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Darren (1599 KP) rated The Adjustment Bureau (2011) in Movies
Jun 20, 2019
Story David Norris (Matt Damon) is running for congress when a story gets released cause his ratings to slide. It is now upon Harry (Anthony Mackie) to fix this to make sure David wins and follows his destine path. David goes on to win and thanks to a chance meeting with Elise (Emily Blunt) gives one of the best speeches people have heard boosting his chances of running for senate.
The next morning Harry misses the chance he has to stop David getting on a bus to work, on this bus he meet Elise again cause his destiny to be changed. After getting her phone number he arrives at work only to discover that Charlie (Michael Kelly) his campaign manager and his office had been frozen by Richardson (John Slattery) and his team for adjustments. After seeing behind the curtain Richardson burns the number putting David back on his path, warning David not to find Elise and not tell anyone about the people making peoples lives happen.
David is left trying to keep his destine line while always trying to find Elise can he beat the adjustment team watch and you will see.
Verdict The headline review was ‘Bourne meets Inception’ and in a way it is having a way of controlling someones life by make chances things happen. the action chases are well constructed without even having to use guns. David love for Elise is strong with all the obstacles and sacrifices he makes for the idea of a better futures. This is a strong action thriller that everyone should enjoy but you would have to watch from start to finish and will struggle if picked up half way through.
Best quote Elise ‘ I’m not some hopeless romantic, I would never allow myself to be that way, but once I’ve fell, even for a moment, what I felt with you’
Favourite character Harry David personal watcher who explains the rules and breaks some too
Stand out performance Matt Damon he gives his normal strong performance as an important figure who takes risks
Best moment The door chase
Worst Moment Maybe being picky but maybe more explanation of the year gaps
https://moviesreview101.com/2011/07/09/the-adjustment-bureau-2011/
The next morning Harry misses the chance he has to stop David getting on a bus to work, on this bus he meet Elise again cause his destiny to be changed. After getting her phone number he arrives at work only to discover that Charlie (Michael Kelly) his campaign manager and his office had been frozen by Richardson (John Slattery) and his team for adjustments. After seeing behind the curtain Richardson burns the number putting David back on his path, warning David not to find Elise and not tell anyone about the people making peoples lives happen.
David is left trying to keep his destine line while always trying to find Elise can he beat the adjustment team watch and you will see.
Verdict The headline review was ‘Bourne meets Inception’ and in a way it is having a way of controlling someones life by make chances things happen. the action chases are well constructed without even having to use guns. David love for Elise is strong with all the obstacles and sacrifices he makes for the idea of a better futures. This is a strong action thriller that everyone should enjoy but you would have to watch from start to finish and will struggle if picked up half way through.
Best quote Elise ‘ I’m not some hopeless romantic, I would never allow myself to be that way, but once I’ve fell, even for a moment, what I felt with you’
Favourite character Harry David personal watcher who explains the rules and breaks some too
Stand out performance Matt Damon he gives his normal strong performance as an important figure who takes risks
Best moment The door chase
Worst Moment Maybe being picky but maybe more explanation of the year gaps
https://moviesreview101.com/2011/07/09/the-adjustment-bureau-2011/
Gareth von Kallenbach (965 KP) rated The Adjustment Bureau (2011) in Movies
Aug 7, 2019
The Adjustment Bureau is based on (or it may be more accurate to say, inspired by) the Philip K. Dick short story “Adjustment Team”, and stars Matt Damon as David Norris, a New York politician running for the U.S. Senate and Emily Blunt as Elise Sellas, a professional ballerina.
When David and Elise first meet in the men’s restroom and he doesn’t question her gender I knew this wasn’t going to be the typical boy meets girl story. Just to clarify, I’m not saying she turns out to be a he, I’m just saying it’s good to check out the engine under the hood. But what should have been a once in a restroom… er, lifetime encounter, becomes a second, then a third and… you get the point. Shortly after their second encounter where David finally gets Elise’s name and number written on a business card he walks in on a strange group of well dressed individuals who were what can only be described as “probing” his friends in a conference room. So David does what any sane person would do after witnessing a group probing, he runs (like you wouldn’t? ). After running down a few hallways, he’s captured. Let’s be honest, running down hallways isn’t Oscar material, so I was glad it was short-lived. David learns that these well-dressed individuals work for The Adjustment Bureau.
This secret organization works behind the scenes to ensure the course of destiny, as written by “The Chairman”, goes as planned and they tell him that men’s room ballerinas are not part of the plan for him. At this point I wanted to yell “Screw them, go for the ballerina! They’re bendy!” but before I could, Agent Richardson (played by John Slattery) informs David that if he doesn’t follow the plan they have for him then they will… well, let’s just say they will probe him like nobody’s business. Then before they leave they take the business card with Elise’s name and number on it and before you can say “rooster-block” they throw him to the floor like Chevy Chase impersonating President Ford and disappear.
In time David and Elise are reunited by chance and with some information given to him by his disgruntled Adjustment Bureau ex-caseworker Agent Harry (played by Anthony Mackie), David works hard to overcome the obstacles placed before them by the Adjustment Bureau. But when Agent Thompson (played by Terence Stamp) joins the fray, he tells David what will happen to Elise if he doesn’t leave her.
Does love win in the end, does fate win or are they eaten by the alligators in the New York City sewers? I will tell you, that once again, the alligators did not win. The film does an excellent job of balancing its romance and thriller aspects with just enough humor to compliment the first two aspects, making it a very enjoyable movie for an individual, a couple or a group of friends to see. On a side note, when the film was over I left the movie wanting to buy a suit and I really dislike wearing suits.
When David and Elise first meet in the men’s restroom and he doesn’t question her gender I knew this wasn’t going to be the typical boy meets girl story. Just to clarify, I’m not saying she turns out to be a he, I’m just saying it’s good to check out the engine under the hood. But what should have been a once in a restroom… er, lifetime encounter, becomes a second, then a third and… you get the point. Shortly after their second encounter where David finally gets Elise’s name and number written on a business card he walks in on a strange group of well dressed individuals who were what can only be described as “probing” his friends in a conference room. So David does what any sane person would do after witnessing a group probing, he runs (like you wouldn’t? ). After running down a few hallways, he’s captured. Let’s be honest, running down hallways isn’t Oscar material, so I was glad it was short-lived. David learns that these well-dressed individuals work for The Adjustment Bureau.
This secret organization works behind the scenes to ensure the course of destiny, as written by “The Chairman”, goes as planned and they tell him that men’s room ballerinas are not part of the plan for him. At this point I wanted to yell “Screw them, go for the ballerina! They’re bendy!” but before I could, Agent Richardson (played by John Slattery) informs David that if he doesn’t follow the plan they have for him then they will… well, let’s just say they will probe him like nobody’s business. Then before they leave they take the business card with Elise’s name and number on it and before you can say “rooster-block” they throw him to the floor like Chevy Chase impersonating President Ford and disappear.
In time David and Elise are reunited by chance and with some information given to him by his disgruntled Adjustment Bureau ex-caseworker Agent Harry (played by Anthony Mackie), David works hard to overcome the obstacles placed before them by the Adjustment Bureau. But when Agent Thompson (played by Terence Stamp) joins the fray, he tells David what will happen to Elise if he doesn’t leave her.
Does love win in the end, does fate win or are they eaten by the alligators in the New York City sewers? I will tell you, that once again, the alligators did not win. The film does an excellent job of balancing its romance and thriller aspects with just enough humor to compliment the first two aspects, making it a very enjoyable movie for an individual, a couple or a group of friends to see. On a side note, when the film was over I left the movie wanting to buy a suit and I really dislike wearing suits.
Charlie Cobra Reviews (1840 KP) rated Maggie (2015) in Movies
Nov 1, 2020
Maggie: More Drama Then Zombies In This Zombie Film (4/10)
Contains spoilers, click to show
Maggie is a 2015 Horror/Drama film directed by Henry Hobson and written by John Scott 3. It was produced by Grindstone Entertainment Group, Gold Star Films, Lotus Entertainment, Silver Reel, Matt Baer Films and Sly Predator and distributed by Lionsgate Films and Roadside Attractions. The movie stars Arnold Schwarzenegger, Abigail Breslin, and Joely Richardson.
Society struggles to function in the aftermath of a zombie pandemic (Necroambulism) barely under control in the present-day Midwestern United States. Maggie's father Wade (Arnold Schwarzenegger) has searched two weeks for her, finally finding her in a hospital for the infected. Maggie Vogel (Abigail Breslin) had left a voicemail urging that he not seek her and that she loved him. Her arm was bitten and knowing she has only weeks before the "Necroambulist virus" turns her cannibalistic, she left home to protect her family. He brings Maggie home to care for her until she must eventually be quarantined.
As far as zombie movies go, this was a big let down. At first I thought the title was a red flag because what zombie movie would be called "Maggie" right? Well, I was right, not much of a zombie movie. And I was excited going into it too because Arnold was the most serious I've seen him in a role, like possibly ever. He did a great job and actually all the actors did a decent job, it's just the movie turned into a complete drama film and not a zombie movie at all. It was more of a coming to terms of the death of a person then about survival horror or anything close to it. If your looking for a really tame zombie movie then this is your jam. For me I was so disappointed because it's an ok movie on it's own and pretty emotional but just not for me. I give it a 4/10. And suggest if your are looking for a good zombie movie to watch, you skip this one.
Spoiler Section Review:
Man, I was so hyped for this movie. Arnold Schwarzenegger in a zombie movie, hell yeah. And that other girl Abigail Breslin from Zombieland, I was like this is going to be cool. From the trailer, I already knew that this looked like it was going to be a more serious tone kind of movie and very emotional but what a let down. I mean I was so disappointed in this movie. I was hoping it would be an "Arnold" kind of movie but it was more of an "indie" film. It was very emotional as it would be because the character's are dealing with death in a very surreal way and having a long time to contemplate everything about it. Very different from most zombie movies and really somber. Not a bad movie but not what I look for in a good zombie movie. That first zombie scene with Arnold and the zombie in the restroom was probably the best part of the movie and it sucked. Arnold kills the zombie by choking it or breaking it's neck from choking it. I mean c'mon, you can't kill zombies that way. Anyways I gave this movie a 4/10 and suggest watching a different zombie movie if you want to see something entertaining.
Society struggles to function in the aftermath of a zombie pandemic (Necroambulism) barely under control in the present-day Midwestern United States. Maggie's father Wade (Arnold Schwarzenegger) has searched two weeks for her, finally finding her in a hospital for the infected. Maggie Vogel (Abigail Breslin) had left a voicemail urging that he not seek her and that she loved him. Her arm was bitten and knowing she has only weeks before the "Necroambulist virus" turns her cannibalistic, she left home to protect her family. He brings Maggie home to care for her until she must eventually be quarantined.
As far as zombie movies go, this was a big let down. At first I thought the title was a red flag because what zombie movie would be called "Maggie" right? Well, I was right, not much of a zombie movie. And I was excited going into it too because Arnold was the most serious I've seen him in a role, like possibly ever. He did a great job and actually all the actors did a decent job, it's just the movie turned into a complete drama film and not a zombie movie at all. It was more of a coming to terms of the death of a person then about survival horror or anything close to it. If your looking for a really tame zombie movie then this is your jam. For me I was so disappointed because it's an ok movie on it's own and pretty emotional but just not for me. I give it a 4/10. And suggest if your are looking for a good zombie movie to watch, you skip this one.
Spoiler Section Review:
Man, I was so hyped for this movie. Arnold Schwarzenegger in a zombie movie, hell yeah. And that other girl Abigail Breslin from Zombieland, I was like this is going to be cool. From the trailer, I already knew that this looked like it was going to be a more serious tone kind of movie and very emotional but what a let down. I mean I was so disappointed in this movie. I was hoping it would be an "Arnold" kind of movie but it was more of an "indie" film. It was very emotional as it would be because the character's are dealing with death in a very surreal way and having a long time to contemplate everything about it. Very different from most zombie movies and really somber. Not a bad movie but not what I look for in a good zombie movie. That first zombie scene with Arnold and the zombie in the restroom was probably the best part of the movie and it sucked. Arnold kills the zombie by choking it or breaking it's neck from choking it. I mean c'mon, you can't kill zombies that way. Anyways I gave this movie a 4/10 and suggest watching a different zombie movie if you want to see something entertaining.
Movie Metropolis (309 KP) rated Cold Pursuit (2019) in Movies
Jun 10, 2019
Neeson's best film in years
Yes, we all know the jokes. Liam Neeson’s spiral into revenge thriller territory is one of the most meme-worthy things in film, except maybe John Travolta and Battlefield Earth. Starting with Taken and its, let’s be honest, dreadful sequels, the Irish actor has made a name for himself as the go-to guy to rough someone up after a spate of bad-luck.
He’s had kids killed, kidnapped and spouses murdered in cold blood, he’s even been framed for hijacking a jumbo jet – if anyone deserves a break, it’s Liam Neeson. Unfortunately, his films have ranged from great (Taken, Non-Stop), to middling (Run All Night, The Commuter), to downright dreadful (Taken 2, Taken 3) and that’s how the meme-worthiness was born. Nevertheless, Neeson is back for yet another revenge thriller in Cold Pursuit. But how does it stack up?
Nels Coxman’s (Neeson) quiet life as a snowplough driver comes crashing down when his beloved son (Micheál Richardson) dies under mysterious circumstances. His search for the truth soon becomes a quest for revenge against a psychotic drug lord named Viking (Tom Bateman) and his sleazy henchmen. Transformed from upstanding citizen to cold-blooded vigilante, Coxman unwittingly sets off a chain of events that includes a kidnapping, a series of deadly misunderstandings and a turf war between Viking and a rival boss called White Bull.
Let’s get the elephant in the room out of the way first. This is not a review biased by Neeson’s, shall we say, ill-worded rant on his former life. We all have our own opinions on the matter, but that should not detract from individuals going to see a movie in the cinema. In fact, Cold Pursuit is Neeson’s most accomplished film in years, helped by stylish directing from Swedish director Hans Petter Moland. It’s worth noting that Cold Pursuit is in fact a US remake of Swedish film, In Order of Disappearance and there’s a tasteful nod to the film’s roots in the end-credits.
With a dark, comedic edge, Cold Pursuit is as funny as much as it is gory and it is this hybridity of genres that remains the film’s trump card. The script, penned by Moland himself, is witty and sharp, filled with fantastic line-delivery by the entire cast who look like they’re having a cracking time. There are twists and turns and even a gay-romantic subplot – how very contemporary.
Apart from Neeson, Tom Bateman is an absolute stand-out as the film’s primary antagonist. Allowing him to be a presence in the film from the outset allows the audience to fully feel his character and there’s no doubt that he is a despicable human-being. Neeson performs in typical Liam Neeson fashion. He snarls and growls his way through the film but allows a softer side to creep in than we’re used to, helped in part by that comedic script.
Revenge thrillers rarely have the budget for flashy CGI or top-notch practical effects but Cold Pursuit is one of the better in the genre
It’s not perfect however. Laura Dern is a massively underused presence throughout and disappears completely from the film about 1-hour in with no other references to her character. This is a real shame as her chemistry with Neeson is good and they make a believable couple, especially when they’re dealing with the ramifications of their son’s death.
Dern continues to prove her acting prowess and it would have been nice to see her continue to be a feature throughout the film. The pacing is a little off too. At 118 minutes long, the film plods a little as it gets going and then doesn’t stop until the fun and entirely ridiculous finale.
However, it’s good to see the special effects are up to scratch for the genre. Revenge thrillers rarely have the budget for flashy CGI or top-notch practical effects but Cold Pursuit is one of the better in the genre. With a relatively modest budget of $60million, it appears that was well spent with clever editing and cinematography masking any less-than-stellar visuals.
Overall, Cold Pursuit is a fun, if forgettable revenge thriller that features some delicious dark comedy mixed with an intriguing story. It’s certainly Neeson’s best film since Non-Stopand marks a return to form for the Irish actor. Unfortunately, these type of flicks are ten-a-penny nowadays and I’m unsure whether snappy one-liners and beautiful snow-capped peaks are enough to differentiate it in a crowded marketplace.
https://moviemetropolis.net/2019/03/01/cold-pursuit-review-neesons-best-film-in-years/
He’s had kids killed, kidnapped and spouses murdered in cold blood, he’s even been framed for hijacking a jumbo jet – if anyone deserves a break, it’s Liam Neeson. Unfortunately, his films have ranged from great (Taken, Non-Stop), to middling (Run All Night, The Commuter), to downright dreadful (Taken 2, Taken 3) and that’s how the meme-worthiness was born. Nevertheless, Neeson is back for yet another revenge thriller in Cold Pursuit. But how does it stack up?
Nels Coxman’s (Neeson) quiet life as a snowplough driver comes crashing down when his beloved son (Micheál Richardson) dies under mysterious circumstances. His search for the truth soon becomes a quest for revenge against a psychotic drug lord named Viking (Tom Bateman) and his sleazy henchmen. Transformed from upstanding citizen to cold-blooded vigilante, Coxman unwittingly sets off a chain of events that includes a kidnapping, a series of deadly misunderstandings and a turf war between Viking and a rival boss called White Bull.
Let’s get the elephant in the room out of the way first. This is not a review biased by Neeson’s, shall we say, ill-worded rant on his former life. We all have our own opinions on the matter, but that should not detract from individuals going to see a movie in the cinema. In fact, Cold Pursuit is Neeson’s most accomplished film in years, helped by stylish directing from Swedish director Hans Petter Moland. It’s worth noting that Cold Pursuit is in fact a US remake of Swedish film, In Order of Disappearance and there’s a tasteful nod to the film’s roots in the end-credits.
With a dark, comedic edge, Cold Pursuit is as funny as much as it is gory and it is this hybridity of genres that remains the film’s trump card. The script, penned by Moland himself, is witty and sharp, filled with fantastic line-delivery by the entire cast who look like they’re having a cracking time. There are twists and turns and even a gay-romantic subplot – how very contemporary.
Apart from Neeson, Tom Bateman is an absolute stand-out as the film’s primary antagonist. Allowing him to be a presence in the film from the outset allows the audience to fully feel his character and there’s no doubt that he is a despicable human-being. Neeson performs in typical Liam Neeson fashion. He snarls and growls his way through the film but allows a softer side to creep in than we’re used to, helped in part by that comedic script.
Revenge thrillers rarely have the budget for flashy CGI or top-notch practical effects but Cold Pursuit is one of the better in the genre
It’s not perfect however. Laura Dern is a massively underused presence throughout and disappears completely from the film about 1-hour in with no other references to her character. This is a real shame as her chemistry with Neeson is good and they make a believable couple, especially when they’re dealing with the ramifications of their son’s death.
Dern continues to prove her acting prowess and it would have been nice to see her continue to be a feature throughout the film. The pacing is a little off too. At 118 minutes long, the film plods a little as it gets going and then doesn’t stop until the fun and entirely ridiculous finale.
However, it’s good to see the special effects are up to scratch for the genre. Revenge thrillers rarely have the budget for flashy CGI or top-notch practical effects but Cold Pursuit is one of the better in the genre. With a relatively modest budget of $60million, it appears that was well spent with clever editing and cinematography masking any less-than-stellar visuals.
Overall, Cold Pursuit is a fun, if forgettable revenge thriller that features some delicious dark comedy mixed with an intriguing story. It’s certainly Neeson’s best film since Non-Stopand marks a return to form for the Irish actor. Unfortunately, these type of flicks are ten-a-penny nowadays and I’m unsure whether snappy one-liners and beautiful snow-capped peaks are enough to differentiate it in a crowded marketplace.
https://moviemetropolis.net/2019/03/01/cold-pursuit-review-neesons-best-film-in-years/
Bob Mann (459 KP) rated Cold Pursuit (2019) in Movies
Mar 15, 2020
Comments on revenge are best kept on the screen.
I'd completely forgotten the furore about Liam Neeson's comments back last February during the press-tour preceding the film's release. In discussing the destructive feelings of revenge experienced by his character, Nels Coxman, Neeson revealed something he did 40 years ago: after the rape of a friend by "a black man", Neeson went out on the streets to find another "black man" and do them harm. (As a fellow Ballymena-born man, David Moody (from the "Mark and Dave" blog) has an interesting theory about this... that it was not a "rascist" statement in the true sense, but something else entirely. See here - ).
The comments undoubtedly impacted the movie at the box office. Which is a shame. Because in his catalogue of bonkers and violent revenge-porn flicks, this is one of Neeson's more entertaining ones.
Revenge is a dish best served cold. And where colder to serve it than in the ski-resort of Kehoe where Nels Coxman is the local snowplow operative and "man of the year" for his services to the community. But the tracks are about to fall off his orderly life. For his son Kyle (Micheál Richardson) winds up dead through a drugs overdose and his strained marriage with wife Grace (Laura Dern) disintegrates. (One of the most cutting and best-written "Bye" notes ever seen in the movies).
With revenge in mind, Coxman pursues the Denver-based drugs lord Trevor Calcote (Tom Bateman) who dished out the drugs to his son. But he inadvertently manages to stay just below the parapet as he sets in train a gang war between Calcote and a Kehoe-based native-American drugs gang led by White Bull (Tom Jackson). The snow turned progressively pinker as the body count rises.
Calcote (aka "Viking") is painted as a colourful family man, with an annoyingly bright son Ryan (Nicholas Holmes) that he controls with a rod of iron. Viking is estranged from wife Aya (Julia Jones), who seems completely unafraid of him and happily embarrasses him in front of his men. This relationship never really works. Since given all the terrible and irrational things Viking does to people, whether they obstruct him or help him in equal measure, putting a quiet bullet into Aya's head seems to be to least he could do!
Where there is fun to be had is in the "Stockholm syndrome" linkage between young Ryan and Coxman. When his father insists on controlling his diet, feeding him the same insipidly healthy meals morning, noon and night, the alternative of being kidnapped and fed burgers seems eminently more preferable!
The film is at times really difficult to follow. There are lots of inexplicable leaps of logic and really inexplicably bonkers scenes that you can only patch together later. It's as if the filmmakers randomly filmed 5 hours of footage and then tried to edit it all into a cohesive plot!
As one example of this, the relationship between Coxman and "Wingman" (William Forsythe) was poorly introduced such that I was left baffled by a later plot twist.
In another scene, Neeson smashes the head of enforcer "Santa" (Michael Adamthwaite) into his steering wheel, but in the next scene collapses with him utterly exhausted in the snow. There was clearly a significant fight here that was cut out of the finished cut. But as a result the final cut makes no sense at all!
Of course, the local law enforcement team are average at best. Average because although young and keen-as-mustard detective Kim Dash (Emmy Rossum) is hot on the trail of the truth, her partner Gip (John Doman) is f*ckin' useless... wanting to do nothing but drink coffee and eat donuts in true Simpsons style.
Normally with these sort of films, it's difficult to keep track of the body count. No such problem here. Every death is celebrated with a tombstone graphic so it's easy to keep count! Needless to say, there are a lot of tombstones registered.
Directed by Norwegian Hans Petter Moland, it's all good violent cartoonish fun, that keeps its tongue firmly in its cheek for most of the running time. The snowy setting, the partly native-American cast and the presence of Julia Jones brings to mind the truly excellent Jeremy Renner / Elizabeth Olsen movie "Wind River". But there the similarities (and quality levels) definitely stop. It's not a clever movie; it's borderline bonkers for most of its running time (never more so than with a totally bizarre "joke" final shot); but it is entertaining. As a 'park brain at door' action comedy it just about makes the grade.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/15/one-manns-movies-dvd-review-cold-pursuit-2019/. Thanks.)
The comments undoubtedly impacted the movie at the box office. Which is a shame. Because in his catalogue of bonkers and violent revenge-porn flicks, this is one of Neeson's more entertaining ones.
Revenge is a dish best served cold. And where colder to serve it than in the ski-resort of Kehoe where Nels Coxman is the local snowplow operative and "man of the year" for his services to the community. But the tracks are about to fall off his orderly life. For his son Kyle (Micheál Richardson) winds up dead through a drugs overdose and his strained marriage with wife Grace (Laura Dern) disintegrates. (One of the most cutting and best-written "Bye" notes ever seen in the movies).
With revenge in mind, Coxman pursues the Denver-based drugs lord Trevor Calcote (Tom Bateman) who dished out the drugs to his son. But he inadvertently manages to stay just below the parapet as he sets in train a gang war between Calcote and a Kehoe-based native-American drugs gang led by White Bull (Tom Jackson). The snow turned progressively pinker as the body count rises.
Calcote (aka "Viking") is painted as a colourful family man, with an annoyingly bright son Ryan (Nicholas Holmes) that he controls with a rod of iron. Viking is estranged from wife Aya (Julia Jones), who seems completely unafraid of him and happily embarrasses him in front of his men. This relationship never really works. Since given all the terrible and irrational things Viking does to people, whether they obstruct him or help him in equal measure, putting a quiet bullet into Aya's head seems to be to least he could do!
Where there is fun to be had is in the "Stockholm syndrome" linkage between young Ryan and Coxman. When his father insists on controlling his diet, feeding him the same insipidly healthy meals morning, noon and night, the alternative of being kidnapped and fed burgers seems eminently more preferable!
The film is at times really difficult to follow. There are lots of inexplicable leaps of logic and really inexplicably bonkers scenes that you can only patch together later. It's as if the filmmakers randomly filmed 5 hours of footage and then tried to edit it all into a cohesive plot!
As one example of this, the relationship between Coxman and "Wingman" (William Forsythe) was poorly introduced such that I was left baffled by a later plot twist.
In another scene, Neeson smashes the head of enforcer "Santa" (Michael Adamthwaite) into his steering wheel, but in the next scene collapses with him utterly exhausted in the snow. There was clearly a significant fight here that was cut out of the finished cut. But as a result the final cut makes no sense at all!
Of course, the local law enforcement team are average at best. Average because although young and keen-as-mustard detective Kim Dash (Emmy Rossum) is hot on the trail of the truth, her partner Gip (John Doman) is f*ckin' useless... wanting to do nothing but drink coffee and eat donuts in true Simpsons style.
Normally with these sort of films, it's difficult to keep track of the body count. No such problem here. Every death is celebrated with a tombstone graphic so it's easy to keep count! Needless to say, there are a lot of tombstones registered.
Directed by Norwegian Hans Petter Moland, it's all good violent cartoonish fun, that keeps its tongue firmly in its cheek for most of the running time. The snowy setting, the partly native-American cast and the presence of Julia Jones brings to mind the truly excellent Jeremy Renner / Elizabeth Olsen movie "Wind River". But there the similarities (and quality levels) definitely stop. It's not a clever movie; it's borderline bonkers for most of its running time (never more so than with a totally bizarre "joke" final shot); but it is entertaining. As a 'park brain at door' action comedy it just about makes the grade.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/15/one-manns-movies-dvd-review-cold-pursuit-2019/. Thanks.)
