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Sarah (7798 KP) rated Sunshine (2007) in Movies
Aug 11, 2017
One of Danny Boyle's Best
Danny Boyle is one of those directors that can rarely do wrong, and he really excels here with this beautiful sci-fi. It's well acted and has a fantastic cast, the effects are brilliant and it's a really interesting plot. The soundtrack by John Murphy is probably one of my all time favourite soundtracks, so haunting and memorable.
MusicCritics (472 KP) rated Harry Styles by Harry Styles in Music
Jul 7, 2017
Styles had a hand in writing every track on the album, and there’s a surprising amount of homage paid to classic FM rock – he’s at his best when he cuts loose and has some fun, as on the raucous rocker Kiwi
Critic- John Murphy
Original Score: 3.5 out of 5
Read Review: https://www.musicomh.com/reviews/albums/harry-styles-harry-styles
Original Score: 3.5 out of 5
Read Review: https://www.musicomh.com/reviews/albums/harry-styles-harry-styles
Phil Leader (619 KP) rated Murphy's Heist (John McBride #1) in Books
Nov 21, 2019
Murphy's Heist is the first of the John McBride series of thrillers. Eamonn Murphy used to be a big man in the shady world of terrorism in Northern Ireland during the troubles. Now more-or-less retired and living in Cheshire he cannot resist planning a bullion robbery on the mainland. However John McBride, artist and former soldier, stumbles upon the plot. Murphy has to quickly change his plans as the net tightens.
As with the other McBride books the emphasis is on realism rather than spectacle. Although there are explosions, gun battles and chases they are very low-key which lends an air of authenticity which is missing from more adrenaline-fuelled thrillers.
The book is paced well, alternating between Murphy and associates attempting to get away with the crime and McBride and the authorities attempts to apprehend them. Murphy is a slippery and wily customer and McBride must use ingenuity and not a little luck.
This definitely shows as the first book in the series - McBride is just an ex-soldier, not ex-SAS and farms out the more 'special forces' duties to an ex-colleague, the extra developments of his past and his occasional desire for adventure beyond the sedate world of watercolours comes later and allows him to operate independently in challenging environments. But this is a good solid opening gambit clearly layout out the template for a more realistic thriller.
As a novel this isn't as good as my favourite so far - Find My Brother - but it certainly makes for a good read.
As with the other McBride books the emphasis is on realism rather than spectacle. Although there are explosions, gun battles and chases they are very low-key which lends an air of authenticity which is missing from more adrenaline-fuelled thrillers.
The book is paced well, alternating between Murphy and associates attempting to get away with the crime and McBride and the authorities attempts to apprehend them. Murphy is a slippery and wily customer and McBride must use ingenuity and not a little luck.
This definitely shows as the first book in the series - McBride is just an ex-soldier, not ex-SAS and farms out the more 'special forces' duties to an ex-colleague, the extra developments of his past and his occasional desire for adventure beyond the sedate world of watercolours comes later and allows him to operate independently in challenging environments. But this is a good solid opening gambit clearly layout out the template for a more realistic thriller.
As a novel this isn't as good as my favourite so far - Find My Brother - but it certainly makes for a good read.
JT (287 KP) rated Beverly Hills Cop (1984) in Movies
Mar 10, 2020
Strange to think that if things had been different Sly Stallone could have taken the role of Axel Foley in Beverly Hills Cop, thankfully he didn’t! As much as I am a fan of Stallone he wouldn’t have had the charisma to pull off this role with the wise-cracking appeal that Eddie Murphy had.
Fresh from a successful stint on Saturday Night live Eddie Murphy was approached for the lead role and he snapped it up and at least two out of the three films in this trilogy were an instant hit. There are rumours of a fourth which streaming giant Netflix may well get involved with but we’ll have to wait and see on that one.
Murphy uses the film as a blank canvas to display his comedic genius and thrives in front of the camera. Axel Foley is a quick-witted Detroit detective who lets his mouth do all the talking. He’s adored by his superior, Inspector Todd but at the same time, Todd feels as though Foley’s talents are wasted.
When his childhood friend is murdered he heads to Beverly Hills to hunt down the killers. He is supported by an accomplished cast including Judge Reinhold, Ronny Cox and John Ashton.
The on-screen chemistry is hilarious between Foley, Billy Rosewood (Judge Reinhold) and his long-suffering partner John Taggart (John Ashton). They bounce off each other well and I am sure most of the script was ad-libbed. If you look at one scene during the ‘super cop’ bit John Ashton finds it very hard to keep it together.
There are some great action sequences including the final shoot out and director Martin Brest injects a cool suave persona into the film – this is 80s action nostalgia at its best.
Fresh from a successful stint on Saturday Night live Eddie Murphy was approached for the lead role and he snapped it up and at least two out of the three films in this trilogy were an instant hit. There are rumours of a fourth which streaming giant Netflix may well get involved with but we’ll have to wait and see on that one.
Murphy uses the film as a blank canvas to display his comedic genius and thrives in front of the camera. Axel Foley is a quick-witted Detroit detective who lets his mouth do all the talking. He’s adored by his superior, Inspector Todd but at the same time, Todd feels as though Foley’s talents are wasted.
When his childhood friend is murdered he heads to Beverly Hills to hunt down the killers. He is supported by an accomplished cast including Judge Reinhold, Ronny Cox and John Ashton.
The on-screen chemistry is hilarious between Foley, Billy Rosewood (Judge Reinhold) and his long-suffering partner John Taggart (John Ashton). They bounce off each other well and I am sure most of the script was ad-libbed. If you look at one scene during the ‘super cop’ bit John Ashton finds it very hard to keep it together.
There are some great action sequences including the final shoot out and director Martin Brest injects a cool suave persona into the film – this is 80s action nostalgia at its best.
Andy K (10821 KP) rated Beverly Hills Cop (1984) in Movies
Jun 5, 2018
Axel Foley
If you were to look up the phrase "fish out of water movie", this film would have to be one of the top movies on the list.
After a Detroit police's officer's friend is murdered, he relocates himself to Beverly Hills, California to investigate only to discover law enforcement operates under quite different principles out there.
Alhough Eddie Murphy had made both "48 Hours" & "Trading Places" before this film was released in 1984, this one was definitely his breakout hit.
His crass, foul demeanor juxtaposed against the prim and proper by-the-book procedureness of the CA cops lent itself to many hilarious and memorable moments. His partners Judge Reinhold and John Ashton worked extremely well with Murphy who had really come into his own as a leading man comic actor for this role.
Still one of my all-time favorite comedies.
After a Detroit police's officer's friend is murdered, he relocates himself to Beverly Hills, California to investigate only to discover law enforcement operates under quite different principles out there.
Alhough Eddie Murphy had made both "48 Hours" & "Trading Places" before this film was released in 1984, this one was definitely his breakout hit.
His crass, foul demeanor juxtaposed against the prim and proper by-the-book procedureness of the CA cops lent itself to many hilarious and memorable moments. His partners Judge Reinhold and John Ashton worked extremely well with Murphy who had really come into his own as a leading man comic actor for this role.
Still one of my all-time favorite comedies.
Chris Sawin (602 KP) rated A Quiet Place: Part II (2021) in Movies
Oct 6, 2021
Less contained than the first film - we get to see more of the outside world. (2 more)
More monsters.
Cillian Murphy's performance.
Uses jump scares as a crutch (1 more)
Marcus is a bit of a unbearable turd in the film.
Long Time, No Hear
A Quiet Place Part II begins with a flashback chronicling the first day the creatures arrived. It’s also an excuse to allow John Krasinski’s Lee Abbott character to show up again despite dying in the previous film. Day 1 is mostly the scene in the trailer where the creatures are destroying the town and everyone is learning that they attack based on sound. And yes, this scene would have been and is far more effective if you haven’t seen the trailer several times beforehand.
What’s great about this sequel is that it is no longer so contained. The Abbott family is forced to leave their farm and their home and go out into the outside world. But the scariest aspect of all is that the monsters aren’t the most inhuman thing to exist in whatever remains of this desolate world – it’s the human survivors.
The sequel seems to feature far more of the creatures than the original film. It’s not that they weren’t around in the original film, but A Quiet Place Part II gives them a more prominent presence. There seems to be more of them. The film does utilize jump scares a bit more often than it should. They’re cheap tactics to begin with, but become more and more annoying after the first one or two times they’re used in a film.
Marcus Abbott (Noah Jupe) is nearly unbearable until the last ten or so minutes of the film, but it’s also a sensible form of irritation. Marcus lost his little brother and his father in the previous film and, without spoiling too much, doesn’t have a great time in the sequel. He doesn’t want to lose anyone else close to him and is now incredibly attached to the family members he has left. This results in Marcus being too clingy when someone needs to go on a supply run or has an idea that could potentially save everyone.
Cillian Murphy inherits the male lead since Lee Abbott’s exit. Murphy plays a character named Emmett and is actually a friend of the Abbott family. Emmett has lost everyone and everything and has remained relatively close to the Abbott’s farm even after the creatures arrived, but he never came for them. He has shelter and some supplies, but has spent so much time being on his own that he’s forgotten how to sympathize with anyone who isn’t himself. Murphy delivers this gloriously conflicted performance where he seems to be constantly struggling. Emmett often knows the right thing that should be done, but wants to remain hidden. He basically wants to survive over being a compassionate human being.
The formula for A Quiet Place II is intriguing because it plays out like an episodic arc of The Walking Dead. The zombie element is replaced with the creatures as the human characters go on supply runs, look for other survivors, and search for a sanctuary that may or may not exist. Since both A Quiet Place films are PG-13, there’s not much in the gore department. You’re attacked by these creatures and you’re basically just gone. The way the creature’s heads open up like a flower whenever they’re around audio feedback is visually similar to The Last of Us or even Resident Evil.
A Quiet Place Part II ditches the tension and the stealth the first film was known for and introduces more monsters, more action, more characters, and more of a world that’s barely hanging on by a thread. Lee’s oldest kids become they key players here while Emily Blunt takes a backseat. Cillian Murphy proves why he’s one of the most underrated actors working today. Overall, A Quiet Place Part II is an exceptionally entertaining sequel with quality performances and a primary focus on monster mayhem which, as horror and suspense fans, we should all get behind.
What’s great about this sequel is that it is no longer so contained. The Abbott family is forced to leave their farm and their home and go out into the outside world. But the scariest aspect of all is that the monsters aren’t the most inhuman thing to exist in whatever remains of this desolate world – it’s the human survivors.
The sequel seems to feature far more of the creatures than the original film. It’s not that they weren’t around in the original film, but A Quiet Place Part II gives them a more prominent presence. There seems to be more of them. The film does utilize jump scares a bit more often than it should. They’re cheap tactics to begin with, but become more and more annoying after the first one or two times they’re used in a film.
Marcus Abbott (Noah Jupe) is nearly unbearable until the last ten or so minutes of the film, but it’s also a sensible form of irritation. Marcus lost his little brother and his father in the previous film and, without spoiling too much, doesn’t have a great time in the sequel. He doesn’t want to lose anyone else close to him and is now incredibly attached to the family members he has left. This results in Marcus being too clingy when someone needs to go on a supply run or has an idea that could potentially save everyone.
Cillian Murphy inherits the male lead since Lee Abbott’s exit. Murphy plays a character named Emmett and is actually a friend of the Abbott family. Emmett has lost everyone and everything and has remained relatively close to the Abbott’s farm even after the creatures arrived, but he never came for them. He has shelter and some supplies, but has spent so much time being on his own that he’s forgotten how to sympathize with anyone who isn’t himself. Murphy delivers this gloriously conflicted performance where he seems to be constantly struggling. Emmett often knows the right thing that should be done, but wants to remain hidden. He basically wants to survive over being a compassionate human being.
The formula for A Quiet Place II is intriguing because it plays out like an episodic arc of The Walking Dead. The zombie element is replaced with the creatures as the human characters go on supply runs, look for other survivors, and search for a sanctuary that may or may not exist. Since both A Quiet Place films are PG-13, there’s not much in the gore department. You’re attacked by these creatures and you’re basically just gone. The way the creature’s heads open up like a flower whenever they’re around audio feedback is visually similar to The Last of Us or even Resident Evil.
A Quiet Place Part II ditches the tension and the stealth the first film was known for and introduces more monsters, more action, more characters, and more of a world that’s barely hanging on by a thread. Lee’s oldest kids become they key players here while Emily Blunt takes a backseat. Cillian Murphy proves why he’s one of the most underrated actors working today. Overall, A Quiet Place Part II is an exceptionally entertaining sequel with quality performances and a primary focus on monster mayhem which, as horror and suspense fans, we should all get behind.
Lindsay (1717 KP) rated The Root To Murder in Books
Oct 29, 2019
The Roots of Murder is better then I expected. Though Lauren books are done well and gripping at every turn, there is not surprised that I loved it. It was amazing and so had me guessing. You would not believe who killer turns out to be.
The plot is entertaining as it is keeping you guessing until you make to end. Find out how Madison and Heather find out they are half sisters? But who killed their father and why? There seems to be another murder they did not seem to solve that come up with Lindsay's death.
We see the family jump in and help with the investigation of Cameron Gates case. We also see JJ Thornton join in as well. We are reading JJ and his love Poppy getting ready for their wedding as well. What ever is the case, this pulls in Joshua Thornton as it his friend from school. It deals with JJ and Murphy friends as well when they find the victim is John Davis. Which is by the way Heather's dad.
Elisabeth seems strange and clingy. Why is she being the why she is. If you want to find out happens and why? You will need to pick up the book to read. How Lauren Carr comes up with these plots and still has more is beyond me. These stories are so deep and emotional that they make you want even more. You can be pulled in as if you are member and be heartfelt.
The plot is entertaining as it is keeping you guessing until you make to end. Find out how Madison and Heather find out they are half sisters? But who killed their father and why? There seems to be another murder they did not seem to solve that come up with Lindsay's death.
We see the family jump in and help with the investigation of Cameron Gates case. We also see JJ Thornton join in as well. We are reading JJ and his love Poppy getting ready for their wedding as well. What ever is the case, this pulls in Joshua Thornton as it his friend from school. It deals with JJ and Murphy friends as well when they find the victim is John Davis. Which is by the way Heather's dad.
Elisabeth seems strange and clingy. Why is she being the why she is. If you want to find out happens and why? You will need to pick up the book to read. How Lauren Carr comes up with these plots and still has more is beyond me. These stories are so deep and emotional that they make you want even more. You can be pulled in as if you are member and be heartfelt.
Daniel Boyd (1066 KP) rated A Quiet Place: Part II (2021) in Movies
Jun 16, 2021
Shh!
Initially, when I saw A Quiet Place 2 for review, I wasn't expecting to enjoy it anywhere near as much as I did because of how disappointing I found the first movie. However, sometimes I am very glad to be proven wrong and this is one of those times.
A Quiet Place 2 does what all good sequels should do, in that it builds upon the foundation laid down by the first movie, whilst upping the stakes and increasing the intensity felt by the audience when watching the film. A parallel that I can't help but draw a comparison to is the change in tone between Alien and its more action-based sequel Aliens.
If the first Quiet Place movie strives to capture the suspense and slow burn slasher-inspired horror of Ridley Scott's Alien, then A Quiet Place 2 nails the faster, more ferocious tone of James Cameron's Alien's. Whether this was intentional or not, I do not know, but the difference in tone is evident from very early on in John Krasinski's sequel.
While the film does star John Krasinski and Emily Blunt as their characters from the first film, Cillian Murphy's Emmett and Millicent Simmonds' Regan are arguably the main characters of the sequel. Whilst Krasinski appears as Lee via flashback, (SPOILER, because he died pretty unceremoniously in the first movie,) and Blunt features as Evelyn in what is pretty much a glorified side-quest, they definitely aren't the main characters in part 2.
The choice to focus on two different characters in the sequel is a welcome one as it help the film feel more fresh and when you have stellar performances from Murphy and Simmonds to wrap your movie around, that also helps. I really felt that Millicent Simmonds upped her game greatly from the first movie and although CIllian Murphy's character was added for the sequel, he is a good enough actor to fit naturally into the plot without feeling shoehorned in.
You can read the rest of my review right here:
https://www.bigglasgowcomicpage.com/review-a-quiet-place-2/
A Quiet Place 2 does what all good sequels should do, in that it builds upon the foundation laid down by the first movie, whilst upping the stakes and increasing the intensity felt by the audience when watching the film. A parallel that I can't help but draw a comparison to is the change in tone between Alien and its more action-based sequel Aliens.
If the first Quiet Place movie strives to capture the suspense and slow burn slasher-inspired horror of Ridley Scott's Alien, then A Quiet Place 2 nails the faster, more ferocious tone of James Cameron's Alien's. Whether this was intentional or not, I do not know, but the difference in tone is evident from very early on in John Krasinski's sequel.
While the film does star John Krasinski and Emily Blunt as their characters from the first film, Cillian Murphy's Emmett and Millicent Simmonds' Regan are arguably the main characters of the sequel. Whilst Krasinski appears as Lee via flashback, (SPOILER, because he died pretty unceremoniously in the first movie,) and Blunt features as Evelyn in what is pretty much a glorified side-quest, they definitely aren't the main characters in part 2.
The choice to focus on two different characters in the sequel is a welcome one as it help the film feel more fresh and when you have stellar performances from Murphy and Simmonds to wrap your movie around, that also helps. I really felt that Millicent Simmonds upped her game greatly from the first movie and although CIllian Murphy's character was added for the sequel, he is a good enough actor to fit naturally into the plot without feeling shoehorned in.
You can read the rest of my review right here:
https://www.bigglasgowcomicpage.com/review-a-quiet-place-2/
Rat (1 KP) rated Peaky Blinders - Season 1 in TV
Mar 28, 2018
Forget everything you think you know about period drama
It would be easy to dismiss Peaky Blinders as just a British drama. It would be easy to dismiss it as just a period piece. It would be easy to claim that it was just a British Boardwalk Empire. You'd be so wrong to do so.
Every part of Peaky Blinders is perfection. From the superb acting of its regular cast (Cillian Murphy on a tv show? Sign me up!) to a roster of featured guests (Sam Neill? Tom Hardy? Adrien Brody? Who did the casting director sell their soul to, anyway?) to the use of colour and an outlaw music soundtrack that shouldn't work, but does (Nick Cave? PJ Harvey? Tom Waits? David Bowie? On a period drama? What is this? Freaking genius, that's what.)
Shortly after the end of the first World War, a family of Irish gypsy (their word, not mine) - blooded Birmingham bookmakers tries to recover from the horrors of that war and build up their business. Second oldest, Tommy Shelby (played expertly by Cillian Murphy who manages to play a gangster who is both ruthless and fragile with the ability to break your heart with a single look), came back from the war broken by his experiences, but determined to rise far beyond the limitations of his Small Heath upbringing. Not only does he have the expected clashes with those who want to keep him from growing his business (both criminal rivals and the police) but he has a family to run (with all the interpersonal conflicts that entails). All of this is set against a backdrop of political turmoil from the IRA and the rise of communist sympathy in the UK.
You shouldn't like Tommy Shelby, but he is written and acted so well that you won't be able to not like him. The same can be said for older brother, Arthur, younger siblings John, Ada, and Finn. If you don't love Aunt Polly, then you must have a problem with strong female characters.
Steven Knight has taken a world told to him through family legend and turned it into a world that you will be eager to inhabit an hour (or, if you're like everyone I know, a season) at a time. He writes a period drama that doesn't feel dated. The characters and their struggles are as relevant today as they were nearly a hundred years ago.
Take a chance on the show with the weird name and discover why there are very few casual Peaky Blinders fans. There's a reason why the late, great David Bowie was a huge fan and made sure that they would have a song from his last album before he died. There's a reason the show's dated fashion and hairstyles are making a comeback, why Peaky Blinders pubs and pub nights are popping up all over. It's that good. Check it out for yourself.
Every part of Peaky Blinders is perfection. From the superb acting of its regular cast (Cillian Murphy on a tv show? Sign me up!) to a roster of featured guests (Sam Neill? Tom Hardy? Adrien Brody? Who did the casting director sell their soul to, anyway?) to the use of colour and an outlaw music soundtrack that shouldn't work, but does (Nick Cave? PJ Harvey? Tom Waits? David Bowie? On a period drama? What is this? Freaking genius, that's what.)
Shortly after the end of the first World War, a family of Irish gypsy (their word, not mine) - blooded Birmingham bookmakers tries to recover from the horrors of that war and build up their business. Second oldest, Tommy Shelby (played expertly by Cillian Murphy who manages to play a gangster who is both ruthless and fragile with the ability to break your heart with a single look), came back from the war broken by his experiences, but determined to rise far beyond the limitations of his Small Heath upbringing. Not only does he have the expected clashes with those who want to keep him from growing his business (both criminal rivals and the police) but he has a family to run (with all the interpersonal conflicts that entails). All of this is set against a backdrop of political turmoil from the IRA and the rise of communist sympathy in the UK.
You shouldn't like Tommy Shelby, but he is written and acted so well that you won't be able to not like him. The same can be said for older brother, Arthur, younger siblings John, Ada, and Finn. If you don't love Aunt Polly, then you must have a problem with strong female characters.
Steven Knight has taken a world told to him through family legend and turned it into a world that you will be eager to inhabit an hour (or, if you're like everyone I know, a season) at a time. He writes a period drama that doesn't feel dated. The characters and their struggles are as relevant today as they were nearly a hundred years ago.
Take a chance on the show with the weird name and discover why there are very few casual Peaky Blinders fans. There's a reason why the late, great David Bowie was a huge fan and made sure that they would have a song from his last album before he died. There's a reason the show's dated fashion and hairstyles are making a comeback, why Peaky Blinders pubs and pub nights are popping up all over. It's that good. Check it out for yourself.
BankofMarquis (1832 KP) rated A Quiet Place: Part II (2021) in Movies
Jun 3, 2021
A Good, Maybe Very Good, But Not Great Sequel
Did you enjoy the first A QUIET PLACE film? This horror/thriller from 2018 was unique in that it emphasized the suspense portion of the horror genre while relying, heavily, on sound (or the lack thereof).
The inevitable sequel picks up right where the first film ends, following the survivors of the first film as they make their way to a new “Quiet Place”…and, while not as unique as the first film, certainly holds its own as an entertainment and if you enjoyed the first one, you’ll enjoy this, the 2nd of what is promised to be a Trilogy.
Written and Directed by John Krasinski (who wrote and directed the first one) A QUIET PLACE PART II has an opening sequence (pre-credits) that is as good of an opening sequence as I have seen for quite some time (maybe all the way back to SAVING PRIVATE RYAN - it’s that good of an opening sequence). Again, Krasinski infuses sound (and the lack thereof) as he changes the focus of this opening scene from a deaf character (with the lack of sound) to non-deaf characters (with LOTS of sound). It is this juxtaposition of sound (and not sound) that makes an indelible impression. This opening scene is worth the price of admission all by itself.
And…that’s important… for the rest of the film is good, maybe even very good, but not great. Emily Blunt returns and is a formidable screen presence, but since this film focuses as much (if not more) on the 2 kids (Noah Jupe and Millicent Simmonds - more on them later), Blunt is relegated to a co-starring (and maybe a supporting) role, which is too little Emily Blunt in this film for my taste.
The always dependable Cillian Murphy is along for the ride this time around as a fellow survivor who has to work through some cowardice issues. While, at first, it looked like Murphy was putting in a “workmanlike, but unspectacular” performance, by the end of the film it becomes much, much better. A good, maybe even very good, but not great, performance.
As for the kids, Noah Jupe does a good, maybe even very good (but not great) performance, but that might be because Millicent Simmonds as the deaf child (she is a deaf actress herself) is REMARKABLE in her role - and this is needed for a large portion of this film follows her journey - and it is a journey worth watching. I hope this young actress gets a ton more work after these series of movies. I am going to be very interested in seeing her do other things.
Director Krasinski pulls many of the right levers in stringing out the audience - and the tension - throughout the film (though, as is often the case in these types of films, I wanted to yell at the screen a couple of times when characters did stupid things that you knew were gonna end up poorly for them). He, again, relies on suspense (and not gore) in scaring his audience and succeeds much more than he fails in this flim.
All-in-all, a movie that would be a wise choice to bring you back into the Cineplex. The (albeit small) crowd that saw the film in the theater I watched it in had more than 1 time where we all jumped and screamed together - and I realized that I had missed that.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
The inevitable sequel picks up right where the first film ends, following the survivors of the first film as they make their way to a new “Quiet Place”…and, while not as unique as the first film, certainly holds its own as an entertainment and if you enjoyed the first one, you’ll enjoy this, the 2nd of what is promised to be a Trilogy.
Written and Directed by John Krasinski (who wrote and directed the first one) A QUIET PLACE PART II has an opening sequence (pre-credits) that is as good of an opening sequence as I have seen for quite some time (maybe all the way back to SAVING PRIVATE RYAN - it’s that good of an opening sequence). Again, Krasinski infuses sound (and the lack thereof) as he changes the focus of this opening scene from a deaf character (with the lack of sound) to non-deaf characters (with LOTS of sound). It is this juxtaposition of sound (and not sound) that makes an indelible impression. This opening scene is worth the price of admission all by itself.
And…that’s important… for the rest of the film is good, maybe even very good, but not great. Emily Blunt returns and is a formidable screen presence, but since this film focuses as much (if not more) on the 2 kids (Noah Jupe and Millicent Simmonds - more on them later), Blunt is relegated to a co-starring (and maybe a supporting) role, which is too little Emily Blunt in this film for my taste.
The always dependable Cillian Murphy is along for the ride this time around as a fellow survivor who has to work through some cowardice issues. While, at first, it looked like Murphy was putting in a “workmanlike, but unspectacular” performance, by the end of the film it becomes much, much better. A good, maybe even very good, but not great, performance.
As for the kids, Noah Jupe does a good, maybe even very good (but not great) performance, but that might be because Millicent Simmonds as the deaf child (she is a deaf actress herself) is REMARKABLE in her role - and this is needed for a large portion of this film follows her journey - and it is a journey worth watching. I hope this young actress gets a ton more work after these series of movies. I am going to be very interested in seeing her do other things.
Director Krasinski pulls many of the right levers in stringing out the audience - and the tension - throughout the film (though, as is often the case in these types of films, I wanted to yell at the screen a couple of times when characters did stupid things that you knew were gonna end up poorly for them). He, again, relies on suspense (and not gore) in scaring his audience and succeeds much more than he fails in this flim.
All-in-all, a movie that would be a wise choice to bring you back into the Cineplex. The (albeit small) crowd that saw the film in the theater I watched it in had more than 1 time where we all jumped and screamed together - and I realized that I had missed that.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)