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JT (287 KP) rated The Grey (2012) in Movies
Mar 10, 2020
Director Joe Carnahan has a popular back catalogue. One that is considered his best to date is Narc. Of course he helmed the bat shit crazy, guns-a-blazing Smokin Aces and who could forget for a minute the over the top and some what bonkers reboot of The A-Team.
Here, Carnahan teams up with Liam Neeson once again, although it was very nearly Bradley Cooper, but we’re glad that Neeson got the gig! Neeson plays Ottway, a crack shot with a rifle whose job it is is to keep the many oil drilling workers off the menu from the local four legged carnivores.
When the plane transporting the crew back from the end of season crashes in Alaskan no man’s land, Neeson must battle the elements and inhospitable terrain to find safety – while at the same time avoiding a rather pissed off pack of hungry wolves. If there is anyone you’d want by your side in this type of situation (Bear Grylls not present) it’s Nesson. With a few choice words for his new found friends “nobody’s going to find us….and if we don’t move we’re all fucked!” They abandon what little is left of the plane and set out into the wilderness.
This is clearly not the best idea, and it’s not long before the group are picked off one by one as the race to safety intensifies. With the Alpha male calling the shots wolf side, it’s Neeson doing the same for the humans, as he battles with his own issues as well as those around him. A few nights opening up round the fire and you realise that these men have a significant reason to want to get home alive.
Neeson is level headed and cool, but then put into a situation like this you have to be. The film, lacking in any visual landscape must use the survivors to really build the story, and Carnahan delivers enough tension to the audience to keep them on a knife edge.
The action is integrated well into the emotional side of the plot and that makes the film all the more enjoyable, as by the end you feel for each and everyone of those guys. The scenes are a little more believable, no tanks shooting down planes here. Although we do wonder if Carnahan took inspiration from Cliffhanger for one particular scene.
The Grey packs an intense punch all the way through and it will play on the heart strings as well. Neeson is the stand-out but has a solid supporting cast who don’t let him carry the burden all the way through till the end.
Here, Carnahan teams up with Liam Neeson once again, although it was very nearly Bradley Cooper, but we’re glad that Neeson got the gig! Neeson plays Ottway, a crack shot with a rifle whose job it is is to keep the many oil drilling workers off the menu from the local four legged carnivores.
When the plane transporting the crew back from the end of season crashes in Alaskan no man’s land, Neeson must battle the elements and inhospitable terrain to find safety – while at the same time avoiding a rather pissed off pack of hungry wolves. If there is anyone you’d want by your side in this type of situation (Bear Grylls not present) it’s Nesson. With a few choice words for his new found friends “nobody’s going to find us….and if we don’t move we’re all fucked!” They abandon what little is left of the plane and set out into the wilderness.
This is clearly not the best idea, and it’s not long before the group are picked off one by one as the race to safety intensifies. With the Alpha male calling the shots wolf side, it’s Neeson doing the same for the humans, as he battles with his own issues as well as those around him. A few nights opening up round the fire and you realise that these men have a significant reason to want to get home alive.
Neeson is level headed and cool, but then put into a situation like this you have to be. The film, lacking in any visual landscape must use the survivors to really build the story, and Carnahan delivers enough tension to the audience to keep them on a knife edge.
The action is integrated well into the emotional side of the plot and that makes the film all the more enjoyable, as by the end you feel for each and everyone of those guys. The scenes are a little more believable, no tanks shooting down planes here. Although we do wonder if Carnahan took inspiration from Cliffhanger for one particular scene.
The Grey packs an intense punch all the way through and it will play on the heart strings as well. Neeson is the stand-out but has a solid supporting cast who don’t let him carry the burden all the way through till the end.
Movie Metropolis (309 KP) rated The Grey (2012) in Movies
Jun 10, 2019
Is there ever a better match up than Liam Neeson and a good solid action flick? This reviewer thinks not and this is exactly what we have here. However, Joe Carnahan’s latest offering, The Grey is a lot more than the formulaic paint by numbers action movie.
The Grey focuses on a group of men working away from home in the Alaskan oil fields. On their way back to safety, the worst happens and the plane the unlucky fellows are travelling in crashes in spectacular fashion. The crash in the first sequence of the movie is absolutely stunning and one of the best I’ve seen on the silver screen; it even makes the plane crash in the original Final Destination look tame.
The survivors of the plane crash include Neeson’s Alpha male character John Ottway and those of you familiar with the Irishman’s style of acting will know what to expect here; there’s a quiet sense of foreboding throughout and this only adds to the tension which is creatively built up throughout the 117 minute running time.
The team soon realise that they’re being stalked by a pack of hungry wolves that are, shall we say, less than happy about the intruders wandering around their territory and in the usual thriller style, they’re picked off one, by one.
The other male leads include Frank Grillo as the disobedient John Diaz and Joe Anderson as outsider, Todd Flannery. Unfortunately, through no fault of their own, the other actors get lost behind Neeson’s commanding performance, one of the best of his career in fact.
Dialogue and plot generally take a back seat to the scares in this genre of film but thankfully Carnahan and his writing team demand audience respect for these characters and for the most part, it all works and ties together nicely. Ottway is a deeply troubled and desperately unhappy man who on occasions has tried to take his own life. However, once coming face to face with the snarling jaws of a grey wolf, he soon realises that running and fighting for his life is perhaps the best course of action.
Naturally, the Alaskan wilderness provides an eerie and mesmerising setting (there’s not a green screen in sight) and Carnahan cracks up the tension fantastically by not being obvious in his editing. The shots of the CGI and puppet wolves are integrated very well and apart from a few shoddy scenes where it becomes a little obvious they’re not real , the outcome is deeply disturbing and the animals look 100% believable.
Overall, The Grey is everything a thrilling creature feature should be. Director, Joe Carnahan, racks up tension on every occasion physically possible and grabs the audience with beautiful Alaskan scenery dispersed amidst the chaos. Liam Neeson really steals the show with a commanding and heart-wrenching performance whilst his co-stars do well, despite being overshadowed.
The special effects and plot all have depth and this ensures The Grey has enough bite to keep even the most difficult audiences entertained. Yes, it’s a little too long for the genre, but you don’t feel this whilst watching because of how well the film has been crafted. It really is a must watch.
https://moviemetropolis.net/2012/03/13/the-grey-2012-review/
The Grey focuses on a group of men working away from home in the Alaskan oil fields. On their way back to safety, the worst happens and the plane the unlucky fellows are travelling in crashes in spectacular fashion. The crash in the first sequence of the movie is absolutely stunning and one of the best I’ve seen on the silver screen; it even makes the plane crash in the original Final Destination look tame.
The survivors of the plane crash include Neeson’s Alpha male character John Ottway and those of you familiar with the Irishman’s style of acting will know what to expect here; there’s a quiet sense of foreboding throughout and this only adds to the tension which is creatively built up throughout the 117 minute running time.
The team soon realise that they’re being stalked by a pack of hungry wolves that are, shall we say, less than happy about the intruders wandering around their territory and in the usual thriller style, they’re picked off one, by one.
The other male leads include Frank Grillo as the disobedient John Diaz and Joe Anderson as outsider, Todd Flannery. Unfortunately, through no fault of their own, the other actors get lost behind Neeson’s commanding performance, one of the best of his career in fact.
Dialogue and plot generally take a back seat to the scares in this genre of film but thankfully Carnahan and his writing team demand audience respect for these characters and for the most part, it all works and ties together nicely. Ottway is a deeply troubled and desperately unhappy man who on occasions has tried to take his own life. However, once coming face to face with the snarling jaws of a grey wolf, he soon realises that running and fighting for his life is perhaps the best course of action.
Naturally, the Alaskan wilderness provides an eerie and mesmerising setting (there’s not a green screen in sight) and Carnahan cracks up the tension fantastically by not being obvious in his editing. The shots of the CGI and puppet wolves are integrated very well and apart from a few shoddy scenes where it becomes a little obvious they’re not real , the outcome is deeply disturbing and the animals look 100% believable.
Overall, The Grey is everything a thrilling creature feature should be. Director, Joe Carnahan, racks up tension on every occasion physically possible and grabs the audience with beautiful Alaskan scenery dispersed amidst the chaos. Liam Neeson really steals the show with a commanding and heart-wrenching performance whilst his co-stars do well, despite being overshadowed.
The special effects and plot all have depth and this ensures The Grey has enough bite to keep even the most difficult audiences entertained. Yes, it’s a little too long for the genre, but you don’t feel this whilst watching because of how well the film has been crafted. It really is a must watch.
https://moviemetropolis.net/2012/03/13/the-grey-2012-review/
Kristy H (1252 KP) rated The Newcomer in Books
May 6, 2021
A fairly cute but rather unbelievable romance/mystery
When Letty Carnahan finds her sister Tanya dead, she knows she has to flee. Tanya warned her about this--if anything happened to her, Letty was to take Tanya's four-year-old daughter, Maya, and run. Letty has no idea where to go, but Tanya's left behind one clue: a magazine article with a motel circled. She and Maya arrive at the Murmuring Surf, a little motel in Florida, exhausted. Letty is convinced that Tanya's ex--Maya's father--a rich businessman is after them. But at "the Surf," the owner, Ava DeCurtis, takes a liking to Maya (and Letty). Despite the No Vacancy sign, she lets Letty and Maya stay in a tiny efficiency. But the rest of the hotel regulars regard Letty and Maya--the newcomers--with suspicion, as does Ava's son, local cop Joe DeCurtis. Joe is pretty convinced Letty is a fugitive and maybe even a murderer. As Letty tries to settle in and heal with Maya, she attempts to unravel exactly what happened to Tanya: and the more she finds out, the more it leads back to the Surf.
"Nobody could be trusted. Not after everything that had happened."
This is a cute, serviceable mystery-romance combo, albeit a slightly preposterous and unbelievable one. Letty flees Tanya's murder scene successfully, a wanted criminal, recognized by no one except Joe, an upstanding, rule-abiding cop who doesn't turn her in. And when the FBI enters the tale, their actions seem highly unreasonable, but... I guess we are supposed to believe anything in the name of love?
As for this love, it's complete insta-love and honestly, at times, a little cringe-worthy. Joe falls for Letty basically on sight and is rather pushy in trying to convince her to be in a relationship. (Hey this is crazy, we just met, I'm not turning you in, let's move in together... umm ok?) It was all a bit much.
Now, the old folks staying at the motel were a total trip. I could completely buy their crazy. And I loved Ava, who was a sweet, overly-trusting, but tough and brave mom, who just wanted to take care of everyone. (I didn't believe that Maya, who had endured great trauma, just sweetly sat and colored for hours each day while Letty worked--I'd like to meet that four-year-old!) The motel setting was spot on, and I desperately wanted to be at the beach while reading the entire book.
Overall, this one held my attention and I couldn't help but root for Letty (and Maya), but it probably won't stick with me. Joe often rubbed me the wrong way and some of the plot points had me rolling my eyes. Still, a cute summery read. 3 stars.
"Nobody could be trusted. Not after everything that had happened."
This is a cute, serviceable mystery-romance combo, albeit a slightly preposterous and unbelievable one. Letty flees Tanya's murder scene successfully, a wanted criminal, recognized by no one except Joe, an upstanding, rule-abiding cop who doesn't turn her in. And when the FBI enters the tale, their actions seem highly unreasonable, but... I guess we are supposed to believe anything in the name of love?
As for this love, it's complete insta-love and honestly, at times, a little cringe-worthy. Joe falls for Letty basically on sight and is rather pushy in trying to convince her to be in a relationship. (Hey this is crazy, we just met, I'm not turning you in, let's move in together... umm ok?) It was all a bit much.
Now, the old folks staying at the motel were a total trip. I could completely buy their crazy. And I loved Ava, who was a sweet, overly-trusting, but tough and brave mom, who just wanted to take care of everyone. (I didn't believe that Maya, who had endured great trauma, just sweetly sat and colored for hours each day while Letty worked--I'd like to meet that four-year-old!) The motel setting was spot on, and I desperately wanted to be at the beach while reading the entire book.
Overall, this one held my attention and I couldn't help but root for Letty (and Maya), but it probably won't stick with me. Joe often rubbed me the wrong way and some of the plot points had me rolling my eyes. Still, a cute summery read. 3 stars.
JT (287 KP) rated The A-Team (2010) in Movies
Mar 10, 2020
It might be seen as a risk to make a film off the back of a successful T.V. show, especially if you take Transformers as the prime example of poor execution, but the A-Team was the big budget blockbuster that everyone expected it to be.
The back story is still pretty much the same, four decorated soldiers are framed for a crime they didn’t commit are out on the run to clear their names. The opening sequence allows for all the characters to be introduced in their own unique way.
Gruff talking Liam Neeson as Col. Hannibal Smith, Smooth talking Bradley Cooper as Lt. Templeton ‘Faceman’ Peck, Rough talking Quinton ‘Rampage’ Jackson as the iconic mohawk styled B.A. Baracus and the crazy talking Sharlto Copley as howling mad Murdoch. It really couldn’t be a more perfectly cast ensemble, only Jessica Biel’s Charissa Sosa proves to be the weak link in the chain.
Director Joe Carnahan is no stranger to full bloodied action scenes having previously helmed Smokin Aces, but with the A-Team he got the chance to push the envelope even further on the non believable. From a falling tank to a finale that does to a container ship what an iceberg did to the Titanic. It’s a balls out testosterone filled epic that is surely not going to cause any disappointment.
Its a film in its own right, of course everything and anything can be drawn to the original and long running T.V. series but as a plot goes it’s quite an entertaining script, with some of the trademark A-Team mechanical inventions…you know in the garage queue the music, and a few cheeky cameos you’ll do well to spot.
Talk of a sequel has been mooted, whether that actually happens would be anyone’s guess but the rumour mill is always churning and we should never say never. I do love it when a plan come together!
The back story is still pretty much the same, four decorated soldiers are framed for a crime they didn’t commit are out on the run to clear their names. The opening sequence allows for all the characters to be introduced in their own unique way.
Gruff talking Liam Neeson as Col. Hannibal Smith, Smooth talking Bradley Cooper as Lt. Templeton ‘Faceman’ Peck, Rough talking Quinton ‘Rampage’ Jackson as the iconic mohawk styled B.A. Baracus and the crazy talking Sharlto Copley as howling mad Murdoch. It really couldn’t be a more perfectly cast ensemble, only Jessica Biel’s Charissa Sosa proves to be the weak link in the chain.
Director Joe Carnahan is no stranger to full bloodied action scenes having previously helmed Smokin Aces, but with the A-Team he got the chance to push the envelope even further on the non believable. From a falling tank to a finale that does to a container ship what an iceberg did to the Titanic. It’s a balls out testosterone filled epic that is surely not going to cause any disappointment.
Its a film in its own right, of course everything and anything can be drawn to the original and long running T.V. series but as a plot goes it’s quite an entertaining script, with some of the trademark A-Team mechanical inventions…you know in the garage queue the music, and a few cheeky cameos you’ll do well to spot.
Talk of a sequel has been mooted, whether that actually happens would be anyone’s guess but the rumour mill is always churning and we should never say never. I do love it when a plan come together!
Bob Mann (459 KP) rated Bad Boys for Life (2020) in Movies
Mar 9, 2020
Welcome to Miami - again!
Will Smith seems to have been having a lacklustre period in his career. His genie from "Aladdin" got a rather lukewarm reception. And his last movie - "Gemini Man" - billed as a big summer blockbuster - failed to impress. True it wasn't a commercial disaster (raking in at the time of writing about 150% of budget), but it's still a film on a plane for me that, even if I'm bored, I'll say "nah" to.
Perhaps it's for this reason that Smith reached for an old and reliable property to dust off for another outing.
And, do you know, it's not half bad.
I only recently saw this one, right at the end of its UK cinema run, because frankly it appealed to me like being hit round the head with a cold fish. Martin Lawrence is an actor who just grates on me enormously. I'm sure he's a lovely chap; kind to animals; donates to charity; etc - but I generally just don't find him funny. (Here though he has a killer line about condom use that made me chuckle.) It feels to me like he is on implausible ground here re-treading the role of aging detective Marcus Burnett. One look at Burnett lumbering along and you would think "well, he'd never pass the medical" for the on-street role he's portrayed doing. His buddy is detective Mike Lowrey (Will Smith), who has a sordid past that is set to catch up on him.
Since we start the story in Colombia, where Isabel Aretas (Kate Del Castillo), the witchy wife of a notorious deceased drug baron, is sprung from prison by her son Armando (Jacob Scipio) in what I admit is a clever and novel way. The Aretas family is bent on revenge - - and a key target in their sites is Lowrey.
Burnett is newly a grandparent and hell-bent on retirement. But with Lowrey and his associates with a target on their backs, will there be one last chance to "Ride Together, Die Together"?
Not seen the first two movies? Not to worry! There are movies, like LOTR, where if you've missed the first two movies in the series you will be left in serious "WTF" territory in trying to watch the third. This is not one of those movies. The story is entirely self-contained, and refers to events never seen prior to the first film in the series.
But whether the movie is for you will depend on your tolerance for loud and brash visuals and music with the knob turned up to 12. Directors Adil and Bilall (Adil El Arbi and Bilall Fallah - Belgian film school buddies best known for the critically acclaimed 2015 feature "Black") - don't do anything by halves.
There is a scene in "Lost Series 3" in which Sawyer, Kate, and Alex have to bust young Karl out of the mysterious room 23 where he is being tortured by having his eyes kept open while watching a collage of images continually smashed into his eyeballs. This movie feels a little like that after a while.
This is not by any means a criticism that it's poorly done. There is some truly stunning cinematography of the Miami skyline by Belgian cinematographer Robrecht Heyvaert, including a 'pull-back' drone shot from a conversation on the top of a building that is quite AWESOME! And there are more than enough "fast action - then slo-mo - then fast again" shots to keep music-video junkies happy!
The music score by Lorne Balfe is also pumping, adding a dynamism to the frantic action scenes that keeps you entertained.
The screenplay by Chris Bremner, Peter Craig and Joe Carnahan is assuredly familiar: it's not going to win any prizes for originality. We've seen the cartel/revenge plotline played out in multiple movies over the years. And we've also seen the "buddy cops with aging partner taking retirement" angle from the "Lethal Weapon" series. This just sticks them together.
Will Smith and Martin Lawrence wise-crack their way through the comedy well-enough, though for me it never reaches the heights of the pairing of Smith and Tommy Lee Jones from MiB (or indeed Mel Gibson and Danny Glover from Lethal Weapon). Elsewhere we have Vanessa Hudgens as a cute cop, still trying to break through from "Disneyfication" into mainstream flicks. For one horrible moment, when I saw her name on the cast, I thought she might be the love interest to Smith. But no. That honour goes to Mexican beauty Paola Nuñez who, with only a 10 year age gap, becomes a less gag-worthy pairing. She plays a female leadership role (every 20's film now needs one) as the head of a new crime division.
Also good value is Joe Pantoliano reprising his role as Captain Howard - Lowrie's exasperated boss. Playing it by the numbers, every film like this has to have one!
Where the plot does add some interest is in a surprising scene mid-film and a twist that I didn't see coming. But this twist felt - in the context of the release date or the film - like a mistake (a "Spoiler Section" in my review on the One Mann's Movies web site discusses this).
All of this happens of course against a backdrop of a body count of bad guys being killed in ever more graphic and gory ways, while the good guys generally dodge every bullet, grenade and crashing helicopter heading their way.
It's that time of year when films are released to die. Where studios drop their movies that are never going to trouble the Academy and are not deemed worthy of summer or even late spring release. But they should have had more faith in this one, for it's not half bad. True, you may need a couple of paracetamols afterwards, but if your corneas and ear-drums can stand the pace, its not short on entertainment value.
(For the full graphical review, check out the One Mann's Movies link here - https://bob-the-movie-man.com/2020/03/08/one-manns-movies-film-review-bad-boys-for-life-2020/ ).
Perhaps it's for this reason that Smith reached for an old and reliable property to dust off for another outing.
And, do you know, it's not half bad.
I only recently saw this one, right at the end of its UK cinema run, because frankly it appealed to me like being hit round the head with a cold fish. Martin Lawrence is an actor who just grates on me enormously. I'm sure he's a lovely chap; kind to animals; donates to charity; etc - but I generally just don't find him funny. (Here though he has a killer line about condom use that made me chuckle.) It feels to me like he is on implausible ground here re-treading the role of aging detective Marcus Burnett. One look at Burnett lumbering along and you would think "well, he'd never pass the medical" for the on-street role he's portrayed doing. His buddy is detective Mike Lowrey (Will Smith), who has a sordid past that is set to catch up on him.
Since we start the story in Colombia, where Isabel Aretas (Kate Del Castillo), the witchy wife of a notorious deceased drug baron, is sprung from prison by her son Armando (Jacob Scipio) in what I admit is a clever and novel way. The Aretas family is bent on revenge - - and a key target in their sites is Lowrey.
Burnett is newly a grandparent and hell-bent on retirement. But with Lowrey and his associates with a target on their backs, will there be one last chance to "Ride Together, Die Together"?
Not seen the first two movies? Not to worry! There are movies, like LOTR, where if you've missed the first two movies in the series you will be left in serious "WTF" territory in trying to watch the third. This is not one of those movies. The story is entirely self-contained, and refers to events never seen prior to the first film in the series.
But whether the movie is for you will depend on your tolerance for loud and brash visuals and music with the knob turned up to 12. Directors Adil and Bilall (Adil El Arbi and Bilall Fallah - Belgian film school buddies best known for the critically acclaimed 2015 feature "Black") - don't do anything by halves.
There is a scene in "Lost Series 3" in which Sawyer, Kate, and Alex have to bust young Karl out of the mysterious room 23 where he is being tortured by having his eyes kept open while watching a collage of images continually smashed into his eyeballs. This movie feels a little like that after a while.
This is not by any means a criticism that it's poorly done. There is some truly stunning cinematography of the Miami skyline by Belgian cinematographer Robrecht Heyvaert, including a 'pull-back' drone shot from a conversation on the top of a building that is quite AWESOME! And there are more than enough "fast action - then slo-mo - then fast again" shots to keep music-video junkies happy!
The music score by Lorne Balfe is also pumping, adding a dynamism to the frantic action scenes that keeps you entertained.
The screenplay by Chris Bremner, Peter Craig and Joe Carnahan is assuredly familiar: it's not going to win any prizes for originality. We've seen the cartel/revenge plotline played out in multiple movies over the years. And we've also seen the "buddy cops with aging partner taking retirement" angle from the "Lethal Weapon" series. This just sticks them together.
Will Smith and Martin Lawrence wise-crack their way through the comedy well-enough, though for me it never reaches the heights of the pairing of Smith and Tommy Lee Jones from MiB (or indeed Mel Gibson and Danny Glover from Lethal Weapon). Elsewhere we have Vanessa Hudgens as a cute cop, still trying to break through from "Disneyfication" into mainstream flicks. For one horrible moment, when I saw her name on the cast, I thought she might be the love interest to Smith. But no. That honour goes to Mexican beauty Paola Nuñez who, with only a 10 year age gap, becomes a less gag-worthy pairing. She plays a female leadership role (every 20's film now needs one) as the head of a new crime division.
Also good value is Joe Pantoliano reprising his role as Captain Howard - Lowrie's exasperated boss. Playing it by the numbers, every film like this has to have one!
Where the plot does add some interest is in a surprising scene mid-film and a twist that I didn't see coming. But this twist felt - in the context of the release date or the film - like a mistake (a "Spoiler Section" in my review on the One Mann's Movies web site discusses this).
All of this happens of course against a backdrop of a body count of bad guys being killed in ever more graphic and gory ways, while the good guys generally dodge every bullet, grenade and crashing helicopter heading their way.
It's that time of year when films are released to die. Where studios drop their movies that are never going to trouble the Academy and are not deemed worthy of summer or even late spring release. But they should have had more faith in this one, for it's not half bad. True, you may need a couple of paracetamols afterwards, but if your corneas and ear-drums can stand the pace, its not short on entertainment value.
(For the full graphical review, check out the One Mann's Movies link here - https://bob-the-movie-man.com/2020/03/08/one-manns-movies-film-review-bad-boys-for-life-2020/ ).
