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Rick Nielsen recommended Message from the Country by The Move in Music (curated)
Rufus Wainwright recommended Pet Sounds by The Beach Boys in Music (curated)
Charlie Cobra Reviews (1840 KP) rated Manifest in TV
Jul 7, 2020
Intriguingly Good
Manifest is a supernatural/drama tv series created by Jeff Rake and executive producer Robert Zemeckis. It is produced by Compari Entertainment, Jeff Rake Productions, Universal Television and Warner Bros. Television and distributed by NBC Universal Television Distributions and Warner Bros. Television Distributions. It stars Melissa Roxburgh, Josh Dallas, Athena Karkanis, J.R. Ramirez and Luna Blaise.
The passengers and crew aboard Montego Air Flight 828 from Jamaica to New York City are shocked to learn that when they experienced a brief period of severe turbulence over five and a half years have passed. The National Security Agency informs them that during the time they were presumed dead. As the passengers realize their lives and loved ones are not the same as they were before, they also begin experiencing strange visions and hearing voices guiding them about events yet to occur.
This show was very intriguing and got me hooked from the first episode. The cast is great and they are all very good actors even the children. It's a decent mix of supernatural mystery with drama, and it kept that way through the first season. It has a very compelling premise and kept me along for the ride but I didn't really like the whole drama part of it too much. Seemed to much like a soap opera to me. Also sometimes it feels like it doesn't do enough to push itself further plot wise and stagnated in certain episodes or through characters actions. Still pretty interesting and worth a watch if it peeked your interest. I give it a 6/10.
The passengers and crew aboard Montego Air Flight 828 from Jamaica to New York City are shocked to learn that when they experienced a brief period of severe turbulence over five and a half years have passed. The National Security Agency informs them that during the time they were presumed dead. As the passengers realize their lives and loved ones are not the same as they were before, they also begin experiencing strange visions and hearing voices guiding them about events yet to occur.
This show was very intriguing and got me hooked from the first episode. The cast is great and they are all very good actors even the children. It's a decent mix of supernatural mystery with drama, and it kept that way through the first season. It has a very compelling premise and kept me along for the ride but I didn't really like the whole drama part of it too much. Seemed to much like a soap opera to me. Also sometimes it feels like it doesn't do enough to push itself further plot wise and stagnated in certain episodes or through characters actions. Still pretty interesting and worth a watch if it peeked your interest. I give it a 6/10.
Gene Simmons recommended Truth by The Jeff Beck Group in Music (curated)
Kristy H (1252 KP) rated Gray Mountain in Books
Feb 13, 2018
It's a little unfair to John Grisham, but I probably would have rated this book 4 stars if he didn't write it. It was a pretty good book, but I kept waiting for the typical Grisham-flair to pop up - a huge courtroom battle, an epic good versus evil duel, etc.
Instead, the battle and storyline I would have really wanted to read about goes on in the background as a secondary storyline. The main plot follows Samantha Kofer, a young law associate at a powerful firm in New York City. However, when the recession hits in '08, Samantha finds herself furloughed and in order to keep her health insurance, and to potentially get her old job back, must intern at a rural legal aid clinic in Brady, Virginia.
There Samantha meets a cast of characters, including Mattie, who runs the clinic; her nephew, Donovan, also a lawyer; Donovan's shady brother, Jeff; and a host of other rural townsfolk. She also gets her first taste of real law. We, the reader, learn about the atrocities of Big Coal and strip mining, including Black Lung Disease, which the book goes into in great detail (and which personally, makes me want to become a lawyer or social worker, as it's all awful).
It's interesting to have Grisham write in the voice of a young female. It takes me back to Darby Shaw (of "The Pelican Brief" - one of my all-time favorite Grisham novels), though Samantha is *no* Darby Shaw, by any stretch of the imagination. She's a bit spineless, though, really, she's not given much story to work with. The first 3/4 of the book I mostly enjoyed and then the last 1/4 just sort of tapers off. It almost seems as if a sequel is in order, but who knows.
Again, I think I might have liked Samantha and her story a bit more if it wasn't Grisham, as I might have expected a bit less. It's a good read, but leaves you wanting more.
Instead, the battle and storyline I would have really wanted to read about goes on in the background as a secondary storyline. The main plot follows Samantha Kofer, a young law associate at a powerful firm in New York City. However, when the recession hits in '08, Samantha finds herself furloughed and in order to keep her health insurance, and to potentially get her old job back, must intern at a rural legal aid clinic in Brady, Virginia.
There Samantha meets a cast of characters, including Mattie, who runs the clinic; her nephew, Donovan, also a lawyer; Donovan's shady brother, Jeff; and a host of other rural townsfolk. She also gets her first taste of real law. We, the reader, learn about the atrocities of Big Coal and strip mining, including Black Lung Disease, which the book goes into in great detail (and which personally, makes me want to become a lawyer or social worker, as it's all awful).
It's interesting to have Grisham write in the voice of a young female. It takes me back to Darby Shaw (of "The Pelican Brief" - one of my all-time favorite Grisham novels), though Samantha is *no* Darby Shaw, by any stretch of the imagination. She's a bit spineless, though, really, she's not given much story to work with. The first 3/4 of the book I mostly enjoyed and then the last 1/4 just sort of tapers off. It almost seems as if a sequel is in order, but who knows.
Again, I think I might have liked Samantha and her story a bit more if it wasn't Grisham, as I might have expected a bit less. It's a good read, but leaves you wanting more.
Gareth von Kallenbach (965 KP) rated The Switch (2010) in Movies
Aug 8, 2019
I had one thought when I entered the movie theater to see “The Switch”: what a hodge-podge cast. Leading lady, Jennifer Aniston (Kassie Larson), why she was once the face of 1990’s television! Jeff Goldblum (Leonard), I still think of him each time I encounter the subject of Dinosaurs. And Juliette Lewis (Debbie), she was in that Roller Derby flick, “Whip It” with the girl from Juno. How was a cast like this, enhanced by Arrested Development’s Jason Bateman, as male lead Wally Mars, going to make a film about a woman deciding to have a baby on her own?
None of the characters are perfect and the clothes are less than dazzling but the content and execution of “The Switch” is so honestly human that it manages to be subtly touching. Moreover, “The Switch” provides a new film perspective on love in New York City avoiding the overdone glitz and glamour of say “Sex and the City”.
But what is important to emphasize here is laughter. I didn’t expect to laugh as much as I did. Keep in mind there have been a number of comedic films that have attempted to touch on the subject of single women who choose to have and raise children on their own. I assumed films such as “The Back-Up Plan” and “Baby Mama” had completely covered the topic’s comedic angles, but l was wrong. This film is funny.
Still there were some scenes that could have been cut. The action could have moved at a quicker pace and it takes the first fifteen minutes of the film for the audience to connect with these imperfect characters.
However, “The Switch” is a very layered film; both human and well written while at the same time sharply funny. Moreover, this film is the much-anticipated proof that Jason Bateman does have what it takes to captivate as a lead on the big screen, so long as he has a strange son figure by his side
None of the characters are perfect and the clothes are less than dazzling but the content and execution of “The Switch” is so honestly human that it manages to be subtly touching. Moreover, “The Switch” provides a new film perspective on love in New York City avoiding the overdone glitz and glamour of say “Sex and the City”.
But what is important to emphasize here is laughter. I didn’t expect to laugh as much as I did. Keep in mind there have been a number of comedic films that have attempted to touch on the subject of single women who choose to have and raise children on their own. I assumed films such as “The Back-Up Plan” and “Baby Mama” had completely covered the topic’s comedic angles, but l was wrong. This film is funny.
Still there were some scenes that could have been cut. The action could have moved at a quicker pace and it takes the first fifteen minutes of the film for the audience to connect with these imperfect characters.
However, “The Switch” is a very layered film; both human and well written while at the same time sharply funny. Moreover, this film is the much-anticipated proof that Jason Bateman does have what it takes to captivate as a lead on the big screen, so long as he has a strange son figure by his side
Bob Mann (459 KP) rated Sully (2016) in Movies
Sep 29, 2021
No, not “Monsters Inc 3”.
Chesley Sullenberger was just a very experienced US Airways pilot starting an everyday job flying from LaGuardia airport in New York to Charlotte when fate stepped in. Following an extensive bird strike and the loss of both engines, ‘Sully’ achieved worldwide fame by landing his aircraft and all 151 passengers and crew safely on the Hudson river. Sully is immediately acclaimed by the public as a hero; US Airways, and their insurers, however, are not necessarily as impressed given that their plane has got rather soggy when the flight data suggests it might have actually been able to make it to a landing at a number of nearby airports. So a National Transportation Safety Board (NTSB) inquiry is called, where a decision against Sully could see him facing the fastest fall from grace since Icarus.
This film is obviously based on this real-life ‘Miracle on the Hudson’ and to a large extent the recreation of the crash…. sorry… “forced water landing” is both vivid and gripping. The film is certainly unlikely to make the regular list of in-flight movies for nervous passengers, but it does serve as a good training film for all of those regular airline passengers who don’t “put down their reading materials” to listen to the aircraft safety announcement.
Director Clint Eastwood has delivered a highly watchable action sequence showcasing the undisputed acting talents of Tom Hanks (playing Sully) and his Aaron Eckhard (“Olympus Has Fallen”, playing the co-pilot Jeff Skiles). This makes for a great 45 minute film. The problem is the other 51 minutes.
Where the film works well – aside from the actual recreation itself – is in representing the post-traumatic stress experienced by Sully, with his insomnia and regular flashbacks of ‘what might have happened’ (anyone still strongly affected by 9/11 will struggle with these scenes). The final NTSB hearing scenes are also well-done and suitably gripping: particularly for viewers outside of the UK where we wouldn’t have heard the outcome of the affair once the news cycle had moved on from the ‘gee-whizz’ headline event.
Where the film aquaplanes somewhat is in the padding achieved through multiple (MULTIPLE!) scenes of New Yorkers back-slapping Sully. Some of this is needed to establish the pedestal that Sully is set upon: the bar scene, for example, is well done. But all the rest of the references become just plain tiresome.
There is also a back-story focused on Sully’s financial problems and rather scratchy marriage (as portrayed) to Lorraine (Laura Linney). Linney is normally a highly-watchable actress, but here her character is just so irritating that the mood of the film plummets every time she reappears on screen.
The key problem that screenwriter Todd Komarnicki (“Elf”!!) had here is the obvious one: that as a real-event (based on Sullenberger’s own book “Highest Duty”) he would have had more scope to build tension if the flight had lasted more than 208 seconds! We end up with little visibility into the back-stories of the passengers. We get to see a father and two grown-up sons who – as fate would have it – just manage to catch the doomed plane: and we end up caring what happens to them. But this approach could have perhaps been usefully extended to feature more of the passenger back-stories (without getting the full “Airport” soap treatment).
Clint Eastwood is also clearly an All-American patriot, and in common with some of his other films he can’t help himself from putting up rather soupy statements about the self-sacrifice of New Yorkers (“the best of New York came together”): when actually the rescue teams did what they were paid to do and Ferry captains did what you or I would do if we stumbled on the scene! These sentiments might go down well in the States: in the cynical UK they tend to generate snorts of irritation.
What IS nice are a couple of “monkeys” (see Glossary) during the closing credits where the real Sully, Skiles, cabin-crew and passengers appear together in a celebration of continued life against all the odds. And just so you are aware, this is done as two separate segments during the titles, so if you don’t want to be one of those people standing in the aisles with your coat half on, then wait for the second one!
A curate’s egg of a film: great in places, but overall not as well executed as it could have been.
This film is obviously based on this real-life ‘Miracle on the Hudson’ and to a large extent the recreation of the crash…. sorry… “forced water landing” is both vivid and gripping. The film is certainly unlikely to make the regular list of in-flight movies for nervous passengers, but it does serve as a good training film for all of those regular airline passengers who don’t “put down their reading materials” to listen to the aircraft safety announcement.
Director Clint Eastwood has delivered a highly watchable action sequence showcasing the undisputed acting talents of Tom Hanks (playing Sully) and his Aaron Eckhard (“Olympus Has Fallen”, playing the co-pilot Jeff Skiles). This makes for a great 45 minute film. The problem is the other 51 minutes.
Where the film works well – aside from the actual recreation itself – is in representing the post-traumatic stress experienced by Sully, with his insomnia and regular flashbacks of ‘what might have happened’ (anyone still strongly affected by 9/11 will struggle with these scenes). The final NTSB hearing scenes are also well-done and suitably gripping: particularly for viewers outside of the UK where we wouldn’t have heard the outcome of the affair once the news cycle had moved on from the ‘gee-whizz’ headline event.
Where the film aquaplanes somewhat is in the padding achieved through multiple (MULTIPLE!) scenes of New Yorkers back-slapping Sully. Some of this is needed to establish the pedestal that Sully is set upon: the bar scene, for example, is well done. But all the rest of the references become just plain tiresome.
There is also a back-story focused on Sully’s financial problems and rather scratchy marriage (as portrayed) to Lorraine (Laura Linney). Linney is normally a highly-watchable actress, but here her character is just so irritating that the mood of the film plummets every time she reappears on screen.
The key problem that screenwriter Todd Komarnicki (“Elf”!!) had here is the obvious one: that as a real-event (based on Sullenberger’s own book “Highest Duty”) he would have had more scope to build tension if the flight had lasted more than 208 seconds! We end up with little visibility into the back-stories of the passengers. We get to see a father and two grown-up sons who – as fate would have it – just manage to catch the doomed plane: and we end up caring what happens to them. But this approach could have perhaps been usefully extended to feature more of the passenger back-stories (without getting the full “Airport” soap treatment).
Clint Eastwood is also clearly an All-American patriot, and in common with some of his other films he can’t help himself from putting up rather soupy statements about the self-sacrifice of New Yorkers (“the best of New York came together”): when actually the rescue teams did what they were paid to do and Ferry captains did what you or I would do if we stumbled on the scene! These sentiments might go down well in the States: in the cynical UK they tend to generate snorts of irritation.
What IS nice are a couple of “monkeys” (see Glossary) during the closing credits where the real Sully, Skiles, cabin-crew and passengers appear together in a celebration of continued life against all the odds. And just so you are aware, this is done as two separate segments during the titles, so if you don’t want to be one of those people standing in the aisles with your coat half on, then wait for the second one!
A curate’s egg of a film: great in places, but overall not as well executed as it could have been.
Gareth von Kallenbach (965 KP) rated The Comedian (2017) in Movies
Jul 12, 2019
Welcome to the year 2017 …. Another year which promises to bring you HUGE blockbuster theatrical releases including long awaited sequels, groundbreaking independent films, and breakout performances from some of cinemas great veterans as well as its rookie newcomers!
Alright … alright … that’s your standard P.R. HYPE. Not that it’s entirely untrue but let’s face it, we all have a pretty good idea as to what’s in store for us this year am I right?
Today’s film is amongst 2016s ‘leftovers’ if you will. No that that’s a bad thing. Example … leftover pizza. I don’t know one individual who doesn’t like leftover pizza. You can think of this film as such.
The selection we present to you is the dramatic comedy ‘The Comedians’. The latest from film legend Robert De Niro. The film premiered at the AFI Fest on November 11th and will be released in theaters on February 3rd. Directed by Taylor Hackford (An Officer And A Gentleman, RAY) and written by Lewis Friedman, comedian Jeff Ross, Art Linson, and Richard LaGravenese (The Fisher King) the film features an all star cast including Robert DeNiro, Leslie Mann, Harvey Keitel, Danny DeVito, Veronica Ferres, Patti LuPone, Edie Falco, Cloris Leachman, Charles Gordin, Jim Norton, Gilbert Gottfried, Jimmie Walker, Brett Butler, Lois Smith, Happy Anderson, Hannibal Buress, and an appearance by Billy Crystal.
DeNiro is Jack ‘Jackie’ Burke. A comedic legend best known for his iconic T.V. role decades before who has spent the years since then attempting to reinvent himself as an ‘insult’ comic. Despite rave performances and praise from fans and his fellow comedians, he is still frustrated that he cannot escape from the shadow of his television career and the mistakes he made during those years as a husband, father, and brother. During a performance at a comedy club on the outskirts of New York City he berates a husband and wife in the audience who are filming him for their internet show without his permission and later attacks the husband. At his court hearing, he is offered a plea deal but upon learning that part of the plea involves apologizing to the husband and wife he openly berates them in the courtroom and is sentenced to 30 days in jail plus community service. Once out of jail, Jackie begins his community service serving meals to the homeless while fine tuning his act at a local church. However, since he has not worked and has no money he pays a call upon his estranged brother whom he has not visited in ages to ask for a loan.
Jackie’s brother agrees but only if Jackie will appear at his niece’s wedding. Late one evening at the church he meets Harmony (Mann) whom is also serving community service for assault and battery. Shortly after, Harmony and Jackie make the rounds at some of the New York comedy clubs where Jackie is still ‘welcome’ after which Jackie proposes a trade of sorts, Harmony will be Jackie’s date to his niece’s wedding if Jackie will appear at the dinner to celebrate the birthday of Harmony’s father (Keitel) who is a huge fan of Jackie’s television persona. At the wedding, Jackie performed a variation of his stand-up act to the delight of his niece and her fiancé while simultaneously offending the majority of the other family members. A few days later, Jackie accompanies Harmony to her father’s birthday dinner only to become aggravated when Harmony’s father insists Jackie reenact his T.V. character’s. Jackie responds by sarcastically professing his intentions to sleep with Harmony. Without giving everything away, what follows is a re-awakening of sorts in which Jackie comes to terms with the inevitability that he will always be known for the one role he tries so desperately to get away from and realizes that if he wants to distances himself from it, he’s going to have to embrace the character.
Despite the all star cast and the fact there were indeed many laughs in the film, it was honestly a waste at the end. This could’ve been an amazing film but it was lacking in its story. The script just didn’t have the ‘heart’ to combine with the premise and the great performances given by the actors. It’s not that they didn’t try, the film just failed to measure up. The acting was great, the directing was good, and there were indeed a few laughs here and there …. it just didn’t have any life to it. Heaven forbid I criticize a DeNiro film, but I can’t give this one more than two out of five stars. I REALLY wanted to like the film, I just didn’t. If it shows up in your digital cable package, go ahead and give it a try. Rent it on iTunes even. Honestly though, I can’t see myself buying the movie.
Alright … alright … that’s your standard P.R. HYPE. Not that it’s entirely untrue but let’s face it, we all have a pretty good idea as to what’s in store for us this year am I right?
Today’s film is amongst 2016s ‘leftovers’ if you will. No that that’s a bad thing. Example … leftover pizza. I don’t know one individual who doesn’t like leftover pizza. You can think of this film as such.
The selection we present to you is the dramatic comedy ‘The Comedians’. The latest from film legend Robert De Niro. The film premiered at the AFI Fest on November 11th and will be released in theaters on February 3rd. Directed by Taylor Hackford (An Officer And A Gentleman, RAY) and written by Lewis Friedman, comedian Jeff Ross, Art Linson, and Richard LaGravenese (The Fisher King) the film features an all star cast including Robert DeNiro, Leslie Mann, Harvey Keitel, Danny DeVito, Veronica Ferres, Patti LuPone, Edie Falco, Cloris Leachman, Charles Gordin, Jim Norton, Gilbert Gottfried, Jimmie Walker, Brett Butler, Lois Smith, Happy Anderson, Hannibal Buress, and an appearance by Billy Crystal.
DeNiro is Jack ‘Jackie’ Burke. A comedic legend best known for his iconic T.V. role decades before who has spent the years since then attempting to reinvent himself as an ‘insult’ comic. Despite rave performances and praise from fans and his fellow comedians, he is still frustrated that he cannot escape from the shadow of his television career and the mistakes he made during those years as a husband, father, and brother. During a performance at a comedy club on the outskirts of New York City he berates a husband and wife in the audience who are filming him for their internet show without his permission and later attacks the husband. At his court hearing, he is offered a plea deal but upon learning that part of the plea involves apologizing to the husband and wife he openly berates them in the courtroom and is sentenced to 30 days in jail plus community service. Once out of jail, Jackie begins his community service serving meals to the homeless while fine tuning his act at a local church. However, since he has not worked and has no money he pays a call upon his estranged brother whom he has not visited in ages to ask for a loan.
Jackie’s brother agrees but only if Jackie will appear at his niece’s wedding. Late one evening at the church he meets Harmony (Mann) whom is also serving community service for assault and battery. Shortly after, Harmony and Jackie make the rounds at some of the New York comedy clubs where Jackie is still ‘welcome’ after which Jackie proposes a trade of sorts, Harmony will be Jackie’s date to his niece’s wedding if Jackie will appear at the dinner to celebrate the birthday of Harmony’s father (Keitel) who is a huge fan of Jackie’s television persona. At the wedding, Jackie performed a variation of his stand-up act to the delight of his niece and her fiancé while simultaneously offending the majority of the other family members. A few days later, Jackie accompanies Harmony to her father’s birthday dinner only to become aggravated when Harmony’s father insists Jackie reenact his T.V. character’s. Jackie responds by sarcastically professing his intentions to sleep with Harmony. Without giving everything away, what follows is a re-awakening of sorts in which Jackie comes to terms with the inevitability that he will always be known for the one role he tries so desperately to get away from and realizes that if he wants to distances himself from it, he’s going to have to embrace the character.
Despite the all star cast and the fact there were indeed many laughs in the film, it was honestly a waste at the end. This could’ve been an amazing film but it was lacking in its story. The script just didn’t have the ‘heart’ to combine with the premise and the great performances given by the actors. It’s not that they didn’t try, the film just failed to measure up. The acting was great, the directing was good, and there were indeed a few laughs here and there …. it just didn’t have any life to it. Heaven forbid I criticize a DeNiro film, but I can’t give this one more than two out of five stars. I REALLY wanted to like the film, I just didn’t. If it shows up in your digital cable package, go ahead and give it a try. Rent it on iTunes even. Honestly though, I can’t see myself buying the movie.