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Mark @ Carstairs Considers (2277 KP) rated A Dangerous Man in Books
Sep 20, 2019
“We Know Your Secret.”
Joe Pike’s trip to the bank for a routine deposit ends when he witnesses two men try to kidnap his teller, Isabel Roland. Joe being Joe, he jumps into action and rescues her. However, when the kidnappers are released from jail, they are both murdered. Was kidnapping Isabel a crime of opportunity, or was she a target? Is she safe? Why would someone target her?
Those familiar with the series will notice a similar set up to a previous entry, but that’s where the similarity ends. This book takes off in some unexpected places, and author Robert Crais uses multiple viewpoints well to hook us as events unfold. This is a thriller that kept me glued the entire time. While we don’t learn much new about PI partners Elvis Cole or Joe Pike, it is wonderful to spend time with them and see them in action again. Most of the new characters are wonderful and fully developed, but a few very minor characters are very annoying. Likewise, I don’t find John Chen, a recurring character in the series, that funny. I’m sure the characters who annoy me are supposed to be comic relief, but I just don’t get it. While the book certainly has more language and violence than the cozies I normally read, I didn’t feel it was excessive here. Elvis and Joe have a huge following, and I’m sure there many fans will be thrilled with this book. Pick it up and hang on because it is going to be a very wild ride you won’t want to put down.
Those familiar with the series will notice a similar set up to a previous entry, but that’s where the similarity ends. This book takes off in some unexpected places, and author Robert Crais uses multiple viewpoints well to hook us as events unfold. This is a thriller that kept me glued the entire time. While we don’t learn much new about PI partners Elvis Cole or Joe Pike, it is wonderful to spend time with them and see them in action again. Most of the new characters are wonderful and fully developed, but a few very minor characters are very annoying. Likewise, I don’t find John Chen, a recurring character in the series, that funny. I’m sure the characters who annoy me are supposed to be comic relief, but I just don’t get it. While the book certainly has more language and violence than the cozies I normally read, I didn’t feel it was excessive here. Elvis and Joe have a huge following, and I’m sure there many fans will be thrilled with this book. Pick it up and hang on because it is going to be a very wild ride you won’t want to put down.
Nicky Wire recommended Plastic Ono Band by John Lennon in Music (curated)
Mark @ Carstairs Considers (2277 KP) rated The Promise in Books
Jun 18, 2019
I Promise, This is an Enjoyable Book
Elvis Cole is hired to track down a woman, and the most promising clue takes him to a house that appears to be empty. When Cole gets no answer, he tries to leave only to be trapped by the police swarming into the neighborhood looking for a suspect on the run. Meanwhile, K-9 officer Scott James and his dog, Maggie, are tracking the suspect to the very house Cole was interested in. Inside, they find a dead body and a room full of explosives. As the two cases intertwine, can the two find a way to work together?
Knowing Scott and Maggie were going to be featured very heavily in this book was what got me reading the Cole and Pike books several years ago, so it was nice to finally get to read this one. I’m happy to say it lived up to the promise of the premise. The book is another great thriller with plenty of things happening to keep us interested. Both sets of characters contribute something to the eventual outcome. I did think there was a plot hole early on in the book, but it was resolved by the time we reach the climax. The characters were a little thin again, although I enjoyed getting to see a bit of a different side to John Stone here. The violence, language, and general depravity is definitely toned down from the previous book, although there is still more than in my typical cozies, which is no surprise. Fans of author Robert Crais or either set of characters will be pleased by this book.
Knowing Scott and Maggie were going to be featured very heavily in this book was what got me reading the Cole and Pike books several years ago, so it was nice to finally get to read this one. I’m happy to say it lived up to the promise of the premise. The book is another great thriller with plenty of things happening to keep us interested. Both sets of characters contribute something to the eventual outcome. I did think there was a plot hole early on in the book, but it was resolved by the time we reach the climax. The characters were a little thin again, although I enjoyed getting to see a bit of a different side to John Stone here. The violence, language, and general depravity is definitely toned down from the previous book, although there is still more than in my typical cozies, which is no surprise. Fans of author Robert Crais or either set of characters will be pleased by this book.
Suggs recommended The Specials by Specials in Music (curated)
Cristov Russell (3 KP) rated Admist the Chaos by Sara Bareilles in Music
May 25, 2019 (Updated May 25, 2019)
Sara's latest has her working with T Bone Burnett (one of my favorite producers) who has worked with artists like Sam Phillips, Elvis Costello, Roy Orbison and Cassandra Wilson. Burnett, who is himself a recording artists and songwriter is a perfect choice, giving Bareilles a cohesive sound that suits her rich tone like a deep cushioned coach wrapped in a soft warm blanket.
Each of the tracks were written or co-workers by Bareilles and none disappoint. From the jangly mid-tempo Fire about a relationship that just isn't working to A Safe Place to Land; a beautifully sorrow drenched but hopeful duet with John Legend.
My favorite, Orpheus, about giving someone comfort and a peaceful space admist the chaos is where the album gets its name and many of the songs themes circle around the idea of finding peace or coming to terms with life.
Armor, a feminist anthem, pays tribute to those who paved the way and warns misogynists that those standing up to them today pale in comparison to the coming generation. It was inspired by the #metoo movement and released early as a response to Brett Kavanagh hearings.
If I Can't Have You deals with trying to get over the loss of a love. It's a breezy after the tears track best enjoyed with a glass of wine.
Burnett's influence shows on Eyes On You with its just inside the barn door toe tapping country tinges.
Miss Simone is a love letter to the lady herself for providing the soundtrack to an enduring romance.
The album closes with a track that fits well with its siblings but I can't say I like it quite as much. It's not a bad track and Bareilles and Legend sound great together but it feels like a leftover song. It was inspired by the immigrant families being separated.
Each of the tracks were written or co-workers by Bareilles and none disappoint. From the jangly mid-tempo Fire about a relationship that just isn't working to A Safe Place to Land; a beautifully sorrow drenched but hopeful duet with John Legend.
My favorite, Orpheus, about giving someone comfort and a peaceful space admist the chaos is where the album gets its name and many of the songs themes circle around the idea of finding peace or coming to terms with life.
Armor, a feminist anthem, pays tribute to those who paved the way and warns misogynists that those standing up to them today pale in comparison to the coming generation. It was inspired by the #metoo movement and released early as a response to Brett Kavanagh hearings.
If I Can't Have You deals with trying to get over the loss of a love. It's a breezy after the tears track best enjoyed with a glass of wine.
Burnett's influence shows on Eyes On You with its just inside the barn door toe tapping country tinges.
Miss Simone is a love letter to the lady herself for providing the soundtrack to an enduring romance.
The album closes with a track that fits well with its siblings but I can't say I like it quite as much. It's not a bad track and Bareilles and Legend sound great together but it feels like a leftover song. It was inspired by the immigrant families being separated.
Rick Astley recommended Live At The Sand by Frank Sinatra in Music (curated)
Daniel Boyd (1066 KP) rated Sons of Anarchy - Season 1 in TV
Jul 21, 2017
The Sins of The Father Are Visited On The Sons…
When this show initially premiered I dismissed it entirely. I instantly assumed that it was just some manly, cheesy rubbish that wasn’t worth my time. How small minded of me. It was only after the caretaker in my work recommended that I give it a go that I went back to it. For the first few episodes, it seemed as though I was right. A bunch of leather clad manly bikers shooting up rival gangs and blowing stuff up, but stick with this show and you will see just how deep the rabbit hole really goes. The writing here is phenomenal, the show was created and co-written by Kurt Sutter, who also plays Otto in the show. He is clearly a literary genius, as he also penned The Shield, as well as the recent, brilliantly written Jake Gyllenhall boxing movie, Southpaw. The show follows a gang of bikers called SAMCRO, (the Sons of Anarchy Motorcycle Club Redwood Original,) loosely based on the real life biker gang, The Hell’s Angels, (a few of which’s members actually have cameo roles in the show,) our protagonist is a young man named Jackson Teller, he is the son of John Teller, the original founder of the biker gang. Soon after Jax was born, his father was killed in a traffic collision, although it is suspected that there is more to his death than just that. Since then his mother Gemma has remarried to the current President of the gang, a man called Clay Morrow, who was also John Teller’s best friend and who co-founded the gang along with JT. When the show begins Jax is Clay’s Vice president, or VP and when Clay begins to lead the club on what Jax sees as a more violent, destructive path, he opposes him and he seeks a way to maintain the club, without having to kill anyone or take part in any shady business. Clay sees Jax as an idealist and tells him so, but Jax is persistent in his ideals, as he believes that this is the way that his Father would have wanted the club to be ran. The supporting cast of characters also add a lot to the overarching plot and each have their own respective back stories. There is Tara, Jax’s ex girlfriend, whom he falls back in love with, Gemma, who is Jax’s mother and the matriarch of the club, then there is Tig, Clay’s triggerman initially, but as the show goes on we see that he has a softer side, then there is Opie, Jax’s best friend from a young age who initially wants to leave the biker life behind, but after certain events in the first season of the show unfold, circumstances force him to stay by Jax’s side. There is also Chibs, the Scotsman who doesn’t mess about when it comes to dealing with a problem, there is also Happy, an emotional psychopath who is also played brilliantly by a real life ex Hell’s Angel member. Then there is Juice, a young Latino man who struggles with his personal demons throughout the show and lastly there is Bobby Elvis, another older member of the group who may be a big softie on the cover, but can also handle himself if anyone tries to cross him. From after the first season, the plot begins to twist and turn as we witness several double crosses and multiple agendas come into play and one of my favourite things about this show is that even though Jax is clearly the protagonist, he isn’t always the good guy and he makes some questionable decisions when he is put under pressure. I don’t want to say much else as I’m worried that I will spoil the show, but it definitely is worth your time and I would definitely recommend this show to anyone who is interested in a good crime saga.
Darren (1599 KP) rated Clownado (2019) in Movies
Sep 2, 2019
Thoughts on Clownado
Characters – Big Ronnie is the abusive husband and circus performer that killed Savanna’s lover and forced her into an embarrassing and humiliating performance for his show. After he becomes cursed, along with his fellow performers, he gets caught in the position of being able to transport through tornadoes, where they look to kill anyone and everyone. Savanna is the wife of Big Ronnie, she is trying to leave him, only to find her plan shattered and herself forced into performing in his circus, she puts the curse on them with a friend before going on the run, only for the circus performers not to leave her alone. Hunter is a trucker who picks us Dion, he knows the town well and is willing to do a good deed to help a stranger or a friend. Dion is the black Elvis impersonator who gets questioned about his look by everyone he meets, he helps along the way in the battle against the killer clowns.
Performances – The performances in this film are wildly over the top, which only helps with the tone of the film, John O’Hare as the leader of the clowns goes full evil in his performance, while Rachel Lagen shows just how much of a victim she is. When it comes to the rest of the cast, everybody knows who they are playing through this film.
Story – The story here follows a vengeful clown and his circus performers that use tornadoes to transport around the world in search for the woman that put the curse on them, as they look to pile up the body count, while everybody else is looking for a way to stop their evil once and for all. First thing is first, if you liked Sharknado, you will understand how to watch a film with this tone, you can’t take anything you see in this story seriously, but you aren’t meant to, we get a gimmick storyline, which does everything it needs to, to make you laugh at certain moments that are bonkers, that is designed to embrace this. We do get the idea of strangers working together, with a full range of colourful characters, as well as having plenty of bloodshed along the way, giving this story a fun grindhouse feel at times too.
Comedy/Horror – The comedy in this film comes from the over the top style of the kills and Big Ronnie’s actions, the horror comes from the bloodshed, with the clowns being over powered and will to kill with any means.
Settings – The film is set in a small town, which usually sees people pass through it, most characters know each other or have dealt with people behaving the same way, which shows us just how they will come together to look to survive the clownado.
Special Effects – The effects in the film are blood splatter heavy, they do tend to be extremely close up on the wounds which does add to the effects of shock value of the damage caused by the clowns.
Scene of the Movie – The first clownado.
That Moment That Annoyed Me – While filled with blood, the close ups of the body damage, sometimes, hide away from the reaction on the victims face.
Final Thoughts – This is a truly over the top idea, that like Sharknado works to bring one of the most popular horror figures, clowns to a new way to haunt people.
Overall: Purely Fun Horror Comedy.
Characters – Big Ronnie is the abusive husband and circus performer that killed Savanna’s lover and forced her into an embarrassing and humiliating performance for his show. After he becomes cursed, along with his fellow performers, he gets caught in the position of being able to transport through tornadoes, where they look to kill anyone and everyone. Savanna is the wife of Big Ronnie, she is trying to leave him, only to find her plan shattered and herself forced into performing in his circus, she puts the curse on them with a friend before going on the run, only for the circus performers not to leave her alone. Hunter is a trucker who picks us Dion, he knows the town well and is willing to do a good deed to help a stranger or a friend. Dion is the black Elvis impersonator who gets questioned about his look by everyone he meets, he helps along the way in the battle against the killer clowns.
Performances – The performances in this film are wildly over the top, which only helps with the tone of the film, John O’Hare as the leader of the clowns goes full evil in his performance, while Rachel Lagen shows just how much of a victim she is. When it comes to the rest of the cast, everybody knows who they are playing through this film.
Story – The story here follows a vengeful clown and his circus performers that use tornadoes to transport around the world in search for the woman that put the curse on them, as they look to pile up the body count, while everybody else is looking for a way to stop their evil once and for all. First thing is first, if you liked Sharknado, you will understand how to watch a film with this tone, you can’t take anything you see in this story seriously, but you aren’t meant to, we get a gimmick storyline, which does everything it needs to, to make you laugh at certain moments that are bonkers, that is designed to embrace this. We do get the idea of strangers working together, with a full range of colourful characters, as well as having plenty of bloodshed along the way, giving this story a fun grindhouse feel at times too.
Comedy/Horror – The comedy in this film comes from the over the top style of the kills and Big Ronnie’s actions, the horror comes from the bloodshed, with the clowns being over powered and will to kill with any means.
Settings – The film is set in a small town, which usually sees people pass through it, most characters know each other or have dealt with people behaving the same way, which shows us just how they will come together to look to survive the clownado.
Special Effects – The effects in the film are blood splatter heavy, they do tend to be extremely close up on the wounds which does add to the effects of shock value of the damage caused by the clowns.
Scene of the Movie – The first clownado.
That Moment That Annoyed Me – While filled with blood, the close ups of the body damage, sometimes, hide away from the reaction on the victims face.
Final Thoughts – This is a truly over the top idea, that like Sharknado works to bring one of the most popular horror figures, clowns to a new way to haunt people.
Overall: Purely Fun Horror Comedy.
Chris Sawin (602 KP) rated Daybreakers (2009) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
In the not too distant future, the majority of the population are vampires and the world has been modified to adjust to the daylight. Remaining humans are "farmed" for blood, but the supply is running thin and the human race is on the verge of extinction. Dr. Edward Dalton (Ethan Hawke) is a hematologist that works at Bromley Marks, the empire of Charles Bromley (Sam Neill), and is put in charge of finding a blood substitute, but has come up empty handed up until this point. Dalton is convinced that the vampire race has its work cut out for them with the blood supply being so low. He runs into a small group of humans one night at work and is eventually introduced to Lionel "Elvis" Cormac (Willem Dafoe), a former vampire who has something better than a blood substitute; a cure. Now Dalton finds himself risking everything on an experimental treatment that could be the key to saving mankind.
Daybreakers had all the ingredients of a film that should be loved by any horror fan. First and foremost, it's a new vampire movie that isn't Twilight. On top of that, it's R-rated so it doesn't pull any punches when it comes to blood and gore (and trust me, there's quite a bit). It also offers a bit of a new twist on what was otherwise exhausted when it comes to stories relating to vampires. With all that being said, however, it still wasn't as good as it should have been.
It was great to see Willem Dafoe and Sam Neill not only as part of the cast, but also both have decent amounts of screen time. Sam Neill was in John Carpenter's In the Mouth of Madness, which is a favorite of mine that managed to make me a fan of the Irish actor. Willem Dafoe just seems underrated and doesn't get the credit he deserves. Not that his role in this will really change anyone's minds regarding him as a great actor or anything, but that's jumping the gun a bit. The story is the film's strong point, but is still pretty flawed. Humans being farmed for blood and dying out is a great concept. The cure is rather different and unique than what you've become used to in vampire films, which lead to an interesting third act. The ending is probably where the film could potentially make someone dislike the film. Not everyone is going to like the finale, but it was a nice change of pace to not have the same recycled storyline or ending for once.
Regarding the acting though, there isn't much of it. Willem Dafoe shows a little personality and has a one-liner or two that will get a few laughs. Sam Neill also shows some signs of life and fits the role as the main villain of the film rather well. Every other character felt rather flat and showed no depth at all. While the blood used in the film was a fantastic color, some of the special effects seemed rather cheesy at times. Mainly the scene where a vampire is hanging from the ceiling fighting Ethan Hawke and his brother comes to mind. The cuts were quick, which seemed to try and cover up the fact, but it still stuck out. That may be nitpicking a bit since it was pretty top notch the rest of the time. The Underworld films (at least the first two) come to mind as they left the same kind of bitter aftertaste and seemed to suffer similar problems.
It's a shame Daybreakers didn't live up to its potential. It contains a strong cast and delivers an original take on something that's been associated with horror for nearly 200 years. The acting is what seems to hurt the film the most though since the way everyone says their lines makes it seem like they don't want to be there. It's still worth viewing, but you may want to rent before buying. In all honesty, it may be worth supporting just to get an R-rated vampire film a bit more recognition and slightly dim the spotlight currently shining on whatever teenage vampire franchise is currently taking off for whatever reason.
Daybreakers had all the ingredients of a film that should be loved by any horror fan. First and foremost, it's a new vampire movie that isn't Twilight. On top of that, it's R-rated so it doesn't pull any punches when it comes to blood and gore (and trust me, there's quite a bit). It also offers a bit of a new twist on what was otherwise exhausted when it comes to stories relating to vampires. With all that being said, however, it still wasn't as good as it should have been.
It was great to see Willem Dafoe and Sam Neill not only as part of the cast, but also both have decent amounts of screen time. Sam Neill was in John Carpenter's In the Mouth of Madness, which is a favorite of mine that managed to make me a fan of the Irish actor. Willem Dafoe just seems underrated and doesn't get the credit he deserves. Not that his role in this will really change anyone's minds regarding him as a great actor or anything, but that's jumping the gun a bit. The story is the film's strong point, but is still pretty flawed. Humans being farmed for blood and dying out is a great concept. The cure is rather different and unique than what you've become used to in vampire films, which lead to an interesting third act. The ending is probably where the film could potentially make someone dislike the film. Not everyone is going to like the finale, but it was a nice change of pace to not have the same recycled storyline or ending for once.
Regarding the acting though, there isn't much of it. Willem Dafoe shows a little personality and has a one-liner or two that will get a few laughs. Sam Neill also shows some signs of life and fits the role as the main villain of the film rather well. Every other character felt rather flat and showed no depth at all. While the blood used in the film was a fantastic color, some of the special effects seemed rather cheesy at times. Mainly the scene where a vampire is hanging from the ceiling fighting Ethan Hawke and his brother comes to mind. The cuts were quick, which seemed to try and cover up the fact, but it still stuck out. That may be nitpicking a bit since it was pretty top notch the rest of the time. The Underworld films (at least the first two) come to mind as they left the same kind of bitter aftertaste and seemed to suffer similar problems.
It's a shame Daybreakers didn't live up to its potential. It contains a strong cast and delivers an original take on something that's been associated with horror for nearly 200 years. The acting is what seems to hurt the film the most though since the way everyone says their lines makes it seem like they don't want to be there. It's still worth viewing, but you may want to rent before buying. In all honesty, it may be worth supporting just to get an R-rated vampire film a bit more recognition and slightly dim the spotlight currently shining on whatever teenage vampire franchise is currently taking off for whatever reason.
Versusyours (757 KP) rated The Karate Kid, Part III (1989) in Movies
Nov 7, 2019 (Updated Nov 7, 2019)
War on bonsai and sporting decency
Contains spoilers, click to show
I remember this film from a trip to the cinema on its release in 1989 and I recall fly kicking my way out of the cinema and into the mean Scottish streets. I am now at an age where fly kicking would be an effort in itself I decided to review it from my older and more critical eye.
It begins with a return to Part 1 to re-establish the bad blood Daniel (Ralph Macchio) and his aging sidekick Mr Miyagi (Pat Morita) have with John “I saw things in Vietnam” Kreese. This part I couldn’t let slide with me this viewing as the attempted punches by Kreese to contact Mr. Miyagi were as expected as Xmas day falling on the 25th of December each year. One failed attempt was followed by the same type of punch and the same outcome of bloody and smashed knuckles and an insurance claim for the car owners. After this we return to the present and a skulking and hobo like Kreese seeks the refuge of his ponytailed, rich and so 80s stereotyped “you know he is evil due to his involvement in toxic waste” comrade from the past Terry Silver.
Possibly due to giving him his shampoo and conditioner in Vietnam to maintain his ponytail or his heroics in battle, this remains unknown at this time.
What about Daniel and Miyagi you may ask well they are in for an unwelcome surprise when the housing complex they live in has been earmarked for redevelopment. To make matters worse unbeknown to Daniel his Uncle is ill and his mum must have been too busy with this to let Daniel know he is homeless as well as heartbroken after his holiday romance turned sour. Great use of a sentence to end a previous films love interest and subsequent relationship, one of films greatest tricks. At least he has a wad of money for college in his pocket to repair his broken heart. Spoiler alert neither the wad of money and the broken heart are the same for long.
So as it stands not much karate from Daniel but the use of Mr. Miyagi’s subtle use of Daniel as a glorified maid still exists as they branch out in the cutting world of Bonsai. Remember that college money well now its rent and utilities money after luckily realising there are no more Bonsai shops in the street and even luckier there is a pottery shop with a young lady for Daniel to obsess over and fight for her honour as he shows a propensity for in the previous films. The fact that she has a boyfriend only spurs Daniel on like the initial film in the series and makes her more desirable in his lusting eyes.
Enter the 80s Dragon it a supped up Zach Morris Karate Bad Boy, Mike Barnes who is wearing black to dictate his evil intentions. This guy could spell trouble for Daniel as he has links to Silver and thus the plot to ruin Daniels life and happiness for winning a local karate competition the year before takes seed. As someone who has played sports the format of the All Valley Karate Championship, which has been inexplicably changes to allow the defending Champion to only fight in the final where his battle wary and exhausted opponent will be easy prey for a crane kicking Daniel, makes no sense. Maybe Daniel is sick of being typecast as The Karate Kid but this area of the story annoyed me more than a grown man should as initially Daniel can’t even be bothered to sign up for this one fight but after some lying and coercion and some innocent Bonsai paying the price for The Karateless Kid.
More pressure from Barnes and his goons and more Bonsai casualties before Daniel and Mr. Miyagi are split between the tournament and after Daniel decided he will fight that 10 minutes if his life for another sweet trophy. With his training regime disguised as housework and child labour now running low, Miyagi wont train Daniel and thus pushing him into Silvers ponytailed clutches. The once meek and defensive Daniel learns that attack is more effective than Miyagi’s training and with another wooden victim (a repeating plot line in this film) being pummelled and the wax punched off it, Daniel is ready to be the badass he always threatened to be. A night out ends in a broken nose of a Silver bribed punk, Daniel questions who he has become and changes his mind about the tournament once more, only for Silver to admit his true intentions to ruin Daniel as a human being and to avenge John Kreese who is not dead as first explained but high on revenge and the smoking of broken kids karate trophies. They give the new and improved Daniel a beating until appearance of Mr. Miyagi, who may or may not be stalking Daniel, who uses his small but deadly side step and legs to defeat the 3 grown men with ease. There is nothing like a good beating to mend a relationship and together the Bonsai Brothers are back and for the umpteenth time Daniel IS going to defend his title and we all hoped that Barnes would make it through the many rounds to get to the final. Hollywood prevails and after relaxing and watching his potential opponents tiring and having their face smashed in, Daniel like and later day Elvis gets on the stage for a quick round of his greatest hits. In Karate Kid tradition Daniel is good and Cobra Kai are bad, he has honour they are sneaky, they will cheat Daniel wont. Daniel wins as usual and takes his hollow victory and Cobra Kai is no more or until the invention of YouTube at least.
Overall this film fondly remembered until I watched it again. The lack of new ideas left me disappointed and broken like the cliff Bonsai and like that tree I will heal and grow but I will be left with the scars of the better and simple life I used to live. The inclusion of Glen Medeiros on the soundtrack was almost enough to save it and keep it respectable but alas it was not to be, this film is the 80s ponytail of memories; best left cut off.
It begins with a return to Part 1 to re-establish the bad blood Daniel (Ralph Macchio) and his aging sidekick Mr Miyagi (Pat Morita) have with John “I saw things in Vietnam” Kreese. This part I couldn’t let slide with me this viewing as the attempted punches by Kreese to contact Mr. Miyagi were as expected as Xmas day falling on the 25th of December each year. One failed attempt was followed by the same type of punch and the same outcome of bloody and smashed knuckles and an insurance claim for the car owners. After this we return to the present and a skulking and hobo like Kreese seeks the refuge of his ponytailed, rich and so 80s stereotyped “you know he is evil due to his involvement in toxic waste” comrade from the past Terry Silver.
Possibly due to giving him his shampoo and conditioner in Vietnam to maintain his ponytail or his heroics in battle, this remains unknown at this time.
What about Daniel and Miyagi you may ask well they are in for an unwelcome surprise when the housing complex they live in has been earmarked for redevelopment. To make matters worse unbeknown to Daniel his Uncle is ill and his mum must have been too busy with this to let Daniel know he is homeless as well as heartbroken after his holiday romance turned sour. Great use of a sentence to end a previous films love interest and subsequent relationship, one of films greatest tricks. At least he has a wad of money for college in his pocket to repair his broken heart. Spoiler alert neither the wad of money and the broken heart are the same for long.
So as it stands not much karate from Daniel but the use of Mr. Miyagi’s subtle use of Daniel as a glorified maid still exists as they branch out in the cutting world of Bonsai. Remember that college money well now its rent and utilities money after luckily realising there are no more Bonsai shops in the street and even luckier there is a pottery shop with a young lady for Daniel to obsess over and fight for her honour as he shows a propensity for in the previous films. The fact that she has a boyfriend only spurs Daniel on like the initial film in the series and makes her more desirable in his lusting eyes.
Enter the 80s Dragon it a supped up Zach Morris Karate Bad Boy, Mike Barnes who is wearing black to dictate his evil intentions. This guy could spell trouble for Daniel as he has links to Silver and thus the plot to ruin Daniels life and happiness for winning a local karate competition the year before takes seed. As someone who has played sports the format of the All Valley Karate Championship, which has been inexplicably changes to allow the defending Champion to only fight in the final where his battle wary and exhausted opponent will be easy prey for a crane kicking Daniel, makes no sense. Maybe Daniel is sick of being typecast as The Karate Kid but this area of the story annoyed me more than a grown man should as initially Daniel can’t even be bothered to sign up for this one fight but after some lying and coercion and some innocent Bonsai paying the price for The Karateless Kid.
More pressure from Barnes and his goons and more Bonsai casualties before Daniel and Mr. Miyagi are split between the tournament and after Daniel decided he will fight that 10 minutes if his life for another sweet trophy. With his training regime disguised as housework and child labour now running low, Miyagi wont train Daniel and thus pushing him into Silvers ponytailed clutches. The once meek and defensive Daniel learns that attack is more effective than Miyagi’s training and with another wooden victim (a repeating plot line in this film) being pummelled and the wax punched off it, Daniel is ready to be the badass he always threatened to be. A night out ends in a broken nose of a Silver bribed punk, Daniel questions who he has become and changes his mind about the tournament once more, only for Silver to admit his true intentions to ruin Daniel as a human being and to avenge John Kreese who is not dead as first explained but high on revenge and the smoking of broken kids karate trophies. They give the new and improved Daniel a beating until appearance of Mr. Miyagi, who may or may not be stalking Daniel, who uses his small but deadly side step and legs to defeat the 3 grown men with ease. There is nothing like a good beating to mend a relationship and together the Bonsai Brothers are back and for the umpteenth time Daniel IS going to defend his title and we all hoped that Barnes would make it through the many rounds to get to the final. Hollywood prevails and after relaxing and watching his potential opponents tiring and having their face smashed in, Daniel like and later day Elvis gets on the stage for a quick round of his greatest hits. In Karate Kid tradition Daniel is good and Cobra Kai are bad, he has honour they are sneaky, they will cheat Daniel wont. Daniel wins as usual and takes his hollow victory and Cobra Kai is no more or until the invention of YouTube at least.
Overall this film fondly remembered until I watched it again. The lack of new ideas left me disappointed and broken like the cliff Bonsai and like that tree I will heal and grow but I will be left with the scars of the better and simple life I used to live. The inclusion of Glen Medeiros on the soundtrack was almost enough to save it and keep it respectable but alas it was not to be, this film is the 80s ponytail of memories; best left cut off.