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Merissa (12058 KP) created a post
Sep 16, 2024
Kevin Phillipson (10021 KP) rated Moonfall (2022) in Movies
Feb 11, 2022
John Bradley (1 more)
Effects
Watched last week normally a fan of these movies independce day and day after tomorrow but this isn't up there with those movies the effects are good John Bradley from game of thrones is the best part of the movie for me but dear god some of the dialogue just wasn't great at all lines where in the moon seriously. Movie should have been better give 6 just for the effects
Matthew Krueger (10051 KP) rated In Search of Darkness (2019) in Movies
Aug 19, 2020
The 80's Were The Best
In Search of Darkness- is a excellent horror documentary that goes through the 80's and takes about horror movies that were released each year and how their impacted today's horror. In this 4hr and 30min documentary it takes its time which each year and the movies that their talked about. I got to mention the interviews. Horror Icons like: Tom Atkins, John Carpenter, Doug Bradley, Jeffrey Combs, Joe Dante, Kane Hodder, Tom Holland, Heather Langenkamp, Don Mancini, Bill Moseley and more. I love the interviews and the movies that their talk about, their have the love for them, even though some were bad their still liked them. Thanks to these horror movies we have these modern horror movies. The 80's inspered these modern horror films. And you can tell by just watching a mordern horror film. The 80's were the best times for horror films. Their was so much that came out in 80's. I highly recordmend watching this documentary.
LeftSideCut (3778 KP) rated In Search of Darkness (2019) in Movies
Aug 12, 2020
In short, In Search of Darkness is a must watch for any horror fan.
It's 4+ hour runtime is a gushing love letter to 80s horror, covering the decade year by year, with interviews from an impressive cast of genre icons - John Carpenter, Larry Cohen, Joe Dante, Barbara Crampton, Doug Bradley, Tom Atkins, Lori Cardille, Nick Castle, Jeffrey Combs, Kane Hodder, Tom Holland, Heather Langenkamp, Don Mancini, Cassandra Peterson, Caroline Williams, Brian Yuzner, and many more!
The documentary doesn't break any new ground, truth be told, but it's hard to not to appreciate all of these films being covered in one place. The sheer amount of titles discussed is pretty vast.
It's put together nicely as well. Old grainy film trailers tend to set the tone of each entry, but all of the footage shown is crystal clear and HD. The graphics are eye catching, with classic one sheets on display throughout, and it's all set too a great synth soundtrack courtesy of Weary Pines.
Really worth checking out - I split my viewing over a few nights and was honestly gutted when I had none left to watch. Director David A. Weiner did a great job with this documentary, and has a second one coming next year entitled In Search of Tomorrow, focusing on the Sci-Fi films of the 80s, and I can't wait to see it!
It's 4+ hour runtime is a gushing love letter to 80s horror, covering the decade year by year, with interviews from an impressive cast of genre icons - John Carpenter, Larry Cohen, Joe Dante, Barbara Crampton, Doug Bradley, Tom Atkins, Lori Cardille, Nick Castle, Jeffrey Combs, Kane Hodder, Tom Holland, Heather Langenkamp, Don Mancini, Cassandra Peterson, Caroline Williams, Brian Yuzner, and many more!
The documentary doesn't break any new ground, truth be told, but it's hard to not to appreciate all of these films being covered in one place. The sheer amount of titles discussed is pretty vast.
It's put together nicely as well. Old grainy film trailers tend to set the tone of each entry, but all of the footage shown is crystal clear and HD. The graphics are eye catching, with classic one sheets on display throughout, and it's all set too a great synth soundtrack courtesy of Weary Pines.
Really worth checking out - I split my viewing over a few nights and was honestly gutted when I had none left to watch. Director David A. Weiner did a great job with this documentary, and has a second one coming next year entitled In Search of Tomorrow, focusing on the Sci-Fi films of the 80s, and I can't wait to see it!
LeftSideCut (3778 KP) rated The Falcon and the Winter Soldier in TV
Apr 24, 2021 (Updated Jul 16, 2021)
Contains spoilers, click to show
On the surface, The Falcon and the Winter Soldier starts off in a familiar fashion. The first couple of episodes feel like a (welcome) return to the earlier days of the MCU, but as the story develops, it just blossoms into so much more.
The narrative mainly focuses on the two titular Avengers taking on a revolutionary group, hell bent on returning to a post snap world. It deals head first with the fallout of Thanos' devastating blow in Infinity War, and the subsequent return of the 3.5 billion people who re-materialised after Endgame, and the issues that came with them. It's good to see that Marvel Studios aren't avoiding these complicated plot points that could have potentially just been swept under the rug.
The series also develops the John Walker/U.S. Agent comic story. Its well realised and Wyatt Russell is fantastic in the role. Daniel Brühl returns as Baron Zemo after an underwhelming narrative in Civil War, and unexpectedly is plain hilarious (and finally in full costume, even if it is for one scene).
As well as all this, fans of the comics are treated to a plethora of potential future stories - The introduction of Madripoor marks the first proper acknowledgement of X-Men material. Lesser known comic characters such as Isiah Bradley, Madame Hydra, Battlestar, Batroc, and Ayo are given screentime. There's even some carrots dangled for a potential Young Avengers adaption with the appearance of Eli Bradley/Patriot (and with Kate Bishop incoming, surely this is a thing)
Perhaps most importantly, TFATWS doesn't shy away from tackling race issues, touching upon real world events, and developing them into the plot. This spills over into the future of Captain America, and what the shield represents to the black community. There are some truly powerful moments of dialogue, especially between Isiah and Sam. It's all handled respectfully, and brings new depth the MCU, as they stride into a more diverse future.
With this series, and the preceding WandaVision, this new phase for the MCU is off to an incredibly strong start, and I'm so excited to see where they take it. Between Falcon rightfully taking the reigns as Captain America, the upcoming Shang Chi movie finally adapting the martial arts corner of Marvel for the MCU, and the tantalising promise of the multiverse, it's a good time to be a Marvel fan.
The narrative mainly focuses on the two titular Avengers taking on a revolutionary group, hell bent on returning to a post snap world. It deals head first with the fallout of Thanos' devastating blow in Infinity War, and the subsequent return of the 3.5 billion people who re-materialised after Endgame, and the issues that came with them. It's good to see that Marvel Studios aren't avoiding these complicated plot points that could have potentially just been swept under the rug.
The series also develops the John Walker/U.S. Agent comic story. Its well realised and Wyatt Russell is fantastic in the role. Daniel Brühl returns as Baron Zemo after an underwhelming narrative in Civil War, and unexpectedly is plain hilarious (and finally in full costume, even if it is for one scene).
As well as all this, fans of the comics are treated to a plethora of potential future stories - The introduction of Madripoor marks the first proper acknowledgement of X-Men material. Lesser known comic characters such as Isiah Bradley, Madame Hydra, Battlestar, Batroc, and Ayo are given screentime. There's even some carrots dangled for a potential Young Avengers adaption with the appearance of Eli Bradley/Patriot (and with Kate Bishop incoming, surely this is a thing)
Perhaps most importantly, TFATWS doesn't shy away from tackling race issues, touching upon real world events, and developing them into the plot. This spills over into the future of Captain America, and what the shield represents to the black community. There are some truly powerful moments of dialogue, especially between Isiah and Sam. It's all handled respectfully, and brings new depth the MCU, as they stride into a more diverse future.
With this series, and the preceding WandaVision, this new phase for the MCU is off to an incredibly strong start, and I'm so excited to see where they take it. Between Falcon rightfully taking the reigns as Captain America, the upcoming Shang Chi movie finally adapting the martial arts corner of Marvel for the MCU, and the tantalising promise of the multiverse, it's a good time to be a Marvel fan.
LeftSideCut (3778 KP) rated Moonfall (2022) in Movies
Feb 10, 2022
Approximately 30 minutes from the end, due to a sudden and sharp escalation of absurdity, I turned round to my mate and said "what the fuck is happening" - a simple remark that I think sums up Moonfall quite well. It relates directly to the main positive that I found, in that I can't help but admire how hard this film commits to all out sci-fi when it comes to crunch time. It prevents the end result from being a complete bore at the very least.
Roland Emmerich has become a master of underwhelming, disaster flicks at this point, he can make them in his sleep. Instead of doing something new, he's taken his best film, Independence Day, and one of his worst films, 2012, and just smashed them together like a kid playing with their action figures. It results in a predictable outcome - a film that's kind of entertaining, with passable CGI, and a host of characters that we don't care about, with personal issues that we don't care about, and who have more screentime than the mindless destruction of the planet that we all crave. John Bradley, bless him, gives it his all. Easily the highlight of a cast that are woodenly cashing in a paycheck. The dialogue is so awful that I zoned out pretty hard on several occasions.
There was guy in the same screen as us who just very loudly demolished a multi pack of Cadburys Picnics, followed by an entire loaf of Soreen, which was quite astonishing, and made the experience a bit more memorable. Cheers mate.
Roland Emmerich has become a master of underwhelming, disaster flicks at this point, he can make them in his sleep. Instead of doing something new, he's taken his best film, Independence Day, and one of his worst films, 2012, and just smashed them together like a kid playing with their action figures. It results in a predictable outcome - a film that's kind of entertaining, with passable CGI, and a host of characters that we don't care about, with personal issues that we don't care about, and who have more screentime than the mindless destruction of the planet that we all crave. John Bradley, bless him, gives it his all. Easily the highlight of a cast that are woodenly cashing in a paycheck. The dialogue is so awful that I zoned out pretty hard on several occasions.
There was guy in the same screen as us who just very loudly demolished a multi pack of Cadburys Picnics, followed by an entire loaf of Soreen, which was quite astonishing, and made the experience a bit more memorable. Cheers mate.
Cyn Armistead (14 KP) rated Places to Be, People to Kill in Books
Mar 1, 2018
I enjoyed this anthology more than one might expect from a collection of stories about killers, but then I've read a couple of volumes edited by [a:Brittiany A. Koren|12300|Brittiany A. Koren|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg] and [a:Martin H. Greenberg|26064|Martin H. Greenberg|http://photo.goodreads.com/authors/1247759305p2/26064.jpg] now, and I trust the pair. (Greenberg has turned out so many anthologies that I don't assume anything at all when I see his name.)
I had to explain to my family why I kept laughing while reading "Exactly" by [a:Tanya Huff|1967|Tanya Huff|http://photo.goodreads.com/authors/1207242126p2/1967.jpg]. I'm a long-time fan of her work, so was already familiar with sibling assassins Vree and Bannon from [b:Fifth Quarter|175312|Fifth Quarter (Quarters, #2)|Tanya Huff|http://photo.goodreads.com/books/1172433365s/175312.jpg|169357] and [b:No Quarter|175300|No Quarter (Quarters, #3)|Tanya Huff|http://photo.goodreads.com/books/1172433338s/175300.jpg|169345]. While all of Huff's work includes some humor, this story is particularly funny.
"Breia’s Diamond" by [a:Cat Collins|380276|Cat Collins|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg] was a memorable low in the book. In addition to the inappropriate and inept use of romance clichés, it's all too obvious early on that the mercenaries are being paid far too much for too little work by the necromancer. That isn't foreshadowing, it's foreshouting—or just plain stupidity on the part of the mercenaries. They are murderers for hire, nothing else, and I've never felt any sympathy for such. Why would I start now, simply because a story is told from their point of view?
[a:Bradley H. Sinor|2282520|Bradley H. Sinor|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]'s "Money's Worth" has the feel of something excerpted from a larger work. It's good and I enjoyed it, but I think I would have enjoyed it far more in its proper context.
The only other story that is memorable enough to single out is "The Hundredth Kill" by [a:John Marco|9266|John Marco|http://photo.goodreads.com/authors/1244460712p2/9266.jpg]. It is a lovely jewel of a story, one that stands for itself, leaving little to be said other than "read it." I don't believe that I've read any of Marco's novels, but obviously I've missed out on something very good. I intend to remedy that omission shortly.
I had to explain to my family why I kept laughing while reading "Exactly" by [a:Tanya Huff|1967|Tanya Huff|http://photo.goodreads.com/authors/1207242126p2/1967.jpg]. I'm a long-time fan of her work, so was already familiar with sibling assassins Vree and Bannon from [b:Fifth Quarter|175312|Fifth Quarter (Quarters, #2)|Tanya Huff|http://photo.goodreads.com/books/1172433365s/175312.jpg|169357] and [b:No Quarter|175300|No Quarter (Quarters, #3)|Tanya Huff|http://photo.goodreads.com/books/1172433338s/175300.jpg|169345]. While all of Huff's work includes some humor, this story is particularly funny.
"Breia’s Diamond" by [a:Cat Collins|380276|Cat Collins|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg] was a memorable low in the book. In addition to the inappropriate and inept use of romance clichés, it's all too obvious early on that the mercenaries are being paid far too much for too little work by the necromancer. That isn't foreshadowing, it's foreshouting—or just plain stupidity on the part of the mercenaries. They are murderers for hire, nothing else, and I've never felt any sympathy for such. Why would I start now, simply because a story is told from their point of view?
[a:Bradley H. Sinor|2282520|Bradley H. Sinor|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]'s "Money's Worth" has the feel of something excerpted from a larger work. It's good and I enjoyed it, but I think I would have enjoyed it far more in its proper context.
The only other story that is memorable enough to single out is "The Hundredth Kill" by [a:John Marco|9266|John Marco|http://photo.goodreads.com/authors/1244460712p2/9266.jpg]. It is a lovely jewel of a story, one that stands for itself, leaving little to be said other than "read it." I don't believe that I've read any of Marco's novels, but obviously I've missed out on something very good. I intend to remedy that omission shortly.
Gareth von Kallenbach (980 KP) rated The Hangover Part III (2013) in Movies
Jun 19, 2019
When “The Hangover” came out in 2009 it did so with modest expectations. Few critics expected it to become a box office smash much less the highest grossing R rated comedy of its time. Naturally a sequel followed and despite mixed reviews, “The Hangover 2” reaped in millions and vaulted over the original in terms of earnings. So, it was no surprise when “The Hangover 3” was announced and that the cast and writer/director Todd Phillips would be back again for the further adventures of The Wolfpack.
The films starts with dysfunctional Alan (Zach Galifianakis), creating a spectacular mess and being his usual spoiled and oblivious self though the consequences which have tragic ramifications. His friends Stu (Ed Helms), Phil (Bradley Cooper), and Doug (Justin Bartha), decide that an intervention is needed and convince a reluctant Alan to get some help from a clinic in Arizona.
En route, the group is run off the road which results in Doug being held hostage by a criminal (John Goodman) who wants to use the group to bring in insane criminal Leslie Chow (ken Jeong). The group is told they have three days to find Chow and save Doug. It turns out Alan is the only one to have any contact with Chow since he was incarcerated. The guys soon find themselves in Tijuana hatching a desperate attempt to capture and return the demented Chow.
Naturally things do not go as planned and despite their best intentions the group only makes matters worse and sets a chain of events into action which bring them full circle in a race against time to save Doug.
This time out the film has ramped down the gross out humor of the first films aside for one epic scene following the credits. The film has some chuckles along the way but lacks the jaw dropping shock humor that defined the previous films. I spent the majority of the film enjoying the cast but waiting for the big comedic payoff to arrive which sadly did not come until the after-credits scene.
The cast works well with the material but it does seem like they have run out of ideas and are going through the motions. The addition of Melissa McCarthy does add some nice moments to the film and does leave open some ideas should they decide to continue the series despite promising that this is the conclusion. In the end it is a nice enough diversion but for me was neither as enjoyable nor memorable as the previous efforts.
http://sknr.net/2013/05/24/the-hangover-iii/
The films starts with dysfunctional Alan (Zach Galifianakis), creating a spectacular mess and being his usual spoiled and oblivious self though the consequences which have tragic ramifications. His friends Stu (Ed Helms), Phil (Bradley Cooper), and Doug (Justin Bartha), decide that an intervention is needed and convince a reluctant Alan to get some help from a clinic in Arizona.
En route, the group is run off the road which results in Doug being held hostage by a criminal (John Goodman) who wants to use the group to bring in insane criminal Leslie Chow (ken Jeong). The group is told they have three days to find Chow and save Doug. It turns out Alan is the only one to have any contact with Chow since he was incarcerated. The guys soon find themselves in Tijuana hatching a desperate attempt to capture and return the demented Chow.
Naturally things do not go as planned and despite their best intentions the group only makes matters worse and sets a chain of events into action which bring them full circle in a race against time to save Doug.
This time out the film has ramped down the gross out humor of the first films aside for one epic scene following the credits. The film has some chuckles along the way but lacks the jaw dropping shock humor that defined the previous films. I spent the majority of the film enjoying the cast but waiting for the big comedic payoff to arrive which sadly did not come until the after-credits scene.
The cast works well with the material but it does seem like they have run out of ideas and are going through the motions. The addition of Melissa McCarthy does add some nice moments to the film and does leave open some ideas should they decide to continue the series despite promising that this is the conclusion. In the end it is a nice enough diversion but for me was neither as enjoyable nor memorable as the previous efforts.
http://sknr.net/2013/05/24/the-hangover-iii/
LeftSideCut (3778 KP) rated Guardians of the Galaxy (2014) in Movies
Nov 13, 2020
2014 was a damn fine year for Marvel Studios in terms of quality, their two outputs being The Winter Soldier and Guardians of the Galaxy. They're just a big double-whammy example of how comic book movies can get things right.
GOTG was a very niche property before hand. A bunch of little know Marvel characters galavanting around space, with revolving line ups involving inconsistent degrees of absurdity. The fact that batshit crazy characters such as Groot and Rocket Raccoon are now household names is an indication of just how effective this movie was.
James Gunn proves that he is the man for the job by melding together his own signature style (alongside his regular collaborator Michael Rooker of course) with the tried and tested Marvel formula of big action, and frequent humour. It's a toss up between this and Thor Ragnarok for funniest MCU movie for sure. Nearly every joke lands well, and unlike the sequel, the humour is never overdone. The balance is near perfect.
The cast are mainly to thank for that of course. Chris Pratt, Zoe Saldana, Dave Bautista, and the voice talents of Bradley Cooper and Vin Diesel make up the titular Guardians, and they are all unique and have intriguing back stories. They are well developed as the film plays out, and together make for an irreplaceable band of misfits.
The supporting cast include the aformentioned Michael Rooker, Karen Gillan, John C. Reilly, Lee Pace, Glenn Close, Peter Serafinowicz, Sean Gunn, Djimon Hounsou, Benicio Del Toro, and a first appearance by Josh Brolin as Thanos... It's another undeniably impressive ensemble cast for the MCU.
The special effects on display here are incredible. The whole film looks amazing and the big set pieces are hugely entertaining, and emotionally charged...These characters make a quick impression!
The only real criticism I have is that Ronan the Accuser, this films main antagonist, feels a little wasted. He looks great, and Lee Pace does the best with what he's given, but by the time the credits roll, he unfortunately joins the big pile of disposable MCU villains.
It's a small gripe when compared to all the good in this movie - that includes it's fantastic soundtrack by the way.
Guardians of the Galaxy is wonderful. It's proof that studios no longer have to rely on the big A-list names to make a great film, and as a result, this opened the doors for even more weird and wonderful characters to make their way into this behemoth of a series. One of my personal favourite MCU entries.
GOTG was a very niche property before hand. A bunch of little know Marvel characters galavanting around space, with revolving line ups involving inconsistent degrees of absurdity. The fact that batshit crazy characters such as Groot and Rocket Raccoon are now household names is an indication of just how effective this movie was.
James Gunn proves that he is the man for the job by melding together his own signature style (alongside his regular collaborator Michael Rooker of course) with the tried and tested Marvel formula of big action, and frequent humour. It's a toss up between this and Thor Ragnarok for funniest MCU movie for sure. Nearly every joke lands well, and unlike the sequel, the humour is never overdone. The balance is near perfect.
The cast are mainly to thank for that of course. Chris Pratt, Zoe Saldana, Dave Bautista, and the voice talents of Bradley Cooper and Vin Diesel make up the titular Guardians, and they are all unique and have intriguing back stories. They are well developed as the film plays out, and together make for an irreplaceable band of misfits.
The supporting cast include the aformentioned Michael Rooker, Karen Gillan, John C. Reilly, Lee Pace, Glenn Close, Peter Serafinowicz, Sean Gunn, Djimon Hounsou, Benicio Del Toro, and a first appearance by Josh Brolin as Thanos... It's another undeniably impressive ensemble cast for the MCU.
The special effects on display here are incredible. The whole film looks amazing and the big set pieces are hugely entertaining, and emotionally charged...These characters make a quick impression!
The only real criticism I have is that Ronan the Accuser, this films main antagonist, feels a little wasted. He looks great, and Lee Pace does the best with what he's given, but by the time the credits roll, he unfortunately joins the big pile of disposable MCU villains.
It's a small gripe when compared to all the good in this movie - that includes it's fantastic soundtrack by the way.
Guardians of the Galaxy is wonderful. It's proof that studios no longer have to rely on the big A-list names to make a great film, and as a result, this opened the doors for even more weird and wonderful characters to make their way into this behemoth of a series. One of my personal favourite MCU entries.
