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Andrew Furlong (14 KP) rated Star Trek V - The Final Frontier (1989) in Movies
Sep 27, 2017
It has a few good character moments (2 more)
Jerry Goldsmith returns for another excellent score
It's never boring
Shatner takes the director's chair and his ego often gets the best of him. (2 more)
Storyline is confused and often overindulgent
Comedy often falls flat
It's... something
While I would say it's more interesting than it's reputation it's not a good movie. It very much feels like a vanity project by Shatner and the story suffers for it.
Andrew Furlong (14 KP) rated Star Trek: Insurrection (1998) in Movies
Sep 27, 2017
Good character moments (3 more)
Light and fun
The scene where Geordi sees with his real eyes for the first time
A beautiful score by Jerry Goldsmith
A bit too light. By the end it feels like nothing has really happened. (1 more)
The moral quandary was interesting, but could have been way better
A fun, but inconsequential outing.
Like Generations, I feel this doesn't deserve the sour reputation it has. It is very inconsequential but if you love these characters it can be a fun watch, though sadly it feels like it could have been more if the Studio hadn't limited Frakes' vision.
The 'Burbs (1989)
7.4
Rate It
Movie
In a suburban neighborhood, an overstressed father and his fellow neighbors, including both a...
Jerry Goldsmith Ennio Morricone
LeftSideCut (3778 KP) rated Poltergeist (1982) in Movies
Oct 13, 2022
Poltergeist is a stone cold classic in so many ways. It has that Spielberg blockbuster shine whilst simultaneously being a scary Tobe Hooper film. It has some absolutely incredible special effects that make way for some of the most memorable moments in horror history. It has a cast of extremely likable characters who you want to see come out on top. It has a wonderful Jerry Goldsmith score.
It's one of those movies that has stuck with me since childhood and still blows me away now. A timeless slice of cinema that will always rank amongst the best of the genre.
It's one of those movies that has stuck with me since childhood and still blows me away now. A timeless slice of cinema that will always rank amongst the best of the genre.
Bob Mann (459 KP) rated Star Trek: The Motion Picture (1979) in Movies
Sep 28, 2021
Given the longevity of this series, this has never struck me as an auspicious start. Yes, it has its positives…
The much repeated classic score by Jerry Goldsmith never fails to impress.
There’s a striking ‘Deltan’ heroine in the shapely form of Indian model Persis Khambatta (who sadly died very young).
And a twist in Alan Dean Foster’s story is genuinely clever (for those who know their space history).
However, all of this is outweighed by a story that is treacle-like in its telling. It’s a classic example of “look at how clever we are”, with special effects overriding everything else. A scene where Kirk travels to the Enterprise takes 5 minutes and 56 seconds (I looked up the Goldsmith track length): a scene involving nothing more than Scotty’s smug looks and Kirk’s awed reaction shots. Later in the movie, there are ENDLESS shots of the Enterprise travelling towards the centre of the cloud. Yawn! FOR F**CK’S SAKE GET ON WITH IT!!!
If this grand-standing was the quiet interlude between high-octane action sequences, then it might be partly forgiven. But even the action scenes are little less than soporific.
The much repeated classic score by Jerry Goldsmith never fails to impress.
There’s a striking ‘Deltan’ heroine in the shapely form of Indian model Persis Khambatta (who sadly died very young).
And a twist in Alan Dean Foster’s story is genuinely clever (for those who know their space history).
However, all of this is outweighed by a story that is treacle-like in its telling. It’s a classic example of “look at how clever we are”, with special effects overriding everything else. A scene where Kirk travels to the Enterprise takes 5 minutes and 56 seconds (I looked up the Goldsmith track length): a scene involving nothing more than Scotty’s smug looks and Kirk’s awed reaction shots. Later in the movie, there are ENDLESS shots of the Enterprise travelling towards the centre of the cloud. Yawn! FOR F**CK’S SAKE GET ON WITH IT!!!
If this grand-standing was the quiet interlude between high-octane action sequences, then it might be partly forgiven. But even the action scenes are little less than soporific.
RəX Regent (349 KP) rated L.A. Confidential (1997) in Movies
Feb 19, 2019
A masterpiece, if not THE masterpiece of modern cinema.
A film which understands exactly what it is, what it’s doing and what it’s about and plays out with pace to resolve what is certainly on of the most complex detective stories the multiplex’s have seen in a long while.
The story is built in solid layers, exposing its audience to every clue, with time to digest them, without falling back on the cack-handed cliché of holding back that vital clue to end in order to maintain its twist. This movie had taken its plot, cut it up the pieces and shuffled them about as to confuse the eye, but in the end, it’s all there for the taking. Well acted, directed and supported by a perfectly balanced score by the late Jerry Goldsmith, along with first-rate editing, sound design and cinematography, this is a pleasure to watch, every time.
This is a true classic, that is bathed in the noir which in it is set, pretending at nothing, feeling not like a period piece nor modern, this is timeless in recreation of the 1950′s. Even its gruesome elements don’t feel overplayed, and I’m still always surprised to this day when I think that it is an 18.
All in all, this is the benchmark of modern film making, ticking every box perfectly. A fantastic film, with a first-rate native to drive it. Every filmmaker should see this and learn…
The story is built in solid layers, exposing its audience to every clue, with time to digest them, without falling back on the cack-handed cliché of holding back that vital clue to end in order to maintain its twist. This movie had taken its plot, cut it up the pieces and shuffled them about as to confuse the eye, but in the end, it’s all there for the taking. Well acted, directed and supported by a perfectly balanced score by the late Jerry Goldsmith, along with first-rate editing, sound design and cinematography, this is a pleasure to watch, every time.
This is a true classic, that is bathed in the noir which in it is set, pretending at nothing, feeling not like a period piece nor modern, this is timeless in recreation of the 1950′s. Even its gruesome elements don’t feel overplayed, and I’m still always surprised to this day when I think that it is an 18.
All in all, this is the benchmark of modern film making, ticking every box perfectly. A fantastic film, with a first-rate native to drive it. Every filmmaker should see this and learn…
Andy K (10821 KP) rated Poltergeist (1982) in Movies
Oct 25, 2019
The TV People!
When the Freeling family moved into their suburban California home, little did they know what they were getting themselves into! Minor oddities began showing themselves like chairs stacking in the kitchen lights flashing or even being pulled across the kitchen floor. It felt like a "tickle". The situation quickly grows more severe as a tree outside the children's room plunges inside and tries to ingest son, Robbie. Simultaneously, a gateway of sorts opens in the children's room eventually pulling the entire contents into its closet vortex including youngest daughter, Carol Anne.
Parents Steve and Diane have little option but to accept "professional" help. The Ghostbusters were not available since that film was not released until 2 years later. Instead, they convince a doctor and paranormal scientists to enter there home to record some of these events and provide some answers if they can. Eventually, the Dr. summons a spiritual medium who says someone must enter the void and rescue Carol Anne from the evil which surrounds her. After apparent success, the house is considered "clean".
I wonder if it will stay that way?
Over the years lots of interesting facts about the film and production have emerged including the Poltergeist "curse" since a prominent cast member passed away after each film was completed. Tragically, oldest daughter, Dana, played by actress Dominique Dunne, was strangled by her boyfriend and pronounced brain dead a few days later.
Spielberg was hot off Raiders of the Lost Ark at the time so was busy with one production after another. Immediately following the wrap of filming of Poltergeist he filmed E. T. The Extra Terrestrial, but was still heavily involved in post production. It has been widely speculated Spielberg even directed some of Poltergieist due to having control issues or maybe not liking what credited director Tobe Hooper was doing.
Drew Barrymore auditioned for Carol Ann, but didn't get the role. Obviously, she was remembered and given her breakout role in E.T. when it was also released in 1982.
So much of the movie is still remembered including the menacing tree, the clown scene with Robbie and a rich, interesting screenplay Spielberg himself wrote. The line "They're Here" is listed on the AFI's 100 YEARS...100 MOVIE QUOTES list at #69. As with a lot of Spielberg's early work, the affect of slowing building tension and the starting out "normal" and moving toward higher tension gradually is a staple and works amazingly well here.
I will admit some of the optical effects used now look a bit dated by today's standards of film perfection; however, does not diminish the scares, creeps or overall feel of this horror classic one bit. The score by Jerry Goldsmith is haunting, foreboding and captures the magic of the Freeling household perfectly.
I love the production design in the house especially the children's bedroom. There must have been some inside joke between Spielberg and George Lucas who had just collaborated on Raiders of the Lost Ark as their room is filled with Star Wars licensing of every type (so was mine as a kid) including action figures, bedding, movie posters and even clothing. I do draw the line at the Alien poster on the wall, through, as I don't think a 5 and 8 year old would have seen that film so young.
One other funny thing which us older folk take for granted is a network actually going off the air and showing just snow. This fact happened every day before the days of the 24 television cycle and would be completely foreign to the younger generation. Oh how things have changed.
I revisit this film often and is one of my Halloween traditions every few years. I should probably upgrade my 20 years old DVD copy for a fresh Blu Ray. Add it to the list! 😜
Parents Steve and Diane have little option but to accept "professional" help. The Ghostbusters were not available since that film was not released until 2 years later. Instead, they convince a doctor and paranormal scientists to enter there home to record some of these events and provide some answers if they can. Eventually, the Dr. summons a spiritual medium who says someone must enter the void and rescue Carol Anne from the evil which surrounds her. After apparent success, the house is considered "clean".
I wonder if it will stay that way?
Over the years lots of interesting facts about the film and production have emerged including the Poltergeist "curse" since a prominent cast member passed away after each film was completed. Tragically, oldest daughter, Dana, played by actress Dominique Dunne, was strangled by her boyfriend and pronounced brain dead a few days later.
Spielberg was hot off Raiders of the Lost Ark at the time so was busy with one production after another. Immediately following the wrap of filming of Poltergeist he filmed E. T. The Extra Terrestrial, but was still heavily involved in post production. It has been widely speculated Spielberg even directed some of Poltergieist due to having control issues or maybe not liking what credited director Tobe Hooper was doing.
Drew Barrymore auditioned for Carol Ann, but didn't get the role. Obviously, she was remembered and given her breakout role in E.T. when it was also released in 1982.
So much of the movie is still remembered including the menacing tree, the clown scene with Robbie and a rich, interesting screenplay Spielberg himself wrote. The line "They're Here" is listed on the AFI's 100 YEARS...100 MOVIE QUOTES list at #69. As with a lot of Spielberg's early work, the affect of slowing building tension and the starting out "normal" and moving toward higher tension gradually is a staple and works amazingly well here.
I will admit some of the optical effects used now look a bit dated by today's standards of film perfection; however, does not diminish the scares, creeps or overall feel of this horror classic one bit. The score by Jerry Goldsmith is haunting, foreboding and captures the magic of the Freeling household perfectly.
I love the production design in the house especially the children's bedroom. There must have been some inside joke between Spielberg and George Lucas who had just collaborated on Raiders of the Lost Ark as their room is filled with Star Wars licensing of every type (so was mine as a kid) including action figures, bedding, movie posters and even clothing. I do draw the line at the Alien poster on the wall, through, as I don't think a 5 and 8 year old would have seen that film so young.
One other funny thing which us older folk take for granted is a network actually going off the air and showing just snow. This fact happened every day before the days of the 24 television cycle and would be completely foreign to the younger generation. Oh how things have changed.
I revisit this film often and is one of my Halloween traditions every few years. I should probably upgrade my 20 years old DVD copy for a fresh Blu Ray. Add it to the list! 😜