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Holby City - Series 19
6.1
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The series was created by Tony McHale and Mal Young as a spin-off from the established BBC medical...
Drama
Bob Mann (459 KP) rated Ghost Stories (2018) in Movies
Sep 29, 2021
In that sleep of death, what dreams may come.
“Ghost Stories” is based on the spooky London West-End stage play by Jeremy Dyson and Andy Nyman who both write and direct the film version. I didn’t know this until the end credits, but began to wonder in the final act where the action suddenly becomes very “stagey” in nature. The screenplay was always bound to be both bizarre and intriguing, since Dyson has been a past contributor to TV’s “League of Gentlemen” and other equally surreal programmes and Nyman has been a major collaborator with the stage-illusionist Derren Brown.
Nyman himself plays TV paranormal debunker Professor Goodman who receives a surprise message from a respected colleague, long thought dead, who on his death bed wants Goodman to investigate the three cases from his career that he was never able to debunk. The first concerns Tony Matthews (Paul Whitehouse, “The Death of Stalin“) as a night watchman at a spooky old asylum; the second concerns Simon Rifkind (Alex Lawther, young Turing in “The Imitation Game“) as a freaked-out young man with a forest breakdown; and Mike Priddle (Martin Freeman, “Black Panther“) as a rich broker with parenting issues. As Goodman investigates each case weirder and weirder things start to happen: is this his mind playing tricks as his faith is rocked, or is there something more sinister going on?
The primary issue I have with this film is its portmanteau nature, harking back to similar films like “The Twilight Zone: the Movie”. Having three segments, loosely linked together, feels like a clunky device for a feature film…. (“Why are there three cases to investigate? Well, two would have made the film too short, and four would have made it too long!”).
That being said, the overall story arc and the drawing together of the strands for the unexpected (although not terribly original) conclusion, is intriguing.
The film looks and feels like a British-made horror film, which is both a compliment and a criticism. Who doesn’t like the jump-scares and the vague tackiness of a Hammer horror? But if you care to compare the production values on show here versus “A Quiet Place“, there is no comparison. The location-shot scenes (which are most of the scenes) seem to be very poorly lit: and that’s the non-spooky ones where you are supposed to see what’s going on!
The cast seem to be well-suited to their roles, with Paul Whitehouse in particular being impressive as the ‘on the make’ Matthews, who always feels like being on the knife-edge of violent outburst. I particularly liked Alex Lawther who does “spooked” extremely well! The script also seems to be well-tuned to the characters, with a number of laugh-out-loud lines. “****ing O2” exclaims Simon as he waves his mobile in the air… something the marketing department at the telecoms giant must have loved!
The critics seem to have been overtly positive about this film, which I can’t quite match. Apart from one or two scenes towards the end, all of the jump scares were pretty well signposted in advance. But it’s still as fun as a slightly tacky ghost house ride at the fairground, if you like that sort of thing, and is certainly a much more interesting and better watch in my book than some recent and much higher budget horror films like “It“.
Nyman himself plays TV paranormal debunker Professor Goodman who receives a surprise message from a respected colleague, long thought dead, who on his death bed wants Goodman to investigate the three cases from his career that he was never able to debunk. The first concerns Tony Matthews (Paul Whitehouse, “The Death of Stalin“) as a night watchman at a spooky old asylum; the second concerns Simon Rifkind (Alex Lawther, young Turing in “The Imitation Game“) as a freaked-out young man with a forest breakdown; and Mike Priddle (Martin Freeman, “Black Panther“) as a rich broker with parenting issues. As Goodman investigates each case weirder and weirder things start to happen: is this his mind playing tricks as his faith is rocked, or is there something more sinister going on?
The primary issue I have with this film is its portmanteau nature, harking back to similar films like “The Twilight Zone: the Movie”. Having three segments, loosely linked together, feels like a clunky device for a feature film…. (“Why are there three cases to investigate? Well, two would have made the film too short, and four would have made it too long!”).
That being said, the overall story arc and the drawing together of the strands for the unexpected (although not terribly original) conclusion, is intriguing.
The film looks and feels like a British-made horror film, which is both a compliment and a criticism. Who doesn’t like the jump-scares and the vague tackiness of a Hammer horror? But if you care to compare the production values on show here versus “A Quiet Place“, there is no comparison. The location-shot scenes (which are most of the scenes) seem to be very poorly lit: and that’s the non-spooky ones where you are supposed to see what’s going on!
The cast seem to be well-suited to their roles, with Paul Whitehouse in particular being impressive as the ‘on the make’ Matthews, who always feels like being on the knife-edge of violent outburst. I particularly liked Alex Lawther who does “spooked” extremely well! The script also seems to be well-tuned to the characters, with a number of laugh-out-loud lines. “****ing O2” exclaims Simon as he waves his mobile in the air… something the marketing department at the telecoms giant must have loved!
The critics seem to have been overtly positive about this film, which I can’t quite match. Apart from one or two scenes towards the end, all of the jump scares were pretty well signposted in advance. But it’s still as fun as a slightly tacky ghost house ride at the fairground, if you like that sort of thing, and is certainly a much more interesting and better watch in my book than some recent and much higher budget horror films like “It“.
Movie Metropolis (309 KP) rated Captain America: Civil War (2016) in Movies
Jun 10, 2019
Mini Avengers, Assemble
Is anyone else getting bored of superhero films? Nope? Just me then. We’re not even halfway through 2016 and there have been three of them. In February, there was Deadpool, a film that despite all the odds, turned out to be smashing – despite its generic finale.
Then, DC tried to compete with Marvel in March with Batman v Superman: Dawn of Justice. It was fine, if far too long and lacking in any real drama. Now, Marvel is back with Captain America: Civil War. But can it break the superhero tedium that has started to settle in?
Steve Rogers (Chris Evans) is back and he is not happy. The titular hero, and the rest of our beloved Avengers clan, are asked to sign up to a UN treaty, designed to reign in their unsupervised power after a dramatic and deadly battle against terrorists in Nigeria. It turns out the Avengers lost the PR war and countries across the globe want blood – well them to back off a little at least.
Most of the fan favourites return in Civil War, with Robert Downey Jr proving once again why he was cast as Tony Stark/Iron Man all those years ago. He is a commanding presence and brings to the table some of the best one-liners outside a fully-fledged Iron Man film.
Elsewhere, Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), Elizabeth Olsen (Scarlet Witch) and Paul Bettany (Vision) all return and despite the increasing number of characters all make their presence felt throughout the course of the film – something Avengers: Age of Ultron failed to do.
However, the film belongs to the characters that join the film and the Marvel Universe. Paul Rudd’s Ant-Man makes a truly exceptional appearance and features in Civil War’s most memorable scene – a brilliantly choreographed battle between two sides in a deserted airport.
And, the long-awaited “homecoming” of Spider-Man to the MCU is thankfully worth the wait. He’s been teased in the trailers and I’m pleased to say his screen-time is far greater than anyone could have imagined. Young Tom Holland’s portrayal of Peter Parker may need some time to settle in, we have a Spider-Man reboot to look forward to in 2018, but he makes a cracking first impression.
So, with all those characters it’s fair to say that Civil War should be renamed “Mini Avengers Assemble” as there’s far more at stake here than a simple Captain America movie. Directors Joe and Anthony Russo have created the film that Age of Ultron should have been and it’s a slight disservice to their incredible work that the film isn’t labelled as a full Avengers feature, despite the lack of Thor and Hulk.
The action is beautifully filmed and the locations are fabulous. From Africa to America and from Germany to London, nearly every inch of the world is touched upon in some way – yet it doesn’t feel disjointed.
But what makes Civil War stand out from all the rest is its human side. This isn’t a superhero movie that ends in a climactic battle against a faceless army, it explores the human impact of our characters’ actions and the emotion radiates from its heart.
Yes, it’s 20 minutes too long but apart from that, I can’t think of a bad word to say. It has reinvigorated a genre that was starting to turn a little stale. Bringing together a set of characters that against all the odds gel together so well makes it feel as fresh as Iron Man did way back in 2008.
If this is the magic the Russo brothers can work at Marvel, Avengers: Infinity War should be something truly special indeed. X-Men: Apocalypse, you have your work cut out.
Oh, and wait right up until the end credits for something very special indeed.
https://moviemetropolis.net/2016/05/01/mini-avengers-assemble-captain-america-civil-war-review/
Then, DC tried to compete with Marvel in March with Batman v Superman: Dawn of Justice. It was fine, if far too long and lacking in any real drama. Now, Marvel is back with Captain America: Civil War. But can it break the superhero tedium that has started to settle in?
Steve Rogers (Chris Evans) is back and he is not happy. The titular hero, and the rest of our beloved Avengers clan, are asked to sign up to a UN treaty, designed to reign in their unsupervised power after a dramatic and deadly battle against terrorists in Nigeria. It turns out the Avengers lost the PR war and countries across the globe want blood – well them to back off a little at least.
Most of the fan favourites return in Civil War, with Robert Downey Jr proving once again why he was cast as Tony Stark/Iron Man all those years ago. He is a commanding presence and brings to the table some of the best one-liners outside a fully-fledged Iron Man film.
Elsewhere, Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), Elizabeth Olsen (Scarlet Witch) and Paul Bettany (Vision) all return and despite the increasing number of characters all make their presence felt throughout the course of the film – something Avengers: Age of Ultron failed to do.
However, the film belongs to the characters that join the film and the Marvel Universe. Paul Rudd’s Ant-Man makes a truly exceptional appearance and features in Civil War’s most memorable scene – a brilliantly choreographed battle between two sides in a deserted airport.
And, the long-awaited “homecoming” of Spider-Man to the MCU is thankfully worth the wait. He’s been teased in the trailers and I’m pleased to say his screen-time is far greater than anyone could have imagined. Young Tom Holland’s portrayal of Peter Parker may need some time to settle in, we have a Spider-Man reboot to look forward to in 2018, but he makes a cracking first impression.
So, with all those characters it’s fair to say that Civil War should be renamed “Mini Avengers Assemble” as there’s far more at stake here than a simple Captain America movie. Directors Joe and Anthony Russo have created the film that Age of Ultron should have been and it’s a slight disservice to their incredible work that the film isn’t labelled as a full Avengers feature, despite the lack of Thor and Hulk.
The action is beautifully filmed and the locations are fabulous. From Africa to America and from Germany to London, nearly every inch of the world is touched upon in some way – yet it doesn’t feel disjointed.
But what makes Civil War stand out from all the rest is its human side. This isn’t a superhero movie that ends in a climactic battle against a faceless army, it explores the human impact of our characters’ actions and the emotion radiates from its heart.
Yes, it’s 20 minutes too long but apart from that, I can’t think of a bad word to say. It has reinvigorated a genre that was starting to turn a little stale. Bringing together a set of characters that against all the odds gel together so well makes it feel as fresh as Iron Man did way back in 2008.
If this is the magic the Russo brothers can work at Marvel, Avengers: Infinity War should be something truly special indeed. X-Men: Apocalypse, you have your work cut out.
Oh, and wait right up until the end credits for something very special indeed.
https://moviemetropolis.net/2016/05/01/mini-avengers-assemble-captain-america-civil-war-review/