Search
Search results
Josephine Decker recommended Killing Eve in TV (curated)
Kevin Phillipson (9923 KP) rated Free Guy (2021) in Movies
Aug 17, 2021
Ryan Reynolds (1 more)
Jodie comer
Just watched as I play video games so I no a thing or two about npcs non playable characters in games like grand theft auto assassins creed games so this movie was up my alley and boy does it deliver ticks all the boxes especially Jodie comer from killing eve who is a star in the making ryan reynolds is ryan Reynolds nothing different. Loved the surprise cameos which I won't give away here. Overall good afternoon out highly recommend
KarynKusama recommended Killing Eve in TV (curated)
Blazing Minds (92 KP) rated The Last Duel (2021) in Movies
Oct 15, 2021 (Updated Oct 16, 2021)
With Jodie Comer, Matt Damon, Ben Affleck and Adam Driver in a movie directed by Ridley Scott I just had to see it.
And I have to say I wasn't disappointed, loved the idea if the story being told by the three viewpoints which works very well.
The Last Duel is a well crafted movie that although runs at 2h 32mins it really didn't seem that long.
And I have to say I wasn't disappointed, loved the idea if the story being told by the three viewpoints which works very well.
The Last Duel is a well crafted movie that although runs at 2h 32mins it really didn't seem that long.
Elli H Burton (1288 KP) rated Killing Eve - Season 1 in TV
Aug 9, 2019
Wait, What?!
If a thriller, murder mystery type thing is what you like then this is for you. It's absolutely mental and I love it. Jodie Comer is bloody fantastic!! I've seen her in my mad fat diary and I liked her in that but this just shows how awesome she is at what she does. I have never seen Sandra Oh in anything before but her performance has encouraged me to seek out more of her work.
DEFO WATCH.
DEFO WATCH.
Dean (6921 KP) rated Killing Eve in TV
Oct 31, 2018 (Updated Jun 7, 2020)
Great production (1 more)
Jodie Comer
Darkly funny thriller
A truly binge worthy show. I got through the 8 episodes in just a few sessions. A mix of cat and mouse spy thriller as a Mi6 agent tracks a female assassin. It has plenty of often dark humour to go with it. The first few episodes made me think of the Hitman 47 game as the assassin goes to great lengths to make their hit. It slows down a bit for the last couple of episodes and the storyline became a little bit odd. Overall though it's a very enjoyable, classy series.
Sarah (7798 KP) rated Killing Eve in TV
Oct 13, 2018
Smart, funny, stylish & just a little bit bonkers
I’m beyond surprised that a show like this has come out of the BBC. It’s darkly and laugh out loud funny, and so ridiculously smart and stylish. Jodie Comer is absolutely phenomenal as Villanelle, she’s wondrously funny and plays a psychopath worryingly well. Her accents are brilliant, and I was shocked to see of all places that she’s from Liverpool. And Sandra Oh is surprisingly charismatic too.
The series starts off very strongly and the first few episodes are fantastic, however I did think it got a little bit strange and maybe a little too serious as the episodes moved along. Whilst this isn’t a huge problem, I did think it lost some of the magic from earlier in the series. I’d be intrigued to see how the second series pans out.
The series starts off very strongly and the first few episodes are fantastic, however I did think it got a little bit strange and maybe a little too serious as the episodes moved along. Whilst this isn’t a huge problem, I did think it lost some of the magic from earlier in the series. I’d be intrigued to see how the second series pans out.
Bob Mann (459 KP) rated The Last Duel (2021) in Movies
Oct 28, 2021
Three nuanced perspectives on a winter’s tale.
In Ridley Scott’s new movie “The Last Duel” we are in the late 14th century in France. And – apart from in one scene – it appears to be perpetual winter!
Plot Summary:
Widowed Jean de Carrouges (Matt Damon) is a battle-hardened warrior, loyal to King Charles VI of France (Alex Lawther). He is becoming progressively estranged from his one-time friend Jacques Le Gris (Adam Driver), a personal favourite of Normandy ruler Pierre d’Alençon (Ben Affleck).
But Carrouges’ lovely new wife Marguerite (Jodie Comer) accuses Le Gris of a terrible crime. But who is telling the truth? Only God can decide, as Carrouges and Le Gris must duel to the death.
Certification:
US: R. UK: 18.
Talent:
Starring: Jodie Comer, Matt Damon, Adam Driver, Ben Affleck.
Directed by: Ridley Scott.
Written by: Matt Damon, Ben Affleck and Nicole Holofcener.
“The Last Duel” Review: Positives:
It’s an intriguing script – the first collaboration between Damon and Affleck since their Oscar-winning “Good Will Hunting” from 25 years ago. It presents 3 different versions of “the truth” from three different perspectives. (One of these – Marguerite’s version – is suggested as being the ‘actual’ truth through a clever delayed fade of the chapter title). Many of the same scenes are repeated in each variant: sometimes with obvious differences in fact; sometimes with the slightest nuance of tone or expression; and sometimes with no change to the visuals, but with the benefit of hearing the dialogue being spoken. Very clever.
“Killing Eve”‘s Jodie Comer is just brilliant here. She is the master of nuanced expression, and she genuinely deserves an Oscar nomination for this work. Combined with her great and fun role in the surprise summer hit “Free Guy“, Comer is surely on a path to movie acting greatness.
Damon, Driver and Affleck also have great fun with their roles: they are all eminently watchable and this is a study in acting greatness. But I particularly loved Alex Lawther’s turn as the king: all excitable childish power in the body of a young adult.
Battle scenes and the final duel are delivered in visceral nature reminiscent of Ridley Scott’s famous battle and arena scenes in “Gladiator”.
Excellent production design and special effects on show here. Another Oscar nomination perhaps? The movie was filmed in the Dordogne region of France and also – after a 2020 Covid lockdown – in Ireland.
Negatives:
At two and a half hours it’s another long film (is October 2021 designated long film month??). And although the nuances between the different versions of reality are fascinating, there’s a degree of tedium involved in rehashing the same scenes (in some cases) for the third time. Arguably I think a few of these re-versions could have been omitted to reduce the bladder-testing run time.
Summary Thoughts on “The Last Duel”
This is Ridley Scott back on top form again. I found this a gripping watch. As the film opens, we are teased with the start of the ‘boss level’ duel between Damon and Driver. But these final dramatic scenes are the emotional lynchpin of the movie since only then do you understand the background and the ramifications of the fight.
Evidently, 14th Century France was NOT a great time for sexual equality. Women were merely chattels, denied not only fair play and self-determination, but also the bedroom niceties of foreplay and, in most cases, orgasms. As the story was based on real events, the courage and determination of Marguerite of Carrouges were extraordinary. And Jodie Comer’s portrayal of her wonderfully demonstrates, yet again, why she is the UK’s most exciting acting export for many years.
Plot Summary:
Widowed Jean de Carrouges (Matt Damon) is a battle-hardened warrior, loyal to King Charles VI of France (Alex Lawther). He is becoming progressively estranged from his one-time friend Jacques Le Gris (Adam Driver), a personal favourite of Normandy ruler Pierre d’Alençon (Ben Affleck).
But Carrouges’ lovely new wife Marguerite (Jodie Comer) accuses Le Gris of a terrible crime. But who is telling the truth? Only God can decide, as Carrouges and Le Gris must duel to the death.
Certification:
US: R. UK: 18.
Talent:
Starring: Jodie Comer, Matt Damon, Adam Driver, Ben Affleck.
Directed by: Ridley Scott.
Written by: Matt Damon, Ben Affleck and Nicole Holofcener.
“The Last Duel” Review: Positives:
It’s an intriguing script – the first collaboration between Damon and Affleck since their Oscar-winning “Good Will Hunting” from 25 years ago. It presents 3 different versions of “the truth” from three different perspectives. (One of these – Marguerite’s version – is suggested as being the ‘actual’ truth through a clever delayed fade of the chapter title). Many of the same scenes are repeated in each variant: sometimes with obvious differences in fact; sometimes with the slightest nuance of tone or expression; and sometimes with no change to the visuals, but with the benefit of hearing the dialogue being spoken. Very clever.
“Killing Eve”‘s Jodie Comer is just brilliant here. She is the master of nuanced expression, and she genuinely deserves an Oscar nomination for this work. Combined with her great and fun role in the surprise summer hit “Free Guy“, Comer is surely on a path to movie acting greatness.
Damon, Driver and Affleck also have great fun with their roles: they are all eminently watchable and this is a study in acting greatness. But I particularly loved Alex Lawther’s turn as the king: all excitable childish power in the body of a young adult.
Battle scenes and the final duel are delivered in visceral nature reminiscent of Ridley Scott’s famous battle and arena scenes in “Gladiator”.
Excellent production design and special effects on show here. Another Oscar nomination perhaps? The movie was filmed in the Dordogne region of France and also – after a 2020 Covid lockdown – in Ireland.
Negatives:
At two and a half hours it’s another long film (is October 2021 designated long film month??). And although the nuances between the different versions of reality are fascinating, there’s a degree of tedium involved in rehashing the same scenes (in some cases) for the third time. Arguably I think a few of these re-versions could have been omitted to reduce the bladder-testing run time.
Summary Thoughts on “The Last Duel”
This is Ridley Scott back on top form again. I found this a gripping watch. As the film opens, we are teased with the start of the ‘boss level’ duel between Damon and Driver. But these final dramatic scenes are the emotional lynchpin of the movie since only then do you understand the background and the ramifications of the fight.
Evidently, 14th Century France was NOT a great time for sexual equality. Women were merely chattels, denied not only fair play and self-determination, but also the bedroom niceties of foreplay and, in most cases, orgasms. As the story was based on real events, the courage and determination of Marguerite of Carrouges were extraordinary. And Jodie Comer’s portrayal of her wonderfully demonstrates, yet again, why she is the UK’s most exciting acting export for many years.