bones of the plot make it sound fairly absurd, but the combination of a clever, cine-literate script that knows exactly when to play it loose and when to get to the point, and superbly accomplished special effects mean this is one of the highlights of the Japanese monster movie tradition; arguably very influential within the genre, not least for the way it plays with all the classic tropes and manages to rationalise many of them. The design of the antagonist monster could have been a bit less weird, but you can't have everything I suppose. Exceeded in its crazed grandiosity only by the third part of the trilogy, but still outscores that in the script department.
The bare bones of the plot make it sound fairly absurd, but the combination of a clever, cine-literate script that knows exactly when to play it loose and when to get to the point, and superbly accomplished special effects mean this is one of the highlights of the Japanese monster movie tradition; arguably very influential within the genre, not least for the way it plays with all the classic tropes and manages to rationalise many of them. The design of the antagonist monster could have been a bit less weird, but you can't have everything I suppose. Exceeded in its crazed grandiosity only by the third part of the trilogy, but still outscores that in the script department.
Suswatibasu (1701 KP) rated A River in Darkness: One Man's Escape from North Korea in Books
Jan 17, 2018
An utterly bleak story of an invisible man
Masaji Ishikawa's story is truly soul-crushing, the level of trauma is beyond comprehension, therefore read it with caution.
Ishikawa describes his life under the North Korean regime as gruelling, horrifically terrifying, and there are some completely hopeless moments where you think why even bother anymore.
His journey begins in Japan, the child of a Japanese mother and Korean father, he was forced at a young age to move to North Korea under the pretence of "returning" to his motherland, though he never believed so. His father, an originally extremely violent man became pacified as he realised the perilous situation he bought his family into. But they soon face the truth and brutality of their circumstances.
The narrator defects at a much later stage in life, living around 30 years under the dictatorship, but leaving his family behind. He questions whether he made the right decision in the end as the consequences are revealed and the reader is left writhing in agony at his pain.
It is not an easy read, but it is important to understand the level of complexity and the reality of the situation. An absolute must read.
Ishikawa describes his life under the North Korean regime as gruelling, horrifically terrifying, and there are some completely hopeless moments where you think why even bother anymore.
His journey begins in Japan, the child of a Japanese mother and Korean father, he was forced at a young age to move to North Korea under the pretence of "returning" to his motherland, though he never believed so. His father, an originally extremely violent man became pacified as he realised the perilous situation he bought his family into. But they soon face the truth and brutality of their circumstances.
The narrator defects at a much later stage in life, living around 30 years under the dictatorship, but leaving his family behind. He questions whether he made the right decision in the end as the consequences are revealed and the reader is left writhing in agony at his pain.
It is not an easy read, but it is important to understand the level of complexity and the reality of the situation. An absolute must read.
Awix (3310 KP) rated Godzilla Vs King Ghidorah (1991) in Movies
Mar 7, 2018
Eighteenth Godzilla movie (fifth Ghidorah movie, if anyone cares) goes back to campy basics following the relative underperformance of Godzilla Vs Biollante. Owes a lot to 60s and 70s Godzilla movies, but also to American SF movies of the 80s - Back to the Future and Terminator have clearly been an influence. Despite all this the film has an undeniably anti-American subtext (in the future, Japan will become the world's biggest superpower, causing jealous Americans to hatch evil plot to stop this) which is actually quite amusing (possibly less so if you're actually from the USA).
Interesting story, some of the special effects are a little variable but the monster battles are undeniably good fun. Given that Godzilla was a bad guy monster in all the films from this period, and Ghidorah is nearly always the bad guy monster, the question of how to resolve the plot without the bad guy monster winning is reasonably elegant. Some surprisingly edgy moments for a Godzilla movie, too - looks, albeit obliquely, at events connected to the Second World War in a way which previous films would never have dreamt of. Definitely from close to the top of the Godzilla stack.
Interesting story, some of the special effects are a little variable but the monster battles are undeniably good fun. Given that Godzilla was a bad guy monster in all the films from this period, and Ghidorah is nearly always the bad guy monster, the question of how to resolve the plot without the bad guy monster winning is reasonably elegant. Some surprisingly edgy moments for a Godzilla movie, too - looks, albeit obliquely, at events connected to the Second World War in a way which previous films would never have dreamt of. Definitely from close to the top of the Godzilla stack.
Awix (3310 KP) rated Dogora (1964) in Movies
Jul 20, 2019 (Updated Jul 20, 2019)
Bonkers Japanese sci-fi from the Godzilla team makes most of those movies look like models of restraint and gritty realism. Odd things are afoot in Japan as seemingly random objects - coal, trucks, bank robbers, buildings - start spontaneously floating into the air. 'I never jump to conclusions but I think a giant space monster is probably responsible,' says the lead cop investigating the case. Of course, he is correct, and it's up to the usual team of cops, scientists, and soldiers to save the day.
The really weird thing about Dogora - and this is saying something - is that the giant diamond-eating monster element is not the oddest thing about this film. Most of it looks and feels like a particularly frantic cops-and-robbers thriller with the odd giant floating blob sequence edited in under protest. Still, the script has Shinichi Sekizawa's usual cheerful wit and the special effects are, believe it or not, excellent. Good fun if you like tokusatsu movies; the climax, in which wasp venom is used to try and petrify the monster and a gun battle turns into a dynamite-chucking contest, has to be seen to be believed.
The really weird thing about Dogora - and this is saying something - is that the giant diamond-eating monster element is not the oddest thing about this film. Most of it looks and feels like a particularly frantic cops-and-robbers thriller with the odd giant floating blob sequence edited in under protest. Still, the script has Shinichi Sekizawa's usual cheerful wit and the special effects are, believe it or not, excellent. Good fun if you like tokusatsu movies; the climax, in which wasp venom is used to try and petrify the monster and a gun battle turns into a dynamite-chucking contest, has to be seen to be believed.