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David McK (3233 KP) rated Pacific Rim: Uprising (2018) in Movies
Jul 12, 2020
I don't know why, but for some reason Asia (and Japan in particular) seems to have a thing for Giant Monsters (think Godzilla) and for Giant Robots (think BattleTech).
Or, as they're called in this series (and elsewhere? I don't know) Kaiju and Jaegers respectively.
This is a sequel to the best non-Godzilla Godzilla movie (in all but name), this time starring Star Wars own John Boyega as its reluctant hero, as the son of the "we're cancelling the apocalypse" hero from the first move, and who gets drawn back into the whole military training around the Jaegers 10 years after the events of that last movie.
Just in time, then, for him to be in place as the undersea breaches reopen and more of those Kaiju to come through ...
Dumb fun, but seemingly lacking something (although you can actually see what's happening in the battles this time around!) compared to the original, or to the various 'official' Godzilla/King Kong/etc movies.
Or, as they're called in this series (and elsewhere? I don't know) Kaiju and Jaegers respectively.
This is a sequel to the best non-Godzilla Godzilla movie (in all but name), this time starring Star Wars own John Boyega as its reluctant hero, as the son of the "we're cancelling the apocalypse" hero from the first move, and who gets drawn back into the whole military training around the Jaegers 10 years after the events of that last movie.
Just in time, then, for him to be in place as the undersea breaches reopen and more of those Kaiju to come through ...
Dumb fun, but seemingly lacking something (although you can actually see what's happening in the battles this time around!) compared to the original, or to the various 'official' Godzilla/King Kong/etc movies.
![40x40](/uploads/profile_image/d81/63dd3617-1a88-48b3-b112-36a8f7f1dd81.jpg?m=1593055998)
Charlie Cobra Reviews (1840 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
Jul 7, 2020
Prepare For War
John Wick: Chapter 3 - Parabellum is a 2019 neo-noir action film directed by Chad Stahelski and written by Derek Kolstad, Shay Hatten, Chris Collins, and Marc Abrams. The movie is based on a story by Derek Kolstad and produced by Thunder Road Pictures, 87Eleven Productions and distributed by Summit Entertainment. It stars Keanu Reeves, Halle Berry, Laurence Fishburne, Ian McShane and Marc Dacascos.
After an unsanctioned killing at the New York City Continental, John Wick is now a marked man on the run. He is declared "excommunicado" and a $14 million dollar bounty placed on his head. Meanwhile, an adjudicator with the "High Table" meets with both Winston (Ian McShane), manager of the Continental, and the King of the Bowery (Laurence Fishburne), leader of a group of vagrant assassins. The adjudicator gives an ultimatum to both, give up their offices in seven days or face the consequences for aiding John Wick.
This movie does not disappoint. I cannot stress that enough. It's an adrenaline ride from beginning to end. The action scenes are just masterfully choreographed and the special effects make each kill more brutal than the last. It feels like they raised the bar with the violence and gore in this one. The introduction of Halle Berry's character and her dogs were a welcome addition and made this film unique when compared to the previous two. Also the adjudicator was a really good character and i liked the way she played into the plot throughout the whole movie. Marc Dacascos was probably my favorite character in this movie. I liked his character's personality a lot and how his faction had a big part in the film. He was actually pretty funny in certain scenes and i liked it, but I can see how some people would be critical of the lightheartedness in such a grim movie. If it wasn't for some villains giving John a chance when they shouldn't, and the fact that the 3rd act couldn't hold up with the first two, I couldn't find a lot to complain about in this film. It was freaking awesome. I give it a 8/10 and I give it my "must see seal of approval".
After an unsanctioned killing at the New York City Continental, John Wick is now a marked man on the run. He is declared "excommunicado" and a $14 million dollar bounty placed on his head. Meanwhile, an adjudicator with the "High Table" meets with both Winston (Ian McShane), manager of the Continental, and the King of the Bowery (Laurence Fishburne), leader of a group of vagrant assassins. The adjudicator gives an ultimatum to both, give up their offices in seven days or face the consequences for aiding John Wick.
This movie does not disappoint. I cannot stress that enough. It's an adrenaline ride from beginning to end. The action scenes are just masterfully choreographed and the special effects make each kill more brutal than the last. It feels like they raised the bar with the violence and gore in this one. The introduction of Halle Berry's character and her dogs were a welcome addition and made this film unique when compared to the previous two. Also the adjudicator was a really good character and i liked the way she played into the plot throughout the whole movie. Marc Dacascos was probably my favorite character in this movie. I liked his character's personality a lot and how his faction had a big part in the film. He was actually pretty funny in certain scenes and i liked it, but I can see how some people would be critical of the lightheartedness in such a grim movie. If it wasn't for some villains giving John a chance when they shouldn't, and the fact that the 3rd act couldn't hold up with the first two, I couldn't find a lot to complain about in this film. It was freaking awesome. I give it a 8/10 and I give it my "must see seal of approval".
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PhoebeLV (147 KP) rated 1408 (2007) in Movies
Jul 28, 2020
Great Acting (2 more)
Great Characters
Enjoyable Storyline
One of the best supernatural movies
Contains spoilers, click to show
1408 follows the story of Mike Enslin (John Cusack), a man who writes ‘true-horror’ books for a living; he stays in ‘haunted’ hotels and locations for his inspiration. One day, he receives a postcard of the Dolphin Hotel telling him not to stay in room 1408. Despite the warnings of the hotel manager (Samuel L. Jackson), he proceeds to stay in there anyway.
Before watching this, I considered it being The Shining all over again. However, it was not. Apart from the hotel and the book writing, it was quite different.
Enslin starts by seeing a few ghosts and then strange things start happening.
In the middle, it starts messing with your head and you think ‘was this before the hotel? is this real? is he imagining everything?’. I know I did.
I couldn’t really find any bad things with this and I would 100% recommend this to any horror fan and Stephen King book lover.
Before watching this, I considered it being The Shining all over again. However, it was not. Apart from the hotel and the book writing, it was quite different.
Enslin starts by seeing a few ghosts and then strange things start happening.
In the middle, it starts messing with your head and you think ‘was this before the hotel? is this real? is he imagining everything?’. I know I did.
I couldn’t really find any bad things with this and I would 100% recommend this to any horror fan and Stephen King book lover.
![40x40](/uploads/profile_image/b26/4fceea14-87e1-4455-b98c-cda626154b26.jpg?m=1549634223)
Gareth von Kallenbach (971 KP) rated Dolittle (2020) in Movies
Jan 18, 2020
The new Universal Studios movie Dr. Dolittle stars Robert Downey Jr as Dr. Dolittle, Antonio Banderas as King Rassouli, Michael Sheen as Dr. Mudfly, Emma Thompson as Poly, Jessie Buckley as Queen Victoria, and a host of other well-known stars as the voices of the animals, including John Cena, Ralph Fiennes and Selna Gomez. Dolittle is directed by Stephen Gaghan
Dr. Dolittle is a charming movie.
The audience is taken on a wonderful adventure across oceans and far away kingdoms in search of a magical cure for young Queen Victoria.
Robert Downey Jr. does a phenomenal job in portraying Dr. Dolittle. He plays the role with emotion and charm. His life has been sad since the passing of his wife, and he secludes himself with the only beings he wants to have contact with, his animal menagerie. He is interrupted in his solitude by a request from the palace to find a cure for young Queen Victoria who has been poisoned.
Dr. Dolittle and his animal menagerie set off on an epic adventure to hunt down the one thing that might save the Queen, the sap from a tree that Dolittles late wife has been researching. On the way, they must get around the nefarious Dr. Blair Mudfly, and Rassouli the king of pirates.
Younger viewers are sure to be kept engaged, as the movie is fast paced and they will not have the chance to be bored. The audience are sure to be pleased with the vitality and humor that each role brings to the film.
The movie is perfect for families to view together and everyone will enjoy it.
Dr. Dolittle is a charming movie.
The audience is taken on a wonderful adventure across oceans and far away kingdoms in search of a magical cure for young Queen Victoria.
Robert Downey Jr. does a phenomenal job in portraying Dr. Dolittle. He plays the role with emotion and charm. His life has been sad since the passing of his wife, and he secludes himself with the only beings he wants to have contact with, his animal menagerie. He is interrupted in his solitude by a request from the palace to find a cure for young Queen Victoria who has been poisoned.
Dr. Dolittle and his animal menagerie set off on an epic adventure to hunt down the one thing that might save the Queen, the sap from a tree that Dolittles late wife has been researching. On the way, they must get around the nefarious Dr. Blair Mudfly, and Rassouli the king of pirates.
Younger viewers are sure to be kept engaged, as the movie is fast paced and they will not have the chance to be bored. The audience are sure to be pleased with the vitality and humor that each role brings to the film.
The movie is perfect for families to view together and everyone will enjoy it.
![40x40](/uploads/profile_image/f80/0c508943-ebfc-4775-a73e-06f1ee713f80.jpg?m=1550656137)
Dutch (59 KP) rated The Burning Soul in Books
Feb 22, 2019
What's the worst thing you have ever done?
The worse thing Randall Haight has ever done was killing a 14-year-old girl when he was only a child himself. Now someone seems to have discovered his secret and is tormenting him anonymously, and, to further complicate things a 14-year-old girl has gone missing in the same town that Randall lives in.
Charlie Parker takes on the case against his better judgement as it brings back painful memories of the death of his own daughter and he also finds himself up against a mobster by the name of Tommy Morris, the FBI and a police chief who may have secrets of his own.
As a rule I generally navigate towards horror but in the Charlie Parker series John Connolly has crafted a multi-layered world that mixes in supernatural elements and a superb supporting cast (Louis, Angel, the Collector) as well as great writing, a flawed (but likeable) main character and most importantly stories that draw me in totally. In fact I would put John Connolly up there with Stephen King as one of my favourite authors and I absolutely cannot get enough of the Charlie Parker series. If you have a love for the crime or horror genres there is no excuse for not diving into this series.
The next book in the series is The Wrath of Angels and it marks the return of the Collecter and promises to bring back the more supernatural/horror elements of the series and that is certainly not a bad thing.
Charlie Parker takes on the case against his better judgement as it brings back painful memories of the death of his own daughter and he also finds himself up against a mobster by the name of Tommy Morris, the FBI and a police chief who may have secrets of his own.
As a rule I generally navigate towards horror but in the Charlie Parker series John Connolly has crafted a multi-layered world that mixes in supernatural elements and a superb supporting cast (Louis, Angel, the Collector) as well as great writing, a flawed (but likeable) main character and most importantly stories that draw me in totally. In fact I would put John Connolly up there with Stephen King as one of my favourite authors and I absolutely cannot get enough of the Charlie Parker series. If you have a love for the crime or horror genres there is no excuse for not diving into this series.
The next book in the series is The Wrath of Angels and it marks the return of the Collecter and promises to bring back the more supernatural/horror elements of the series and that is certainly not a bad thing.
![40x40](/uploads/profile_image/85f/38c79958-e98e-4e91-8d04-b9b67783785f.jpg?m=1522360014)
BankofMarquis (1832 KP) rated The Lion King (2019) in Movies
Jul 21, 2019
Middle of the Road
I have to give the Walt Disney Company credit, with their Live Action remakes of their classic animated movies, they have developed a very lucrative profit stream with properties that they already own - and are well known to audiences. Some are successful (THE JUNGLE BOOK, ALADDIN), some are not quite so successful (DUMBO, ALICE IN WONDERLAND).
And...somewhere in the middle...is the LION KING.
Directed by Jon Favreau (THE JUNGLE BOOK, IRON MAN), this Lion King is a fairly faithful reproduction of the animated movie - and that is a blessing and a curse - and it, ultimately, keeps this remake squarely in the middle in terms of quality, interest and achievement.
What works: the CGI animation of the animals and scenery. Favreau shot CGI-fest films like THE JUNGLE BOOK and IRON MAN, so he knows how to do these things and they work here in a very workmanlike way. The are all professionally done - there's not a bad shot in the film. But the "wow" moments are few and far between in this film as well
The story is a timeless classic (kind of an "animal adventure Hamlet") and that works as do OME of the voice cast (more on that later)...and...of course...the songs - especially the faithful recreation of the CIRCLE OF LIFE opening - one of the best opening musical numbers in movie history.
What doesn't work: The first 1/2 of the film's pacing. It drags pretty badly early on and the songs in that part of the film (like I CAN'T WAIT TO BE KING) just don't have the energy and pizzazz that is needed. And SOME of the voice work is just plain bland and boring and (in one case) I found irritating.
So...let's talk about the voice cast. James Earl Jones (reprising Mufasa) is terrific (of course) as is John Oliver's Zazu (a much bigger presence in this film than the animated film), Chiwetel Ejiofor's Scar is appropriately menacing, if a bit bland, but "good enough" as is Beyonce's grown up Nala. I would have liked to see/feel a bit more of her "presence" in this character's voice, but that might be a Director choice and not an actress choice. John Kani's Rafiki is quite good as is the always steady/credible Alfre Woodward as Sarabi.
What doesn't work is the two voice actors cast to play Simba. Donald Glover (TV's ATLANTA) is just too bland and boring as the adult Simba. He doesn't really bring anything interesting to his voice work of this character (but does hold his own in the musical duet "Can You Feel The Love Tonight" opposite the great Beyonce).
I usually don't comment on child performances that I don't like (they are kids after all), so I won't really comment much on JD McCrary's voice performance as the young Simba except to say I didn't really how much MORE the young Simba is in this film as opposed to the older Simba - or at least it felt to me that the weakest voice performance in this film was on screen for far longer than I remembered from the animated film.
As for the best voice performances in this film - that is easy - Billy Eichner and Seth Rogan's performance as Simba's pals Timon and Pumbaa. They had big shoes to fill in comparison to the voice work in the animated film from Nathan Lane and Ernie Sabella, so they did the smart thing - they didn't even try. Much like Will Smith not trying to imitate Robin Williams in the live action ALADDIN earlier this year (another voice performance that worked well) Eichner and Rogan make these characters their own and succeeded well - these two characters/performances are the high point in the film and bring much needed life and energy to a movie that was sagging under it's own weight by the time they show up.
This Lion King will be THE Lion King for this generation - and that is "fine" - if the youngsters in my life want to watch this, I won't complain. But... I will try to steer them towards the much better animated version of this film from the 1990's.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
And...somewhere in the middle...is the LION KING.
Directed by Jon Favreau (THE JUNGLE BOOK, IRON MAN), this Lion King is a fairly faithful reproduction of the animated movie - and that is a blessing and a curse - and it, ultimately, keeps this remake squarely in the middle in terms of quality, interest and achievement.
What works: the CGI animation of the animals and scenery. Favreau shot CGI-fest films like THE JUNGLE BOOK and IRON MAN, so he knows how to do these things and they work here in a very workmanlike way. The are all professionally done - there's not a bad shot in the film. But the "wow" moments are few and far between in this film as well
The story is a timeless classic (kind of an "animal adventure Hamlet") and that works as do OME of the voice cast (more on that later)...and...of course...the songs - especially the faithful recreation of the CIRCLE OF LIFE opening - one of the best opening musical numbers in movie history.
What doesn't work: The first 1/2 of the film's pacing. It drags pretty badly early on and the songs in that part of the film (like I CAN'T WAIT TO BE KING) just don't have the energy and pizzazz that is needed. And SOME of the voice work is just plain bland and boring and (in one case) I found irritating.
So...let's talk about the voice cast. James Earl Jones (reprising Mufasa) is terrific (of course) as is John Oliver's Zazu (a much bigger presence in this film than the animated film), Chiwetel Ejiofor's Scar is appropriately menacing, if a bit bland, but "good enough" as is Beyonce's grown up Nala. I would have liked to see/feel a bit more of her "presence" in this character's voice, but that might be a Director choice and not an actress choice. John Kani's Rafiki is quite good as is the always steady/credible Alfre Woodward as Sarabi.
What doesn't work is the two voice actors cast to play Simba. Donald Glover (TV's ATLANTA) is just too bland and boring as the adult Simba. He doesn't really bring anything interesting to his voice work of this character (but does hold his own in the musical duet "Can You Feel The Love Tonight" opposite the great Beyonce).
I usually don't comment on child performances that I don't like (they are kids after all), so I won't really comment much on JD McCrary's voice performance as the young Simba except to say I didn't really how much MORE the young Simba is in this film as opposed to the older Simba - or at least it felt to me that the weakest voice performance in this film was on screen for far longer than I remembered from the animated film.
As for the best voice performances in this film - that is easy - Billy Eichner and Seth Rogan's performance as Simba's pals Timon and Pumbaa. They had big shoes to fill in comparison to the voice work in the animated film from Nathan Lane and Ernie Sabella, so they did the smart thing - they didn't even try. Much like Will Smith not trying to imitate Robin Williams in the live action ALADDIN earlier this year (another voice performance that worked well) Eichner and Rogan make these characters their own and succeeded well - these two characters/performances are the high point in the film and bring much needed life and energy to a movie that was sagging under it's own weight by the time they show up.
This Lion King will be THE Lion King for this generation - and that is "fine" - if the youngsters in my life want to watch this, I won't complain. But... I will try to steer them towards the much better animated version of this film from the 1990's.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
![40x40](/uploads/profile_image/0e3/630e4ff5-bfdf-4760-9e37-29f3ad9090e3.jpg?m=1522362006)
ClareR (5589 KP) rated Killing Beauties in Books
Feb 5, 2020
Killing Beauties is about the female spies (She-Intelligencers - isn’t it funny how they could make even that sound like an insult 🤔) who worked for the exiled Charles Stuart during Cromwells reign. Charles Stuart himself sends two female spies back to England to turn Cromwell’s Secretary of State, John Thurloe, into their accomplice using their feminine wiles and training. This is actually based on the true story of two female spies - not something that any of us are usually taught in history lessons at school (perhaps due to their methods!). This is a story with heaps of subterfuge and betrayal, and women who are determined to do the best job they can for their King and their secret society. It was quite amusing in places, which was a little light relief in an otherwise tense story. There’s loads of great historical detail too - think sights, smells and sounds.
It’s a really fun book - fast-paced and with a feeling of danger. I loved it!
Many thanks to The Pigeonhole for serialising the book, and for Pete Langdon for commenting along with us readers!
It’s a really fun book - fast-paced and with a feeling of danger. I loved it!
Many thanks to The Pigeonhole for serialising the book, and for Pete Langdon for commenting along with us readers!
![40x40](/uploads/profile_image/c74/d8277c53-81ff-4d2c-8007-2bac329f4c74.jpg?m=1553205006)
David McK (3233 KP) rated The World Is Not Enough (1999) in Movies
Aug 21, 2022 (Updated Aug 19, 2023)
Brosnan's best Bond movie?
For me, the Pierce Brosnan era was the last time we had a 'proper' Bond movie - the Daniel Craig movies, for my tastes, are just too dour (even if they are probably closer to Flemings original creation)
Of the four Bond movies that Brosnan starred in - Goldeneye, Tomorrow Never Dies, The World is Not Enough and Die Another Day - this is, generally, my pick for the best (although I keep see-sawing between this one and Goldeneye).
I'll freely admit that the fact that we're supposed to believe Denise Richards is a nuclear physicist is ludicrous (to say the least), but Sophie Marceau's Elektra King more than makes up for it, as does the presence of Robert Carlyle, and even Judi Dench's 'M' who seems somewhat softer, more matriarchal - but still with a backbone of steel - than her later appearances in the Daniel Craig era.
This is the one that also sees Desmond Llewelyn's Q finally bow out of the picture, handing over to John Cleese's 'R' and - for my money - is also the last time Bond was allowed to be, well, fun!
Of the four Bond movies that Brosnan starred in - Goldeneye, Tomorrow Never Dies, The World is Not Enough and Die Another Day - this is, generally, my pick for the best (although I keep see-sawing between this one and Goldeneye).
I'll freely admit that the fact that we're supposed to believe Denise Richards is a nuclear physicist is ludicrous (to say the least), but Sophie Marceau's Elektra King more than makes up for it, as does the presence of Robert Carlyle, and even Judi Dench's 'M' who seems somewhat softer, more matriarchal - but still with a backbone of steel - than her later appearances in the Daniel Craig era.
This is the one that also sees Desmond Llewelyn's Q finally bow out of the picture, handing over to John Cleese's 'R' and - for my money - is also the last time Bond was allowed to be, well, fun!
![40x40](/uploads/profile_image/b26/4fceea14-87e1-4455-b98c-cda626154b26.jpg?m=1549634223)
Gareth von Kallenbach (971 KP) rated The Accountant (2016) in Movies
Jun 19, 2019
In the world of high finance keeping an eye on the numbers is essential. But when large incomes are derived from illegal activities speed, accuracy, and discretion are vital and that is why Christian Wolff (Ben Affleck), is in such high demand.
In the new film “The Accountant” we are introduced to Christian as he prepares taxes for a rural couple. The quiet, and social awkward man is a whizz with numbers but thanks to a form of Autism, Christian is socially awkward and has an extreme series of regiments he uses to cope with the modern world.
Much of his life is told through flashbacks but we learn that his military father insisted that he and his brother learn to defend themselves after their mother left them.
FBI agent Ray King (J.K. Simmons) is facing retirement and has past history with The Accountant as he is known, and wants to resolve the situation before he retires. As such he recruits and coerces a young agent to help him track down The Accountant with little more to go on other than reputation and some vague photos.
At the same time Christian is introduced to a company via his service who suspects that money is being stolen from them. The C.E.O. Lamar Black (John Lithgow), is eager to get to the bottom of an irregularity found by bookkeeper Dana Cummings (Anna Kendrick).
Christian tears through 15 years of books in one night and locates an intricate scheme to steal millions yet make the company look like it has kept gaining money and this sets into action a chain of events with dire consequences.
At the same time, a mysterious man (John Bernthal), is eliminating those in the way and has set his sights on both Christian and Dana.
Christian however is far from a weak pacifist as thanks to his work and his father’s training, he is brutally efficient and deadly with his hands, feet, and all manner of weapons.
With danger all around them, Christian and Dana must survive and get to the bottom of the mystery while avoiding Agent King and the authorities.
What follows is an action filled thriller that was an exciting adventure filled with twists, turns, and solid performances.
The film does offer a big twist which I saw coming 40 minutes out, but despite this the solid cast and great work by Affleck, Simmons, and company make this a pleasant surprise and one you will not want to miss.
http://sknr.net/2016/10/14/the-accountant/
In the new film “The Accountant” we are introduced to Christian as he prepares taxes for a rural couple. The quiet, and social awkward man is a whizz with numbers but thanks to a form of Autism, Christian is socially awkward and has an extreme series of regiments he uses to cope with the modern world.
Much of his life is told through flashbacks but we learn that his military father insisted that he and his brother learn to defend themselves after their mother left them.
FBI agent Ray King (J.K. Simmons) is facing retirement and has past history with The Accountant as he is known, and wants to resolve the situation before he retires. As such he recruits and coerces a young agent to help him track down The Accountant with little more to go on other than reputation and some vague photos.
At the same time Christian is introduced to a company via his service who suspects that money is being stolen from them. The C.E.O. Lamar Black (John Lithgow), is eager to get to the bottom of an irregularity found by bookkeeper Dana Cummings (Anna Kendrick).
Christian tears through 15 years of books in one night and locates an intricate scheme to steal millions yet make the company look like it has kept gaining money and this sets into action a chain of events with dire consequences.
At the same time, a mysterious man (John Bernthal), is eliminating those in the way and has set his sights on both Christian and Dana.
Christian however is far from a weak pacifist as thanks to his work and his father’s training, he is brutally efficient and deadly with his hands, feet, and all manner of weapons.
With danger all around them, Christian and Dana must survive and get to the bottom of the mystery while avoiding Agent King and the authorities.
What follows is an action filled thriller that was an exciting adventure filled with twists, turns, and solid performances.
The film does offer a big twist which I saw coming 40 minutes out, but despite this the solid cast and great work by Affleck, Simmons, and company make this a pleasant surprise and one you will not want to miss.
http://sknr.net/2016/10/14/the-accountant/