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LeftSideCut (3778 KP) rated Re-Animator (1985) in Movies
Aug 29, 2020
Straight up, Re-Animator is one of my favourite horror movies of all time - there is just so much to love about this bonafide classic.
Based on an H.P. Lovecraft story, the plot revolves around trainee doctor Dan Cain, who's world is turned upside down when he crosses paths with Herbert West, a fellow trainee who has developed a serum that has the ability to reverse brain death. With some serious trial and error, it's not long before all hell breaks loose, and Dan is roped into Herbert's crazy schemes.
This film is a shining example of schlocky 80s horror done right and ticks all the right boxes. The dialogue may come across a bit B-Movie-ish at times, but that's hardly a problem with the strong cast involved.
Jeffrey Combs dominates every second he's on screen as Herbert West, giving us a truly iconic Mad Scientist of cinema. Same goes for David Gale as primary antagonist Dr. Carl Hill. God, I hate that character - a trait that makes him an excellent horror villain.
Bruce Abbot plays Dan, and his performance has you on his side for the whole runtime, even when he's reluctantly helping West in his unethical experiments. This was also a break out film for horror icon Barbara Crampton. I can't help but love her in anything she's in.
Another fantastic aspect about Re-Animator is the practical effects, which are truly incredible. It's such a visceral experience, so over the top, and just plain gross, everything you want from a gory horror flick. This all culminates in one of the most absurd final sequences in 80s horror, and that's saying something!
Re-Animator is both charming and disgusting, and manages to be funny as well. A true horror gem that should be seen by any fan of the genre.
Based on an H.P. Lovecraft story, the plot revolves around trainee doctor Dan Cain, who's world is turned upside down when he crosses paths with Herbert West, a fellow trainee who has developed a serum that has the ability to reverse brain death. With some serious trial and error, it's not long before all hell breaks loose, and Dan is roped into Herbert's crazy schemes.
This film is a shining example of schlocky 80s horror done right and ticks all the right boxes. The dialogue may come across a bit B-Movie-ish at times, but that's hardly a problem with the strong cast involved.
Jeffrey Combs dominates every second he's on screen as Herbert West, giving us a truly iconic Mad Scientist of cinema. Same goes for David Gale as primary antagonist Dr. Carl Hill. God, I hate that character - a trait that makes him an excellent horror villain.
Bruce Abbot plays Dan, and his performance has you on his side for the whole runtime, even when he's reluctantly helping West in his unethical experiments. This was also a break out film for horror icon Barbara Crampton. I can't help but love her in anything she's in.
Another fantastic aspect about Re-Animator is the practical effects, which are truly incredible. It's such a visceral experience, so over the top, and just plain gross, everything you want from a gory horror flick. This all culminates in one of the most absurd final sequences in 80s horror, and that's saying something!
Re-Animator is both charming and disgusting, and manages to be funny as well. A true horror gem that should be seen by any fan of the genre.
Matthew Krueger (10051 KP) rated Re-Animator (1985) in Movies
Oct 30, 2020
Jeffrey Combs (2 more)
Bruce Abbott
Stuart Gordan
Mad Man
Re-Animator- is frankenstien. But alot more gorer. So much gory, so much viloence, so much horror. Its different than frankenstein, but has a lot in common.
The plot: Loosely based on H P Lovecraft's classic horror tale, Herbert West is a young scientist who has a good head on his shoulders and another on the lab table in front of him.
Originally devised by Gordon as a theatrical stage production and later a half-hour television pilot, the television script was revised to become a feature film.
The film originally received an X rating, and was later edited to obtain an R rating for video rental stores.
The idea to make Re-Animator came from a discussion Stuart Gordon had with friends one night about vampire films. He felt that there were too many Dracula films and expressed a desire to see a Frankenstein film. Someone asked if he had read "Herbert West–Reanimator" by H. P. Lovecraft.
Originally, Gordon was going to adapt Lovecraft's story for the stage, but eventually decided along with writers Dennis Paoli and William Norris to make it as a half-hour television pilot. The story was set around the turn of the century, and they soon realized that it would be too expensive to recreate. They updated it to the present day in Chicago with the intention of using actors from the Organic Theater company. They were told that the half hour format was not salable and so they made it an hour, writing 13 episodes. Special effects technician Bob Greenberg, who had worked on John Carpenter's Dark Star, repeatedly told Gordon that the only market for horror was in feature films, and introduced him to producer Brian Yuzna. Gordon showed Yuzna the script for the pilot and the 12 additional episodes.
Yuzna described the film as having the "sort of shock sensibility of an Evil Dead with the production values of, hopefully, The Howling."
Naulin said that Re-Animator was the bloodiest film he had ever worked on. In the past, he had never used more than two gallons of blood on a film; on Re-Animator, he used 24 gallons.
The biggest makeup challenge in the film was the headless Dr. Hill zombie. Tony Doublin designed the mechanical effects and was faced with the problem of proportion once the 9–10 inches of the head were removed from the body. Each scene forced him to use a different technique. For example, one technique involved building an upper torso that actor David Gale could bend over and stick his head through so that it appeared to be the one that the walking corpse was carrying around.
Its excellent gory film
The plot: Loosely based on H P Lovecraft's classic horror tale, Herbert West is a young scientist who has a good head on his shoulders and another on the lab table in front of him.
Originally devised by Gordon as a theatrical stage production and later a half-hour television pilot, the television script was revised to become a feature film.
The film originally received an X rating, and was later edited to obtain an R rating for video rental stores.
The idea to make Re-Animator came from a discussion Stuart Gordon had with friends one night about vampire films. He felt that there were too many Dracula films and expressed a desire to see a Frankenstein film. Someone asked if he had read "Herbert West–Reanimator" by H. P. Lovecraft.
Originally, Gordon was going to adapt Lovecraft's story for the stage, but eventually decided along with writers Dennis Paoli and William Norris to make it as a half-hour television pilot. The story was set around the turn of the century, and they soon realized that it would be too expensive to recreate. They updated it to the present day in Chicago with the intention of using actors from the Organic Theater company. They were told that the half hour format was not salable and so they made it an hour, writing 13 episodes. Special effects technician Bob Greenberg, who had worked on John Carpenter's Dark Star, repeatedly told Gordon that the only market for horror was in feature films, and introduced him to producer Brian Yuzna. Gordon showed Yuzna the script for the pilot and the 12 additional episodes.
Yuzna described the film as having the "sort of shock sensibility of an Evil Dead with the production values of, hopefully, The Howling."
Naulin said that Re-Animator was the bloodiest film he had ever worked on. In the past, he had never used more than two gallons of blood on a film; on Re-Animator, he used 24 gallons.
The biggest makeup challenge in the film was the headless Dr. Hill zombie. Tony Doublin designed the mechanical effects and was faced with the problem of proportion once the 9–10 inches of the head were removed from the body. Each scene forced him to use a different technique. For example, one technique involved building an upper torso that actor David Gale could bend over and stick his head through so that it appeared to be the one that the walking corpse was carrying around.
Its excellent gory film