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Ava (2020)
Ava (2020)
2020 | Action, Crime, Drama
4
6.2 (13 Ratings)
Movie Rating
With the exception of a couple of half decent action scenes, Ava doesn't have much going for it. It's feels generic, it feels phoned in, and above all, it's just quite boring.
It has an engaging enough set up, but somewhere around the half hour mark, it just kind of trails off into limbo, as a pretty stacked cast are subjected to a lackluster script. Seriously, Jessica Chastain is doing the best she can with what she's been given, but considering Ava also stars the likes of John Malkovich, Geena Davis, Colin Farrell, Joan Chen, Ioan Gruffudd - all heavy hitters who don't make much impact. The whole experience is just uninspired.
It's not a complete train wreck, but since John Wick exploded into cinemas, these kind of films have been a dime a dozen, and Ava doesn't do nearly enough to rise above its peers.
  
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Awkwafina recommended Saving Face (2005) in Movies (curated)

 
Saving Face (2005)
Saving Face (2005)
2005 | Comedy, Drama, Romance
(0 Ratings)
Movie Favorite

"I actually had the poster of Saving Face hanging in my room for a long time. It was the first Asian-American movie that I saw that really connected with me. I’ve seen some Asian-American indies, but that really kind of opened up my search for them. I didn’t even really know about the genre when I first saw it. It was written and directed by an Asian-American woman, Alice Wu, and it centers around, an Asian-American lesbian. It stars one of my favorite actresses ever – Lynn Chen – and Michelle Krusiec. This girl, she’s from Queens, and she takes the 7. It was the first time I’d ever seen a movie with an Asian American on a 7 train! I think that was the first time I really understood what representation was. But it hit closer to home because she was an Asian-American woman and because, you know, she is from Queens. And she went to Flushing all the time, and her mom [Joan Chen] was kind of this Flushing socialite who actually becomes pregnant. And she kind of has to go between both worlds of being the good Asian daughter and also coming to terms with her sexuality. It was one of those movies that I think explored a lot of layers about the Asian-American experience and the negotiation that come with it. And, so, I love that movie so much. I still have the poster somewhere."

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Ava (2020)
Ava (2020)
2020 | Action, Crime, Drama
7
6.2 (13 Ratings)
Movie Rating
Great mother/daughter scene in the middle of a generic assassin flick
To give you everything you need to know about the Jessica Chastain assassin flick AVA is to read the IMDB description of the film:

"Ava is a deadly assassin who works for a black ops organization, traveling the globe specializing in high profile hits. When a job goes dangerously wrong she is forced to fight for her own survival."

Pretty generic, right? There are only about a dozen films that I can think of off the top of my head that would fit this description. So...what separates this one to make it worth watching?

Not much.

Chastain stars as Ava, a deadly assassin who...oh, you get it. When the "job goes dangerously wrong", she heads back to Boston and into the arms of her loving family - who want nothing to do with her.

Chastain is good, but nothing special as Ava...she seems to be able to pull off the physicality of this role quite well (like Jennifer Lawrence in RED SPARROW or Charlize Theron in ATOMIC BLONDE). The head of the shadowy organization that Ava works, played by Collin Farrell, is generically shadowy and Farrell plays it professionally with a touch of "over the top" acting (but not too much). The great John Malkovich is a spark of energy in this film as Ava's mentor. Mr. Malkovich, as is his want to do, eats the scenery in every scene that he is in. Under normal circumstances, this would annoying, but in this film, it is welcome. Ioan Gruffudd and Joan Chen show up (briefly) as adversaries of Ava and all of these components makes the "assassin side" of this film work well enough.

The "family side' of this film just doesn't work - except for one scene.

Common is just plain bad in the underwritten role of Ava's former lover who is now married to her sister. Jess Wexler is forgettable as Ava's sister (I even had to look her up on IMDB to remind me of who played this role) and Geena Davis - as Ava's estranged mother - looks like she is just there because she owed someone a favor.

Except for one scene.

And that's the interesting thing about this film. Right in the middle of this very generic, very ordinary film is a "come to Jesus" meeting between Ava (Chastain) and her mother (Davis). This scene was "Oscar worthy" with 2 very good actresses going back and forth with each other (with Davis dominating the scene). I gotta think that this scene was the only one Davis read when she agreed to do this film and was pouting during her other, generic scenes.

Director Tate Taylor (who took over when the original Director was bounced when past sexual indiscretions were unearthed) and writer Matthew Newton bring nothing new to the genre. It is all very...generic. The action scenes are professionally done, but generic. The situations are contrived and...generic. The acting is...scenery chewing generic. The ending is predictably generic.

All-in-all an "entertaining enough" generic action flick - except for that one scene (and maybe Malkovich's performance), they make it worthwhile.

Letter Grade: B

7 stars (out of 10 - it really is a "5", but will add a point for Malkovich and another point for the mother daughter scene). - and you can take that to the Bank (ofMarquis)