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Mark @ Carstairs Considers (2051 KP) rated Taken in Books
Jun 5, 2019
Elvis Cole and Joe Pike Track the Taken
Los Angeles PI Elvis Cole is hired by Nita Morales to find her daughter Krista. Krista and her boyfriend, Jack, disappeared several days ago. Nita has received a ransom call, but she was only asked for $500. Surely, this is just Krista and Jack trying to get some money from Nita so they can elope, right? However, Elvis quickly begins to determine that Krista and Jack are in serious danger; they’ve been kidnapped by a group that captures illegal immigrants trying to get into California. But knowing what happened to them only increases the stakes. Can Elvis and his partner, Joe Pike, find the two young adults and rescue them before it is too late?
This book is an amazing thrill ride. The story starts off fast, and it never really lets go until we reach the end. However, it is too much like a movie thriller, which means it has some serious weaknesses. The characters, even series leads Elvis Cole and Joe Pike, are shallow. This doesn’t help since there are a lot of players we have to try to keep straight. Author Robert Crais uses shifting timelines to help increase the tension, which works as intended, but he notes the time in a way that grows confusing as the book progresses; he even spoils a major plot point early on as a result. The book is brutal and filled with foul language. While I expect that when reading one of Robert Crais’s books, this one seemed excessive, even by his standards. Despite all these negatives, I still found the book extremely addicting and impossible to stop thinking about. It’s worth reading as long as you keep your expectations appropriate going into the book.
This book is an amazing thrill ride. The story starts off fast, and it never really lets go until we reach the end. However, it is too much like a movie thriller, which means it has some serious weaknesses. The characters, even series leads Elvis Cole and Joe Pike, are shallow. This doesn’t help since there are a lot of players we have to try to keep straight. Author Robert Crais uses shifting timelines to help increase the tension, which works as intended, but he notes the time in a way that grows confusing as the book progresses; he even spoils a major plot point early on as a result. The book is brutal and filled with foul language. While I expect that when reading one of Robert Crais’s books, this one seemed excessive, even by his standards. Despite all these negatives, I still found the book extremely addicting and impossible to stop thinking about. It’s worth reading as long as you keep your expectations appropriate going into the book.
Mark @ Carstairs Considers (2051 KP) rated A Dangerous Man in Books
Sep 20, 2019
“We Know Your Secret.”
Joe Pike’s trip to the bank for a routine deposit ends when he witnesses two men try to kidnap his teller, Isabel Roland. Joe being Joe, he jumps into action and rescues her. However, when the kidnappers are released from jail, they are both murdered. Was kidnapping Isabel a crime of opportunity, or was she a target? Is she safe? Why would someone target her?
Those familiar with the series will notice a similar set up to a previous entry, but that’s where the similarity ends. This book takes off in some unexpected places, and author Robert Crais uses multiple viewpoints well to hook us as events unfold. This is a thriller that kept me glued the entire time. While we don’t learn much new about PI partners Elvis Cole or Joe Pike, it is wonderful to spend time with them and see them in action again. Most of the new characters are wonderful and fully developed, but a few very minor characters are very annoying. Likewise, I don’t find John Chen, a recurring character in the series, that funny. I’m sure the characters who annoy me are supposed to be comic relief, but I just don’t get it. While the book certainly has more language and violence than the cozies I normally read, I didn’t feel it was excessive here. Elvis and Joe have a huge following, and I’m sure there many fans will be thrilled with this book. Pick it up and hang on because it is going to be a very wild ride you won’t want to put down.
Those familiar with the series will notice a similar set up to a previous entry, but that’s where the similarity ends. This book takes off in some unexpected places, and author Robert Crais uses multiple viewpoints well to hook us as events unfold. This is a thriller that kept me glued the entire time. While we don’t learn much new about PI partners Elvis Cole or Joe Pike, it is wonderful to spend time with them and see them in action again. Most of the new characters are wonderful and fully developed, but a few very minor characters are very annoying. Likewise, I don’t find John Chen, a recurring character in the series, that funny. I’m sure the characters who annoy me are supposed to be comic relief, but I just don’t get it. While the book certainly has more language and violence than the cozies I normally read, I didn’t feel it was excessive here. Elvis and Joe have a huge following, and I’m sure there many fans will be thrilled with this book. Pick it up and hang on because it is going to be a very wild ride you won’t want to put down.
Mark @ Carstairs Considers (2051 KP) rated L.A. Requiem (Elvis Cole, #8) in Books
Mar 9, 2018
Elvis Cole and Joe Pike are asked to find Karen Garcia, a former girlfriend of Pike’s. Her father is concerned, but the police aren’t taking him seriously. Unfortunately, her body turns up, and Cole and Pike find themselves working the case. With Pike’s connection to the victim and interacting with his former co-workers in the LAPD, the partners find themselves in a tough situation. How will the events of the past influence the current investigation?
I’ve long complained that the main characters, especially Pike, felt too flat as characters. This book goes a long way to filling us in on Pike, although the result was a little cliché, which may just be a factor of the book’s age. The story was strong and kept moving forward quickly, although a few things go glossed over at the end, and Crais can’t help himself – he has to stick in a due ex machina. The love letter to LA at the end is beautifully written, especially for those of us who live here. Overall, a good book well worth reading.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/03/book-review-l-requiem-by-robert-crais.html">Carstairs Considers</a>.
I’ve long complained that the main characters, especially Pike, felt too flat as characters. This book goes a long way to filling us in on Pike, although the result was a little cliché, which may just be a factor of the book’s age. The story was strong and kept moving forward quickly, although a few things go glossed over at the end, and Crais can’t help himself – he has to stick in a due ex machina. The love letter to LA at the end is beautifully written, especially for those of us who live here. Overall, a good book well worth reading.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/03/book-review-l-requiem-by-robert-crais.html">Carstairs Considers</a>.
Mark @ Carstairs Considers (2051 KP) rated The Wanted in Books
Jul 6, 2019
Can Elvis Save the Wanted?
Elvis Cole thinks his current assignment will be easy. Single mother Devin Connor has hired him to find out where the money, clothes, and fancy watch that her teenage son, Tyson, have are coming from. She thinks that Tyson has started selling drugs, but it isn’t long before Elvis determines that Tyson is part of a trio that is robbing houses in the LA area. While Devin isn’t happy with the news, she’s preparing to deal with it, and Elvis thinks the assignment is over. However, that night Tyson disappears and a frantic Devin asks Elvis to find him. As Elvis once again begins to hunt for the teen, he discovers that someone else is after the teen and his friends, someone leaving dead bodies in their wake. Will Elvis be able to find Tyson in time?
This is yet another satisfying thrill ride from the pen of Robert Crais. The story starts strong and keeps us going until we reach the end. Unfortunately, it does have a few trademark Robert Crais issues, including Joe Pike acting a bit like a deus ex machina, although it isn’t as bad as in some books. Also, parts of the book rely on characters being too stupid to live (I was rooting for one to die, in fact). The characters could all be stronger, for example I couldn’t keep the main villains straight at all. But they are developed enough that I cared about the outcome. This is one of those books where it is easy to pick apart the flaws, but it is such a fun thrill ride that I’m glad I read it.
This is yet another satisfying thrill ride from the pen of Robert Crais. The story starts strong and keeps us going until we reach the end. Unfortunately, it does have a few trademark Robert Crais issues, including Joe Pike acting a bit like a deus ex machina, although it isn’t as bad as in some books. Also, parts of the book rely on characters being too stupid to live (I was rooting for one to die, in fact). The characters could all be stronger, for example I couldn’t keep the main villains straight at all. But they are developed enough that I cared about the outcome. This is one of those books where it is easy to pick apart the flaws, but it is such a fun thrill ride that I’m glad I read it.
BankofMarquis (1832 KP) rated Black Panther: Wakanda Forever (2022) in Movies
Nov 18, 2022
Should have been called WAKANDA MOURNS
The passing of Chadwick Boseman from cancer is a unfortunate and sad thing. The makers of the Black Panther series of films for the MCU had a difficult task to accomplish. How do they pay tribute to their lost lead while also leading the series in a new direction? In the end, they ultimately decided to lean INTO (and not away from) his passing - and your emotional involvement in this film will be predicated on how you react to this, for basing an entire SuperHero Movie on grief and longing for a return to the past is not going to make the “feel good movie of the year”.
Directed and Written (with Joe Robert Cole) by Ryan Coogler (he of the first BLACK PANTHER film), BLACK PANTHER:WAKANDA FOREVER starts on a somber note with the off-screen passing of King T’Chala and the grief and celebration of life for him by his Sister Suri (Letitia Wright) and Mother Queen Ramonda (Angela Basset), both of whom are reprising their roles from previous MCU outings. This is all well and good and Basset, especially, shines in these early parts of the film for she is one of the best actresses working today and she rises above the material (and, if I’m honest, the other actors on the screen) to show actual grief and sorrow on the screen. Some are calling for her to be nominated for an Oscar for this role and she would be a deserved recipient of this.
With that out of the way, it’s time for this film to move on to it’s current adventure and the emergence of a new Black Panther. But, Coogler doesn’t do that, he hangs onto the grief, anger and sorrow that is being felt and this mood permeates the entire film - to, ultimately, it’s detriment.
Newcomer (at least to the MCU) Tenoch Huerta (THE FOREVER PURGE) shows up as Namor, the Sub-Mariner, the villain of the piece and he is formidable enough but with the lack of a Black Panther to battle him, it doesn’t seem like a fair fight. Suri, Okoye (Danai Gurira), M’Baku (Winston Duke) and the Dora Milaje (with Florence Kasumba and Michaela Coel being at the forefront - and they are terrific) all are game at the battles and trying to make it to the forefront. But this Wakandan group needed something.
They needed Chadwick Boseman.
While Angela Bassett was the star power the film needed in the first half of the film, Lupita Nyong’o filled that bill in the 2nd half and it was comforting to see her - and her character, Nakia - back in the MCU.
Unfortunately, the character that didn’t really gel was the catalyst to the conflict, Riri Williams (and her MCU SuperHero alter-ego Ironheart) played by Dominique Thorne. This character felt tacked onto this story and her Superhero origins were not really explained, so one will just need to “go with me here” on this one.
Because their is no real emotional center to the battles, they felt like CGI forces fighting CGI forces and the underwater scenery was “fine” but nothing special.
As stated earlier, this film has a dour, mourning mood to it throughout, making it feel more like a morose DC film than a life-affirming, fun MCU film. So just be prepared for that.
BLACK PANTHER: WAKANDA FOREVER should have been titled BLACK PANTHER: WAKANDA MOURNS and it would have been a more accurate title.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Directed and Written (with Joe Robert Cole) by Ryan Coogler (he of the first BLACK PANTHER film), BLACK PANTHER:WAKANDA FOREVER starts on a somber note with the off-screen passing of King T’Chala and the grief and celebration of life for him by his Sister Suri (Letitia Wright) and Mother Queen Ramonda (Angela Basset), both of whom are reprising their roles from previous MCU outings. This is all well and good and Basset, especially, shines in these early parts of the film for she is one of the best actresses working today and she rises above the material (and, if I’m honest, the other actors on the screen) to show actual grief and sorrow on the screen. Some are calling for her to be nominated for an Oscar for this role and she would be a deserved recipient of this.
With that out of the way, it’s time for this film to move on to it’s current adventure and the emergence of a new Black Panther. But, Coogler doesn’t do that, he hangs onto the grief, anger and sorrow that is being felt and this mood permeates the entire film - to, ultimately, it’s detriment.
Newcomer (at least to the MCU) Tenoch Huerta (THE FOREVER PURGE) shows up as Namor, the Sub-Mariner, the villain of the piece and he is formidable enough but with the lack of a Black Panther to battle him, it doesn’t seem like a fair fight. Suri, Okoye (Danai Gurira), M’Baku (Winston Duke) and the Dora Milaje (with Florence Kasumba and Michaela Coel being at the forefront - and they are terrific) all are game at the battles and trying to make it to the forefront. But this Wakandan group needed something.
They needed Chadwick Boseman.
While Angela Bassett was the star power the film needed in the first half of the film, Lupita Nyong’o filled that bill in the 2nd half and it was comforting to see her - and her character, Nakia - back in the MCU.
Unfortunately, the character that didn’t really gel was the catalyst to the conflict, Riri Williams (and her MCU SuperHero alter-ego Ironheart) played by Dominique Thorne. This character felt tacked onto this story and her Superhero origins were not really explained, so one will just need to “go with me here” on this one.
Because their is no real emotional center to the battles, they felt like CGI forces fighting CGI forces and the underwater scenery was “fine” but nothing special.
As stated earlier, this film has a dour, mourning mood to it throughout, making it feel more like a morose DC film than a life-affirming, fun MCU film. So just be prepared for that.
BLACK PANTHER: WAKANDA FOREVER should have been titled BLACK PANTHER: WAKANDA MOURNS and it would have been a more accurate title.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)