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Phil Leader (619 KP) rated The Hitchhiker's Guide to the Galaxy in Books
Nov 14, 2019
What can be said about Douglas Adams' freewheeling science fiction comedy that hasn't been said before? Probably nothing but that doesn't mean it doesn't deserve a review.
I first came to the Hitchhiker's Guide series through this book. It was about 1981 I suppose and it was recommended by a school friend. I hadn't been aware of the radio series (although as luck would have it it was repeated on BBC Radio 4 within a few weeks) and it was a little while before the television adaptation appeared (which for all its faults - mainly a lack of budget - stayed true to the spirit of the books and the radio series rather more successfully than the film).
From the point I opened this and started reading I couldn't get enough Hitchhiker's Guide. Adams' style is so much like a swan on a lake - it all seems effortless on the surface but underneath there's a lot going on. As Adams' friend John Lloyd has commented, he had the ability to write backwards, so he would start with several pages of (what to other people would be) excellent material and after a couple of days' furious writing it would be down to 2 pages, but each sentence a carefully crafted gem. The result is like the difference between beer and vodka. You will enjoy drinking the beer but the distilled and concentrated vodka will knock you out.
There is real genius in the wit, ideas seemingly being pulled from nowhere and taking on a whole new aspect (towels for example). Delightful non-sequitors (especially from aliens who turn out to be pretty ordinary - or frequently less than ordinary), brilliant and inventive word play and sheer imagination and brio run through every page, all joined together by delightful asides from 'the book'.
The story itself is based on the radio series of the same name which was pretty much made up as it went along, Adams following whatever idea seemed to give him the best scope for a quick gag at the time. But somehow this all works and the story is remarkably coherent (although the book does veer away from the thread of the radio series at the very end). It has been said before that it resembles Gulliver's Travels as each new world reveals new wonders (or new banalities shining a light on our own humdrum existences here on Earth).
Oh the story? The book essentially follows one Arthur Dent, a completely unremarkable and normal human being apart from two things. Firstly his house is about to be demolished to make way for a bypass, a fact he was previously unaware of. Secondly his friend Ford Prefect (the book explains the name) is not from Guildford after all but from a small planet somewhere in the vicinity of Betelgeuse. When aliens show up to demolish the whole Earth to make way for an interstellar bypass, Ford saves Arthur from certain death and reveals he is a reporter for a book called The Hitchhikers Guide To The Galaxy and he got stuck on Earth for rather a long time.
Arthur proceeds to have a rather horrible time being shot at, thrown out of spaceships, patronised and generally baffled by everything that is going on around him. But The Hitchhikers Guide To The Galaxy is always on hand to try to explain things.
Incredibly amusing, brilliantly written and ultimately quoteable this not just a good book, it is something that really everyone should read.
I first came to the Hitchhiker's Guide series through this book. It was about 1981 I suppose and it was recommended by a school friend. I hadn't been aware of the radio series (although as luck would have it it was repeated on BBC Radio 4 within a few weeks) and it was a little while before the television adaptation appeared (which for all its faults - mainly a lack of budget - stayed true to the spirit of the books and the radio series rather more successfully than the film).
From the point I opened this and started reading I couldn't get enough Hitchhiker's Guide. Adams' style is so much like a swan on a lake - it all seems effortless on the surface but underneath there's a lot going on. As Adams' friend John Lloyd has commented, he had the ability to write backwards, so he would start with several pages of (what to other people would be) excellent material and after a couple of days' furious writing it would be down to 2 pages, but each sentence a carefully crafted gem. The result is like the difference between beer and vodka. You will enjoy drinking the beer but the distilled and concentrated vodka will knock you out.
There is real genius in the wit, ideas seemingly being pulled from nowhere and taking on a whole new aspect (towels for example). Delightful non-sequitors (especially from aliens who turn out to be pretty ordinary - or frequently less than ordinary), brilliant and inventive word play and sheer imagination and brio run through every page, all joined together by delightful asides from 'the book'.
The story itself is based on the radio series of the same name which was pretty much made up as it went along, Adams following whatever idea seemed to give him the best scope for a quick gag at the time. But somehow this all works and the story is remarkably coherent (although the book does veer away from the thread of the radio series at the very end). It has been said before that it resembles Gulliver's Travels as each new world reveals new wonders (or new banalities shining a light on our own humdrum existences here on Earth).
Oh the story? The book essentially follows one Arthur Dent, a completely unremarkable and normal human being apart from two things. Firstly his house is about to be demolished to make way for a bypass, a fact he was previously unaware of. Secondly his friend Ford Prefect (the book explains the name) is not from Guildford after all but from a small planet somewhere in the vicinity of Betelgeuse. When aliens show up to demolish the whole Earth to make way for an interstellar bypass, Ford saves Arthur from certain death and reveals he is a reporter for a book called The Hitchhikers Guide To The Galaxy and he got stuck on Earth for rather a long time.
Arthur proceeds to have a rather horrible time being shot at, thrown out of spaceships, patronised and generally baffled by everything that is going on around him. But The Hitchhikers Guide To The Galaxy is always on hand to try to explain things.
Incredibly amusing, brilliantly written and ultimately quoteable this not just a good book, it is something that really everyone should read.
BankofMarquis (1832 KP) rated Bird Box (2018) in Movies
Feb 1, 2019
Almost a good movie
One of my favorite films of 2018 is A QUIET PLACE where aliens with extreme hearing can get you if you make a noise. It is a quite interesting and well made film (with a bravura performance by Emily Blunt), so when I heard there was a variant of this theme (this time you can't use your eyes), I decided to check it out and to see if Sandra Bullock could pull off the same sort of bravura performance as Blunt.
And, that's too bad, for by comparison the Netflix flick BIRD BOX is no A QUIET PLACE, but if I don't try to compare it to A QUIET PLACE, BIRD BOX is a very entertaining film, indeed.
The story follows Bullock as Malorie a pregnant single woman who holds no "maternal instinct" towards her unborn child. Malorie is devoid of emotion and compassion and is dreading the day that her child will be born. Enter into this an "end of world event" where unseen aliens show up and, if you look at them, you go insane and try to commit suicide. Amidst this chaos, Malorie and a ragtag assortment of survivors find shelter in the house of Douglas (John Malkovich). Can this disparate group of strangers find a way to survive in this insane new world?
Well...the fun in this kind of movie is in the characters trapped together and the "10 Little Indians" style of demise as the house guests are picked off one by one by the aliens (or each other). It is the drama of these trapped individuals, and the surprise and the ingenuity of how they are killed off that makes or breaks these types of films.
And in this way, this film succeeds very well for besides Bullock and Malkovich, the housemates are filled with (for the most part) a strong grouping of actors led, most notably, by Trevante Rhodes (MOONLIGHT) and Jacki Weaver (ANIMAL KINGDOM). They are strong presences in this household and are interesting to watch. Good ol' B.D. Wong (JURASSIC PARK among many, many credits) brings his usual, solid game and Lil Rey Howery (GET OUT) brings much needed energy and humor to the proceedings. Add to this the usual, creepy Tom Hollander (IN THE LOOP) as a mysterious houseguest who is...creepy...and there is enough going on to keep my interest.
Add to this the always intriguing work of Malkovich as the paranoid, "me first" homeowner and Bullock underplaying her emotions as a counterbalance to Malkovich overplaying his emotions and the scenes in the house were interesting and (at times) gripping.
The problem I have with this film is that it inter cuts these scenes with scenes of Bullock (and a few other survivors from the house) "5 years later" - so, you already know who makes it and who doesn't - which takes away the tension of the house scenes. It also has an ending that, quite frankly, I saw coming a mile off and so it was not a satisfying conclusion to the proceedings for the ending was uneventful and unsurprising. A poor way to end this sort of film.
Don't get me wrong, the scenes in the house of the initial group of survivors is well worth viewing this film, I just wish Director Susanne Bier (THE NIGHT MANAGER) didn't dilute these scenes by bringing us forward in time too soon. I wonder how much better this film could have been had we just watched the events of the film (including all of the "5 years later scenes") in chronological order, I gotta think it would have been a better film.
This is, by every definition of the term, a "B" film, perfect for a snow, rain or cold-bound afternoon at home.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
And, that's too bad, for by comparison the Netflix flick BIRD BOX is no A QUIET PLACE, but if I don't try to compare it to A QUIET PLACE, BIRD BOX is a very entertaining film, indeed.
The story follows Bullock as Malorie a pregnant single woman who holds no "maternal instinct" towards her unborn child. Malorie is devoid of emotion and compassion and is dreading the day that her child will be born. Enter into this an "end of world event" where unseen aliens show up and, if you look at them, you go insane and try to commit suicide. Amidst this chaos, Malorie and a ragtag assortment of survivors find shelter in the house of Douglas (John Malkovich). Can this disparate group of strangers find a way to survive in this insane new world?
Well...the fun in this kind of movie is in the characters trapped together and the "10 Little Indians" style of demise as the house guests are picked off one by one by the aliens (or each other). It is the drama of these trapped individuals, and the surprise and the ingenuity of how they are killed off that makes or breaks these types of films.
And in this way, this film succeeds very well for besides Bullock and Malkovich, the housemates are filled with (for the most part) a strong grouping of actors led, most notably, by Trevante Rhodes (MOONLIGHT) and Jacki Weaver (ANIMAL KINGDOM). They are strong presences in this household and are interesting to watch. Good ol' B.D. Wong (JURASSIC PARK among many, many credits) brings his usual, solid game and Lil Rey Howery (GET OUT) brings much needed energy and humor to the proceedings. Add to this the usual, creepy Tom Hollander (IN THE LOOP) as a mysterious houseguest who is...creepy...and there is enough going on to keep my interest.
Add to this the always intriguing work of Malkovich as the paranoid, "me first" homeowner and Bullock underplaying her emotions as a counterbalance to Malkovich overplaying his emotions and the scenes in the house were interesting and (at times) gripping.
The problem I have with this film is that it inter cuts these scenes with scenes of Bullock (and a few other survivors from the house) "5 years later" - so, you already know who makes it and who doesn't - which takes away the tension of the house scenes. It also has an ending that, quite frankly, I saw coming a mile off and so it was not a satisfying conclusion to the proceedings for the ending was uneventful and unsurprising. A poor way to end this sort of film.
Don't get me wrong, the scenes in the house of the initial group of survivors is well worth viewing this film, I just wish Director Susanne Bier (THE NIGHT MANAGER) didn't dilute these scenes by bringing us forward in time too soon. I wonder how much better this film could have been had we just watched the events of the film (including all of the "5 years later scenes") in chronological order, I gotta think it would have been a better film.
This is, by every definition of the term, a "B" film, perfect for a snow, rain or cold-bound afternoon at home.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)