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Kevin Phillipson (10021 KP) rated Grosse Pointe Blank (1997) in Movies
Aug 21, 2022
Blazing Minds (92 KP) rated Baby Driver (2017) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
Baby Driver tells the story of a “Baby“, after being coerced into working for a crime boss, the young getaway driver finds himself taking part in a heist doomed to fail.
From Edgar Wright, the director of Hot Fuzz, comes a movie that has mixed an all-out action movie with breathtaking car chases, humour and one hell of a soundtrack that is beautifully edited into the scenes of the movie to create something that is not only a pleasure to watch but also has your heart thumping and your toes tapping.
Right from the very start of Baby Driver the film lifts you up, as Baby and the crew stop to do a heist, Baby stays in the car ready for the getaway, he selects Bellbottoms by The John Spencer Blues Experience and sings along and drops some moves in the car, with a great track to start the film with and Baby (Ansel Elgort) showing that this movie is going to rock, how could we not look forward to more.
From Edgar Wright, the director of Hot Fuzz, comes a movie that has mixed an all-out action movie with breathtaking car chases, humour and one hell of a soundtrack that is beautifully edited into the scenes of the movie to create something that is not only a pleasure to watch but also has your heart thumping and your toes tapping.
Right from the very start of Baby Driver the film lifts you up, as Baby and the crew stop to do a heist, Baby stays in the car ready for the getaway, he selects Bellbottoms by The John Spencer Blues Experience and sings along and drops some moves in the car, with a great track to start the film with and Baby (Ansel Elgort) showing that this movie is going to rock, how could we not look forward to more.
Bostonian916 (449 KP) rated Star Wars: Episode VII - The Force Awakens (2015) in Movies
Aug 18, 2020
The cast and crew of this movie was tasked with the impossible job of living up to a fandom that has thrived (sometimes rabidly and maniacally, sometimes even toxicly) for almost forty years at the time of release.
Adam Driver, Daisy Riddle, John Boyega and company did an admirable job of continuing the saga that was started all those years ago. There was also some heartache to go around for those invested in the saga.
All in all, a good entry for a new generation of fans while also mostly satisfying fans of old without alienation (except for those toxic folks I spoke of earlier.)
Adam Driver, Daisy Riddle, John Boyega and company did an admirable job of continuing the saga that was started all those years ago. There was also some heartache to go around for those invested in the saga.
All in all, a good entry for a new generation of fans while also mostly satisfying fans of old without alienation (except for those toxic folks I spoke of earlier.)
Erika (17788 KP) rated BlacKkKlansman (2018) in Movies
Sep 1, 2018
I saw this movie around two weeks ago, and haven't been really able to decide on a number rating. I went between a 10, then an 8, but now I've settled on 9.
I haven't read the book, so I'm not sure how much the story was embellished and/or changed, but it was overall, an entertaining 'true story'. I know Spike Lee was drawing heavy parallels to today, which, is fine, but I think everyone would have still gotten the point without the last 5-10 minutes of news footage.
Adam Driver and John David Washington were a good team, and their work together was kind of what made the movie. The last scene on the phone was the best part of the movie.
I haven't read the book, so I'm not sure how much the story was embellished and/or changed, but it was overall, an entertaining 'true story'. I know Spike Lee was drawing heavy parallels to today, which, is fine, but I think everyone would have still gotten the point without the last 5-10 minutes of news footage.
Adam Driver and John David Washington were a good team, and their work together was kind of what made the movie. The last scene on the phone was the best part of the movie.
Matthew Krueger (10051 KP) rated Identity (2003) in Movies
Sep 30, 2020
Who Can You Trust
Idenity- is a very underrated horror film. It has a good cast, a good plot and a good twist at the end. Its psycholoigcal, suspenseful, thrilling, scary and twisted.
The Plot: When a vicious storm breaks out in the Nevada desert, 10 people seek refuge in an isolated motel. At the same time, a serial killer (Pruitt Taylor Vince) under the care of psychiatrist Doctor Mallick (Alfred Molina) -- who has just found the killer's revealing journal -- awaits execution for murdering a group of motel guests. When the storm-stranded travelers realize they are being killed off one by one, limo driver Ed Dakota (John Cusack) bids to stay alive and reveal the murderer's identity.
Its a really good film.
The Plot: When a vicious storm breaks out in the Nevada desert, 10 people seek refuge in an isolated motel. At the same time, a serial killer (Pruitt Taylor Vince) under the care of psychiatrist Doctor Mallick (Alfred Molina) -- who has just found the killer's revealing journal -- awaits execution for murdering a group of motel guests. When the storm-stranded travelers realize they are being killed off one by one, limo driver Ed Dakota (John Cusack) bids to stay alive and reveal the murderer's identity.
Its a really good film.
David McK (3425 KP) rated Mission: Impossible 2 (2000) in Movies
Mar 24, 2021 (Updated Jan 22, 2023)
I'm writing this in early 2021.
I don't think I'd seen this film since the early noughties.
If you asked me what I remember of it, I probably would have said
Thandie Newton
Masks
Slow motion. Lot and lots of slow motion.
And that is actually pretty accurate: directed by John Woo, this has an overabundance of Slo-Mo shots and has Tom Cruise and Ving Rhames both reprising their role from the first film.
It's also slightly uncomfortable watching this now (with the world still in the grip of a global pandemic), as the driver for the plot is - guess what - a deadly virus getting loose.
(oh, and in one of cinemas great 'what if' : I believe that Dougray Scott had to turn down the role of Wolverine as he was busy filming this)
I don't think I'd seen this film since the early noughties.
If you asked me what I remember of it, I probably would have said
Thandie Newton
Masks
Slow motion. Lot and lots of slow motion.
And that is actually pretty accurate: directed by John Woo, this has an overabundance of Slo-Mo shots and has Tom Cruise and Ving Rhames both reprising their role from the first film.
It's also slightly uncomfortable watching this now (with the world still in the grip of a global pandemic), as the driver for the plot is - guess what - a deadly virus getting loose.
(oh, and in one of cinemas great 'what if' : I believe that Dougray Scott had to turn down the role of Wolverine as he was busy filming this)
Edgar Wright recommended Le samouraï (1967) in Movies (curated)
Sarah (7798 KP) rated BlacKkKlansman (2018) in Movies
May 25, 2019
Powerful
I have to be honest, I haven't seen a lot of Spike Lee's work although I loved Inside Man when that came out. So I wasnt entirely sure what to expect with this film, but I was pleasantly surprised.
This is definitely a strange film. It packs a powerful message but then is full of moments of sheer hilarity, which is definitely welcome in otherwise heavy scenes. But for the most part this doesn't detract from the true story this is telling. To be frank, some of this film is very disturbing to watch and the last 5/10 minutes that link to more recent events is harrowing and almost verging on overkill. The acting is second to none, especially Adam Driver and John David Washington, and the script and dialogue are very clever and witty. I do think this may be a little heavy handed at times and a little too long, but it's still a powerful and moving film.
This is definitely a strange film. It packs a powerful message but then is full of moments of sheer hilarity, which is definitely welcome in otherwise heavy scenes. But for the most part this doesn't detract from the true story this is telling. To be frank, some of this film is very disturbing to watch and the last 5/10 minutes that link to more recent events is harrowing and almost verging on overkill. The acting is second to none, especially Adam Driver and John David Washington, and the script and dialogue are very clever and witty. I do think this may be a little heavy handed at times and a little too long, but it's still a powerful and moving film.
Gareth von Kallenbach (980 KP) rated Baby Driver (2017) in Movies
Jul 11, 2019
After falling into debt with a crime boss, Baby (Ansel Elgort), must pay back what he owes by being the getaway driver for brazen daytime heists. The crime boss, Doc (Kevin Spacey), promises Baby that once the next job is done he will be debt free. Baby does the job and heads home feeling finally free and ready to start doing good things with his life. He meets a beautiful waitress, Debora (Lily James), and plans to drive across the country with her. It may be too good to be true. He soon learns that being debt free may not mean that he gets to walk away from the life of crime. Being an exceptional driver has made him indispensable to Doc. Now Baby has a choice between walking away, which Doc has promised to hurt him and those he cares about if he does, or do one more job, and hope he find a way out of the criminal world and onto the road with Debora.
Writer/Director Edgar Wright (Shaun of the Dead, Hot Fuzz) does a masterful job of drawing the audience into the story with the soundtrack in a really fun and original way. From the chase scenes to the mundane task of getting coffee, the music immerses the viewer into Baby’s world. The film starts out with an exciting car chase sequence and keeps moving all the way to the end. All of the chase/driving scenes are really well done, which was expected for a movie with driver in the name, but impressive none the less. The pace of the film was consistent and it flowed all the way to the end. Kevin Spacey, Jamie Foxx, John Hamm, Eliza Gonzalez and the rest of the supporting cast did really well and all brought interesting characters to the film.
I loved the originality of the story and how it was executed. This is definitely a soundtrack I will have to listen to again. There were couple loose ends with some of the characters that didn’t get tied up but that was minimal. It is a fun ride and has a little bit of something for everyone. There is a love story, action, a compelling story, and a mixed in comedy that lightens the mood.
Writer/Director Edgar Wright (Shaun of the Dead, Hot Fuzz) does a masterful job of drawing the audience into the story with the soundtrack in a really fun and original way. From the chase scenes to the mundane task of getting coffee, the music immerses the viewer into Baby’s world. The film starts out with an exciting car chase sequence and keeps moving all the way to the end. All of the chase/driving scenes are really well done, which was expected for a movie with driver in the name, but impressive none the less. The pace of the film was consistent and it flowed all the way to the end. Kevin Spacey, Jamie Foxx, John Hamm, Eliza Gonzalez and the rest of the supporting cast did really well and all brought interesting characters to the film.
I loved the originality of the story and how it was executed. This is definitely a soundtrack I will have to listen to again. There were couple loose ends with some of the characters that didn’t get tied up but that was minimal. It is a fun ride and has a little bit of something for everyone. There is a love story, action, a compelling story, and a mixed in comedy that lightens the mood.
BankofMarquis (1832 KP) rated Bad Times at the El Royale (2018) in Movies
Feb 6, 2019
Check Into the El Royale, You'll Be Glad You Did
BAD TIMES AT THE EL ROYALE is a bloody movie about bloody people doing bloody things at a bloody hotel.
It's also bloody good.
Showing the same original style and panache that I have come to expect from Director/Writer Drew Goddard (THE CABIN IN THE WOODS), BAD TIMES...follows the storytelling device of a Quentin Tarantino flick like PULP FICTION or THE HATEFUL EIGHT in that it follows a seemingly disparate group of people - each with their own story - who's lives intersect.
Goddard's reputation has, obviously, preceded him as on the surface this film looks like a "B" flick filled with gore and violence, but in Goddard's hands - and with some strong acting talent and VERY strong production qualities (the sets, costumes and music help tell the story), this film is elevated to something much more than a "B" flick.
Jeff Bridges (HELL AND HIGH WATER) stars (at least in one storyline) as a mysterious Priest who shows up at the El Royale for some reason - and it's not to change the Bibles in the rooms. He is joined in the lobby at check-in by a lounge singer played by Cynthia Ervino (WIDOWS), vacuum cleaner salesman portrayed by John Hamm (BABY DRIVER) and by a mystery women played by Dakota Johnson (50 SHADES...) - all have secrets to hide and through flashbacks and chance encounters, their stories erupt on each other. And erupt they do when into the mix comes charismatic, mostly shirtless Cult Leader Billy Lee (Chris Hemsworth) and his cult followers.
Goddard orchestrates this group of strong actors well, giving each character/actor moments to shine and play off each other. The dialogue, while not at a Tarantino level, was interesting and intriguing as much as what was NOT said then what WAS said.
But, make no mistake about it, this is an action movie - and action there is. Bodies, bullets and blood start flying as soon as these characters collide at the El Royale and bad times happen, for sure.
But, for me, this was a GOOD TIME AT THE EL ROYALE. If you like Pulp Fiction, Baby Driver, Hell and High Water or John Wick, then you'll like this flick. Check in to the El Royale, you'll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
It's also bloody good.
Showing the same original style and panache that I have come to expect from Director/Writer Drew Goddard (THE CABIN IN THE WOODS), BAD TIMES...follows the storytelling device of a Quentin Tarantino flick like PULP FICTION or THE HATEFUL EIGHT in that it follows a seemingly disparate group of people - each with their own story - who's lives intersect.
Goddard's reputation has, obviously, preceded him as on the surface this film looks like a "B" flick filled with gore and violence, but in Goddard's hands - and with some strong acting talent and VERY strong production qualities (the sets, costumes and music help tell the story), this film is elevated to something much more than a "B" flick.
Jeff Bridges (HELL AND HIGH WATER) stars (at least in one storyline) as a mysterious Priest who shows up at the El Royale for some reason - and it's not to change the Bibles in the rooms. He is joined in the lobby at check-in by a lounge singer played by Cynthia Ervino (WIDOWS), vacuum cleaner salesman portrayed by John Hamm (BABY DRIVER) and by a mystery women played by Dakota Johnson (50 SHADES...) - all have secrets to hide and through flashbacks and chance encounters, their stories erupt on each other. And erupt they do when into the mix comes charismatic, mostly shirtless Cult Leader Billy Lee (Chris Hemsworth) and his cult followers.
Goddard orchestrates this group of strong actors well, giving each character/actor moments to shine and play off each other. The dialogue, while not at a Tarantino level, was interesting and intriguing as much as what was NOT said then what WAS said.
But, make no mistake about it, this is an action movie - and action there is. Bodies, bullets and blood start flying as soon as these characters collide at the El Royale and bad times happen, for sure.
But, for me, this was a GOOD TIME AT THE EL ROYALE. If you like Pulp Fiction, Baby Driver, Hell and High Water or John Wick, then you'll like this flick. Check in to the El Royale, you'll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)