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Matthew Krueger (10051 KP) rated Lethal Weapon 4 (1998) in Movies
Jul 15, 2020
End On A High Note
Lethal Weapon 4- is a great, fantasic and good send off for these charcters. Over the period of time you really got to invest/know the charcters, care about them, laugh with them, get really annoyed with them (cough) Joe Pesci and Chris Rock. The action, comedy, suspense, thrills and the chemistry were always good in this franchise. I will miss this franchise.
The plot: Detective Riggs (Mel Gibson) tries to settle down with his pregnant girlfriend, Lorna (Rene Russo), while his partner, Murtaugh (Danny Glover), comes to grips with the marriage of his pregnant daughter, Rianne (Traci Wolfe), to fellow cop Butters (Chris Rock). But they find themselves and their families targeted by Chinese mobsters, led by Wah Sing Ku (Jet Li). Riggs, Murtaugh, Butters and private eye Getz (Joe Pesci) decide to go on the offensive before the gangsters get to their loved ones.
Like i said before its a beautiful send off for this franchise.
The plot: Detective Riggs (Mel Gibson) tries to settle down with his pregnant girlfriend, Lorna (Rene Russo), while his partner, Murtaugh (Danny Glover), comes to grips with the marriage of his pregnant daughter, Rianne (Traci Wolfe), to fellow cop Butters (Chris Rock). But they find themselves and their families targeted by Chinese mobsters, led by Wah Sing Ku (Jet Li). Riggs, Murtaugh, Butters and private eye Getz (Joe Pesci) decide to go on the offensive before the gangsters get to their loved ones.
Like i said before its a beautiful send off for this franchise.
My Cousin Vinny (1992)
7.9
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New York lawyer Vinny has never won a case. When his teenage cousin Bill and his friend Stan are...
Raging Bull (1980)
8.2
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The story of a middleweight boxer as he rises through ranks to earn his first shot at the...
GoodFellas (1990)
8.6
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A young man grows up in the mob and works very hard to advance himself through the ranks. He enjoys...
Mekhi Phifer recommended My Cousin Vinny (1992) in Movies (curated)
Matthew Krueger (10051 KP) rated Lethal Weapon 2 (1989) in Movies
Jul 9, 2020
Protect Joe Pesci
Lethal Weapon 2- adds more action, drama, suspense, thrills, comedy, lots of comedy and more chemistry.
The production:
Shane Black and Warren Murphy's original Play Dirty script:
Their original title for the script was Play Dirty. Although many people thought that their script was brilliant, it was rejected by Silver, studio and director Richard Donner for being too dark and bloody, and because in the ending of the script Riggs dies, while they wanted to keep him alive in case of further sequels. They also wanted the second film to focus more on comedy, while Black's draft focused more on courage and heroics, like Riggs willing to die to protect Murtaugh and his family, due to his love for them
When his script was rejected, Black felt that he had failed the producers. He initially offered to give his payment back, but his agent talked him out of it. Black also refused to re-write the script and quit from the project after working for six months on it. Black later said how the problem with the second film was that they did too much comedy, and how he dislikes the third and fourth films because of the way Riggs' character was changed.
Director Richard Donner said in the film's Blu-ray commentary that the film was shot in such a way that it could be edited with two different endings, one in which Riggs dies and one in which he lives. Audiences in test screenings responded well to Riggs' survival, and this was kept, though the last shot in the film with the camera moving away from Murtaugh holding Riggs was shot for the ending in which he dies.
Jeffrey Boam's final script:
Originally, the character of Rika was intended to survive, with the last scene in the film being Riggs and Rika eating Thanksgiving dinner with the Murtaughs, but the director decided to kill the character to increase Riggs' motivation to destroy the South African drug smugglers. The film was the debut of Leo Getz (Joe Pesci), a crooked but whistle-blowing CPA who is placed in protective custody by Riggs and Murtaugh, and makes the detectives' more difficult due to his neurotic behavior. The Getz character remained a regular throughout the remainder of the film series.
The plot: South African smugglers find themselves being hounded and harassed by Riggs and Murtaugh, two mismatched Los Angeles police officers. However, the South Africans are protected by diplomatic immunity, and so the two are assigned to witness-protection duty in an attempt by their captain to keep his job. It is only when this witness reveals to them that he has already dealt with the smugglers that the trouble really starts.
I love the chemistry between Mel and Danny and now adding Joe Pesci to the mix its perfect. The perfrct trio.
Lethal Weapon 2- is a good sequel to the first one, and adds more. Highly recordmend watching it.
The production:
Shane Black and Warren Murphy's original Play Dirty script:
Their original title for the script was Play Dirty. Although many people thought that their script was brilliant, it was rejected by Silver, studio and director Richard Donner for being too dark and bloody, and because in the ending of the script Riggs dies, while they wanted to keep him alive in case of further sequels. They also wanted the second film to focus more on comedy, while Black's draft focused more on courage and heroics, like Riggs willing to die to protect Murtaugh and his family, due to his love for them
When his script was rejected, Black felt that he had failed the producers. He initially offered to give his payment back, but his agent talked him out of it. Black also refused to re-write the script and quit from the project after working for six months on it. Black later said how the problem with the second film was that they did too much comedy, and how he dislikes the third and fourth films because of the way Riggs' character was changed.
Director Richard Donner said in the film's Blu-ray commentary that the film was shot in such a way that it could be edited with two different endings, one in which Riggs dies and one in which he lives. Audiences in test screenings responded well to Riggs' survival, and this was kept, though the last shot in the film with the camera moving away from Murtaugh holding Riggs was shot for the ending in which he dies.
Jeffrey Boam's final script:
Originally, the character of Rika was intended to survive, with the last scene in the film being Riggs and Rika eating Thanksgiving dinner with the Murtaughs, but the director decided to kill the character to increase Riggs' motivation to destroy the South African drug smugglers. The film was the debut of Leo Getz (Joe Pesci), a crooked but whistle-blowing CPA who is placed in protective custody by Riggs and Murtaugh, and makes the detectives' more difficult due to his neurotic behavior. The Getz character remained a regular throughout the remainder of the film series.
The plot: South African smugglers find themselves being hounded and harassed by Riggs and Murtaugh, two mismatched Los Angeles police officers. However, the South Africans are protected by diplomatic immunity, and so the two are assigned to witness-protection duty in an attempt by their captain to keep his job. It is only when this witness reveals to them that he has already dealt with the smugglers that the trouble really starts.
I love the chemistry between Mel and Danny and now adding Joe Pesci to the mix its perfect. The perfrct trio.
Lethal Weapon 2- is a good sequel to the first one, and adds more. Highly recordmend watching it.
Andy K (10821 KP) rated Raging Bull (1980) in Movies
Feb 15, 2018
Nothing against Goodfellas, Taxi Driver, Mean Streets and other Scorsese masterpieces; however, this has to be his greatest work of all time.
Robert De Niro completely transforms himself into Jake La Motta both physically, mentally and emotionally. Joe Pesci and Cathy Moriarty are also magnificent in support of the story of a courageous boxer and his fall from grace.
Film students still study the directing, cinematography and the stunning visuals of the film in glorious black and white.
The screenplay by Paul Schrader and Mardik Martin is completely believable and make you empathize with this rough, gritty character in his world when he is up on top and on his way down.
A masterpiece!
Robert De Niro completely transforms himself into Jake La Motta both physically, mentally and emotionally. Joe Pesci and Cathy Moriarty are also magnificent in support of the story of a courageous boxer and his fall from grace.
Film students still study the directing, cinematography and the stunning visuals of the film in glorious black and white.
The screenplay by Paul Schrader and Mardik Martin is completely believable and make you empathize with this rough, gritty character in his world when he is up on top and on his way down.
A masterpiece!
Once Upon a Time in America (1984)
8.3
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In 1968, the elderly David "Noodles" Aaronson (Robert De Niro) returns to New York, where he had a...
Barry Newman (204 KP) rated The Irishman (2019) in Movies
Jan 11, 2020
Goodfellas is one of my all time favourite movies so this long awaited reunion of Scorsese, DeNiro and Pesci was a mouthwatering prospect. Whilst not a patch on Goodfellas this was still a very impressive and complex piece of film making. This is some of DeNiro's finest work in years and almost enough to forgive him those bagel adverts. Pacino is brilliant as Jimmy Hoffa and it's simply a joy to have Joe Pesci back on the screen. The deaging effects are very good but not quite 100% perfect, at times the characters have a slightly waxy look about them but you soon get used to them. However I did feel the film was lacking in real standout scenes that would become iconic in years to come like Scorsese's earlier work and was more consistently good than outstandingly brilliant. The 3.5 hour running time was a bit over indulgent as well and could easily have been trimmed a bit. The mammoth running time is also a factor likely to put me off watching it again as often as I would a shorter film. So definitely still much to enjoy and admire here and should definitely be in the running for plenty of awards.
Johnny Messias (25 KP) rated The Irishman (2019) in Movies
Oct 14, 2019
Al Pacino as Hoffa (6 more)
Joe Pesci is wonderful
De Niro anchors the film
Scorsese on top form
Thelma Schoonmaker’s editing
Steve Zaillian’s script
De Niro and Pacino together
Marty’s marvellous Oldfellas
The Irishman – BFI London Film Festival Review Oct 13th 2019.
An extended cinematic love letter to some of the finest actors of the last 40 years, and to a bygone era of US history, The Irishman is reassuringly brilliant. Like the best Scorsese joints, its business is power brokers, mobsters and underground schemers, but often as a comedy of manners. De Niro anchors the story, yes as mob enforcer but also as a kind of killer Forrest Gump; “connected” to some key milestones in 1960s America; Bay of Pigs, Jimmy Hoffa’s teamsters, RFK, then later the shadow of Nixon. Famously, we see De Niro’s titular character Frank in his 20s, 30s, 40s, right up until the old age home. Scorsese uses computerised de-aging technology to achieve the effect make-up artists might have parlayed. It works well—mostly. What grips you and takes you in is the bravura acting. Al Pacino gives a wonderful performance as Jimmy Hoffa. He goes full “Pacino” with speeches and grandstanding but it is the lilt of this voice (all sing song) in quiet moments that makes this the best we’ve seen from Al in many a year. Joe Pesci as well. He’s kind of the centre of this world, as the mobster who links up De Niro to Pacino’s Hoffa. Pesci speaks quietly and carefully; you sense how much power he has without any of the violence that was trademark in his famous Casino and Goodfellas roles. Over nearly 3.5 hours (never seems long) what you get is a beautifully written, shot, edited and performed drama about loyalty, friendship and a creeping sense of regret. All with the backdrop of this fascinating period: JFK, Union movements, Cuba, Fidel Castro. It lingers long in the memory and it’s one to cherish, since we surely won’t see its like again.
An extended cinematic love letter to some of the finest actors of the last 40 years, and to a bygone era of US history, The Irishman is reassuringly brilliant. Like the best Scorsese joints, its business is power brokers, mobsters and underground schemers, but often as a comedy of manners. De Niro anchors the story, yes as mob enforcer but also as a kind of killer Forrest Gump; “connected” to some key milestones in 1960s America; Bay of Pigs, Jimmy Hoffa’s teamsters, RFK, then later the shadow of Nixon. Famously, we see De Niro’s titular character Frank in his 20s, 30s, 40s, right up until the old age home. Scorsese uses computerised de-aging technology to achieve the effect make-up artists might have parlayed. It works well—mostly. What grips you and takes you in is the bravura acting. Al Pacino gives a wonderful performance as Jimmy Hoffa. He goes full “Pacino” with speeches and grandstanding but it is the lilt of this voice (all sing song) in quiet moments that makes this the best we’ve seen from Al in many a year. Joe Pesci as well. He’s kind of the centre of this world, as the mobster who links up De Niro to Pacino’s Hoffa. Pesci speaks quietly and carefully; you sense how much power he has without any of the violence that was trademark in his famous Casino and Goodfellas roles. Over nearly 3.5 hours (never seems long) what you get is a beautifully written, shot, edited and performed drama about loyalty, friendship and a creeping sense of regret. All with the backdrop of this fascinating period: JFK, Union movements, Cuba, Fidel Castro. It lingers long in the memory and it’s one to cherish, since we surely won’t see its like again.