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Jason Kimbro (105 KP) rated Pirates of the Caribbean: Dead Men Tell No Tales (2017) in Movies
Dec 30, 2017
Dean (6921 KP) rated No Country for Old Men (2007) in Movies
Aug 4, 2017
Great actors (2 more)
Javier Bardem makes an awesome villian
Cinematography
An epic classic
Everything about this film is top quality, the cast, story, score, cinematography and dialogue. Javier Bardem is immense as the icy cool killer hired to retrieve the money stolen from a drug deal gone bad. Sure to be a cult classic!
Kevin Phillipson (9928 KP) rated No Country for Old Men (2007) in Movies
Nov 27, 2022
You don’t have to do this
First time seeing this movie been wanting to watch this for years never finding the time till now thru paramount plus. Anyway the film brilliant movie start to finish it feels like a western in a way with the hero the villain and the sheriff all play out some stolen drug money and there’s javier Bardem as the villain cold ruthless killer probably my favourite bad guy on film I’ve seen this year
Kevin Phillipson (9928 KP) rated The Roads Not Taken (2020) in Movies
Sep 25, 2020
Bird (1700 KP) created a video about Pirates of the Caribbean: Dead Men Tell No Tales (2017) in Movies
Jun 26, 2017
Pierce Brosnan recommended There Will Be Blood (2007) in Movies (curated)
Dean (6921 KP) rated Skyfall (2012) in Movies
Aug 25, 2017
Javier Bardem is a great villian (2 more)
Return of the Aston Martin DB5
Great action scenes and chases
Bringing Bond up to date
A very good Bond indeed, better than the last, not sure about best ever though. Once again there is a bit more realism with this effort than most of the franchise, this time with cyber terrorism part of the main threat. There is plenty of action, references to many of the other Bond films, and some great acting as well. What's not to like?!?
Sam Claflin recommended No Country for Old Men (2007) in Movies (curated)
Suswatibasu (1701 KP) rated Mother! (2017) in Movies
Jan 24, 2018 (Updated Jan 24, 2018)
Tries too hard to be something innovative but just turns out terrible
What an abysmal film. Convoluted to the extreme with very little actual plot. The main aspect of the film surrounds a lonely housewife played by Jennifer Lawrence and her troubled poet husband (Javier Bardem), and their unexpected house guests. From the first moment, we see Lawrence's strange eccentricities, her clear connection with the house itself. The more the house is disturbed, the more she is troubled and vice versa.
The guests begin to behave more and more erratically, to the point of ridiculousness. I have to say, I hated this film. It just made me extremely angry. Baby cannibalism is just uncalled for.
The guests begin to behave more and more erratically, to the point of ridiculousness. I have to say, I hated this film. It just made me extremely angry. Baby cannibalism is just uncalled for.
Awix (3310 KP) rated Mother! (2017) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
Some Mothers Do 'Ave 'Em
Palpably insane fantasy psycho-horror from Darren Aronofsky that seems intentionally designed to alienate and repel mainstream audiences. The presence of Jennifer Lawrence and Javier Bardem seems calculated to lure in innocent passersby for this unhinged tale of... of...
Well, look, Lawrence and Bardem live in a lovely house in the countryside; he is a noted poet, she is his wife, and to begin with all is well. Then mysterious strangers start appearing and dark events threaten to disrupt their idyll. Things get extreme. At points they get extremely extreme.
If this movie was your pet it would attack your furniture and howl at the moon, then fetch you your slippers with a 'who, me?' look on its face. If you're a stickler for things like naturalism and coherence, then it is probably not for you; but Aronofsky creates the fractured sense of living through an unfolding nightmare, with all the non-logic that suggests, rather well, and the stars are all on full power. It's still very nearly the proverbial movie with something to offend everyone, but you can't fault the technical expertise with which it has been made, or the director's success in realising his (highly peculiar) vision for the film.
Well, look, Lawrence and Bardem live in a lovely house in the countryside; he is a noted poet, she is his wife, and to begin with all is well. Then mysterious strangers start appearing and dark events threaten to disrupt their idyll. Things get extreme. At points they get extremely extreme.
If this movie was your pet it would attack your furniture and howl at the moon, then fetch you your slippers with a 'who, me?' look on its face. If you're a stickler for things like naturalism and coherence, then it is probably not for you; but Aronofsky creates the fractured sense of living through an unfolding nightmare, with all the non-logic that suggests, rather well, and the stars are all on full power. It's still very nearly the proverbial movie with something to offend everyone, but you can't fault the technical expertise with which it has been made, or the director's success in realising his (highly peculiar) vision for the film.
