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Movie Critics (823 KP) rated Obvious Child (2014) in Movies
Oct 5, 2017
Don’t let anyone scare you away from “Obvious Child” on political grounds; ultimately, this is a movie about life and how we live it. And how we sometimes tell embarrassing jokes about our drawers.
Critic- Alonso Duralde
Original Score: 9 out of 10
Read Review: http://www.thewrap.com/obvious-child-review-jenny-slate-abortion-comedy/
Original Score: 9 out of 10
Read Review: http://www.thewrap.com/obvious-child-review-jenny-slate-abortion-comedy/
Charlie Cobra Reviews (1840 KP) rated The Secret Life of Pets 2 (2019) in Movies
Jul 7, 2020
Part City Slickers For Kids and Part Dumbo
The Secret Life of Pets 2 is a 2019 computer animated comedy movie directed by Chris Renaud, co-directed by Jonathan del Val, and written by Brian Lynch. It was produced by Illumination and Universal Pictures and distributed by Universal Pictures. The film stars Patton Oswalt, Eric Stonestreet, Kevin Hart, Jenny Slate, and Ellie Kemper.
Max (Patton Oswalt) feels anxious and uneasy when his and Duke's (Eric Stonestreet) owner Katie (Ellie Kemper) marries and has a child, Liam (Henry Lynch). He quickly adjusts and grows to like him and develops a strong bond, however he also develops a complex (nervous itch/scratch) thinking of danger whenever Liam ventures outside. He's left with a cone on his head after visiting the vet but the cure for his neuroses just might be a family trip to the countryside.
This movie was fun and had some decent laughs but I feel it fell short of the original. Still if you liked the first one, you're sure to enjoy this one. As someone said, it's almost like a dog version of City Slickers, which is a really funny movie too. There were a welcome addition of new characters, and a lot of take a-ways, messages and themes built into what is supposed to be a kids film. My favorite is of course Snowball who somehow has changed from villain in the first movie to superhero in this one. I give this movie a 6/10.
Max (Patton Oswalt) feels anxious and uneasy when his and Duke's (Eric Stonestreet) owner Katie (Ellie Kemper) marries and has a child, Liam (Henry Lynch). He quickly adjusts and grows to like him and develops a strong bond, however he also develops a complex (nervous itch/scratch) thinking of danger whenever Liam ventures outside. He's left with a cone on his head after visiting the vet but the cure for his neuroses just might be a family trip to the countryside.
This movie was fun and had some decent laughs but I feel it fell short of the original. Still if you liked the first one, you're sure to enjoy this one. As someone said, it's almost like a dog version of City Slickers, which is a really funny movie too. There were a welcome addition of new characters, and a lot of take a-ways, messages and themes built into what is supposed to be a kids film. My favorite is of course Snowball who somehow has changed from villain in the first movie to superhero in this one. I give this movie a 6/10.
Phillip McSween (751 KP) rated Gifted (2017) in Movies
Jan 13, 2019
Good Stuff
After the death of his sister, Frank (Chris Evans) opts to take in his extremely intelligent niece Mary (McKenna Grace) and raise her like he thought his sister would have wanted. His hope is to protect her from growing up too fast, particularly from ending up in the clutches of his mom Evelyn (Lindsay Duncan) who would prefer to hole Mary up in a private institution.
Acting: 10
Beginning: 10
Characters: 10
When I look at characters and how they impact a movie, it’s not just about how intriguing they are, but also about how real they are. I love characters that are flawed and you get that with Frank. He’s just trying to do the right thing by his sister and his niece while still trying to live his own life as well. There are oftentimes where he’s wondering if he’s making the right decision and you’re wondering right along with him. I really appreciate the relationship between him and Mary as it wasn’t all rainbows and lollipops. They’ve clearly had some disagreements, but they love each other through it.
The supporting characters helped to hold the movie up as well. Bonnie (Jenny Slate) was probably my personal favorite as the warm caring teacher who genuinely wants the best for Mary. Both encouraging and sweet, she is another character whose story you get to unpack more and more as the movie progresses.
Cinematography/Visuals: 7
Great imagery and shots of a sleepy town in coastal Florida. There isn’t much to blow you away in the way of cinematography, but I appreciate the consistency at the very least. They keep the scenery fresh throughout which was good enough for me.
Conflict: 8
Genre: 7
Memorability: 8
Pace: 10
Plot: 10
Resolution: 8
Overall: 88
I’ve seen Gifted quite a few times, whether all the way through or in bits and pieces. Everytime I watch it, I find someting different to appreciate it. Solid surprise of a movie.
Acting: 10
Beginning: 10
Characters: 10
When I look at characters and how they impact a movie, it’s not just about how intriguing they are, but also about how real they are. I love characters that are flawed and you get that with Frank. He’s just trying to do the right thing by his sister and his niece while still trying to live his own life as well. There are oftentimes where he’s wondering if he’s making the right decision and you’re wondering right along with him. I really appreciate the relationship between him and Mary as it wasn’t all rainbows and lollipops. They’ve clearly had some disagreements, but they love each other through it.
The supporting characters helped to hold the movie up as well. Bonnie (Jenny Slate) was probably my personal favorite as the warm caring teacher who genuinely wants the best for Mary. Both encouraging and sweet, she is another character whose story you get to unpack more and more as the movie progresses.
Cinematography/Visuals: 7
Great imagery and shots of a sleepy town in coastal Florida. There isn’t much to blow you away in the way of cinematography, but I appreciate the consistency at the very least. They keep the scenery fresh throughout which was good enough for me.
Conflict: 8
Genre: 7
Memorability: 8
Pace: 10
Plot: 10
Resolution: 8
Overall: 88
I’ve seen Gifted quite a few times, whether all the way through or in bits and pieces. Everytime I watch it, I find someting different to appreciate it. Solid surprise of a movie.
Gareth von Kallenbach (965 KP) rated The Secret Life of Pets (2016) in Movies
Aug 6, 2019
Every wonder what your pets do while you’re away? The premise of this film is the social lives pets lead while their owners are out of the picture. From throwing parties, to visiting each other’s apartments, and utilizing all the household tools to create their own lap of luxury lifestyle.
From the studio that brought you those lovable Minions, the Secret Life of Pets is Illumination Entertainment’s pet version of Disney’s Toy Story. The film opens up with Max (Louis CK), a cute, funny loving, gregarious little terrier with an extreme attachment to his owner, Katie (Ellie Kemper). One day, Katie brings home a new “brother” to keep Max company. Duke (Eric Stonestreet), a scruffy, friendly, shaggy dog that competes with Max for Katie’s affection. The competition gets so out of hand that both Max and Duke end up lost in the streets of New York City and without their only form of identification, their collars. Now, they are on the run from the dogcatchers that want to take them to the Pound. They manage to make their way to the sewers and befriend a group of rebel castaway pets whose mission is to destroy all the pampered pets and their owners. Fortunately for Max, his pet friends band together to try to find Max and Duke and help bring them home.
Despite the similar storyline tone as Toy Story, this movie definitely stands on its own. Albeit, the emotional tones were not as poignant. Even though Max seemed to be the primary character in the movie, each individual character stood out on their own. Gidget (Jenny Slate), the feisty Pomeranian who will stop at nothing to save the Max, her true love. Snowball (Kevin Hart), the wise cracking leader of the rebel animal gang. You would have never thought so much hilarity and animosity could come from such a cute little bunny.
Visually, Pets gives us a great animal’s perspective into what it would be like to wander the city as a pet. It took us on an adventure through the not only between the city skyscrapers, the adventure continued through the sewers, and even the Hudson River.
There is enough in this movie to keep parents entertained, kiddos laughing, and it will definitely bring you closer to your own pet!
From the studio that brought you those lovable Minions, the Secret Life of Pets is Illumination Entertainment’s pet version of Disney’s Toy Story. The film opens up with Max (Louis CK), a cute, funny loving, gregarious little terrier with an extreme attachment to his owner, Katie (Ellie Kemper). One day, Katie brings home a new “brother” to keep Max company. Duke (Eric Stonestreet), a scruffy, friendly, shaggy dog that competes with Max for Katie’s affection. The competition gets so out of hand that both Max and Duke end up lost in the streets of New York City and without their only form of identification, their collars. Now, they are on the run from the dogcatchers that want to take them to the Pound. They manage to make their way to the sewers and befriend a group of rebel castaway pets whose mission is to destroy all the pampered pets and their owners. Fortunately for Max, his pet friends band together to try to find Max and Duke and help bring them home.
Despite the similar storyline tone as Toy Story, this movie definitely stands on its own. Albeit, the emotional tones were not as poignant. Even though Max seemed to be the primary character in the movie, each individual character stood out on their own. Gidget (Jenny Slate), the feisty Pomeranian who will stop at nothing to save the Max, her true love. Snowball (Kevin Hart), the wise cracking leader of the rebel animal gang. You would have never thought so much hilarity and animosity could come from such a cute little bunny.
Visually, Pets gives us a great animal’s perspective into what it would be like to wander the city as a pet. It took us on an adventure through the not only between the city skyscrapers, the adventure continued through the sewers, and even the Hudson River.
There is enough in this movie to keep parents entertained, kiddos laughing, and it will definitely bring you closer to your own pet!
BankofMarquis (1832 KP) rated Everything Everywhere All At Once (2022) in Movies
Apr 15, 2022
A fun ride - with heart
The first recommendation when watching EVERYTHING EVERYWHERE ALL AT ONCE is to not try to figure out what is going on in this movie during the first 1/2 hour to 45 minutes. This will drive you mad. Just sit back and enjoy the mind-bending experience you are having.
After that point, either it will click in your brain…or it won’t. If it does - great! If not…continue to sit back and enjoy the mind-bending experience you are having.
For…EVERYTHING EVERYWHERE ALL AT ONCE is a trippy head-trip of a film that is certainly unique - but it also has something going for it that all good films do - characters that you will care about in a story that will touch your heart.
Written and Directed by Dan Kwan and Daniel Scheinert (SWISS ARMY MAN), EVERYTHING…tells the tale of unhappily married couple Evelyn Wang (Michelle Yeoh) and Waymond Wang (Ke Huy Quan), her father Gong Gong (the great James Hong) and their daughter, Joy (Stephanie Hsu). When interdimensional travel interrupts their mundane life, things get much, much more than mundane.
Yes, folks, you read that right INTERDIMENSIONAL TRAVEL - and this is not a Marvel movie! Evelyn and family start jumping to parallel dimensions, experiencing everything, everywhere…all at once (hence, the name of the film).
This is a smart, unique and visually interesting film and credit for this must go to Wang and Scheinert. They have come up with something unusual. However, they don’t just do “unusual for unusual sake” they wrap this film up - and connect the dots - in a satisfying way in the end. Oh…and they also build in some incredibly impressive fight scenes along the way. To not hype them too much, but these are the best fight scenes that have been on film in quite some time - certainly the most interesting and unique since the JOHN WICK films.
The duo, smartly, enlisted the aid of the underappreciated - but very talented - Michelle Yeoh (CRAZY RICH ASIANS) as the protagonist of this piece. It is a wise choice for she must go from mousey housewife to kick-butt SuperHero (and everywhere in between) throughout the course of this film and her Martial Arts background comes in very, very handy. It is a bravura performance by Yeoh and it would be TERRIFIC if her name is called come awards season next year (yes, it is that good of a performance).
She is ably assisted by Hong (a veteran character actor with more than 450 credits to his name), Hsu (known for her role as Mei in THE MARVELOUS MRS. MAISEL) and, especially Quan (the kid “Short Round” who assists the hero in INDIANA JONES AND THE TEMPLE OF DOOM) - it was good to see Quan back on the big screen.
The filmmakers also sprinkle some very strong character actors/actresses in the mix here. Both Jenny Slate (Mona-Lisa Saperstein in PARKS & REC) and Harry Shum, Jr. (GLEE, CRAZY RICH ASIANS) are fun in small roles as is the aforementioned James Hong as Gong Gong (the Grandfather).
But…the person who ALMOST steals this film from Ms. Yeoh is the incomparable Jamie Lee Curtis as the somewhat overweight and out of shape IRS Agent who plays a pivotal role in Evelyn’s life across the Dimensions. It is a fun role for Curtis who is not afraid to look physically bad. Again, I would LOVE IT if she got some love come awards time next year (she won’t, but maybe in some other parallel Universe she would).
Not for everyone - the multi-dimensional travel is going to give some folks a headache as they try to figure things out - but if you surrender yourself to the wildness that is going on, and embrace the spirit and the heart of this film, you will be rewarded with a very rich film going experience.
Letter Grade: A-
8 Stars out of 10 (might move up to 9 on a rewatch) and you can take that to the Bank(ofMarquis)
After that point, either it will click in your brain…or it won’t. If it does - great! If not…continue to sit back and enjoy the mind-bending experience you are having.
For…EVERYTHING EVERYWHERE ALL AT ONCE is a trippy head-trip of a film that is certainly unique - but it also has something going for it that all good films do - characters that you will care about in a story that will touch your heart.
Written and Directed by Dan Kwan and Daniel Scheinert (SWISS ARMY MAN), EVERYTHING…tells the tale of unhappily married couple Evelyn Wang (Michelle Yeoh) and Waymond Wang (Ke Huy Quan), her father Gong Gong (the great James Hong) and their daughter, Joy (Stephanie Hsu). When interdimensional travel interrupts their mundane life, things get much, much more than mundane.
Yes, folks, you read that right INTERDIMENSIONAL TRAVEL - and this is not a Marvel movie! Evelyn and family start jumping to parallel dimensions, experiencing everything, everywhere…all at once (hence, the name of the film).
This is a smart, unique and visually interesting film and credit for this must go to Wang and Scheinert. They have come up with something unusual. However, they don’t just do “unusual for unusual sake” they wrap this film up - and connect the dots - in a satisfying way in the end. Oh…and they also build in some incredibly impressive fight scenes along the way. To not hype them too much, but these are the best fight scenes that have been on film in quite some time - certainly the most interesting and unique since the JOHN WICK films.
The duo, smartly, enlisted the aid of the underappreciated - but very talented - Michelle Yeoh (CRAZY RICH ASIANS) as the protagonist of this piece. It is a wise choice for she must go from mousey housewife to kick-butt SuperHero (and everywhere in between) throughout the course of this film and her Martial Arts background comes in very, very handy. It is a bravura performance by Yeoh and it would be TERRIFIC if her name is called come awards season next year (yes, it is that good of a performance).
She is ably assisted by Hong (a veteran character actor with more than 450 credits to his name), Hsu (known for her role as Mei in THE MARVELOUS MRS. MAISEL) and, especially Quan (the kid “Short Round” who assists the hero in INDIANA JONES AND THE TEMPLE OF DOOM) - it was good to see Quan back on the big screen.
The filmmakers also sprinkle some very strong character actors/actresses in the mix here. Both Jenny Slate (Mona-Lisa Saperstein in PARKS & REC) and Harry Shum, Jr. (GLEE, CRAZY RICH ASIANS) are fun in small roles as is the aforementioned James Hong as Gong Gong (the Grandfather).
But…the person who ALMOST steals this film from Ms. Yeoh is the incomparable Jamie Lee Curtis as the somewhat overweight and out of shape IRS Agent who plays a pivotal role in Evelyn’s life across the Dimensions. It is a fun role for Curtis who is not afraid to look physically bad. Again, I would LOVE IT if she got some love come awards time next year (she won’t, but maybe in some other parallel Universe she would).
Not for everyone - the multi-dimensional travel is going to give some folks a headache as they try to figure things out - but if you surrender yourself to the wildness that is going on, and embrace the spirit and the heart of this film, you will be rewarded with a very rich film going experience.
Letter Grade: A-
8 Stars out of 10 (might move up to 9 on a rewatch) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated On the Rocks (2020) in Movies
Oct 23, 2020
Bill Murray being Bill Murray, but in sparkling form
Bill Murray is astonishing. Not just in "On the Rocks", but generally in life. Some actors - Johnny Depp, Mark Rylance, Gary Oldman, for instance - disappear completely into their characters so it takes a while to "see" who they are. Whereas with others - Bill Nighy, Tom Cruise, John Wayne, for instance - it's "Oh, there's the famous actor xxxx in a new movie". If we were grading on a scale, Bill Murray would be at the far right of the latter category. In every movie, he IS Bill Murray! In "Ghostbusters" he was the dry, laconic, wisecracking ghost hunter. In "Groundhog Day" he was the dry, laconic, wisecracking weatherman. In "The Monuments Men" he was the dry, laconic, wisecracking art historian. (In the "Zombieland" movies, he excelled himself by playing the dry, laconic, wisecracking Bill Murray!)
For many actors, that would be a problem. But Bill Murray gets away with it, because - - he's Bill freakin' Murray!! And being him is so awesome that however many times you've seen the character, you always want more.
Here's a case in point. In "On the Rocks", a chaffeured car with tinted windows rolls up. You brace yourself as the window winds slowly down. And there he is... the star. This happens quite a way into Sofia Coppola's new film. First up, we get a leisurely, but intelligent, set-up to the plot. The "Parks and Recreation" actress, Rashida Jones, plays Laura; a successful writer (currently with writer's block) married to successful businessman Dean (Marlon Wayans). The couple seem to have it all: high income; large New York apartment; two lovely young children. But Dean is always away, travelling on business - and always with his attractive co-worker "with the legs" Fiona (Jessica Henwick). Is Dean scratching the seven-year itch?
Laura's rich, art-dealing father Felix (Bill Murray) arrives, and won't take no for an answer in sniffing out the truth.
Love, love, love this movie! The pacing, the humour, the witty dialogue (it's Sofia Coppola's script) and - above all - Murray's triumphant performance all fire this well and truly into my Top 10 for the year.
Bill Murray's acting is astounding... is there an actor who spends more time in his "deep in thought" mode, with eyeballs looking at the ceiling? You could quite well believe that none of it is scripted, and he's pausing in deep thought because he really is trying to compose the next best line! A scene where, through appropriate name-dropping, he charms his way out of a traffic infringement with two New York cops is utterly absorbing.
Behind every embarrassing father is a grown-up daughter rolling her eyes. (I should know!) And Rashida Jones is perfect in the role. I'm not familiar with Jones's previous work, but she was just perfect as the foil for Murray's humour.
There's dry comedy to be had throughout "On the Rocks" which I found delightful. A running joke is Laura's drop-off and pick-ups from the local kindergarten, where she is repeatedly pinned against the wall by single-mum Vanessa (Jenny Slate) and bored to death with her moans about boyfriend-hunting on the New York scene! It's an insight that the project is led by a female writer/director, reminiscing about personal experiences!
Coppola's script also buzzes with politically incorrect views of the playboy Felix. (He reminds me strongly of an ex-work colleague: the life and soul of any party and with a charisma that is naturally attractive to women!)
For me, there was just one misstep in the movie. There's a sub-plot about the estranged relationship between Felix and Laura's mother, and the unspoken tension that lies there. This all comes to a head in a hotel bedroom, and for me personally it brought the mood of the movie down and wasn't necessary. It's a relatively minor thing. But the result was that it just took the edge off things for me in declaring it a classic.
This is one of those flicks produced for Apple, in cinemas only while en-route to their streaming service to make it eligible for Oscar consideration. And it's actually available now. This is Coppola's third outing with Murray, with the most famous being the Oscar winner "Lost in Translation". I'm actually not a mad fan of that film. But this one comes with a "Highly recommended".
(For the full graphical review, please check out the bob the movie man review here - https://bob-the-movie-man.com/2020/10/23/love-on-the-rocks-aint-no-surprise/ . Thanks)
For many actors, that would be a problem. But Bill Murray gets away with it, because - - he's Bill freakin' Murray!! And being him is so awesome that however many times you've seen the character, you always want more.
Here's a case in point. In "On the Rocks", a chaffeured car with tinted windows rolls up. You brace yourself as the window winds slowly down. And there he is... the star. This happens quite a way into Sofia Coppola's new film. First up, we get a leisurely, but intelligent, set-up to the plot. The "Parks and Recreation" actress, Rashida Jones, plays Laura; a successful writer (currently with writer's block) married to successful businessman Dean (Marlon Wayans). The couple seem to have it all: high income; large New York apartment; two lovely young children. But Dean is always away, travelling on business - and always with his attractive co-worker "with the legs" Fiona (Jessica Henwick). Is Dean scratching the seven-year itch?
Laura's rich, art-dealing father Felix (Bill Murray) arrives, and won't take no for an answer in sniffing out the truth.
Love, love, love this movie! The pacing, the humour, the witty dialogue (it's Sofia Coppola's script) and - above all - Murray's triumphant performance all fire this well and truly into my Top 10 for the year.
Bill Murray's acting is astounding... is there an actor who spends more time in his "deep in thought" mode, with eyeballs looking at the ceiling? You could quite well believe that none of it is scripted, and he's pausing in deep thought because he really is trying to compose the next best line! A scene where, through appropriate name-dropping, he charms his way out of a traffic infringement with two New York cops is utterly absorbing.
Behind every embarrassing father is a grown-up daughter rolling her eyes. (I should know!) And Rashida Jones is perfect in the role. I'm not familiar with Jones's previous work, but she was just perfect as the foil for Murray's humour.
There's dry comedy to be had throughout "On the Rocks" which I found delightful. A running joke is Laura's drop-off and pick-ups from the local kindergarten, where she is repeatedly pinned against the wall by single-mum Vanessa (Jenny Slate) and bored to death with her moans about boyfriend-hunting on the New York scene! It's an insight that the project is led by a female writer/director, reminiscing about personal experiences!
Coppola's script also buzzes with politically incorrect views of the playboy Felix. (He reminds me strongly of an ex-work colleague: the life and soul of any party and with a charisma that is naturally attractive to women!)
For me, there was just one misstep in the movie. There's a sub-plot about the estranged relationship between Felix and Laura's mother, and the unspoken tension that lies there. This all comes to a head in a hotel bedroom, and for me personally it brought the mood of the movie down and wasn't necessary. It's a relatively minor thing. But the result was that it just took the edge off things for me in declaring it a classic.
This is one of those flicks produced for Apple, in cinemas only while en-route to their streaming service to make it eligible for Oscar consideration. And it's actually available now. This is Coppola's third outing with Murray, with the most famous being the Oscar winner "Lost in Translation". I'm actually not a mad fan of that film. But this one comes with a "Highly recommended".
(For the full graphical review, please check out the bob the movie man review here - https://bob-the-movie-man.com/2020/10/23/love-on-the-rocks-aint-no-surprise/ . Thanks)
