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Bob Mann (459 KP) rated Finding your feet (2018) in Movies
Sep 29, 2021
Foot tapping and Tear Jerking.
There are some films whose trailers really don’t properly represent their contents. The trailer for the new ‘grey-pound’ film “Finding Your Feet” promised a light hearted and witty foray into an elderly dance-club. And, yes, you get some laughs. But it’s very much a bitter sweet comedy, and the bitterness is ladled on by the bucketload leading to more tears than smiles through the majority of the running time.
Sandra (Imelda Staunton, “Pride“) – now Lady Sandra, after her husband’s latest knighthood – is in a predictable, sex-free but reasonably happy marriage to legal beagle Mike (John Sessions, “Denial“, “Florence Foster Jenkins“) when her world is shaken to its core on discovering that Mike has been having a five-year affair with her best friend Pamela (Josie Lawrence). Moving in with her Bohemian sister Bif (Celia Imrie, “Bridget Jones Baby“), she struggles to integrate into her decidedly lower class lifestyle and find common ground with Bif’s dance club friends Charlie (Timothy Spall, “Denial“, “Mr Turner”), Ted (David Hayman) and Jackie (Joanna Lumley, “The Wolf of Wall Street“).
Can Sandra turn her downward spiral around and find love and happiness again? Well, the posters scream “The Feel Good Film of the Year” so you don’t need to be a rocket scientist to know the answer to that! But it’s a bumpy journey for sure.
Getting all the acting honours is Timothy Spall, who is far too good to be buried away in this small British rom com. To watch him do “ordinary bloke doing ordinary things” is an absolute delight. He adds class and distinction to every scene he’s in, especially for those concerned with his truly tragic and upsetting back-story. Running a close second is Celia Imrie who has a wicked smile off to perfection and adds a lot of emotional depth to her performance: and she needs the range, since she too is on a pretty emotional journey through the second half of the film.
John Sessions and Josie Lawrence – old compatriots of course from the original version of TV’s “Whose Line Is It Anyway” – also deliver marvellous cameo performances, as does Phoebe Nicholls (“The Elephant Man”, “Downton Abbey”) as the tennis playing friend Janet.
Less convincing for me was Imelda Staunton, particularly in the first half of the film: for me she never quite pulls off the icy cold emotional wreck of Sandra, but is much better once the thaw has set in.
The film is written by Meg Leonard (in a debut script) and Nick Moorcroft (who did the “St Trinians” scripts). And there are some funny lines in there, although it has to be said that there are not enough of them. The majority of the best ones in fact are in the trailer, never bettered by Joanna Lumley’s zinger…. “My last marriage ended for religious reasons…. he thought he was God and I didn’t”! There’s not much more room for comic lines, since the rest of the script is stuffed with the dramatic outcomes from various flavours of old-age malady. Fortunately I was one of the younger members of the generally grey-haired audience, but for those further up the scale it must have been like staring into the void!
The film will win no awards for choreography, since the dance scenes are gloriously inept and out of sync. But this all rather adds to the charm of the piece.
Directed by Richard Loncraine, director of the equally forgettable Brit-flick “Wimbledon” and the rather more memorable “Brimstone and Treacle”, this is as Douglas Adams would have said “Mostly Harmless”: a film that most over-50’s will find a pleasant way to spend two hours. But go in expecting a drama with comic moments, rather than the hilarious comedy predicted by the trailer, and you will be better prepared.
(I should comment that the rating below is my view: my illustrious wife declared it a triumphant chick-flick and gave it FFFFf).
Sandra (Imelda Staunton, “Pride“) – now Lady Sandra, after her husband’s latest knighthood – is in a predictable, sex-free but reasonably happy marriage to legal beagle Mike (John Sessions, “Denial“, “Florence Foster Jenkins“) when her world is shaken to its core on discovering that Mike has been having a five-year affair with her best friend Pamela (Josie Lawrence). Moving in with her Bohemian sister Bif (Celia Imrie, “Bridget Jones Baby“), she struggles to integrate into her decidedly lower class lifestyle and find common ground with Bif’s dance club friends Charlie (Timothy Spall, “Denial“, “Mr Turner”), Ted (David Hayman) and Jackie (Joanna Lumley, “The Wolf of Wall Street“).
Can Sandra turn her downward spiral around and find love and happiness again? Well, the posters scream “The Feel Good Film of the Year” so you don’t need to be a rocket scientist to know the answer to that! But it’s a bumpy journey for sure.
Getting all the acting honours is Timothy Spall, who is far too good to be buried away in this small British rom com. To watch him do “ordinary bloke doing ordinary things” is an absolute delight. He adds class and distinction to every scene he’s in, especially for those concerned with his truly tragic and upsetting back-story. Running a close second is Celia Imrie who has a wicked smile off to perfection and adds a lot of emotional depth to her performance: and she needs the range, since she too is on a pretty emotional journey through the second half of the film.
John Sessions and Josie Lawrence – old compatriots of course from the original version of TV’s “Whose Line Is It Anyway” – also deliver marvellous cameo performances, as does Phoebe Nicholls (“The Elephant Man”, “Downton Abbey”) as the tennis playing friend Janet.
Less convincing for me was Imelda Staunton, particularly in the first half of the film: for me she never quite pulls off the icy cold emotional wreck of Sandra, but is much better once the thaw has set in.
The film is written by Meg Leonard (in a debut script) and Nick Moorcroft (who did the “St Trinians” scripts). And there are some funny lines in there, although it has to be said that there are not enough of them. The majority of the best ones in fact are in the trailer, never bettered by Joanna Lumley’s zinger…. “My last marriage ended for religious reasons…. he thought he was God and I didn’t”! There’s not much more room for comic lines, since the rest of the script is stuffed with the dramatic outcomes from various flavours of old-age malady. Fortunately I was one of the younger members of the generally grey-haired audience, but for those further up the scale it must have been like staring into the void!
The film will win no awards for choreography, since the dance scenes are gloriously inept and out of sync. But this all rather adds to the charm of the piece.
Directed by Richard Loncraine, director of the equally forgettable Brit-flick “Wimbledon” and the rather more memorable “Brimstone and Treacle”, this is as Douglas Adams would have said “Mostly Harmless”: a film that most over-50’s will find a pleasant way to spend two hours. But go in expecting a drama with comic moments, rather than the hilarious comedy predicted by the trailer, and you will be better prepared.
(I should comment that the rating below is my view: my illustrious wife declared it a triumphant chick-flick and gave it FFFFf).
Kristy H (1252 KP) rated The Honey-Don't List in Books
Mar 26, 2020
Carey Douglas is looking forward to a much-needed vacation. She's spent nearly ten years serving as an assistant--and much more--to Melissa Tripp, one half of Melissa and Rusty Tripp. The Tripps are co-owners of the store Comb+Honey and best known for their home renovation TV shows and books. They have a new solo show, Home Sweet Home, about to launch on Netflix, accompanied by a book about their happy marriage. The only issue: Melissa and Rusty can't stand each other. So instead of giving their assistants--Carey and Rusty's assistant/engineer, James--a break while they go on book tour, the couple's behavior requires they be babysat so their mutual self-hatred does not go viral. Suddenly Carey and James find themselves stuck together on a tour bus, watching over two very irritable and often hateful people. James needs the engineering contacts and a job where everything is on the up-and-up--something his last couldn't offer. Carey requires health insurance and believes Melissa needs her more than anyone else. And who knows, the more time James and Carey spend together, the more they might wind up finding some good in all this mess.
"You wouldn't know from scrolling through their idyllic Instagram feed that Melly and Rusty aren't quite as sweet on each other anymore. Looking back, I'm not really sure when they decided their marriage mattered less than their brand."
This was a fun and engaging Christina Lauren read. I'd rank Carey and James as one of their good couples, though not perhaps in the great category. They are cute, however, with plenty of chemistry and lots of sexy banter.
"Your only job for the next ten days is to keep the Tripps from falling apart."
I enjoyed the HGTV feel of this book and the Tripps had a "Chip and Joanna Gaines" feel, if the Gaines went off the rails, or we were able to see their dark side. Things get a little repetitive in the middle, as the Tripps fight and Carey and James struggle with the "oh but we need our jobs" piece, but overall the book is humorous, tender, and fun. Sure, Carey and James are desperately thrown together and you have NO IDEA what will happen, right? It's all good; it's why I love a good romance. Their journey is enjoyable and the side characters--mainly the Tripps--are, well, a trip. Let me tell you, Melissa (Melly) is downright scary at times.
We also get the story told from both Carey and James' point of view, which I like, plus some police report excerpts (oh yeah) and parts of blogger and tabloid pieces. Our fabulous duo does a great job at putting us in the middle of the Tripps' scandal, and one of my favorite things about this one was that not only did we get to enjoy Carey and James' romance, but we felt like we were a part of the trainwreck sensation that was Melly and Rusty.
Overall, this is a fun read with a sexy romance and enjoyable characters. 3.75 stars, rounded to 4 stars here.
"You wouldn't know from scrolling through their idyllic Instagram feed that Melly and Rusty aren't quite as sweet on each other anymore. Looking back, I'm not really sure when they decided their marriage mattered less than their brand."
This was a fun and engaging Christina Lauren read. I'd rank Carey and James as one of their good couples, though not perhaps in the great category. They are cute, however, with plenty of chemistry and lots of sexy banter.
"Your only job for the next ten days is to keep the Tripps from falling apart."
I enjoyed the HGTV feel of this book and the Tripps had a "Chip and Joanna Gaines" feel, if the Gaines went off the rails, or we were able to see their dark side. Things get a little repetitive in the middle, as the Tripps fight and Carey and James struggle with the "oh but we need our jobs" piece, but overall the book is humorous, tender, and fun. Sure, Carey and James are desperately thrown together and you have NO IDEA what will happen, right? It's all good; it's why I love a good romance. Their journey is enjoyable and the side characters--mainly the Tripps--are, well, a trip. Let me tell you, Melissa (Melly) is downright scary at times.
We also get the story told from both Carey and James' point of view, which I like, plus some police report excerpts (oh yeah) and parts of blogger and tabloid pieces. Our fabulous duo does a great job at putting us in the middle of the Tripps' scandal, and one of my favorite things about this one was that not only did we get to enjoy Carey and James' romance, but we felt like we were a part of the trainwreck sensation that was Melly and Rusty.
Overall, this is a fun read with a sexy romance and enjoyable characters. 3.75 stars, rounded to 4 stars here.