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Kevin Phillipson (9943 KP) rated Jason Goes to Hell: The Final Friday (1993) in Movies
Feb 21, 2018 (Updated Feb 21, 2018)
LeftSideCut (3778 KP) rated Jason X (2001) in Movies
Feb 1, 2021
Jason X might be trash, but by God its glorious trash.
At this point, we're in full blown "fuck whatever has happened in the previous films" territory, with liberal splashings of narrative bullshit just to get Jason into a space setting, as he's cryogenically frozen only to be unwittingly thawed 450 years later aboard a spaceship, where he is snapped out of his slumber by teenagers shagging in another room. It's damn good then, that Jason X knows just how silly it is. The first Friday the 13th movie to release in a post Scream landscape, its self awareness gives it a much needed pass, as Jason slashes his way through a suspiciously 2000s looking cast.
The set looks cheap as hell, the CGI is terrible, the script is overspilling with cheesy one liners and puns, most of the characters are generally forgettable or unlikable, but despite all of this, it's an incredibly enjoyable film. Kane Hodder is back (sadly, for the last time movie wise) as Jason and once again cuts an imposing figure (especially when Uber Jason infamously rocks up near the films climax) and just to top it off, there's an inexplicable David Cronenberg cameo near the beginning.
Jason X is obviously flawed, but it's a damn good time, isn't boring, and boasts some decent gore. A two star film that I would recommend to anyone. Final thought - it's weird that Jason has a full head of hair in this...
At this point, we're in full blown "fuck whatever has happened in the previous films" territory, with liberal splashings of narrative bullshit just to get Jason into a space setting, as he's cryogenically frozen only to be unwittingly thawed 450 years later aboard a spaceship, where he is snapped out of his slumber by teenagers shagging in another room. It's damn good then, that Jason X knows just how silly it is. The first Friday the 13th movie to release in a post Scream landscape, its self awareness gives it a much needed pass, as Jason slashes his way through a suspiciously 2000s looking cast.
The set looks cheap as hell, the CGI is terrible, the script is overspilling with cheesy one liners and puns, most of the characters are generally forgettable or unlikable, but despite all of this, it's an incredibly enjoyable film. Kane Hodder is back (sadly, for the last time movie wise) as Jason and once again cuts an imposing figure (especially when Uber Jason infamously rocks up near the films climax) and just to top it off, there's an inexplicable David Cronenberg cameo near the beginning.
Jason X is obviously flawed, but it's a damn good time, isn't boring, and boasts some decent gore. A two star film that I would recommend to anyone. Final thought - it's weird that Jason has a full head of hair in this...
Kevin Phillipson (9943 KP) rated Friday the 13th Part III (1982) in Movies
Jun 18, 2018 (Updated Jun 18, 2018)
Hockey mask (2 more)
Gore
Opening tune
Has ive seen both in 3d and normal version i prefer it without the 3d not as good as the first two the weakest of the the first three films and jason gets his hockey mask at last shellys my favorite character in the movie. Some good kills the theme tune this time very different which i like. Always make time to watch this one
Kevin Phillipson (9943 KP) rated Friday the 13th Part 2 (1981) in Movies
Mar 2, 2018
Gore (1 more)
Story
Group of trainee camp councellors are about to discover that history is about to repeat itself as they are dismembered by a masked maniac can they surive.
The first of many sequels and the first to feature jason as the killer wearing a sack over his head. The kills are gory and amy steele is brillant as the lone surivor. One of the better sequels but no sign of the hockey mask yet
The first of many sequels and the first to feature jason as the killer wearing a sack over his head. The kills are gory and amy steele is brillant as the lone surivor. One of the better sequels but no sign of the hockey mask yet
Gareth von Kallenbach (965 KP) rated Jason X (2001) in Movies
Aug 14, 2019
Just when you thought it was safe to return to the local theater, along comes âJason Xâ, the tenth installment of the popular Friday the 13th series. Having grown tired of the summer camp settings of the majority of the series the creators set recent installments in New York City as well as played with the formula by having Jason possess people as was shown in the last two films of the series.
This is a new era and this time Jason is back to his old tricks in an entirely new setting. After being cryogenically frozen in 2010, Jason and a female scientist are discovered by a student survey team and revived in the year 2455 where Earth has become uninhabitable. Warnings about Jason and his ability to regenerate from any injury are unheeded as the lure of big money is motivating the groupâs leader Professor Lowe (Johnathan Potts) rather than the safety of the students and crew of the ship. Before long, Jason is up to his old tricks increasing his body count as he unleashes new and gruesome ways to dispatch the crew.
Being a horror film, the plot is secondary to the action and director James Isaac does not let the film get overly serious and even pokes fun at itself and the series. There are a number of lines and situations where the audience could ask if the characters could be any dumber, however in an interesting twist, these sort of situations as well as others are setup and carried off with intentional comedic results that had the audience laughing and thus providing a nice break from the scares and gore.
The cast is made up of largely unknowns and they are about as forgettable as the movie as they exist to be little more than fodder for Jason. I found it interesting to note that by the year 2455, students are still as ditzy as they are portrayed in 2002, and have libidos that make the 1984 LA Lakers look like a Vestal Virgin convention. That being said, âJason Xâ is a standard horror film that has a few twists for the audience. Although you will have seen all of this before, the space setting and the humor helps make the film stand out from some of the stale installments of the series, but the lack of a story and character development keeps this film from being a true Horror classis. My advice, if you are a fan of the series gather your friends and wait for the video.
This is a new era and this time Jason is back to his old tricks in an entirely new setting. After being cryogenically frozen in 2010, Jason and a female scientist are discovered by a student survey team and revived in the year 2455 where Earth has become uninhabitable. Warnings about Jason and his ability to regenerate from any injury are unheeded as the lure of big money is motivating the groupâs leader Professor Lowe (Johnathan Potts) rather than the safety of the students and crew of the ship. Before long, Jason is up to his old tricks increasing his body count as he unleashes new and gruesome ways to dispatch the crew.
Being a horror film, the plot is secondary to the action and director James Isaac does not let the film get overly serious and even pokes fun at itself and the series. There are a number of lines and situations where the audience could ask if the characters could be any dumber, however in an interesting twist, these sort of situations as well as others are setup and carried off with intentional comedic results that had the audience laughing and thus providing a nice break from the scares and gore.
The cast is made up of largely unknowns and they are about as forgettable as the movie as they exist to be little more than fodder for Jason. I found it interesting to note that by the year 2455, students are still as ditzy as they are portrayed in 2002, and have libidos that make the 1984 LA Lakers look like a Vestal Virgin convention. That being said, âJason Xâ is a standard horror film that has a few twists for the audience. Although you will have seen all of this before, the space setting and the humor helps make the film stand out from some of the stale installments of the series, but the lack of a story and character development keeps this film from being a true Horror classis. My advice, if you are a fan of the series gather your friends and wait for the video.
LeftSideCut (3778 KP) rated Friday the 13th Part VII: The New Blood (1988) in Movies
Jan 8, 2021
Fair play to this series, it's took 7 movies to get into telekinesis superpower territory, and it's predictably silly.
Part VII suffers from a few mishaps - like earlier entries such as 3, 4, and 5, it takes a little while to get going. Whereas Part VI was extremely well paced in comparison, this follow up feels like a step back in that regard. Final Girl Tina (Lar Park Lincoln) is kind of Interesting, and has a bit of backstory for padding, but everyone else just kind of sucks. Another bunch of boring unlikable teenagers - a far cry from Tommy Jarvis and Megan from Part VI. Also, The New Blood is yet another 80s horror that fell victim to the MPAA, resulting in an entry that has toned down gore - ashame as that's what half the fun is about!
With all that said, there are a load of positives here as well. The main plus is of course Jason. This is the first film with Kane Hodder under the mask, and it shows. His Jason isn't just intimidating, but takes an absolute beating. Being a stuntman before playing the iconic villain paid off. The final showdown between Tina and Jason is genuinely entertaing as hell. Her powers are more than a match for Jason, and Hodder shows off some astonishing stunt work as he gets set on fire, thrown through a staircase, thrown through the floor, electrocuted, trapped in a house that gets blown the fuck up - it's pretty brutal and it's great to watch. He also looks fantastically gruesome. The make up work and design is top tier, possibly the best Jason appearance wise in the whole franchise.
The final showdown also portrays how fucking absurd Part 7 is - from Jason inexplicably having increasingly exotic weapons in each scene throughout the runtime, to the ridiculous final moment (no spoilers, but it made me laugh out loud with how stupid it is).
Some memorable and creepy shots here and there, paired with another great score by Harry Manfredini also help to make Friday the 13th Part VII a stupidly enjoyable, if hugely flawed slasher. Trashy, but hard not to love.
Part VII suffers from a few mishaps - like earlier entries such as 3, 4, and 5, it takes a little while to get going. Whereas Part VI was extremely well paced in comparison, this follow up feels like a step back in that regard. Final Girl Tina (Lar Park Lincoln) is kind of Interesting, and has a bit of backstory for padding, but everyone else just kind of sucks. Another bunch of boring unlikable teenagers - a far cry from Tommy Jarvis and Megan from Part VI. Also, The New Blood is yet another 80s horror that fell victim to the MPAA, resulting in an entry that has toned down gore - ashame as that's what half the fun is about!
With all that said, there are a load of positives here as well. The main plus is of course Jason. This is the first film with Kane Hodder under the mask, and it shows. His Jason isn't just intimidating, but takes an absolute beating. Being a stuntman before playing the iconic villain paid off. The final showdown between Tina and Jason is genuinely entertaing as hell. Her powers are more than a match for Jason, and Hodder shows off some astonishing stunt work as he gets set on fire, thrown through a staircase, thrown through the floor, electrocuted, trapped in a house that gets blown the fuck up - it's pretty brutal and it's great to watch. He also looks fantastically gruesome. The make up work and design is top tier, possibly the best Jason appearance wise in the whole franchise.
The final showdown also portrays how fucking absurd Part 7 is - from Jason inexplicably having increasingly exotic weapons in each scene throughout the runtime, to the ridiculous final moment (no spoilers, but it made me laugh out loud with how stupid it is).
Some memorable and creepy shots here and there, paired with another great score by Harry Manfredini also help to make Friday the 13th Part VII a stupidly enjoyable, if hugely flawed slasher. Trashy, but hard not to love.
LeftSideCut (3778 KP) rated Friday the 13th Part VIII: Jason Takes Manhattan (1989) in Movies
Jan 11, 2021
Maybe I'm a little numb to this franchise being bad in anyway at this point, because I low key loved this. It's unencumbered nonsense, but dammit it's entertaining.
That title is misleading too. It should be called "Friday the 13th Part VIII: Jason on a boat, and then fucking around in a Manhattan sewer tunnel" but I absolutely commend the makers for trying something different with a new location. Jason on a cruise ship is actually a pretty neat visual.
This franchise has always been campy (pun fully intended) but Part VIII does really dial it up. Everything is so painfully 80s and over the top that not even Jason feel intimidating, which is doubly as frustrating considering Kane Hodder is back for another turn.
On top of this, the series strays even further from the formula of having at least one likable protagonist, with every character here just being plain unmemorable (apart from the boxing dude, that guy deserves all the praise for taking Jason on with his bare hands).
To drive the final nails into the coffin, the gore is once again really toned down, the make up effects on Jason's unmasked face are atrociously bad (his face looks like a soggy and battered piece of toast) which is a real shame after how fucking dope he looks in Part VII, and finally and arguably most importantly, this is the only entry in the core series that isn't scored by Harry Manfredini, which is just heresy in my book.
Despite all this, I still find Part VIII weirdly entertaining and enjoyable. Its doesn't get boring and should be watched knowing what's about to unfold - a tongue in cheek, 80s as balls silly slasher that has at least two instances of a girl doing extended electric guitar solos - it's better than Part III, fight me.
That title is misleading too. It should be called "Friday the 13th Part VIII: Jason on a boat, and then fucking around in a Manhattan sewer tunnel" but I absolutely commend the makers for trying something different with a new location. Jason on a cruise ship is actually a pretty neat visual.
This franchise has always been campy (pun fully intended) but Part VIII does really dial it up. Everything is so painfully 80s and over the top that not even Jason feel intimidating, which is doubly as frustrating considering Kane Hodder is back for another turn.
On top of this, the series strays even further from the formula of having at least one likable protagonist, with every character here just being plain unmemorable (apart from the boxing dude, that guy deserves all the praise for taking Jason on with his bare hands).
To drive the final nails into the coffin, the gore is once again really toned down, the make up effects on Jason's unmasked face are atrociously bad (his face looks like a soggy and battered piece of toast) which is a real shame after how fucking dope he looks in Part VII, and finally and arguably most importantly, this is the only entry in the core series that isn't scored by Harry Manfredini, which is just heresy in my book.
Despite all this, I still find Part VIII weirdly entertaining and enjoyable. Its doesn't get boring and should be watched knowing what's about to unfold - a tongue in cheek, 80s as balls silly slasher that has at least two instances of a girl doing extended electric guitar solos - it's better than Part III, fight me.
Steve Fearon (84 KP) rated Terrifier (2017) in Movies
Oct 31, 2018
Intriguing new character "Art" (1 more)
Gore galore
Doesn't seem to really have any depth (1 more)
Style over substance?
Does what it promises...but little more
So I finally got around to watching Terrifier, and yeah, it was pretty good.
Art the Clown is a captivating antagonist, with the playful tendencies of pennywise combined with the raw savagery of Jason, with just a pinch of the sadistic in there too.
The kills are largely effective, and brutal, the other characters are mostly fine and bearable, and certainly this is a film worthy of a sequel.
However, there is a niggling criticism that Terrifier is just a series of largely unrelated scenes, where they try to make Art as Brutal/Weird/Unsettling as possible, without really concerning themselves with any sort of a deeper plot, lore or moral.
The rules and motivations surrounding Art are unclear, at times hinting at mother issues, him just being an ordinary lunatic, but also having some supernatural elements too.
Its enjoyable enough without the lore and background, but for Art to transcend from a one off (if you ignore the short film starring him) we need to understand more.
Still, if you like your 80's gore horror, I am sure you will find something to like here.
Art the Clown is a captivating antagonist, with the playful tendencies of pennywise combined with the raw savagery of Jason, with just a pinch of the sadistic in there too.
The kills are largely effective, and brutal, the other characters are mostly fine and bearable, and certainly this is a film worthy of a sequel.
However, there is a niggling criticism that Terrifier is just a series of largely unrelated scenes, where they try to make Art as Brutal/Weird/Unsettling as possible, without really concerning themselves with any sort of a deeper plot, lore or moral.
The rules and motivations surrounding Art are unclear, at times hinting at mother issues, him just being an ordinary lunatic, but also having some supernatural elements too.
Its enjoyable enough without the lore and background, but for Art to transcend from a one off (if you ignore the short film starring him) we need to understand more.
Still, if you like your 80's gore horror, I am sure you will find something to like here.
LeftSideCut (3778 KP) rated Friday the 13th: The Final Chapter (1984) in Movies
Aug 26, 2020
Friday the 13th: The Final Chapter (although, far from being final) is a favourite in the series for many a fan of the franchise, and it's easy to see why.
It takes the formula of the first three and just adds more of it. There are more teenagers to be mercilessly slaughtered, more violence, (slightly) more character development, more stupid decisions being made by said characters, more of Jason in a hockey mask...
For me, it hasn't quite got as much charm as the first two, but it's certainly better put together than Part 3. The dialogue isn't quite as bad as it has been before, and it just seems a bit more of a solid slasher.
A big plus I'd having Tom Savini back on board in the effects department. There's plenty of practical gore effects going on (Crispin Glover getting a cleaver to the face is particularly gnarly), and of course the show stopper moment of seeing Jason unmasked is one of the franchise highlights.
The characters are pretty much what you would expect by now, although the story does go to some efforts to connect to past events (one character is the brother of someone killed by Jason in Part 2) and of course Tommy Jarvis is introduced here, a character that would go on to appear again, and become something of a horror icon.
The Final Chapter is a good time all in all, and gets extra points for tying up the first four relatively grounded movies neatly - the franchise get increasingly batshit from here on out!
It takes the formula of the first three and just adds more of it. There are more teenagers to be mercilessly slaughtered, more violence, (slightly) more character development, more stupid decisions being made by said characters, more of Jason in a hockey mask...
For me, it hasn't quite got as much charm as the first two, but it's certainly better put together than Part 3. The dialogue isn't quite as bad as it has been before, and it just seems a bit more of a solid slasher.
A big plus I'd having Tom Savini back on board in the effects department. There's plenty of practical gore effects going on (Crispin Glover getting a cleaver to the face is particularly gnarly), and of course the show stopper moment of seeing Jason unmasked is one of the franchise highlights.
The characters are pretty much what you would expect by now, although the story does go to some efforts to connect to past events (one character is the brother of someone killed by Jason in Part 2) and of course Tommy Jarvis is introduced here, a character that would go on to appear again, and become something of a horror icon.
The Final Chapter is a good time all in all, and gets extra points for tying up the first four relatively grounded movies neatly - the franchise get increasingly batshit from here on out!
Gareth von Kallenbach (965 KP) rated Friday the 13th (2009) in Movies
Aug 14, 2019
In the 1980âs the so- called slasher film genre was in full swing. When Michael Myers and the âHalloweenâ franchise became the highest grossing independent film in cinema history, the studios scrambled to get in on the booming genre and unleashed a flood of psycho killers on the viewing public, for the better part of a decade and a half.
Along with the aforementioned Michael Myers, and the later Freddy Krueger from the âNightmare on Elm Streetâ series, Jason Voorhees of the âFriday The 13Thâ series has become a cultural landmark. He has appeared in over ten movies (eleven if you count âFreddy Vs. Jasonâ) and unleashed havoc on countless oversexed and loaded teens, as well as those unfortunate enough to cross his path.
While the series, to many fans, become stale and largely self mocking with the Jason-in-space themed âJason Xâ, the character rebounded nicely with âFreddy Vs. Jasonâ and had many fans clamoring for a second match up between the two iconic bad guys.
Eventually the powers-that-be decided to go the remake route, which had proven successful with âHalloweenâ and âMy Bloody Valentineâ, and have crafted a new âFriday the 13thâ which they hope will re-energize the series.
The film opens with a modern re-telling of what was part of the finale of the original film, and hits the ground running with an impressive opening sequence that has Jason menacing a group of teens camping in the woods. The intense first twenty minutes of the film had the audience at the test screening gasping and cheering as the events set the stage for the body of the film, which revolves around another group of young adults taking a trip into the woods for a scenic getaway.
As the group stops for supplies, they encounter a young man who is looking for his sister who vanished in the area six weeks earlier. Despite little luck in his search, and the insistence by the local police that his sister is not anywhere in the area, he remains undaunted and continues his search.
At the same time, the group of young adults embarks on a frenzy of sex, drinking, drugs, and carefree living in the woods unaware that they are about to gain the attention of Camp Crystal Lakeâs most infamous former camper.
As the film unfolds, Jason soon unleashes his customary brutality on the group as well as any townies that come across him, and the film deftly mixes some humor with classic horror mayhem. In the time honored formula, a group of survivors soon finds themselves under siege by Jason and must find a way to survive Jasonâs wrath.
While the film lacks much in the way of plot and is loaded with a cast of largely unknowns, the film is a refreshing update to the series, knowing what the fans have come to expect and providing plenty of gore and scares. Since the cast exists to be little more than fodder for Jason, there is little effort devoted to fleshing them out as characters other than to provide excuses for most of the ladies in the film to shed their clothes, and a few of the male cast to establish themselves as comic relief, or the jerk who is destined for something special.
Director Marcus Nispel who has a solid pedigree with the recent âThe Texas Chainsaw Massacreâ, viral videos of Resident Evil 5, as well as the pending âAlice.â He clearly knows his subject matter and working with Producer Michael Bay and a script from Damian Shannon and Mark Swift (the duo behind âFreddy vs. Jasonâ), produced a solid by the numbers horror film.
Fans of the series will note clever references to the past films such as Jasonâs original mask and will find themselves yelling at the screen over the constant stupidity of the victims as well as the inventive way Jason dispatches his victims. I found myself enjoying the updated Jason because while the movie is faithful to the character, it revitalized him to show a more cunning predator who is not above using traps, bait, and plotting to achieve his means. There was a plot thread in the film that did not really get developed as much as I had hoped, but in the end, the film delivered the goods and sets the stage well for future outings of the machete-wielding Jason.
Along with the aforementioned Michael Myers, and the later Freddy Krueger from the âNightmare on Elm Streetâ series, Jason Voorhees of the âFriday The 13Thâ series has become a cultural landmark. He has appeared in over ten movies (eleven if you count âFreddy Vs. Jasonâ) and unleashed havoc on countless oversexed and loaded teens, as well as those unfortunate enough to cross his path.
While the series, to many fans, become stale and largely self mocking with the Jason-in-space themed âJason Xâ, the character rebounded nicely with âFreddy Vs. Jasonâ and had many fans clamoring for a second match up between the two iconic bad guys.
Eventually the powers-that-be decided to go the remake route, which had proven successful with âHalloweenâ and âMy Bloody Valentineâ, and have crafted a new âFriday the 13thâ which they hope will re-energize the series.
The film opens with a modern re-telling of what was part of the finale of the original film, and hits the ground running with an impressive opening sequence that has Jason menacing a group of teens camping in the woods. The intense first twenty minutes of the film had the audience at the test screening gasping and cheering as the events set the stage for the body of the film, which revolves around another group of young adults taking a trip into the woods for a scenic getaway.
As the group stops for supplies, they encounter a young man who is looking for his sister who vanished in the area six weeks earlier. Despite little luck in his search, and the insistence by the local police that his sister is not anywhere in the area, he remains undaunted and continues his search.
At the same time, the group of young adults embarks on a frenzy of sex, drinking, drugs, and carefree living in the woods unaware that they are about to gain the attention of Camp Crystal Lakeâs most infamous former camper.
As the film unfolds, Jason soon unleashes his customary brutality on the group as well as any townies that come across him, and the film deftly mixes some humor with classic horror mayhem. In the time honored formula, a group of survivors soon finds themselves under siege by Jason and must find a way to survive Jasonâs wrath.
While the film lacks much in the way of plot and is loaded with a cast of largely unknowns, the film is a refreshing update to the series, knowing what the fans have come to expect and providing plenty of gore and scares. Since the cast exists to be little more than fodder for Jason, there is little effort devoted to fleshing them out as characters other than to provide excuses for most of the ladies in the film to shed their clothes, and a few of the male cast to establish themselves as comic relief, or the jerk who is destined for something special.
Director Marcus Nispel who has a solid pedigree with the recent âThe Texas Chainsaw Massacreâ, viral videos of Resident Evil 5, as well as the pending âAlice.â He clearly knows his subject matter and working with Producer Michael Bay and a script from Damian Shannon and Mark Swift (the duo behind âFreddy vs. Jasonâ), produced a solid by the numbers horror film.
Fans of the series will note clever references to the past films such as Jasonâs original mask and will find themselves yelling at the screen over the constant stupidity of the victims as well as the inventive way Jason dispatches his victims. I found myself enjoying the updated Jason because while the movie is faithful to the character, it revitalized him to show a more cunning predator who is not above using traps, bait, and plotting to achieve his means. There was a plot thread in the film that did not really get developed as much as I had hoped, but in the end, the film delivered the goods and sets the stage well for future outings of the machete-wielding Jason.