"Whoever it was that said this album didn't sell a lot of copies but every person who bought it went on to form a band, I think there is probably some truth in that. It is such an influential record; such a truly unique, maverick record and it's one of the records I play more than anything else. I often go back to it now - I will just feel like needing to hear 'Venus In Furs'. It still sounds weirdly modern considering it was made in the sixties. I love the whole way The Velvet Underground went about things - John Cale playing viola, Nico singing on some of the songs and Lou singing on others. It has a feel to it that is unlike anything and nobody has really touched for originality since then. It sounds so strange - it was made in New York during a period that has the whole mystique of Andy Warhol’s Factory. It's also one of the great album covers of our time – Warhol’s peeling banana. I knew Andy very well throughout the eighties until he sadly died. That whole scene was so stylish and underground - they had the perfect name. I've been lucky enough over the years to meet John Cale a bunch of times and Lou Reed - I sat next to Lou at a dinner a few months back - and to me they are still great icons of modern music. We actually played with Lou onstage once in the late eighties. We did a charity show and he came and played 'Sweet Jane' and 'Walk On The Wild Side' with us, which was surreal. We have covered 'Femme Fatale' - we could cover the entire album but it wouldn't be nearly as good so there's no point."

"I kept reading about punk, but the local radio station wouldn’t play punk; they didn’t think it was real music. That led to me one of the musical discoveries of my life. One night, I really wanted to hear what this punk music was and, turning the radio dial, I heard John Peel’s radio show. I started listening to it and taking songs off there all the time, and that became my musical education. It made me want to form a group; the early Pulp were really just a ragbag of the influences that we’d picked up from listening to John Peel’s show every night. The first Devo album came out that year [in 1978], and I went to see them play at the City Hall in Sheffield, which was quite influential. One of the first songs that Pulp learned how to play was the Devo song “Gut Feeling.” A couple of years later, when we first did some recordings, I took them to John Peel—he used to do these road shows at colleges, and I just went along to the one he did in Sheffield and hung around and gave him the tape after when he was putting all his records back into his DJ box at the end. He listened to it on the way home, and that really changed my life. Then he gave us a session [in 1981]. We were all still at school. I was 16 or maybe just 17, and the drummer was 15 and he looked about 12. He could hardly reach the bass drum pedal to play the drum."