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Gareth von Kallenbach (971 KP) rated Super (2011) in Movies
Aug 7, 2019
When I first heard about Super, written and directed by James Gunn, my first thought was “Dwight (from The Office) will be a superhero?” However what I saw on the screen was anything but Dwight, it was 75% awesome and 25% “I can’t believe they did that!”
The film begins with Frank (excellently played by Rainn Wilson) happily married to Sarah (Liv Tyler) who is a recovering drug addict. The happiness is shattered when Sarah begins using again, thanks to Jacques the drug dealer (Kevin Bacon) and then one day she disappears. Frank searches for Sarah and eventually finds her under the control of Jacques. Unable to get her away from Jacques, Frank goes to the police for help. Unfortunately because Sarah left on her own accord, no law has been broken (except for the drug stuff) so they are unable to help him.
Frank tries to move on, but without Sarah life seems meaningless. Then in his darkest hour he has a vision of The Holy Avenger (Nathan Fillion). Heeding the vision, Frank becomes The Crimson Bolt, pledges to fight crime and to save Sarah. There is just one small problem – Frank has no idea how to be a superhero. Research is needed, so off to the comic book store he goes, of course, and there he meets Libby (Ellen Page). Libby advises him which comics to read that have superheroes who do not have powers. Armed with this knowledge, The Crimson Bolt officially begins fighting crime in the most unusual of ways and not too long after, Libby becomes Boltie, his trusted, sexy sidekick.
This very entertaining, action-filled, dark comedy has more twists and turns than a game of Chutes and Ladders, and it will keep you glued to the screen until the end. Will they save the city from villainy? Will they save Sarah’s bacon? (Sorry, with Kevin Bacon playing the bad guy I couldn’t resist.)
Super has a different take on the superhero genre than what I’ve seen in past movies. Only Rainn Wilson could have properly portrayed the uniqueness that is Frank/Crimson Bolt and the same goes for Ellen Page in regards to Libby/Boltie (possibly the best sidekick ever). To make a long review short, let me sum up this way, everyone in the movie no matter the length of their part did an amazing job in their role. With that said, my only wish was that the story would have allowed for more screen time for Gregg Henry (Detective John Felkner) and a musical number for Fillion’s Holy Avenger. if you liked Fillion as Captain Hammer in Dr. Horrible’s Singalong Blog, then you’ll love him in this role. But those things would have most likely thrown off the perfect balance of action, humor and character interaction that made this movie so enjoyable.
The film begins with Frank (excellently played by Rainn Wilson) happily married to Sarah (Liv Tyler) who is a recovering drug addict. The happiness is shattered when Sarah begins using again, thanks to Jacques the drug dealer (Kevin Bacon) and then one day she disappears. Frank searches for Sarah and eventually finds her under the control of Jacques. Unable to get her away from Jacques, Frank goes to the police for help. Unfortunately because Sarah left on her own accord, no law has been broken (except for the drug stuff) so they are unable to help him.
Frank tries to move on, but without Sarah life seems meaningless. Then in his darkest hour he has a vision of The Holy Avenger (Nathan Fillion). Heeding the vision, Frank becomes The Crimson Bolt, pledges to fight crime and to save Sarah. There is just one small problem – Frank has no idea how to be a superhero. Research is needed, so off to the comic book store he goes, of course, and there he meets Libby (Ellen Page). Libby advises him which comics to read that have superheroes who do not have powers. Armed with this knowledge, The Crimson Bolt officially begins fighting crime in the most unusual of ways and not too long after, Libby becomes Boltie, his trusted, sexy sidekick.
This very entertaining, action-filled, dark comedy has more twists and turns than a game of Chutes and Ladders, and it will keep you glued to the screen until the end. Will they save the city from villainy? Will they save Sarah’s bacon? (Sorry, with Kevin Bacon playing the bad guy I couldn’t resist.)
Super has a different take on the superhero genre than what I’ve seen in past movies. Only Rainn Wilson could have properly portrayed the uniqueness that is Frank/Crimson Bolt and the same goes for Ellen Page in regards to Libby/Boltie (possibly the best sidekick ever). To make a long review short, let me sum up this way, everyone in the movie no matter the length of their part did an amazing job in their role. With that said, my only wish was that the story would have allowed for more screen time for Gregg Henry (Detective John Felkner) and a musical number for Fillion’s Holy Avenger. if you liked Fillion as Captain Hammer in Dr. Horrible’s Singalong Blog, then you’ll love him in this role. But those things would have most likely thrown off the perfect balance of action, humor and character interaction that made this movie so enjoyable.
Jeremy Hutchinson's Case Histories: From Lady Chatterley's Lover to Howard Marks
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Read an extract here THE SUNDAY TIMES BESTSELLER 'Thomas Grant has brought together...
Gareth von Kallenbach (971 KP) rated Attack the Block (2011) in Movies
Aug 7, 2019
Remember, remember the fifth of November…because that’s when the film Attack the Block (from the producers of “Shaun of the Dead”) begins – on Guy Fawkes Night. If you want to know what that is, use a search engine like I did (there’s even a catchy poem for this British holiday, too).
Anyway, back to the film. It’s Guy Fawkes Night in London, with fireworks exploding throughout the city, a small gang of teens are looking to have a little fun. The gang has 5 people; the leader Moses (John Boyega), Jerome (Leeon Jones), Dennis (Franz Drameh), Biggz (Simon Howard) and Pest (Alex Esmail). During this “fun time” they mug Sam (Jodie Whitaker) a nurse returning home from work. During the course of the mugging an object falls from the sky striking a nearby car. While the gang is distracted, Sam runs off and calls the police. As Moses investigates what hit the car and what he can steal, something scratches his arm and escapes into the night. Moses is so furious, he and the rest of the gang give chase, eventually cornering and killing the creature.
They aren’t sure what the creature is but they know they can probably make money off of it, so they take it to Ron (Nick Frost), the friendly neighborhood drug dealer who lives in their apartment complex, for safe keeping. As the gang enjoys a “relaxing” smoke (don’t worry anti-tobacco people, they aren’t smoking cigarettes), Moses is approached by Hi-Hatz (Jumayn Hunter) the local drug kingpin that Ron works for. Hi-Hatz likes the tough, street-smart Moses and wants him to be one of his dealers, a job Moses considers an honor to be offered.
As Moses’ gang gaze out the apartment’s window at the fireworks exploding over South London they see more aliens landing. They soon discover that these aliens are bigger, stronger, tougher and way more violent than the first one they encountered and, even worse than that, these aliens are coming after them. The gang decides that they have to fight back and protect their block. During one encounter with the aliens, Pest becomes seriously injured and they end up tracking down Sam (the nurse they mugged at the beginning of the movie) for help. Once Sam is convinced that they are telling the truth about the invasion she joins them and eventually a sort of mutual respect forms between her and the members of the gang. Unfortunately while they are fighting off the invasion, Moses’s gang has a falling out with Hi-Hatz. So just to be clear, at a point in the film, Moses and his gang have the police, Hi-Hatz with his crew and aliens chasing after them. Will Moses and his merry men be victorious or will they fall prey to ‘those clamorous harbingers of blood and death’? Sorry, felt the need to quote Shakespeare.
The movie is highly enjoyable with its unique twist on the sci-fi genre blended with a healthy dose of humor, believable action and great anti-heroes. While the movie is a low budget film, the cast put on a big budget performance. The special effects were well done and not over the top like so many other sci-fi action movies I’ve seen. While the movie is a bit on the campy side (which I do enjoy) I do want to point out that with the exception of the alien-thing the film keeps things quite realistic. One negative thing about the film is that because of the British accent and slang I did not understand some of the dialogue (I’m sure the British say the same thing about our movies).
I will be honest, Nick Frost was the driving force behind me wanting to see this movie and I thoroughly enjoyed his scenes but he only has a few scenes. Jodie Whitaker did a very nice job of taking the audience on a journey of a character who, at the beginning is both mad at and afraid of those who had mugged her, but as the movie progresses those feelings are slowly replaced with mutual respect, understanding and friendship. Jumayn Hunter portrayed such a unique drug kingpin I was actually rooting for him (don’t worry law enforcement officials, I will still “Say ‘No’ to Drugs”). The rest of the supporting cast all did wonderful jobs as well but I want to talk about the actors that made up Moses’s Gang.
You wouldn’t know it by watching the movie but this is the first film for John Boyega, Leeon Jones, Simon Howard and Alex Esmail; the second movie for Franz Drameh. Even before knowing that, I already thought these five actors did an incredible job in the film but after finding that out I was really blown away. Their five characters are the core of the movie that takes us on this great adventure. However I do want to single out the lead John Boyega, as his character goes through a sort of rite of passage in the film. He does an amazing job with the range of emotion that is needed all the while keeping the character as real as a sci-fi film will allow. I will definitely keep an eye out for future films with these actors.
Anyway, back to the film. It’s Guy Fawkes Night in London, with fireworks exploding throughout the city, a small gang of teens are looking to have a little fun. The gang has 5 people; the leader Moses (John Boyega), Jerome (Leeon Jones), Dennis (Franz Drameh), Biggz (Simon Howard) and Pest (Alex Esmail). During this “fun time” they mug Sam (Jodie Whitaker) a nurse returning home from work. During the course of the mugging an object falls from the sky striking a nearby car. While the gang is distracted, Sam runs off and calls the police. As Moses investigates what hit the car and what he can steal, something scratches his arm and escapes into the night. Moses is so furious, he and the rest of the gang give chase, eventually cornering and killing the creature.
They aren’t sure what the creature is but they know they can probably make money off of it, so they take it to Ron (Nick Frost), the friendly neighborhood drug dealer who lives in their apartment complex, for safe keeping. As the gang enjoys a “relaxing” smoke (don’t worry anti-tobacco people, they aren’t smoking cigarettes), Moses is approached by Hi-Hatz (Jumayn Hunter) the local drug kingpin that Ron works for. Hi-Hatz likes the tough, street-smart Moses and wants him to be one of his dealers, a job Moses considers an honor to be offered.
As Moses’ gang gaze out the apartment’s window at the fireworks exploding over South London they see more aliens landing. They soon discover that these aliens are bigger, stronger, tougher and way more violent than the first one they encountered and, even worse than that, these aliens are coming after them. The gang decides that they have to fight back and protect their block. During one encounter with the aliens, Pest becomes seriously injured and they end up tracking down Sam (the nurse they mugged at the beginning of the movie) for help. Once Sam is convinced that they are telling the truth about the invasion she joins them and eventually a sort of mutual respect forms between her and the members of the gang. Unfortunately while they are fighting off the invasion, Moses’s gang has a falling out with Hi-Hatz. So just to be clear, at a point in the film, Moses and his gang have the police, Hi-Hatz with his crew and aliens chasing after them. Will Moses and his merry men be victorious or will they fall prey to ‘those clamorous harbingers of blood and death’? Sorry, felt the need to quote Shakespeare.
The movie is highly enjoyable with its unique twist on the sci-fi genre blended with a healthy dose of humor, believable action and great anti-heroes. While the movie is a low budget film, the cast put on a big budget performance. The special effects were well done and not over the top like so many other sci-fi action movies I’ve seen. While the movie is a bit on the campy side (which I do enjoy) I do want to point out that with the exception of the alien-thing the film keeps things quite realistic. One negative thing about the film is that because of the British accent and slang I did not understand some of the dialogue (I’m sure the British say the same thing about our movies).
I will be honest, Nick Frost was the driving force behind me wanting to see this movie and I thoroughly enjoyed his scenes but he only has a few scenes. Jodie Whitaker did a very nice job of taking the audience on a journey of a character who, at the beginning is both mad at and afraid of those who had mugged her, but as the movie progresses those feelings are slowly replaced with mutual respect, understanding and friendship. Jumayn Hunter portrayed such a unique drug kingpin I was actually rooting for him (don’t worry law enforcement officials, I will still “Say ‘No’ to Drugs”). The rest of the supporting cast all did wonderful jobs as well but I want to talk about the actors that made up Moses’s Gang.
You wouldn’t know it by watching the movie but this is the first film for John Boyega, Leeon Jones, Simon Howard and Alex Esmail; the second movie for Franz Drameh. Even before knowing that, I already thought these five actors did an incredible job in the film but after finding that out I was really blown away. Their five characters are the core of the movie that takes us on this great adventure. However I do want to single out the lead John Boyega, as his character goes through a sort of rite of passage in the film. He does an amazing job with the range of emotion that is needed all the while keeping the character as real as a sci-fi film will allow. I will definitely keep an eye out for future films with these actors.
Sarah (7798 KP) rated The Rhythm Section (2019) in Movies
Nov 29, 2020
An average thriller
The Rhythm Section is a 2020 action thriller based on a book of the same name written by Mark Burnell. Directed by Reed Moreno, it stars Blake Lively as Stephanie Patrick, a young woman bent on revenge against the terrorists who orchestrated a plane crash that killed her entire family.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
From the very beginning, you can see the influences and similarities in this to other films and stories.
This has obviously taken inspiration from the likes of John Le Carre and is a rather dark and gritty take on the action thriller genre, with a decent amount of physical (and well choreographed) violence. However in all honesty, the originality here is severely lacking. I’ve seen countless revenge films and this is no different. There is little in this to make it stand out above all those that have come before it and it isn’t helped by a limited number of action scenes either to help ramp up the interest.
It doesn’t start off very well, as we find out about Stephanie’s life and how the death of her family turned her into a drug addict and a prostitute. It’s so clichéd that even Jude Law’s character Boyd mocks her for this later in the film, which whilst fun, doesn’t change the fact that they actually used this idea in the plot. There’s also the sketchy almost nonexistent reason for journalist Proctor (Raza Jeffrey) to reach out to Stephanie to tell her that the plane crash was caused by terrorists rather than an accident. It just doesn’t make any sense as to why he’d get Stephanie involved and the film doesn’t even try to explain this rationally. Same goes when Boyd takes in Stephanie and starts to train her as an assassin. Whilst a reason is eventually revealed, it isn’t entirely plausible and again doesn’t make any sense as to why he does this with a woman who has no background or knowledge in espionage or assassination.
Aside from the sketchy plot, there are some plus points. Blake Lively performs well (despite the often hideous wigs), and you can see that she’s really giving it her all and could really make it as an action star. The scenes featuring her and Jude Law are also entertaining to watch and give the film a more relaxed feeling, especially the earlier training scenes. One of the most likeable things about this thought for me was the score. It’s tense and dramatic and full of excitement, with pieces featuring strings, piano and percussion to the point where you begin to wonder if the title ‘The Rhythm Section’ isn’t more appropriate for the music rather than the explanation given during the film.
Sadly The Rhythm Section is a fairly average thriller that whilst boosted slightly by a good performance and score, is unfortunately not particularly memorable, especially with such a lacklustre ending.
Gareth von Kallenbach (971 KP) rated Identity Thief (2013) in Movies
Aug 7, 2019
Life for Sandy Patterson (Jason Bateman), is a comfortable middle class existence. He is a father of two daughters and is expecting a third child soon with his loving wife Trish (Amanda Peet). While they have financial concerns with the pending arrival of their new baby, Sandy is hoping for a bonus and promotion at his job working for a financial service company. Things take a turn for the worse for Sandy when not only does he get neither a bonus nor promotion, but he learns that his supervisors are authorizing themselves large bonus checks which he is in charge of issuing.
Sandy and his friend Daniel (John Cho), decide that enough is enough and decide to start their own company with Sandy as V.P. Although a risky move, this could be the answer to his financial needs and Sandy jumps aboard without a second thought. Enter Diana (Melissa McCarthy), a professional identity thief who packs her Florida home with all manner of items obtained via her knack for creating credit cards belonging to other people.
Sandy thanks to his unisex name, has become the latest target for Diana and in no time, finds that his credit cards are maxed out, and worst yet, he is wanted by the police. This does not sit well for his new position as a V.P. with credit issues and warrants will scare off investors. Sandy learns that the timeline for clearing his name can be extensive, so he hatches a plan after receiving a spa confirmation call from Florida. Sandy with the knowledge of the police plans to travel to Florida and bring the person who has stolen his identity to Denver to clear his name. He hopes that a promise of no prosecution will trick her into the trip and clearing his good name.
Since the film is a comedy, things naturally do not go as planned as Denise is crafty and will resort to anything from throat punches to vehicular assault to stay one step ahead of the law. Denise has run afoul of a criminal element for issuing them credit cards that she has already maxed out and they dispatch two killers to take her and anyone she is with out. As if this is not bad enough, a psycho skip tracer (Robert Patrick) is also in hot pursuit and set on capturing the large reward on Denise. What follows is a mixture of the buddy comedy formula and road trip film which more than once reminded me of the recent “Due Date”. “Identity Thief” has a great premise and cast to it, but it is saddled by long stretches that drag on. The film takes a while to get started and never seems to find a pace that works for it.
McCarthy has some great lines and moments and Bateman does a solid job as the straight main foil. The problem is, the laughs are to few and far between to justify the nearly two hour run time. This is a shame as with about 30 minutes trimmed this could have been a very tight and witty comedy but instead under director Seth Gordon best efforts, the film never reaches its potential.
Sandy and his friend Daniel (John Cho), decide that enough is enough and decide to start their own company with Sandy as V.P. Although a risky move, this could be the answer to his financial needs and Sandy jumps aboard without a second thought. Enter Diana (Melissa McCarthy), a professional identity thief who packs her Florida home with all manner of items obtained via her knack for creating credit cards belonging to other people.
Sandy thanks to his unisex name, has become the latest target for Diana and in no time, finds that his credit cards are maxed out, and worst yet, he is wanted by the police. This does not sit well for his new position as a V.P. with credit issues and warrants will scare off investors. Sandy learns that the timeline for clearing his name can be extensive, so he hatches a plan after receiving a spa confirmation call from Florida. Sandy with the knowledge of the police plans to travel to Florida and bring the person who has stolen his identity to Denver to clear his name. He hopes that a promise of no prosecution will trick her into the trip and clearing his good name.
Since the film is a comedy, things naturally do not go as planned as Denise is crafty and will resort to anything from throat punches to vehicular assault to stay one step ahead of the law. Denise has run afoul of a criminal element for issuing them credit cards that she has already maxed out and they dispatch two killers to take her and anyone she is with out. As if this is not bad enough, a psycho skip tracer (Robert Patrick) is also in hot pursuit and set on capturing the large reward on Denise. What follows is a mixture of the buddy comedy formula and road trip film which more than once reminded me of the recent “Due Date”. “Identity Thief” has a great premise and cast to it, but it is saddled by long stretches that drag on. The film takes a while to get started and never seems to find a pace that works for it.
McCarthy has some great lines and moments and Bateman does a solid job as the straight main foil. The problem is, the laughs are to few and far between to justify the nearly two hour run time. This is a shame as with about 30 minutes trimmed this could have been a very tight and witty comedy but instead under director Seth Gordon best efforts, the film never reaches its potential.
The Comeback Kid by John Mulaney
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John Mulaney is an American comedian, writer, and actor best known for his standup specials and work...
The High Yield Debt: An Insider's Guide to the Marketplace
Rajay Bagaria and Emil Buchman
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Examine the high yield market for a clear understanding of this evolving asset class High Yield Debt...
Movie Metropolis (309 KP) rated Vacation (2015) in Movies
Jun 11, 2019
Family holidays will never be the same
It was 1983 when Chevy Chase and Beverly D’Angelo made the infamous decision to take their family across the US to “America’s Favourite Family Fun Park” in National Lampoon’s Vacation.
Being the best in the long-running series, it seemed natural for it to receive a fully-fledged sequel of some kind, but it has taken up until now to get the balance right, but does Vacation evoke memories of that brilliant road-trip comedy?
Ed Helms takes on the role of an adult Rusty Griswold as he, like his father makes the epic trip to Walley World theme park alongside his long-suffering wife Debbie (Christina Applegate) and his two sons James and Kevin, played by Skyler Gisondo and Steele Stebbins respectively.
Everybody’s favourite thunder-god, Chris Hemsworth makes a rather revealing cameo as Rusty’s brother-in-law and ladies’ man, Stone Crandall, and helps lift Vacation out of what could have been a half-way lull.
Naturally, there are many tasteful references to its predecessor but this isn’t just a lesson in comedy history. Writers Jonathan Goldstein and John Francis Daley inject some much-needed modern humour into the film – this is most definitely a movie from the 21st Century.
Ed Helms and Christina Applegate have real chemistry as the married couple but it is in their children that most of the laughs are. James and Kevin are the stereotypical, bickering siblings but like everything in Vacation they are turned up to eleven.
From raw sewage infested hot springs to a would-be maniac truck driver, the gags on the whole hit the spot every single time – by no means an easy feat when writing a comedy over 90 minutes in length. There are a couple of ill-placed laughs like a Four Corners police brawl that threaten to stop the film in its tracks, but thankfully these are few and far between.
Short but sweet cameos for Chevy Chase and Beverly D’Angelo towards the climax anchor Vacation to what came before it and it’s nice that the writers didn’t forget to honour those roots in more ways than sickly nostalgia.
The direction is also positively inspired. Acting like a tourist brochure for the USA, Vacation makes you feel like you’re part of the vast locations. From desolate highways to bustling cities, it’s all here and beautifully shot.
Unfortunately the plot seems to run a little out of steam towards the end. After all, there’s only so much déjà vu a story can take and it seems that the writers put all their best work in the first two thirds of the movie, as is the case with many films in the genre.
Nevertheless, Vacation is a confident film that knows exactly what it’s trying to be. Acting as a standalone comedy for newcomers and a decent sequel for fans of the original, it has something for everyone.
The acting is sublime and the casting choices are spot on, only a lacklustre final third pull it back from the edge of glory.
I probably won’t be planning that road trip any time soon.
https://moviemetropolis.net/2015/08/23/family-holidays-will-never-be-the-same-vacation-review/
Being the best in the long-running series, it seemed natural for it to receive a fully-fledged sequel of some kind, but it has taken up until now to get the balance right, but does Vacation evoke memories of that brilliant road-trip comedy?
Ed Helms takes on the role of an adult Rusty Griswold as he, like his father makes the epic trip to Walley World theme park alongside his long-suffering wife Debbie (Christina Applegate) and his two sons James and Kevin, played by Skyler Gisondo and Steele Stebbins respectively.
Everybody’s favourite thunder-god, Chris Hemsworth makes a rather revealing cameo as Rusty’s brother-in-law and ladies’ man, Stone Crandall, and helps lift Vacation out of what could have been a half-way lull.
Naturally, there are many tasteful references to its predecessor but this isn’t just a lesson in comedy history. Writers Jonathan Goldstein and John Francis Daley inject some much-needed modern humour into the film – this is most definitely a movie from the 21st Century.
Ed Helms and Christina Applegate have real chemistry as the married couple but it is in their children that most of the laughs are. James and Kevin are the stereotypical, bickering siblings but like everything in Vacation they are turned up to eleven.
From raw sewage infested hot springs to a would-be maniac truck driver, the gags on the whole hit the spot every single time – by no means an easy feat when writing a comedy over 90 minutes in length. There are a couple of ill-placed laughs like a Four Corners police brawl that threaten to stop the film in its tracks, but thankfully these are few and far between.
Short but sweet cameos for Chevy Chase and Beverly D’Angelo towards the climax anchor Vacation to what came before it and it’s nice that the writers didn’t forget to honour those roots in more ways than sickly nostalgia.
The direction is also positively inspired. Acting like a tourist brochure for the USA, Vacation makes you feel like you’re part of the vast locations. From desolate highways to bustling cities, it’s all here and beautifully shot.
Unfortunately the plot seems to run a little out of steam towards the end. After all, there’s only so much déjà vu a story can take and it seems that the writers put all their best work in the first two thirds of the movie, as is the case with many films in the genre.
Nevertheless, Vacation is a confident film that knows exactly what it’s trying to be. Acting as a standalone comedy for newcomers and a decent sequel for fans of the original, it has something for everyone.
The acting is sublime and the casting choices are spot on, only a lacklustre final third pull it back from the edge of glory.
I probably won’t be planning that road trip any time soon.
https://moviemetropolis.net/2015/08/23/family-holidays-will-never-be-the-same-vacation-review/
Gareth von Kallenbach (971 KP) rated Wild Hogs (2007) in Movies
Aug 14, 2019
When four middle aged men all face a collection of issues at the same time, some people might think this premise is a setup for an emotional drama that will explore aging from a men’s point of view.
However in the new film Wild Hogs, the topic is skewered with hysterical results thanks to a great cast and some very funny moments.
When dentist Doug (Tim Allen), worries he has lost his edge and can no longer connect with his past glory, he convinces the three members of his local biking club to join him on a cross country trip from Ohio to California.
Along for the ride are Woody (John Travolta), who has learned he is broke and is getting divorced from his supermodel wife, Shy and socially awkward computer programmer Dudley (William H. Macy), and henpecked plumber Bobby (Martin Lawrence), who after taking a year off to work on a project that has not come to fruition, now finds himself facing the same plumbing issues that made him flee in the first place.
None of the men are happy with their place in life and are in need of a spark to lift them from their middle aged funk. The group sets off and soon finds one misfortune after another as well as some very awkward moments with law enforcement, male bonding, and an over eager family they meet along the way.
Despite this, this trip is going well until the group decides to stop for a drink at a local biker bar. Once in the bar, the leader of the Del Fuegos, Jack (Ray Liotta) decides to make life hard for the guys as he cannot stand suburbanites passing themselves off as bikers. He decides to take one of their bikes and not allow the group to venture further West down the highway in front of the bar.
Resigned to their fate, the guys are ready to head back, when Woody decides to fix the situation and sneaks back to recover Dudley’s bike and play a trick on the Del Fuegos. Everything goes according to plan until the bar explodes from the prank, and the guys end up running from the bikers who are bent on revenge.
The only issue is that Woody has not told the other three what he did, and has his friends convinced that he had a conversation with the bikers where they came to an understanding. Undaunted, the guys stop at a local New Mexico town for gas and learn that they must wait until Monday for the gas station to reopen.
Of course, Woody is freaking out as he knows the bikers will be out looking for them, and matters are further compounded when Dudley falls for a local restaurant owner (Marissa Tomei), and is eager to hang around for a few more days.
What follows is a funny set of circumstances as the guys take part in the local community while they wait for gas, which ultimately leads up to a final confrontation with the Del Fuegos.
Wild Hogs, is one of the funnier comedies I have seen in a while. I went in not expecting much, and I must say I was very surprised. The four leads work well with one another, and there are some very funny segments in the film, which I will not spoil for you, but suffice it to say the audience was in hysterics.
It is rare to find a comedy that not only makes you laugh but makes you leave the theater with a smile, and this film delivers.
However in the new film Wild Hogs, the topic is skewered with hysterical results thanks to a great cast and some very funny moments.
When dentist Doug (Tim Allen), worries he has lost his edge and can no longer connect with his past glory, he convinces the three members of his local biking club to join him on a cross country trip from Ohio to California.
Along for the ride are Woody (John Travolta), who has learned he is broke and is getting divorced from his supermodel wife, Shy and socially awkward computer programmer Dudley (William H. Macy), and henpecked plumber Bobby (Martin Lawrence), who after taking a year off to work on a project that has not come to fruition, now finds himself facing the same plumbing issues that made him flee in the first place.
None of the men are happy with their place in life and are in need of a spark to lift them from their middle aged funk. The group sets off and soon finds one misfortune after another as well as some very awkward moments with law enforcement, male bonding, and an over eager family they meet along the way.
Despite this, this trip is going well until the group decides to stop for a drink at a local biker bar. Once in the bar, the leader of the Del Fuegos, Jack (Ray Liotta) decides to make life hard for the guys as he cannot stand suburbanites passing themselves off as bikers. He decides to take one of their bikes and not allow the group to venture further West down the highway in front of the bar.
Resigned to their fate, the guys are ready to head back, when Woody decides to fix the situation and sneaks back to recover Dudley’s bike and play a trick on the Del Fuegos. Everything goes according to plan until the bar explodes from the prank, and the guys end up running from the bikers who are bent on revenge.
The only issue is that Woody has not told the other three what he did, and has his friends convinced that he had a conversation with the bikers where they came to an understanding. Undaunted, the guys stop at a local New Mexico town for gas and learn that they must wait until Monday for the gas station to reopen.
Of course, Woody is freaking out as he knows the bikers will be out looking for them, and matters are further compounded when Dudley falls for a local restaurant owner (Marissa Tomei), and is eager to hang around for a few more days.
What follows is a funny set of circumstances as the guys take part in the local community while they wait for gas, which ultimately leads up to a final confrontation with the Del Fuegos.
Wild Hogs, is one of the funnier comedies I have seen in a while. I went in not expecting much, and I must say I was very surprised. The four leads work well with one another, and there are some very funny segments in the film, which I will not spoil for you, but suffice it to say the audience was in hysterics.
It is rare to find a comedy that not only makes you laugh but makes you leave the theater with a smile, and this film delivers.