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Lee KM Pallatina (951 KP) rated Robin Hood: Men in Tights (1993) in Movies
Aug 9, 2019
You have to be a real man to wear tights!
Cary Elwes stars a robin hood in this comical retelling of the legendary hero who after returning to England after fighting in the crusades and then being captured, enslaved only to escape from prison in Jerusalem and seim home to England (what a guy ;) ) to find that the evil Prince John (Richard Lewis) has confiscated his family estate and is following the script and ruining Nottingham. Robin enlists his family's loyal blind servant Blinkin (Mark Blankfield), Will Scarlett O'Hara (Matthew Porretta) and Little John (Eric Allan Kramer) to help rebel. Robin also hopes to woo the beautiful Maid Marian (Amy Yasbeck), but her chastity belt may prove a challenge (and her keeper)
Great jokes, Mel Brooks, hilarious performances, subtle nods and a robin hood who can speak with an England accent.
A classic spoof on the legend who had it coming.
Great jokes, Mel Brooks, hilarious performances, subtle nods and a robin hood who can speak with an England accent.
A classic spoof on the legend who had it coming.
Gareth von Kallenbach (965 KP) rated The Legend of Tarzan (2016) in Movies
Aug 6, 2019
It’s a story we’re pretty much all familiar with – Tarzan, a man who was raised in the jungle by apes that took him in as a baby after his parents died.
In “The Legend of Tarzan,” it is the 1880’s and royal corruption brews beneath the surface. Tarzan (Alexander Skarsgard), now an adult, is living as John Clayton III, Lord Greystoke with his wife Jane (Margot Robbie).
His civilized life is interrupted when he is sent back to the Congo as a trade emissary. Unfortunately, he is at the center of the wicked plans of Captain Léon Rom (Christoph Waltz). Rom has made a deal to trade Tarzan in exchange for diamonds to a tribal chief who plans to butcher and eat him. Waltz does a great job playing a sleazy political criminal with beady eyes and a greasy mustache.
Samuel L. Jackson is also fun to watch as George Washington Williams, who accompanies Tarzan to the Congo when he follows up on his own suspicions.
While the film is quite enjoyable, and very pretty to look at (special thanks to Skarsgard). Tarzan isn’t as animalistic as you would expect, Jane lacks authentic emotion, and at times the CGI is a bit low quality.
“The Legend of Tarzan” is one of those short, sweet, and fun summer movies and is definitely worth watching. With political undertones of greed, slavery, and human destruction, it also has deeper value.
This is one that everyone can watch. It’s not too violent, it’s not to edgy, and it’s not too long. I give “The Legend of Tarzan” 3.5 out of 5 stars.
In “The Legend of Tarzan,” it is the 1880’s and royal corruption brews beneath the surface. Tarzan (Alexander Skarsgard), now an adult, is living as John Clayton III, Lord Greystoke with his wife Jane (Margot Robbie).
His civilized life is interrupted when he is sent back to the Congo as a trade emissary. Unfortunately, he is at the center of the wicked plans of Captain Léon Rom (Christoph Waltz). Rom has made a deal to trade Tarzan in exchange for diamonds to a tribal chief who plans to butcher and eat him. Waltz does a great job playing a sleazy political criminal with beady eyes and a greasy mustache.
Samuel L. Jackson is also fun to watch as George Washington Williams, who accompanies Tarzan to the Congo when he follows up on his own suspicions.
While the film is quite enjoyable, and very pretty to look at (special thanks to Skarsgard). Tarzan isn’t as animalistic as you would expect, Jane lacks authentic emotion, and at times the CGI is a bit low quality.
“The Legend of Tarzan” is one of those short, sweet, and fun summer movies and is definitely worth watching. With political undertones of greed, slavery, and human destruction, it also has deeper value.
This is one that everyone can watch. It’s not too violent, it’s not to edgy, and it’s not too long. I give “The Legend of Tarzan” 3.5 out of 5 stars.
David McK (3185 KP) rated The King's Assassin (The Outlaw Chronicles, #7) in Books
Jan 30, 2019
This, I believe, is the penultimate entry in [a: Angus Donald|584064|Angus Donald|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png]'s 'Outlaw' series of novels dealing with the legend of Robin Hood.
If I'm honest, I also have to say that I read the title as meaning 'an assassin belonging to a King' rather than what proves to be the actual meaning: a (failed) attempt to assassinate the King (who, at this stage, is John).
As before, this is presented as the elderly Alan a Dale (now in a monastery as he has been since the opening of [b: Outlaw|17333533|Outlaw|Ted Dekker|https://d.gr-assets.com/books/1364009572s/17333533.jpg|24064806], and by this stage dictating rather than writing himself) recalling his earlier life in the company of Robin and his men.
The main 'hook' of this particular entry in the series is the events leading up to the signing of Magna Carta, with King John proving to be an unpopular and failing ruler, especially compared to his older brother Richard ('the Lionheart'), and with Robin instrumental in bringing about the famous document.
If I'm honest, I also have to say that I read the title as meaning 'an assassin belonging to a King' rather than what proves to be the actual meaning: a (failed) attempt to assassinate the King (who, at this stage, is John).
As before, this is presented as the elderly Alan a Dale (now in a monastery as he has been since the opening of [b: Outlaw|17333533|Outlaw|Ted Dekker|https://d.gr-assets.com/books/1364009572s/17333533.jpg|24064806], and by this stage dictating rather than writing himself) recalling his earlier life in the company of Robin and his men.
The main 'hook' of this particular entry in the series is the events leading up to the signing of Magna Carta, with King John proving to be an unpopular and failing ruler, especially compared to his older brother Richard ('the Lionheart'), and with Robin instrumental in bringing about the famous document.
A classic that didn't disappoint with its gothic feel.
A tale that in one way or another we're all familiar with so I won't bother to go into the storyline but I will say I was pleasantly surprised by the style it was written in. Switching between various diaries, news articles and letters this tale was told in more voices than I had thought and that helped keep what could of been at times a plodding story fresh. Listening to the audiobook narrated by John Lee he did a good job in keeping the various voices distinct and easy to follow.
Mina Harker is a great character, while some of the others failed to impress me it's no wonder Helsing has become a legend. For such a dramatic (and lengthy build-up) I did find the end slightly anticlimactic but very enjoyable none the less.
A tale that in one way or another we're all familiar with so I won't bother to go into the storyline but I will say I was pleasantly surprised by the style it was written in. Switching between various diaries, news articles and letters this tale was told in more voices than I had thought and that helped keep what could of been at times a plodding story fresh. Listening to the audiobook narrated by John Lee he did a good job in keeping the various voices distinct and easy to follow.
Mina Harker is a great character, while some of the others failed to impress me it's no wonder Helsing has become a legend. For such a dramatic (and lengthy build-up) I did find the end slightly anticlimactic but very enjoyable none the less.
Lee KM Pallatina (951 KP) rated Ready to Rumble (2000) in Movies
Mar 20, 2020
Wrestlings not fake!
Before jack black did Nacho Libre
Before john Cena did Legend
Before Mickey Rourke did the wrestler and before the Release of paiges career movie fighting with my family, there was READY TO RUMBLE.
The story follows Sewage workers Gordie and Sean who are huge wrestling fans, as they watch their hero, WCW World Heavyweight Champion Jimmy King cheated out of the title, Jimmy quickly spirals down and hits Rock Bottom (see what I did there)
The boy's decide to embark on a quest to restore their icon's glory.
The road trip includes meeting jimmys estranged (ex?) Wife & son, barnyard wrestling tryouts, wrestling and OAP & a 3 cages of hell match, not to mention all the toilet humour- Literally.
Starring Goldberg, sting, ddp, Booker T, billy kidman, bam bam bigelow and many more
Also starring David Arquette, sean caan, Rose McGowan and Oliver platt.
Before john Cena did Legend
Before Mickey Rourke did the wrestler and before the Release of paiges career movie fighting with my family, there was READY TO RUMBLE.
The story follows Sewage workers Gordie and Sean who are huge wrestling fans, as they watch their hero, WCW World Heavyweight Champion Jimmy King cheated out of the title, Jimmy quickly spirals down and hits Rock Bottom (see what I did there)
The boy's decide to embark on a quest to restore their icon's glory.
The road trip includes meeting jimmys estranged (ex?) Wife & son, barnyard wrestling tryouts, wrestling and OAP & a 3 cages of hell match, not to mention all the toilet humour- Literally.
Starring Goldberg, sting, ddp, Booker T, billy kidman, bam bam bigelow and many more
Also starring David Arquette, sean caan, Rose McGowan and Oliver platt.
Movie Metropolis (309 KP) rated The Legend of Tarzan (2016) in Movies
Jun 11, 2019
CPR Needed
As tends to be the case with Hollywood, studios pay very close attention to their rivals release schedules, eyeing up potential competition to pit their films against, maxing box-office returns in the process.
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall?
It’s been nearly a decade since Tarzan (Alexander Skarsgård), aka John Clayton III, left Africa to live in Victorian England with his wife Jane (Margot Robbie). Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple and friend George Williams (Samuel L Jackson) to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.
Directed by David Yates (Harry Potter & the Deathly Hallows), Legend of Tarzan features committed performances from its lead cast, immersive scenery and impressive special effects, but all of the glitz can’t save a film that plods along at a dreadful pace. Not since Peter Jackson’s King Kong has there been a movie that wastes so much of its opening act.
Alexander Skarsgård is likeable and commanding as the titular character, but lacks enough acting prowess to tackle the deeper, more emotional side that writers Adam Cozad and Craig Brewer have brought to the table here. Therefore, the scenes featuring a solo Tarzan suffer somewhat and Samuel L Jackson feels wasted in a poorly written and half-hearted role.
It is in Margot Robbie and Christoph Waltz that we find the film’s saving graces. Their characters leap off the screen with Waltz in particular being a highlight throughout. It’s unfortunate that one of our greatest living actors is lambasted with poor dialogue however, though the script just about keeps him afloat.
David Yates brings a similar filming style here to that of his foray into Harry Potter. The action is confidently filmed, but he avoids the use of shaky-cam that many directors seem to find appealing nowadays. The CGI is on the whole very good, especially in the finale which is breath-taking to watch.
It’s just a shame the rest of the film is such a drag. The first hour is incredibly poorly paced with very brief, albeit well-filmed, action sequences not doing enough to brighten Legend of Tarzan up. Elsewhere, the use of flashbacks is at first a decent way of giving the audience some exposition, but after the tenth one, they’re a nuisance.
Overall, The Legend of Tarzan does a lot more with its iconic character than other films have done, but that doesn’t excuse its poor pacing. Thankfully, the exciting finale lifts the final act above the standard of the first hour, and commanding performances from all the cast sustain interest just about enough to see it through to the end.
https://moviemetropolis.net/2016/07/07/cpr-needed-the-legend-of-tarzan-review/
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall?
It’s been nearly a decade since Tarzan (Alexander Skarsgård), aka John Clayton III, left Africa to live in Victorian England with his wife Jane (Margot Robbie). Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple and friend George Williams (Samuel L Jackson) to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.
Directed by David Yates (Harry Potter & the Deathly Hallows), Legend of Tarzan features committed performances from its lead cast, immersive scenery and impressive special effects, but all of the glitz can’t save a film that plods along at a dreadful pace. Not since Peter Jackson’s King Kong has there been a movie that wastes so much of its opening act.
Alexander Skarsgård is likeable and commanding as the titular character, but lacks enough acting prowess to tackle the deeper, more emotional side that writers Adam Cozad and Craig Brewer have brought to the table here. Therefore, the scenes featuring a solo Tarzan suffer somewhat and Samuel L Jackson feels wasted in a poorly written and half-hearted role.
It is in Margot Robbie and Christoph Waltz that we find the film’s saving graces. Their characters leap off the screen with Waltz in particular being a highlight throughout. It’s unfortunate that one of our greatest living actors is lambasted with poor dialogue however, though the script just about keeps him afloat.
David Yates brings a similar filming style here to that of his foray into Harry Potter. The action is confidently filmed, but he avoids the use of shaky-cam that many directors seem to find appealing nowadays. The CGI is on the whole very good, especially in the finale which is breath-taking to watch.
It’s just a shame the rest of the film is such a drag. The first hour is incredibly poorly paced with very brief, albeit well-filmed, action sequences not doing enough to brighten Legend of Tarzan up. Elsewhere, the use of flashbacks is at first a decent way of giving the audience some exposition, but after the tenth one, they’re a nuisance.
Overall, The Legend of Tarzan does a lot more with its iconic character than other films have done, but that doesn’t excuse its poor pacing. Thankfully, the exciting finale lifts the final act above the standard of the first hour, and commanding performances from all the cast sustain interest just about enough to see it through to the end.
https://moviemetropolis.net/2016/07/07/cpr-needed-the-legend-of-tarzan-review/
Entertainment Editor (1988 KP) rated Xia: Legends of a Drift System in Tabletop Games
Mar 8, 2018
So Much Sand in Space
A board game billing itself as a ‘sandbox’ is always going to be a little bit clunky, and Xia Legends of a Drift System is no exception. There are plenty of different systems for new players to learn and you will have to be patient when teaching the game. Xia Legend sof a Drift System isn’t particularly heavy, but there are many moving parts. A smarter person than me might have been able to figure out a way of sanding down Xia’s rough edges to make a more elegant experience, but I can’t honestly recommend better ways to implement its systems.
Ultimately, Xia’s dice rolling and the inherent meanness of blowing up your rivals and disrupting their turns, will be deal breakers for some. But if you invite people into your sandbox that won’t take themselves too seriously, there are plenty of toys to go around. I highly recommend you pick up Xia Legends of a Drift System.
Original Score: 4.4/5
Reviewer: John Severn
Read the full review here: https://www.gamesquest.co.uk/blog/xialegendsofadriftsystem/
Ultimately, Xia’s dice rolling and the inherent meanness of blowing up your rivals and disrupting their turns, will be deal breakers for some. But if you invite people into your sandbox that won’t take themselves too seriously, there are plenty of toys to go around. I highly recommend you pick up Xia Legends of a Drift System.
Original Score: 4.4/5
Reviewer: John Severn
Read the full review here: https://www.gamesquest.co.uk/blog/xialegendsofadriftsystem/
Gareth von Kallenbach (965 KP) rated Legend (2015) in Movies
Aug 6, 2019
Have you heard of Legend? Not the movie from the mid-eighties, but the story of Ronnie and Reggie Kray (Tom Hardy, playing both brothers). Don’t know who they are, that’s okay, neither did I. But if you are across the pond and are reading this, you probably do. They Kray brothers are twins, and perhaps the most notorious gangsters in London history. Think John Dillinger, or Al Capone, of the UK.
Legend is a story of Reggie and Ronnie Kray’s rise to power as the top gangsters of the East End of London, and beyond. However, it is told from the point of view of Reggie’s wife, Francis Kray (Emily Browning). Though, the movie starts with her meeting Reggie for the first time, and it is really a love story of how she fell in love with a gangster that would not change his ways. There is nothing solely remarkable about the plot of the movie, but it is definitely captivating. I went into the film not knowing much about the Krays, but glad that I didn’t as it might have marred my experience.
Hardy, however, is remarkable in his portrayal of the Kray brothers. Each brother having his own distinctive personality, and even distinctive looks despite being identical twin brothers. Ronnie, as Francis describes him, is a one man mob trying to take control of London. The only catch is that he is paranoid schizophrenic and has trouble in social situations. This leads to a high distrust of people, and some intriguing scenes during the course of the film, especially interacting with Francis and his brother. Reggie is the intelligent, methodical brother who has bigger goals and aspirations than his brother, but his loyalty to his family holds him back. He has a deep loyalty, and even in the height of conflict would not take his anger, or disappointment, out on Ronnie. This did not sit well with Francis, who desperately wanted Reggie to go straight, but still agreed to marry him, even against the wishes of her mother.
There is no rise without a fall, but I won’t give too much insight into that as it will help the movie win you over if you know less. But Hardy and Browning were backed by a wonderful supporting cast including the likes of David Thewlis, Christopher Eccleston, Taron Egerton, and Chazz Palminteri. Hardy himself brought some levity to the more serious scenes, though there were times where I was taken out of the movie as Ronnie Kray had a slight tendency to sound like Bane, Hardy’s previous role in the Dark Knight franchise.
If you enjoy British films such as Rock’n’Rolla, Lock, Stock and Two Smoking Barrels, or Trainspotting, you will definitely enjoy Legend. In fact, Legend is the first movie rated 18+ in the UK to break the box office record set by Trainspotting in 1996. That says a lot about the movie. Will I add it to my collection upon home release? The jury is still out on that, but it definitely was a great film and worth seeing.
Legend is a story of Reggie and Ronnie Kray’s rise to power as the top gangsters of the East End of London, and beyond. However, it is told from the point of view of Reggie’s wife, Francis Kray (Emily Browning). Though, the movie starts with her meeting Reggie for the first time, and it is really a love story of how she fell in love with a gangster that would not change his ways. There is nothing solely remarkable about the plot of the movie, but it is definitely captivating. I went into the film not knowing much about the Krays, but glad that I didn’t as it might have marred my experience.
Hardy, however, is remarkable in his portrayal of the Kray brothers. Each brother having his own distinctive personality, and even distinctive looks despite being identical twin brothers. Ronnie, as Francis describes him, is a one man mob trying to take control of London. The only catch is that he is paranoid schizophrenic and has trouble in social situations. This leads to a high distrust of people, and some intriguing scenes during the course of the film, especially interacting with Francis and his brother. Reggie is the intelligent, methodical brother who has bigger goals and aspirations than his brother, but his loyalty to his family holds him back. He has a deep loyalty, and even in the height of conflict would not take his anger, or disappointment, out on Ronnie. This did not sit well with Francis, who desperately wanted Reggie to go straight, but still agreed to marry him, even against the wishes of her mother.
There is no rise without a fall, but I won’t give too much insight into that as it will help the movie win you over if you know less. But Hardy and Browning were backed by a wonderful supporting cast including the likes of David Thewlis, Christopher Eccleston, Taron Egerton, and Chazz Palminteri. Hardy himself brought some levity to the more serious scenes, though there were times where I was taken out of the movie as Ronnie Kray had a slight tendency to sound like Bane, Hardy’s previous role in the Dark Knight franchise.
If you enjoy British films such as Rock’n’Rolla, Lock, Stock and Two Smoking Barrels, or Trainspotting, you will definitely enjoy Legend. In fact, Legend is the first movie rated 18+ in the UK to break the box office record set by Trainspotting in 1996. That says a lot about the movie. Will I add it to my collection upon home release? The jury is still out on that, but it definitely was a great film and worth seeing.
Cristov Russell (3 KP) rated Admist the Chaos by Sara Bareilles in Music
May 25, 2019 (Updated May 25, 2019)
Sara's latest has her working with T Bone Burnett (one of my favorite producers) who has worked with artists like Sam Phillips, Elvis Costello, Roy Orbison and Cassandra Wilson. Burnett, who is himself a recording artists and songwriter is a perfect choice, giving Bareilles a cohesive sound that suits her rich tone like a deep cushioned coach wrapped in a soft warm blanket.
Each of the tracks were written or co-workers by Bareilles and none disappoint. From the jangly mid-tempo Fire about a relationship that just isn't working to A Safe Place to Land; a beautifully sorrow drenched but hopeful duet with John Legend.
My favorite, Orpheus, about giving someone comfort and a peaceful space admist the chaos is where the album gets its name and many of the songs themes circle around the idea of finding peace or coming to terms with life.
Armor, a feminist anthem, pays tribute to those who paved the way and warns misogynists that those standing up to them today pale in comparison to the coming generation. It was inspired by the #metoo movement and released early as a response to Brett Kavanagh hearings.
If I Can't Have You deals with trying to get over the loss of a love. It's a breezy after the tears track best enjoyed with a glass of wine.
Burnett's influence shows on Eyes On You with its just inside the barn door toe tapping country tinges.
Miss Simone is a love letter to the lady herself for providing the soundtrack to an enduring romance.
The album closes with a track that fits well with its siblings but I can't say I like it quite as much. It's not a bad track and Bareilles and Legend sound great together but it feels like a leftover song. It was inspired by the immigrant families being separated.
Each of the tracks were written or co-workers by Bareilles and none disappoint. From the jangly mid-tempo Fire about a relationship that just isn't working to A Safe Place to Land; a beautifully sorrow drenched but hopeful duet with John Legend.
My favorite, Orpheus, about giving someone comfort and a peaceful space admist the chaos is where the album gets its name and many of the songs themes circle around the idea of finding peace or coming to terms with life.
Armor, a feminist anthem, pays tribute to those who paved the way and warns misogynists that those standing up to them today pale in comparison to the coming generation. It was inspired by the #metoo movement and released early as a response to Brett Kavanagh hearings.
If I Can't Have You deals with trying to get over the loss of a love. It's a breezy after the tears track best enjoyed with a glass of wine.
Burnett's influence shows on Eyes On You with its just inside the barn door toe tapping country tinges.
Miss Simone is a love letter to the lady herself for providing the soundtrack to an enduring romance.
The album closes with a track that fits well with its siblings but I can't say I like it quite as much. It's not a bad track and Bareilles and Legend sound great together but it feels like a leftover song. It was inspired by the immigrant families being separated.
Awix (3310 KP) rated Rocketman (2019) in Movies
May 29, 2019
One day it may be possible to review Rocketman without comparing it to Bohemian Rhapsody (same director, very similar subject matter, same grab-bag of familiar music), but clearly not today. Musical prodigy Reggie Dwight learns to tinkle the ivories, meets lyricist Bernie Taupin, reinvents himself as glam-rock superstar Elton John, but must contend with both success (350 million records sold) and heartbreak (Watford lose the 1984 FA cup final 2-0).
A generally upbeat portrait of the music legend (as one might expect, given he exec-produced and his husband produced it) Dexter Fletcher's film features an unexpectedly good performance from Taron Egerton and, as a full-blown musical it isn't afraid to embrace elements of fantasy (the story still plays fast and loose with the facts a bit). On the other hand, it doesn't have a big iconic moment like Live Aid to build up to, the only real option being Elton singing at the funeral in 1997 (which would require a movie with a wholly different tone). In the end the movie handles the rags rather better than the riches, goes to pieces a little bit just as its subject did, but in the end proves to be a surprisingly touching tale of a man exorcising his personal demons. Great soundtrack, too, obviously.
A generally upbeat portrait of the music legend (as one might expect, given he exec-produced and his husband produced it) Dexter Fletcher's film features an unexpectedly good performance from Taron Egerton and, as a full-blown musical it isn't afraid to embrace elements of fantasy (the story still plays fast and loose with the facts a bit). On the other hand, it doesn't have a big iconic moment like Live Aid to build up to, the only real option being Elton singing at the funeral in 1997 (which would require a movie with a wholly different tone). In the end the movie handles the rags rather better than the riches, goes to pieces a little bit just as its subject did, but in the end proves to be a surprisingly touching tale of a man exorcising his personal demons. Great soundtrack, too, obviously.