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Zero Hour (Numa Files #11)
Zero Hour (Numa Files #11)
Clive Cussler, Graham Brown | 2013 | Fiction & Poetry, Thriller
6
6.0 (2 Ratings)
Book Rating
Zero Hour is an 'Adventure from the NUMA Files' which means following the team of Kurt Austin, Joe Zavala and Paul and Gamay Trout on their adventures.

In truth the main players in this are Kurt and Joe with the Trouts taking a back seat. In fact Dirk Pitt has more of a role in this novel than they do. I'm not sure that is a bad thing, having find roles for four leading characters started to get a little stretched for me in the more recent books.

Back to the story, which could come straight out of a James Bond plot. Genius develops a weapon which taps into zero point energy and causes massive earthquakes. Feeling that the nations of the world have shunned him and killed is daughter he decides to turn the weapon upon them in revenge. It is up to Kurt, Joe and an Australian scientist (female, providing the love interest for Kurt) to stop him, against the clock and against all the odds.

This is a real old fashioned adventure story, a few twists here and there to keep the interest but nothing too demanding. It moves at a fantastic pace, has some brilliant set pieces and a typically over the top villain. There are multiple threads to the story which join up for a satisfying conclusion.

The narrative moves on at a good pace and never gets bogged down in too much exposition. There is the expected need to suspend belief in parts, but really not as much as other stories. This was an easy book to read and had that 'unputdownable' factor that should be expected. Probably one of the better NUMA files novels (which have in my mind always been the poor relation to the other Cussler series).

Overall I would rate this as a good, entertaining book, well worth a read if you like advemture stories.
  
Bohemian Rhapsody (2018)
Bohemian Rhapsody (2018)
2018 | Biography, Drama, Music
Come for the music, stay...for the music
My musical tastes end somewhere in the late 1970's/early 1980's. Billy Joel, ELO and, especially, Queen were in constant rotation on my turntable. So it was with a mixture of excitement and nervousness that I checked out BOHEMIAN RHAPSODY, the "Queen movie".

Fortunately, this film rekindled my love for the music of Queen. I gotta admit, I was cranking Queen tunes in the car on the ride home. Unfortunately, the storytelling is weak, so I really did not gain any insight into Freddy, his family, the group, his marriage, his bi-sexuality, his drug use, the times they lived in or the AIDS epidemic of the '80's. All these items were touched upon in the movie, but not delved into, leaving a void in the part of my brain that craves a good, meaningful and touching story with my movie/musicals. It certainly doesn't help this story that I have the wonderful A STAR IS BORN sitting in my recent memory.

But the music, the musical performances and the acting performances of all involved almost make up for this void, leaving a very satisfying experience at the movies.

BOHEMIAN RHAPSODY follows young Farrokh Bulsara as he joins the band SMILE, changes the bands name to QUEEN, changes his name to Freddie Mercury and becomes an International Superstar leading up to the inevitable fall and resurgence at the Live Aid concert in the 1980's.

In the lead, Rami Malik is wonderful. He has the essence of the superstar we know down well. He is a winning, watchable presence on screen and I wouldn't be surprised if he is mentioned when Oscar nominations roll around. Joining him as members of the band are Ben Hardy as Roger Taylor, Joe Mazzello as John Deacon and Gwilym Lee as Brian May. All are effective enough in their roles - and believable in the musical scenes - with Lee standing out just a bit more than the others.

Also along for the ride are Lucy Boyton as Freddy's wife, Mary Austin and Tom Hollander, Mike Myers and Aidan Gillen as music execs aiding and attempting to guide Queen to the top. Only Allen Leech as Paul Prenter is unconvincing on the screen. But, I blame this more to the decisions of the screenwriters and directors for Paul is the "villain" of this piece - and a not-too-subtle villain at that.

But, Director Bryan Singer (X-MEN, THE USUAL SUSPECTS) is forgiven his lapses in content and subtlety as the music scenes are strong - and the film finishes with a 20 minute recreation of Queen at the Live Aid concert that is worth the price of admission all on it's own.

All in all, a good time at the movies. If you like Queen, you'll be entertained by this film.

Letter Grade: A-

8 (out of 10) stars and you can take that to the Bank(ofMarquis)