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Awix (3310 KP) rated Jabberwocky (1977) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
Little bit Slithy, little bit Frabjous
Oddball comedy-drama that sets the tone for much of Terry Gilliam's career by being visually ravishing but a bit all-over-the-place story-wise. Gilliam's background at the time was in TV comedy, which may explain why so many well-known TV comics turn up in the film - apart from Michael Palin, there's Warren Clarke, Harry H Corbett, John le Mesurier, and so on.
The thing is that this isn't actually very funny - there are the seeds of some good jokes here, but the fact the movie has been filmed and edited in the style of an art-house historical drama kills most of them dead. Still, the medieval period has seldom been brought to the screen with such an authentic sense of filth, squalour, and misery, and the monster suit is pretty good. That said, if you're not into absurd comedy, Dragonslayer (1981) tells a very similar story in a more accessible style.
(And I have to say I'm astounded a film so focused on gore and bodily functions has only got a PG certificate. Caveat emptor.)
The thing is that this isn't actually very funny - there are the seeds of some good jokes here, but the fact the movie has been filmed and edited in the style of an art-house historical drama kills most of them dead. Still, the medieval period has seldom been brought to the screen with such an authentic sense of filth, squalour, and misery, and the monster suit is pretty good. That said, if you're not into absurd comedy, Dragonslayer (1981) tells a very similar story in a more accessible style.
(And I have to say I'm astounded a film so focused on gore and bodily functions has only got a PG certificate. Caveat emptor.)
Charlie Cobra Reviews (1840 KP) rated The Silence (2019) in Movies
Jul 7, 2020
Good But Not Great, Hints of Tension & Terror
The Silence is a 2019 horror film directed by John R. Leonetti and based on a screenplay by Carey Van Dyke and Shane Van Dyke. It is an adaptation of a novel by the same name by author Tim Lebbon. The movie was produced by Constantin Film and EMJAG Productions and distributed by Netflix. It stars Kiernan Shipka, Stanley Tucci, and Miranda Otto.
A team of researchers accidentally unleash an unknown species of blind winged creatures deep in a cavern underground. The creatures, called "vesps", violently attack the researchers, killing them before flying out of the cave seeking the noisiest areas next. Ally (Kiernan Shipka), who lost her hearing in a car accident, lives with her brother Jude (Kyle Harrison Breitkopf), parents, Hugh (Stanley Tucci) and Kelly (Miranda Otto), grandmother Lynn (Kate Trotter) and dog Otis. As the outbreak spreads, a state of emergency is declared and people are urged to stay quiet and indoors. However Ally suggests the countryside is likelier to be more quiet so they set out in two cars, accompanied by Glenn (John Corbett), Hugh's best friend.
This movie was alright, but i felt it could have been better. It wasnt terrible though and even had some really good scenes. It was a pretty cool idea/concept. I feel that the film A Quiet Place, did a better job in almost every way in comparison. I think that this movie wasn't able to sell the tension in a convincing way and was unrealistic in some parts. I liked Stanley Tucci's acting but the daughter's was hit or miss for me the entire film. And I'm sure there were plenty of plot holes in this film too, I could feel them as the movie went on. As critic Chris Agar of Screen Rant put it, "...a fairly bland thriller that struggles to leave much of an impact - despite some fleeting moments of pure tension and terror." I give it a 6/10.
A team of researchers accidentally unleash an unknown species of blind winged creatures deep in a cavern underground. The creatures, called "vesps", violently attack the researchers, killing them before flying out of the cave seeking the noisiest areas next. Ally (Kiernan Shipka), who lost her hearing in a car accident, lives with her brother Jude (Kyle Harrison Breitkopf), parents, Hugh (Stanley Tucci) and Kelly (Miranda Otto), grandmother Lynn (Kate Trotter) and dog Otis. As the outbreak spreads, a state of emergency is declared and people are urged to stay quiet and indoors. However Ally suggests the countryside is likelier to be more quiet so they set out in two cars, accompanied by Glenn (John Corbett), Hugh's best friend.
This movie was alright, but i felt it could have been better. It wasnt terrible though and even had some really good scenes. It was a pretty cool idea/concept. I feel that the film A Quiet Place, did a better job in almost every way in comparison. I think that this movie wasn't able to sell the tension in a convincing way and was unrealistic in some parts. I liked Stanley Tucci's acting but the daughter's was hit or miss for me the entire film. And I'm sure there were plenty of plot holes in this film too, I could feel them as the movie went on. As critic Chris Agar of Screen Rant put it, "...a fairly bland thriller that struggles to leave much of an impact - despite some fleeting moments of pure tension and terror." I give it a 6/10.
Gareth von Kallenbach (962 KP) rated The Boy Next Door (2015) in Movies
Aug 6, 2019
The theme of the dangerous person living next door as well as forbidden attraction and desires are no stranger to Hollywood as they are themes that have powered some of the most intense and erotic dramas in recent memory.
The latest offering from Hollywood has Jennifer Lopez as Claire, a woman who is newly divorced and falls for her new neighbor played by Ryan Guzman.
At first the relationship is exciting for Claire but things take a turn for the worse and Claire soon learns that her new neighbor is not what he first appeared to be and is a very dangerous and manipulative individual.
You would think with a premise such as this and a decent cast that this would at least be a passable thriller but instead it is about as lifeless and formulaic a film as they come.
The film was completely predictable aside form one brief moment at the end of the film that was mildly unexpected, but other than that I found myself whispering to my husband throughout the movie what was going to happen next, and it did.
Supporting actors John Corbett, playing Lopez’ (estranged) husband, and Ian Nelson as their teenage son, did a passable job given the material they were working with but deserved much better.
Ryan Guzman who plays 19-year-old neighbor Noah, manages to play the creepy psycho part pretty well, but the material was as I said previously; so very predictable.
I wish I could offer more than 1 star out of 5, but I can’t for the film which is a shame as the audience and the cast deserved so much more with this premise.
The latest offering from Hollywood has Jennifer Lopez as Claire, a woman who is newly divorced and falls for her new neighbor played by Ryan Guzman.
At first the relationship is exciting for Claire but things take a turn for the worse and Claire soon learns that her new neighbor is not what he first appeared to be and is a very dangerous and manipulative individual.
You would think with a premise such as this and a decent cast that this would at least be a passable thriller but instead it is about as lifeless and formulaic a film as they come.
The film was completely predictable aside form one brief moment at the end of the film that was mildly unexpected, but other than that I found myself whispering to my husband throughout the movie what was going to happen next, and it did.
Supporting actors John Corbett, playing Lopez’ (estranged) husband, and Ian Nelson as their teenage son, did a passable job given the material they were working with but deserved much better.
Ryan Guzman who plays 19-year-old neighbor Noah, manages to play the creepy psycho part pretty well, but the material was as I said previously; so very predictable.
I wish I could offer more than 1 star out of 5, but I can’t for the film which is a shame as the audience and the cast deserved so much more with this premise.
Charlie Cobra Reviews (1840 KP) rated 47 Meters Down: Uncaged (2019) in Movies
Jul 7, 2020
Shark Movie That Struggles To Stay Afloat
47 Meters Down Uncaged is a 2019 survival/horror movie directed by Johannes Robert and written by Robert and Ernest Riera with producers James Harris, Mark Lane and Robert Jones. It was produced by They Fyzz Facility and distributed by Entertainment Studios Motion Pictures. The film stars Corinne Foxx, Sophie Nelisse, Brianne Tju and Sistaine Stallone.
Mia (Sophie Nelisse), has had trouble fitting in living in Mexico which includes trouble with girls at school and adjusting to living with her father, step-mother (Nia Long) and sister. Three teenagers, Sasha (Corinne Foxx) her step-sister and her two friends convince her to go swimming with them at a secret lagoon rather than go on a glass bottom boat tour. The lagoon happens to be near a sunken Mayan city where Mia's father Grant (John Corbett) is working. The girls grab some scuba gear and decide to seize this opportunity to see the discovery for themselves and find that it is the hunting ground for deadly great white sharks. With their air supply running out and having to navigate the labyrinth of tunnels the girls find themselves in a race against time and the deadly sharks to try and survive.
This movie was okay but I thought it was going to be better. I hadn't seen the first one so I don't know if they are connected in anyway but I believe they are not. I wanted to see a good shark movie especially since during shark week a while back I had seen a lot of shark shows this year and the movie they did called Capsized which was pretty decent. This movie started off good but failed to set the tension in a gripping way. I didn't like the fact that since they were swimming in caves the lighting was dark and didn't allow for a lot of visuals. It was good for mood setting and ambiance but I thought it was a little gimmicky when they used the flares and it changed everything red. I say that because the CGI of the sharks left me underwhelmed as well. The sharks were supposed to be blind for having evolved or lived in caves the whole time and also adjusted to be more sensitive to sounds. To me the CGI looked unbelievable and threw off the emergence from enjoying the movie. They could have been better or the way they built the tension could have been better. The movie did have a couple of frightening "jump scares", one of which surprised and got me. For some reason I really didn't like the ending, for me it was the main character acting out of character and then there being to many "jump scares" back to back at the end. If you see it you'll know what I'm talking about. Anyways I give this movie a 5/10.
Mia (Sophie Nelisse), has had trouble fitting in living in Mexico which includes trouble with girls at school and adjusting to living with her father, step-mother (Nia Long) and sister. Three teenagers, Sasha (Corinne Foxx) her step-sister and her two friends convince her to go swimming with them at a secret lagoon rather than go on a glass bottom boat tour. The lagoon happens to be near a sunken Mayan city where Mia's father Grant (John Corbett) is working. The girls grab some scuba gear and decide to seize this opportunity to see the discovery for themselves and find that it is the hunting ground for deadly great white sharks. With their air supply running out and having to navigate the labyrinth of tunnels the girls find themselves in a race against time and the deadly sharks to try and survive.
This movie was okay but I thought it was going to be better. I hadn't seen the first one so I don't know if they are connected in anyway but I believe they are not. I wanted to see a good shark movie especially since during shark week a while back I had seen a lot of shark shows this year and the movie they did called Capsized which was pretty decent. This movie started off good but failed to set the tension in a gripping way. I didn't like the fact that since they were swimming in caves the lighting was dark and didn't allow for a lot of visuals. It was good for mood setting and ambiance but I thought it was a little gimmicky when they used the flares and it changed everything red. I say that because the CGI of the sharks left me underwhelmed as well. The sharks were supposed to be blind for having evolved or lived in caves the whole time and also adjusted to be more sensitive to sounds. To me the CGI looked unbelievable and threw off the emergence from enjoying the movie. They could have been better or the way they built the tension could have been better. The movie did have a couple of frightening "jump scares", one of which surprised and got me. For some reason I really didn't like the ending, for me it was the main character acting out of character and then there being to many "jump scares" back to back at the end. If you see it you'll know what I'm talking about. Anyways I give this movie a 5/10.
5 Minute Movie Guy (379 KP) rated 47 Meters Down: Uncaged (2019) in Movies
Aug 26, 2019
I love a good shark movie. Since as far back as I can remember, I have been fascinated by sharks. I think they’re some of the most interesting creatures on our planet. Even when I was a kid, I used to wear shark tooth necklaces because I thought they were so cool. Basically any time you’ve got sharks in a movie, I’m all in for it. Amusingly enough, that same sentiment does not apply to video games where I think they’re terrifying! (Jaws on the original Nintendo freaked-me-out as a child.) Having said all that, I was excited to see 47 Meters Down: Uncaged, even though I missed out on the original film back in 2017. Johannes Roberts, the director of the minimalistic first film, 47 Meters Down, returns for this sequel and brings back the great white sharks, but shakes up for the formula a bit by adding an underwater maze to the mix.
The sequel focuses on teenaged loner Mia (Sophie Nélisse) who has recently relocated to Mexico with her father and step-family. Her father Grant (John Corbett) scouts and maps out underwater locations for a living, and has recently discovered an ancient sunken Mayan city. With the help of his two assistants, he’s currently in the process of mapping out its maze-like design. One day, Mia joins her sister Sasha (Corinne Foxx) whose two friends, Alexa (Brianne Tju) and Nicole (Sistine Stallone), take them to a hidden local cove for a day of fun. This location turns out to be one of the entrances to the historic labyrinth that Mia’s father Grant has been exploring. Alexa, who once dated one of Grant’s assistants, had gone diving with this former boyfriend into the submerged city before. Upon finding enough extra scuba gear for all of them on a floating dock in this isolated cove, Alexa pressures her friends into joining her on a brief underwater tour that ends up being anything but.
This sunken Mayan labyrinth that the four girls go inside to explore is the setting for most of the film. They’re supposed to be following Alexa, who knows part of the maze well enough to navigate it without getting them lost, but their stubborn and defiant friend Nicole decides to venture off-course and winds up endangering them all. In the aftermath of Nicole’s senselessness, a pillar gets knocked over, creating a domino effect of destruction that causes the entrance they came in through to collapse and get sealed off. Now they’ll have to find another way out. With limited oxygen and even less light and visibility, the girls have to swim deeper into the maze to try to look for an exit.
Quickly the girls come to discover they’re not as alone in this labyrinth as they first thought, and they find themselves in the presence of great white sharks. These sharks, blind from living their whole lives in the darkness of this lost city, have their other senses heightened as a result, and they’re on the hunt for blood. The arrival of these sharks, however, opens up a big plot hole in the story. How is it that Mia’s father has never seen these deadly sharks nor made any reference to them when he’s already spent weeks, possibly even months, exploring this sunken city? I suppose it’s possible that in the collapse of the entrance, another passageway may have opened up that let the sharks in. However, that logic doesn’t hold up, because had they came in from outside, they wouldn’t be blind. These particular sharks evolved down here, so it’s hard to believe they were never noticed before, especially considering how violent and aggressive they are.
That’s far from being the only problem with these sharks, though. They also look flat out awful. The quality of their special effects in this film is simply pitiful. I’m not even exaggerating when I say they often reminded me of that infamously bad shark attack scene from Jaws 3D. They look so fake and unbelievable that instead of feeling any sense of fear when they randomly appeared, I couldn’t help but cringe. It literally looks almost as bad as the Sharknado movies, but the key difference is that unlike the intentionally campy Sharknado movies, 47 Meters Down: Uncaged is actually trying to take itself seriously. Plus it has even has double the budget to work with.
47 Meters Down: Uncaged takes a very lazy and bare-bones approach to filmmaking. The story lacks substance, the characters and dialogue lack depth, and the visuals throughout most of the film are muddied and unclear. It’s rough on the eyes because the visuals are so obscured and are shrouded in so much darkness that it’s hard to actually see what’s happening on screen. This is often exploited as a cheap tactic to create jump scares by having the sharks suddenly appear from literally out of nowhere, which seems especially hard to believe since it’s doubtful these large sharks could smoothly navigate most of these narrow passageways in the first place. Despite the restrictive maze design, the film fails to create a sense of claustrophobia, and instead just gave me a headache.
The story progression in the film mostly feels generic and expected. There are new complications that arise and circumstances that change, but it’s all pretty standard fare. The ending, however, sets up a decent scenario, but it ends up being ruined by how unrealistic it is. Besides, after wading through all of the garbage to get there, I couldn’t be bothered to care much at that point. The acting in the film is mostly poor, but truthfully they’re never given much to work with. It’s also difficult to keep track of who is who once they’re inside the maze anyway because the visuals are so muddled. The movie does feature its share of violence and death, but its light on the gore and to me it always felt unsatisfying.
In all, 47 Meters Down: Uncaged sinks right to the bottom of my rating list as the worst movie I’ve seen in 2019. It’s lazy and bland to the point of being exhausting. There’s ultimately not one single thing about it that I can sincerely commend. The only thing I’m probably going to remember this movie for is how dreadful it looks and the 90 minutes of boredom and disappointment it caused me.
The sequel focuses on teenaged loner Mia (Sophie Nélisse) who has recently relocated to Mexico with her father and step-family. Her father Grant (John Corbett) scouts and maps out underwater locations for a living, and has recently discovered an ancient sunken Mayan city. With the help of his two assistants, he’s currently in the process of mapping out its maze-like design. One day, Mia joins her sister Sasha (Corinne Foxx) whose two friends, Alexa (Brianne Tju) and Nicole (Sistine Stallone), take them to a hidden local cove for a day of fun. This location turns out to be one of the entrances to the historic labyrinth that Mia’s father Grant has been exploring. Alexa, who once dated one of Grant’s assistants, had gone diving with this former boyfriend into the submerged city before. Upon finding enough extra scuba gear for all of them on a floating dock in this isolated cove, Alexa pressures her friends into joining her on a brief underwater tour that ends up being anything but.
This sunken Mayan labyrinth that the four girls go inside to explore is the setting for most of the film. They’re supposed to be following Alexa, who knows part of the maze well enough to navigate it without getting them lost, but their stubborn and defiant friend Nicole decides to venture off-course and winds up endangering them all. In the aftermath of Nicole’s senselessness, a pillar gets knocked over, creating a domino effect of destruction that causes the entrance they came in through to collapse and get sealed off. Now they’ll have to find another way out. With limited oxygen and even less light and visibility, the girls have to swim deeper into the maze to try to look for an exit.
Quickly the girls come to discover they’re not as alone in this labyrinth as they first thought, and they find themselves in the presence of great white sharks. These sharks, blind from living their whole lives in the darkness of this lost city, have their other senses heightened as a result, and they’re on the hunt for blood. The arrival of these sharks, however, opens up a big plot hole in the story. How is it that Mia’s father has never seen these deadly sharks nor made any reference to them when he’s already spent weeks, possibly even months, exploring this sunken city? I suppose it’s possible that in the collapse of the entrance, another passageway may have opened up that let the sharks in. However, that logic doesn’t hold up, because had they came in from outside, they wouldn’t be blind. These particular sharks evolved down here, so it’s hard to believe they were never noticed before, especially considering how violent and aggressive they are.
That’s far from being the only problem with these sharks, though. They also look flat out awful. The quality of their special effects in this film is simply pitiful. I’m not even exaggerating when I say they often reminded me of that infamously bad shark attack scene from Jaws 3D. They look so fake and unbelievable that instead of feeling any sense of fear when they randomly appeared, I couldn’t help but cringe. It literally looks almost as bad as the Sharknado movies, but the key difference is that unlike the intentionally campy Sharknado movies, 47 Meters Down: Uncaged is actually trying to take itself seriously. Plus it has even has double the budget to work with.
47 Meters Down: Uncaged takes a very lazy and bare-bones approach to filmmaking. The story lacks substance, the characters and dialogue lack depth, and the visuals throughout most of the film are muddied and unclear. It’s rough on the eyes because the visuals are so obscured and are shrouded in so much darkness that it’s hard to actually see what’s happening on screen. This is often exploited as a cheap tactic to create jump scares by having the sharks suddenly appear from literally out of nowhere, which seems especially hard to believe since it’s doubtful these large sharks could smoothly navigate most of these narrow passageways in the first place. Despite the restrictive maze design, the film fails to create a sense of claustrophobia, and instead just gave me a headache.
The story progression in the film mostly feels generic and expected. There are new complications that arise and circumstances that change, but it’s all pretty standard fare. The ending, however, sets up a decent scenario, but it ends up being ruined by how unrealistic it is. Besides, after wading through all of the garbage to get there, I couldn’t be bothered to care much at that point. The acting in the film is mostly poor, but truthfully they’re never given much to work with. It’s also difficult to keep track of who is who once they’re inside the maze anyway because the visuals are so muddled. The movie does feature its share of violence and death, but its light on the gore and to me it always felt unsatisfying.
In all, 47 Meters Down: Uncaged sinks right to the bottom of my rating list as the worst movie I’ve seen in 2019. It’s lazy and bland to the point of being exhausting. There’s ultimately not one single thing about it that I can sincerely commend. The only thing I’m probably going to remember this movie for is how dreadful it looks and the 90 minutes of boredom and disappointment it caused me.