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Chris Sawin (602 KP) rated Antikörper (Antibodies) (2007) in Movies
Jun 18, 2019
A serial killer named Gabriel Engel (André Hennicke, Pandorum) that the police have been after for months has finally been captured. This is where most stories would end happily ever after, but instead this is how Antibodies begins. Michael Martens (Wotan Wilke Möhring, Valkyrie), a cop from a small, rural town had an unsolved case from a year ago concerning a 12-year-old girl named Lucia Flieder and Michael intends to interrogate Gabriel in hopes of a confession for her murder.
Gabriel already admitted to being in the area around the time of Lucia’s death, but her murder doesn’t entirely fit his M.O. But Michael plays right into Gabriel’s hands and becomes the pawn in his sick, psychological game as he’s able to get into Michael’s head from the moment they meet and remains there until the credits roll. The question isn’t, “Will Michael be able to find what he’s looking for?” but is instead, “Will Michael be able to survive the cerebral hedge maze Gabriel has thrown him into?”
Written and directed by Christian Alvart (Case 39, Pandorum), Antibodies is a German crime drama thriller that is worth seeing for André Hennicke’s performance alone. His portrayal of Gabriel is psychotic, disturbing, and extraordinarily mesmerizing as he steals nearly every scene he’s in. Hennicke embodies Gabriel and brings the character to life in all of his monstrously disquieting glory. There’s a brief sequence where Gabriel is drawing in his cell and he slowly starts pulling out his hair. There’s no dialogue, but Hennicke is able to pull it off with such terrifying elegance that it is incredible to witness.
Wotan Wilke Möhring is also quite impressive as Michael Martens. Michael struggles with the mental obstacles Gabriel throws at him throughout the film. Möhring is fantastically efficient at portraying a man who devoted his life to being an abiding citizen that is also committed to his religion. He cares deeply about his family and is now slowly losing his grip on his so-called perfect life. The interrogation scenes between Michael and Gabriel seem to simultaneously be homage to The Silence of the Lambs while also offering something different with its complete mastery of tension and Gabriel’s ulterior motives ring loudly upon the audience yet fall on deaf ears to a gullible Michael.
The religious parallels are incredibly interesting and deserve recognition, as well. The film has a tendency to not only reveal these parallels, but dives into them in a way that is easy to understand for the audience; the similarities between Michael and the archangel Gabriel are uncanny. The ending involving the test Gabriel gives Michael is all a part of a twisted game Gabriel plays and the web he’s spun has managed to get Michael tangled up in it. The film makes you think you know where it’s headed before it takes an unexpected detour and ends up going in the opposite direction.
Perhaps the most unusual aspect of the film is the involvement of Norman Reedus. The Wikipedia entry for Antibodies is still so bare, but apparently Reedus did his part in the film for free. Before The Walking Dead came along, Reedus was known best for his roles in The Boondock Saints, 8MM, Blade II, and the John Carpenter directed Masters of Horror episode, “Cigarette Burns.” Reedus has always taken part in projects that are unusual, but typically turn out to be fairly awesome. It was a great change of pace to see him show up and speak a few lines of German without a crossbow or a motorcycle.
Antibodies isn’t without its flaws as its script is often juvenile with the way it references sex and pleasuring yourself way more often than it should. The German thriller is still able to capitalize on a wonderfully tense and magnificently unsettling atmosphere with two incredibly strong leads that make the whole journey worthwhile. The story is riveting despite a few hiccups, the cast is top notch, the cinematography is excellent, and its unpredictable outcome is brilliant.
Antibodies is currently streaming on Amazon Video and Vudu for $2.99. The 2-disc special edition DVD is available for $24.98 on Amazon while the standard DVD is between $19.99 and $43.41. The film is available on DVD for various prices on eBay with the best offers being a pre-owned version of the single disc edition for $5.39 (10% off its normal $5.99 price) and the two-disc edition for $18.24; both have free shipping.
Gabriel already admitted to being in the area around the time of Lucia’s death, but her murder doesn’t entirely fit his M.O. But Michael plays right into Gabriel’s hands and becomes the pawn in his sick, psychological game as he’s able to get into Michael’s head from the moment they meet and remains there until the credits roll. The question isn’t, “Will Michael be able to find what he’s looking for?” but is instead, “Will Michael be able to survive the cerebral hedge maze Gabriel has thrown him into?”
Written and directed by Christian Alvart (Case 39, Pandorum), Antibodies is a German crime drama thriller that is worth seeing for André Hennicke’s performance alone. His portrayal of Gabriel is psychotic, disturbing, and extraordinarily mesmerizing as he steals nearly every scene he’s in. Hennicke embodies Gabriel and brings the character to life in all of his monstrously disquieting glory. There’s a brief sequence where Gabriel is drawing in his cell and he slowly starts pulling out his hair. There’s no dialogue, but Hennicke is able to pull it off with such terrifying elegance that it is incredible to witness.
Wotan Wilke Möhring is also quite impressive as Michael Martens. Michael struggles with the mental obstacles Gabriel throws at him throughout the film. Möhring is fantastically efficient at portraying a man who devoted his life to being an abiding citizen that is also committed to his religion. He cares deeply about his family and is now slowly losing his grip on his so-called perfect life. The interrogation scenes between Michael and Gabriel seem to simultaneously be homage to The Silence of the Lambs while also offering something different with its complete mastery of tension and Gabriel’s ulterior motives ring loudly upon the audience yet fall on deaf ears to a gullible Michael.
The religious parallels are incredibly interesting and deserve recognition, as well. The film has a tendency to not only reveal these parallels, but dives into them in a way that is easy to understand for the audience; the similarities between Michael and the archangel Gabriel are uncanny. The ending involving the test Gabriel gives Michael is all a part of a twisted game Gabriel plays and the web he’s spun has managed to get Michael tangled up in it. The film makes you think you know where it’s headed before it takes an unexpected detour and ends up going in the opposite direction.
Perhaps the most unusual aspect of the film is the involvement of Norman Reedus. The Wikipedia entry for Antibodies is still so bare, but apparently Reedus did his part in the film for free. Before The Walking Dead came along, Reedus was known best for his roles in The Boondock Saints, 8MM, Blade II, and the John Carpenter directed Masters of Horror episode, “Cigarette Burns.” Reedus has always taken part in projects that are unusual, but typically turn out to be fairly awesome. It was a great change of pace to see him show up and speak a few lines of German without a crossbow or a motorcycle.
Antibodies isn’t without its flaws as its script is often juvenile with the way it references sex and pleasuring yourself way more often than it should. The German thriller is still able to capitalize on a wonderfully tense and magnificently unsettling atmosphere with two incredibly strong leads that make the whole journey worthwhile. The story is riveting despite a few hiccups, the cast is top notch, the cinematography is excellent, and its unpredictable outcome is brilliant.
Antibodies is currently streaming on Amazon Video and Vudu for $2.99. The 2-disc special edition DVD is available for $24.98 on Amazon while the standard DVD is between $19.99 and $43.41. The film is available on DVD for various prices on eBay with the best offers being a pre-owned version of the single disc edition for $5.39 (10% off its normal $5.99 price) and the two-disc edition for $18.24; both have free shipping.
Gareth von Kallenbach (977 KP) rated American Reunion (2012) in Movies
Aug 7, 2019
It has often been said that you cannot turn back the hands of time, but thankfully Hollywood is a place where magical things happen. In the case of the gang from American Pie and the creative talents of writer directors Jon Hurwitz Hayden Schlossberg, the gang is back, better than ever, for another slice if pie. Hurwitz and Schlossberg are the creative team behind the ” Harold and Kumar” series and have been entrusted by Universal to carry on the American Pie series which had recently been relegated to four direct-to-DVD releases.
The new film reunites the entire cast from the original three films and centers around the gang’s 13 year high school reunion. Life has definitely taken them all in some unexpected directions. Jim (Jason Biggs) is married to Michelle (Alyson Hannigan), and are now parents to a little boy and enjoying a comfortable, if a tad uneventful, suburban lifestyle.
Oz (Chris Klein), is a successful Los Angeles sportscaster as well as a recent contestant on a popular national dance show. He spends his time mixing with celebrities and indulging a girlfriend who loves to party just a bit too much. Meanwhile, Kevin (Thomas Ian Nicholas), is happily married but needs an escape from a domestic routine that includes watching reality shows with his wife.
Finch (Eddie Kaye Thomas) fancies himself a nomadic spirit who wanders the globe from one esoteric adventure to another, still looking for his true love while Stiffler (Seann William Scott), works at a prestigious firm and remains the guy who never misses an opportunity to wisecrack or sexually harass any female who crosses his path.
As reunion-type movies go, there are the expected moments of awkwardness and hilarity. And of course, it wouldn’t be an American Pie movie without moments of ridiculously crude antics, mainly from Stifler. What separates the film from the bevy of raunchy comedies that flooded the market after the success of the initial film, is that there is some maturity amongst the mayhem.
In between the outrageous antics, the various characters are forced to take deep examinations of their lives since graduation and in some cases grow up for the first time in their lives. Oz must comes to grips with his feelings for his former girlfriend Heather (Mena Suvari), as does Kevin when his former flame Vicky (Tara Reid), returns to town for the reunion. Jim and Michelle have to find a way to bring some sexual spark back into their lives while Finch needs to accept the mundane reality of his. And Stifler. Well, let’s just say he needs to find his true calling.
What really sold the film for me was not just the great chemistry between the cast but the way the script deftly moved the raunchy comedy along while combining character development and depth that is not normally found in films of this type. As I watched, I found that I had really missed this crew of unlikely friends, and really enjoyed catching up with them even when they were not extricating themselves from one over-the-top situation after another.
While the film did drag a bit slightly there was always an outrageous moment right around the corner that had the theater errupting in laughter or shrieking in disbelief. This film is rated R for good reason. The cast worked really great together and it was especially nice to see Klein back in the mix, as he had been noticeably absent from the last film in no small part due to his offscreen issues.
Eugene Levy and Jennifer Coolidge (Stifler’s mom) have some absolutely hysterical moments in film especially when Mr. Levenstein, widowed now for three years, decides to cut loose at a party and we get to see has wild side. I would also encourage viewers to make sure to stay through the credits as there is more comedy from this pair that must not be missed.
The supporting characters from the previous films were all given their moments to shine even if it is just in a small cameo. Shannon Elizabeth, Natasha Lyonne, John Cho, and of course, the Sherminator were all given a chance to bring back some memories, making this film is welcome and enjoyably nostalgic trip. It proves that there’s still some life and good times left in the series, and if the creative talents can keep quality to this level I, for one, would certainly welcome another slice of pie in the future.
The new film reunites the entire cast from the original three films and centers around the gang’s 13 year high school reunion. Life has definitely taken them all in some unexpected directions. Jim (Jason Biggs) is married to Michelle (Alyson Hannigan), and are now parents to a little boy and enjoying a comfortable, if a tad uneventful, suburban lifestyle.
Oz (Chris Klein), is a successful Los Angeles sportscaster as well as a recent contestant on a popular national dance show. He spends his time mixing with celebrities and indulging a girlfriend who loves to party just a bit too much. Meanwhile, Kevin (Thomas Ian Nicholas), is happily married but needs an escape from a domestic routine that includes watching reality shows with his wife.
Finch (Eddie Kaye Thomas) fancies himself a nomadic spirit who wanders the globe from one esoteric adventure to another, still looking for his true love while Stiffler (Seann William Scott), works at a prestigious firm and remains the guy who never misses an opportunity to wisecrack or sexually harass any female who crosses his path.
As reunion-type movies go, there are the expected moments of awkwardness and hilarity. And of course, it wouldn’t be an American Pie movie without moments of ridiculously crude antics, mainly from Stifler. What separates the film from the bevy of raunchy comedies that flooded the market after the success of the initial film, is that there is some maturity amongst the mayhem.
In between the outrageous antics, the various characters are forced to take deep examinations of their lives since graduation and in some cases grow up for the first time in their lives. Oz must comes to grips with his feelings for his former girlfriend Heather (Mena Suvari), as does Kevin when his former flame Vicky (Tara Reid), returns to town for the reunion. Jim and Michelle have to find a way to bring some sexual spark back into their lives while Finch needs to accept the mundane reality of his. And Stifler. Well, let’s just say he needs to find his true calling.
What really sold the film for me was not just the great chemistry between the cast but the way the script deftly moved the raunchy comedy along while combining character development and depth that is not normally found in films of this type. As I watched, I found that I had really missed this crew of unlikely friends, and really enjoyed catching up with them even when they were not extricating themselves from one over-the-top situation after another.
While the film did drag a bit slightly there was always an outrageous moment right around the corner that had the theater errupting in laughter or shrieking in disbelief. This film is rated R for good reason. The cast worked really great together and it was especially nice to see Klein back in the mix, as he had been noticeably absent from the last film in no small part due to his offscreen issues.
Eugene Levy and Jennifer Coolidge (Stifler’s mom) have some absolutely hysterical moments in film especially when Mr. Levenstein, widowed now for three years, decides to cut loose at a party and we get to see has wild side. I would also encourage viewers to make sure to stay through the credits as there is more comedy from this pair that must not be missed.
The supporting characters from the previous films were all given their moments to shine even if it is just in a small cameo. Shannon Elizabeth, Natasha Lyonne, John Cho, and of course, the Sherminator were all given a chance to bring back some memories, making this film is welcome and enjoyably nostalgic trip. It proves that there’s still some life and good times left in the series, and if the creative talents can keep quality to this level I, for one, would certainly welcome another slice of pie in the future.
Chris Sawin (602 KP) rated The Suicide Squad (2021) in Movies
Oct 6, 2021
Its adult humor is also incredibly poignant (2 more)
Blood and gore is Troma levels of insanity
King Shark and Polka Dot Man
Not as fun on repeat viewings (1 more)
Is a little too similar to Guardians of the Galaxy
I'm a Motherf@#$ing Superhero!
You could probably get away with calling James Gunn’s The Suicide Squad an R-rated version of Guardians of the Galaxy, but it isn’t entirely fair or correct. It’s a complicated comparison much like Gunn’s status with Marvel Studios that allowed him to make the film in the first place and whether or not The Suicide Squad is a sequel or a reboot to David Ayer’s 2016 film.
Gunn has always had a knack for getting gory or gross or raunchy if the opportunity presented itself. The Suicide Squad almost feels like a clean, strike that, blood-splattered slate for the filmmaker. Gunn had complete creative control while making The Suicide Squad and it shows; not only in its graphic content and excessive vulgarity, but also in the characters Gunn chose to be in the film. Nearly everyone has been replaced from the previous Suicide Squad film except for Captain Boomerang (Jai Courtney), Colonel Rick Flagg (Joel Kinnaman), Harley Quinn (Margot Robbie), and Amanda Waller (Viola Davis). The new characters are mostly unknown or barely known villains, which makes the fact that nearly all of them are expendable all the more intriguing.
While Guardians of the Galaxy and The Suicide Squad are two different films, there are some undeniable similarities. The cast of The Suicide Squad is insanely stacked, but you have to know by now that three quarters of these characters die in horribly gruesome ways. Witnessing who lives and who dies is half the fun of the film, so that won’t be spoiled here. But The Suicide Squad has a team of five characters that are grouped together and featured more than anyone else. It’s a lot like how Guardians began with Star-Lord, Gamora, Drax, Rocket, and Groot. These five characters also end up being the ones you love the most.
Gunn also has a thing for taking a group of assholes and giving them meaning. In the tenth season of South Park, Eric Cartman meets Bart Simpson face to face. Bart has always been a troublemaker and a prankster, but Cartman ground up Scott Tenorman’s parents, slapped that ground parent meat in some chili, and made Scott eat his own parents. The comparison between Guardians and The Suicide Squad is a lot like the difference between Bart Simpson and Eric Cartman. The Suicide Squad features straight up murderers, demented psychopaths, and whatever the hell Weasel is.
Not unlike his other comic book film work though, Gunn typically takes what would be unlikable characters on their own and finds a purpose for them once they’re with other outcasts that they can relate to. There is a ton of heart in The Suicide Squad. You fall in love with King Shark because he’s trying to read books upside down and use one of his fingers as mustache as a brilliant disguise, but you don’t feel for him until he reveals that he’s never had a friend. Sebastian, Ratcatcher II’s go-to rat, is adorable because he waves at, offers leaves to, and flocks toward Bloodsport even though he’s afraid of rats. There’s still this camaraderie in The Suicide Squad. It may be broken and gory, but it’s still camaraderie.
There are some unusual choices that Gunn made with The Suicide Squad though. They originally wanted Will Smith to come back as Deadshot, but supposedly cast Idris Elba to replace Smith in the role. Then they backtracked and made Elba Bloodsport. The odd thing is that both Bloodsport and Peacemaker are exactly the same as Deadshot. Peacemaker seems to be a bit crazier, but both characters have a thing for making anything a weapon in their hands and having precise aim. Bloodsport is even doing everything in the film for the sake of his daughter. It gives Warner Bros a chance to bring Smith back as Deadshot down the line, but having all three characters in the same film would be serious overkill.
Harley Quinn’s action sequences in The Suicide Squad are better and more satisfying than anything Margot Robbie has done with the role. Polka Dot Man is low-key the coolest character of the film despite seeing his mom in every person that he meets. Many will likely point to the blood, the gore, and all of the F-bombs shouted mostly among teammates as Gunn cleansing his Marvel/Disney palette so to speak. However, the major difference is Starro. Starro is a giant blue and purple starfish with an eyeball in the middle of his body. He is essentially a kaiju, but he shoots miniature versions of himself out of his armpits which latch onto people’s faces, kills them, and turns their corpses into zombie-like slaves that do his bidding; all while Starro gets bigger and bigger in the process. The abridged version of this starfish heavy explanation is that Starro is fucking terrifying. The entire world is basically on the verge of bowing down to a Godzilla sized starfish that has the ability to shoot armies of himself out of his Goddamn armpits! The MCU featuring a monster or creature of any kind that is that scary is slim to none.
The Suicide Squad is an uproarious extravaganza filled with grotesque nom-noms, full-on naked dick shots, and John Cena in tighty-whities and it’s is the most fun you’ll have with an R-rated comic book film in a theater (or at home with HBO Max) since Deadpool. It’s the first comic book film to come along in a good long while that’s charming because of how weird it is. As a final note, stay/watch after the credits. James Gunn and John Cena are doing an 8-episode Peacemaker TV series for HBO Max due sometime in 2022, so that may or may not be teased in some capacity.
Gunn has always had a knack for getting gory or gross or raunchy if the opportunity presented itself. The Suicide Squad almost feels like a clean, strike that, blood-splattered slate for the filmmaker. Gunn had complete creative control while making The Suicide Squad and it shows; not only in its graphic content and excessive vulgarity, but also in the characters Gunn chose to be in the film. Nearly everyone has been replaced from the previous Suicide Squad film except for Captain Boomerang (Jai Courtney), Colonel Rick Flagg (Joel Kinnaman), Harley Quinn (Margot Robbie), and Amanda Waller (Viola Davis). The new characters are mostly unknown or barely known villains, which makes the fact that nearly all of them are expendable all the more intriguing.
While Guardians of the Galaxy and The Suicide Squad are two different films, there are some undeniable similarities. The cast of The Suicide Squad is insanely stacked, but you have to know by now that three quarters of these characters die in horribly gruesome ways. Witnessing who lives and who dies is half the fun of the film, so that won’t be spoiled here. But The Suicide Squad has a team of five characters that are grouped together and featured more than anyone else. It’s a lot like how Guardians began with Star-Lord, Gamora, Drax, Rocket, and Groot. These five characters also end up being the ones you love the most.
Gunn also has a thing for taking a group of assholes and giving them meaning. In the tenth season of South Park, Eric Cartman meets Bart Simpson face to face. Bart has always been a troublemaker and a prankster, but Cartman ground up Scott Tenorman’s parents, slapped that ground parent meat in some chili, and made Scott eat his own parents. The comparison between Guardians and The Suicide Squad is a lot like the difference between Bart Simpson and Eric Cartman. The Suicide Squad features straight up murderers, demented psychopaths, and whatever the hell Weasel is.
Not unlike his other comic book film work though, Gunn typically takes what would be unlikable characters on their own and finds a purpose for them once they’re with other outcasts that they can relate to. There is a ton of heart in The Suicide Squad. You fall in love with King Shark because he’s trying to read books upside down and use one of his fingers as mustache as a brilliant disguise, but you don’t feel for him until he reveals that he’s never had a friend. Sebastian, Ratcatcher II’s go-to rat, is adorable because he waves at, offers leaves to, and flocks toward Bloodsport even though he’s afraid of rats. There’s still this camaraderie in The Suicide Squad. It may be broken and gory, but it’s still camaraderie.
There are some unusual choices that Gunn made with The Suicide Squad though. They originally wanted Will Smith to come back as Deadshot, but supposedly cast Idris Elba to replace Smith in the role. Then they backtracked and made Elba Bloodsport. The odd thing is that both Bloodsport and Peacemaker are exactly the same as Deadshot. Peacemaker seems to be a bit crazier, but both characters have a thing for making anything a weapon in their hands and having precise aim. Bloodsport is even doing everything in the film for the sake of his daughter. It gives Warner Bros a chance to bring Smith back as Deadshot down the line, but having all three characters in the same film would be serious overkill.
Harley Quinn’s action sequences in The Suicide Squad are better and more satisfying than anything Margot Robbie has done with the role. Polka Dot Man is low-key the coolest character of the film despite seeing his mom in every person that he meets. Many will likely point to the blood, the gore, and all of the F-bombs shouted mostly among teammates as Gunn cleansing his Marvel/Disney palette so to speak. However, the major difference is Starro. Starro is a giant blue and purple starfish with an eyeball in the middle of his body. He is essentially a kaiju, but he shoots miniature versions of himself out of his armpits which latch onto people’s faces, kills them, and turns their corpses into zombie-like slaves that do his bidding; all while Starro gets bigger and bigger in the process. The abridged version of this starfish heavy explanation is that Starro is fucking terrifying. The entire world is basically on the verge of bowing down to a Godzilla sized starfish that has the ability to shoot armies of himself out of his Goddamn armpits! The MCU featuring a monster or creature of any kind that is that scary is slim to none.
The Suicide Squad is an uproarious extravaganza filled with grotesque nom-noms, full-on naked dick shots, and John Cena in tighty-whities and it’s is the most fun you’ll have with an R-rated comic book film in a theater (or at home with HBO Max) since Deadpool. It’s the first comic book film to come along in a good long while that’s charming because of how weird it is. As a final note, stay/watch after the credits. James Gunn and John Cena are doing an 8-episode Peacemaker TV series for HBO Max due sometime in 2022, so that may or may not be teased in some capacity.
Gareth von Kallenbach (977 KP) rated Bohemian Rhapsody (2018) in Movies
Jul 2, 2019
How many of these reviews are going to start with “Is this the real life? Is this just fantasy?” A lot I am willing to bet. The thing is, it’s a good way to start. Bohemian Rhapsody has been a highly anticipated film for many years. I remember back when they were considering Johnny Depp for Freddie Mercury. Then it was Sasha Baren Cohen. And then they announced Rami Malek, and a majority of the country went, “Who?” Rami Malek is mostly known for his work as the lead in the USA Network series Mr. Robot. He got his start in the Night at the Museum series, and has scene big screen time in Need for Speed and, most recently, Papillion alongside Charlie Hunnam. I think it’s safe to say that after November 2, 2018, people will definitely know who he is.
Named for Queen’s most successful song in their portfolio, Bohemian Rhapsody tells the story of Freddie Mercury and how he rose from being a baggage boy at Heathrow, to a literal rock legend. We see how the band Queen was formed, how they got their name, how they made it big, and what made Queen… well Queen. Rami Malek delivers a powerful performance as the front man of the legendary band. For me, it started off a little shaky at first (coming from someone who is fan of Malek), but he quickly made the role his own and personified the late Mercury like no other can. Even Mercury’s own sister saw Malek in full costume and said, “There’s my Freddie.”
Not to downplay the rest of the cast. Rounding at the rest of the band is Joseph Mazzello as John Deacon, Ben Hardy as Roger Taylor, and Gwilym Lee as Brian May. All delivered powerful performances in their own right, and the chemistry between the 4 actors is undeniable. Veterans Aidan Gillen (as John Reid) and Tom Hollander (Jim Beach) deliver in their supporting roles, as does Lucy Boynton, who played Mary Austin. If some of these names do not seem familiar, get ready to learn a lot of the background of Queen in their rise, fall, and then rise again. Also, Mike Myers makes an appearance for a fun cameo as Ray Foster.
Clearly a majority of the film’s score revolves around the band’s expansive portfolio. But it wasn’t just the in your face, obvious music that was there. They did a great job with subtle melodies or bars from the band’s repertoire hanging in the background of impactful scenes throughout the film. Sometimes you’ll miss it, sometimes it’s obvious, and sometimes it might just make you cry.
The story begins with Mercury meeting Taylor and May, and ends with the ever-famous Live-Aid in 1985. While the film is essentially a love-story dedicated to Mercury, I feel it may have left out the rest of the members of the band. We see May, Taylor and Deacon, but we know little about their outside lives other than fleeting statements about their wives and kids, and what they were studying in university prior to Queen taking off. It’s a shame because Queen was not just about Mercury. The film did a really good job stating this, showing how they all contribute, all support each other, and how they are all different. But the focus is still on one man. Queen, the rock band, is an entity. Not an individual. But, I understand the decision behind the path that was chosen. Mercury, to many, was the embodiment of Queen. I am just glad the movie did put out there that he didn’t feel that way.
All of that aside, this film was fantastic. I have been a fan of Queen since I was in diapers, despite a majority of the band’s career having taken place before I was born. It was good to see this story told on screen, though slightly dramatized at points. It was an excellent telling of the story, and people may learn a lot about Freddie Mercury, like his love of cats, and who the love of his life is. Unless you’re absolutely cold-hearted, expect to get goosebumps as you progress through the band’s rise to the top, and to laugh as you how they interacted and developed their music. The movie is not without flaws, but they are so minor that looking past them is easy. Enjoy the film. Enjoy the music. Rock on.
Named for Queen’s most successful song in their portfolio, Bohemian Rhapsody tells the story of Freddie Mercury and how he rose from being a baggage boy at Heathrow, to a literal rock legend. We see how the band Queen was formed, how they got their name, how they made it big, and what made Queen… well Queen. Rami Malek delivers a powerful performance as the front man of the legendary band. For me, it started off a little shaky at first (coming from someone who is fan of Malek), but he quickly made the role his own and personified the late Mercury like no other can. Even Mercury’s own sister saw Malek in full costume and said, “There’s my Freddie.”
Not to downplay the rest of the cast. Rounding at the rest of the band is Joseph Mazzello as John Deacon, Ben Hardy as Roger Taylor, and Gwilym Lee as Brian May. All delivered powerful performances in their own right, and the chemistry between the 4 actors is undeniable. Veterans Aidan Gillen (as John Reid) and Tom Hollander (Jim Beach) deliver in their supporting roles, as does Lucy Boynton, who played Mary Austin. If some of these names do not seem familiar, get ready to learn a lot of the background of Queen in their rise, fall, and then rise again. Also, Mike Myers makes an appearance for a fun cameo as Ray Foster.
Clearly a majority of the film’s score revolves around the band’s expansive portfolio. But it wasn’t just the in your face, obvious music that was there. They did a great job with subtle melodies or bars from the band’s repertoire hanging in the background of impactful scenes throughout the film. Sometimes you’ll miss it, sometimes it’s obvious, and sometimes it might just make you cry.
The story begins with Mercury meeting Taylor and May, and ends with the ever-famous Live-Aid in 1985. While the film is essentially a love-story dedicated to Mercury, I feel it may have left out the rest of the members of the band. We see May, Taylor and Deacon, but we know little about their outside lives other than fleeting statements about their wives and kids, and what they were studying in university prior to Queen taking off. It’s a shame because Queen was not just about Mercury. The film did a really good job stating this, showing how they all contribute, all support each other, and how they are all different. But the focus is still on one man. Queen, the rock band, is an entity. Not an individual. But, I understand the decision behind the path that was chosen. Mercury, to many, was the embodiment of Queen. I am just glad the movie did put out there that he didn’t feel that way.
All of that aside, this film was fantastic. I have been a fan of Queen since I was in diapers, despite a majority of the band’s career having taken place before I was born. It was good to see this story told on screen, though slightly dramatized at points. It was an excellent telling of the story, and people may learn a lot about Freddie Mercury, like his love of cats, and who the love of his life is. Unless you’re absolutely cold-hearted, expect to get goosebumps as you progress through the band’s rise to the top, and to laugh as you how they interacted and developed their music. The movie is not without flaws, but they are so minor that looking past them is easy. Enjoy the film. Enjoy the music. Rock on.
Ryan Hill (152 KP) rated Captain America: Civil War (2016) in Movies
May 11, 2019
Chris Evans as Steve Rogers/ Captain America
RDJ as Tony Stark/Iron man
Sebastian Stan as Bucky Barnes
Tom Holland as Peter Parker/Spider-man
Chadwick Boseman as Black panther/Tchalla (1 more)
The Airport fight scene
The climatic three-way battle
Zemo is a fantastic villian brilliantly played by Daniel Bruhl
Feels like a Captain America movie
Giant-Man is awesome,so is Paul Rudd
Mission Report, December 16, 1991
"Captain America: Civil War" is not only the best "Captain America" movie yet, but it may just be at the very top of the Marvel Cinematic Universe, due to it's emotionally satisfying themes. That may seem like extremely high praise, so I will explain why I believe that to be true, as well as why I think this is the most mature Marvel film to this point. Loosely following the events of both "Captain America: The Winter Solider" and "Avengers: Age of Ultron," while still harking back to previous films from this universe, this 13th installment in the ever growing Marvel Cinematic Universe, follows the team on different paths as they are once again pulled together.
Opening the film in the past, audiences will be given a look into the life of the Winter Soldier, as his character will later have the biggest impact on the story at hand. Flash forward to the Avengers. The team is realizing that the events from the past have killed many innocent lives in the process and they must decide whether or not they want to sign the "Sokovia Accords" and be restrained by the government, and only released when called upon. This divides the team stronger than ever before, creating friction as to what the right move truly is. Then arrives the Winter Soldier. Still brainwashed, Bucky causes Steve to go after him (a fugitive), thus sparking the war of family and friendship within the team. This is just the basis. There are many levels to this picture, including the addition of Zemo as the side villain.
This character served a very pivotal role in my opinion and definitely does not deserve the flack he is receiving. Daniel Bruhl is terrific in everything he is in and he only justified that more with this character. Without giving anything away, his character is involved with the heart of the story and is the reason for many actions/motivations. This review has been very dour so far and that is due to the fact that the entire first act of this film is extremely sad, but enjoyably so. Unlike certain unnamed films, this has a very light tone which elevates enough of the somber moments, making for a very balanced film throughout.
The central dynamic/conflict of Steve Rodgers (Captain America), Bucky Barnes (Winter Soldier) and Tony Stark ( Iron man) is what elevates the film for me. These are my three favourite characters and you follow their stories as they weave together and by the end you don't know who's side you are on as they beat each other down in what i'd call the most brutal fight in the mcu. Chris Evans and Robert Downey Jr are fantastic in this film both of them once again improve their performances over the other films but Sebastian Stan steals the movie for me, Bucky Barnes is a tragic character and sebastian sells you on that tragedy and also makes Bucky likeable again whilst not being the winter soldier persona but also not the same Bucky from the first avenger. You sympathize with him even after all of the bad things he did, he was amazing and his arc was my favourite in the movie.
Speaking of the light tone, the addition of "Ant-Man" and "Spider-Man" was absolutely fantastic and needed for this depressing story. It is hard to watch the character having to fight each other, especially when you have come to love them over the last eight years, so it was necessary to include some fun. Paul Rudd is great once again, "fanboying" out just like audiences, and his action sequences are nothing short of crowd-pleasing. That being said, "Spider-Man" is still the standout here. Tom Holland get's a very solid introduction as to who he is, where he has been, and how he got his spider abilities. The chemistry between Peter and Tony was masterful and I could not get enough of it. "Spider-Man" nearly steals the show with his contribution.
Within two scenes of meeting "Black Panther," they are able to establish his past, why he is present, and what his motives are, as far as siding with "Iron Man" goes. No, he does not have a clear side, but that is for specifics that can not be discussed here. Chadwick Boseman is great and his action sequences are terrific. It may seem like this review is overly character-driven, but that is exactly what this film is all about. Developing character in characters you thought you had already known from front to back. The excessive amount of layers in this film work in many more ways than one.
Joe and Anthony Russo have proven why they are the best thing that could have ever been added to this universe, directing this film with ease. Bringing on the directors of "John Wick" (Chad Stahelski and David Leitch) was an incredible idea, as the action sequences throughout this entire film are some of the best you will ever lay eyes on in the Marvel Cinematic Universe. If for some reason you walked out of this film disappointed, I can confidently say that you are crazy to not have been blown away by the action throughout this picture, especially the incredible airport sequence.
"Captain America: Civil War" is first and foremost a Captain America sequel, while simultaneously being a great Avengers sequel. Directed brilliantly, terrifically performed all around, with jaw-dropping action set pieces and a very raw emotional core. "Captain America: Civil War" is a triumph in every sense of the word. Absolutely amazing.
Opening the film in the past, audiences will be given a look into the life of the Winter Soldier, as his character will later have the biggest impact on the story at hand. Flash forward to the Avengers. The team is realizing that the events from the past have killed many innocent lives in the process and they must decide whether or not they want to sign the "Sokovia Accords" and be restrained by the government, and only released when called upon. This divides the team stronger than ever before, creating friction as to what the right move truly is. Then arrives the Winter Soldier. Still brainwashed, Bucky causes Steve to go after him (a fugitive), thus sparking the war of family and friendship within the team. This is just the basis. There are many levels to this picture, including the addition of Zemo as the side villain.
This character served a very pivotal role in my opinion and definitely does not deserve the flack he is receiving. Daniel Bruhl is terrific in everything he is in and he only justified that more with this character. Without giving anything away, his character is involved with the heart of the story and is the reason for many actions/motivations. This review has been very dour so far and that is due to the fact that the entire first act of this film is extremely sad, but enjoyably so. Unlike certain unnamed films, this has a very light tone which elevates enough of the somber moments, making for a very balanced film throughout.
The central dynamic/conflict of Steve Rodgers (Captain America), Bucky Barnes (Winter Soldier) and Tony Stark ( Iron man) is what elevates the film for me. These are my three favourite characters and you follow their stories as they weave together and by the end you don't know who's side you are on as they beat each other down in what i'd call the most brutal fight in the mcu. Chris Evans and Robert Downey Jr are fantastic in this film both of them once again improve their performances over the other films but Sebastian Stan steals the movie for me, Bucky Barnes is a tragic character and sebastian sells you on that tragedy and also makes Bucky likeable again whilst not being the winter soldier persona but also not the same Bucky from the first avenger. You sympathize with him even after all of the bad things he did, he was amazing and his arc was my favourite in the movie.
Speaking of the light tone, the addition of "Ant-Man" and "Spider-Man" was absolutely fantastic and needed for this depressing story. It is hard to watch the character having to fight each other, especially when you have come to love them over the last eight years, so it was necessary to include some fun. Paul Rudd is great once again, "fanboying" out just like audiences, and his action sequences are nothing short of crowd-pleasing. That being said, "Spider-Man" is still the standout here. Tom Holland get's a very solid introduction as to who he is, where he has been, and how he got his spider abilities. The chemistry between Peter and Tony was masterful and I could not get enough of it. "Spider-Man" nearly steals the show with his contribution.
Within two scenes of meeting "Black Panther," they are able to establish his past, why he is present, and what his motives are, as far as siding with "Iron Man" goes. No, he does not have a clear side, but that is for specifics that can not be discussed here. Chadwick Boseman is great and his action sequences are terrific. It may seem like this review is overly character-driven, but that is exactly what this film is all about. Developing character in characters you thought you had already known from front to back. The excessive amount of layers in this film work in many more ways than one.
Joe and Anthony Russo have proven why they are the best thing that could have ever been added to this universe, directing this film with ease. Bringing on the directors of "John Wick" (Chad Stahelski and David Leitch) was an incredible idea, as the action sequences throughout this entire film are some of the best you will ever lay eyes on in the Marvel Cinematic Universe. If for some reason you walked out of this film disappointed, I can confidently say that you are crazy to not have been blown away by the action throughout this picture, especially the incredible airport sequence.
"Captain America: Civil War" is first and foremost a Captain America sequel, while simultaneously being a great Avengers sequel. Directed brilliantly, terrifically performed all around, with jaw-dropping action set pieces and a very raw emotional core. "Captain America: Civil War" is a triumph in every sense of the word. Absolutely amazing.
Phillip McSween (751 KP) rated BlacKkKlansman (2018) in Movies
Mar 7, 2019
Important Movie
Set in the 1970’s, the first black police officer on the Colorado Springs police force attempts to infiltrate the Klu Klux Klan by becoming one of them.
Acting: 10
I don’t know who I liked better throughout the movie, John David Washington as Ron Stallworth or Adam Driver playing Jewish cop Flip Zimmerman. Not only were they amazing individually, but they complimented each other with great chemistry on screen. Whatever emotion director Spike Lee was trying to make you feel was amplified in their joint scenes. Washington is charming, funny, and witty, all the things you want from a leading role. His heroic character is one of my favorites from the year.
Beginning: 10
Characters: 10
Cinematography/Visuals: 9
The visuals are amazingly crisp, poignant for each scene. It transports you perfectly into the time period without feeling overdone. While the film is largely a comedy, it succeeds in spots by relying on tension and intense moments. Spike Lee has a way of capturing those moments with sheer perfection. It has an artsy feel to it, sometimes over the top, but never unrelatable. Relatable Art. I think that’s the best way to describe it.
Conflict: 10
Whether subtle or in your face, conflict comes in waves throughout BlackkKlansman. You keep waiting for bad things to happen and sometimes they do. When they don’t, you know it’s only a matter of time before things get harry again. There was never a point where I was bored in the movie. Even the planning scenes where they were trying to figure out just how to get a black man to infiltrate a white supremacist organization was fun to watch.
Genre: 10
One of the most important dramas of our generation. Period. Nothing else needs to be said here.
Memorability: 10
The story in and of itself brings an originality you won’t soon forget. On paper, it sounds absolutely nuts. Watching it unfold on the big screen is even more nuts. Even though it’s based on a true story, it’s still very much hard to believe. It’s powerful and real with solid messaging that translates to the now. Even the comedy in certain moments has a way of leaving a real impact.
Pace: 10
The film is long, but it’s a smooth long. The pacing feels like a brisk jog. You always know the direction you’re heading and it never feels like it has to cheat or take shortcuts to properly tell the story. Not boring in the least. Engaging and entertaining throughout.
Plot: 8
Again, much respect for an original story. My one gripe: I don’t think the love story was necessary. It didn’t really contribute to the movie as a whole. Everything outside of that was wonderful and beautifully done.
Resolution: 10
Overall: 97
Expected to like BlackkKlansman, but I fell in love with this movie. It tells a wonderful story that leaves you talking long after it’s over. I’ve said this already, but it bears repeating: This is one of the most important films of our generation. See it. Don’t think twice.
Acting: 10
I don’t know who I liked better throughout the movie, John David Washington as Ron Stallworth or Adam Driver playing Jewish cop Flip Zimmerman. Not only were they amazing individually, but they complimented each other with great chemistry on screen. Whatever emotion director Spike Lee was trying to make you feel was amplified in their joint scenes. Washington is charming, funny, and witty, all the things you want from a leading role. His heroic character is one of my favorites from the year.
Beginning: 10
Characters: 10
Cinematography/Visuals: 9
The visuals are amazingly crisp, poignant for each scene. It transports you perfectly into the time period without feeling overdone. While the film is largely a comedy, it succeeds in spots by relying on tension and intense moments. Spike Lee has a way of capturing those moments with sheer perfection. It has an artsy feel to it, sometimes over the top, but never unrelatable. Relatable Art. I think that’s the best way to describe it.
Conflict: 10
Whether subtle or in your face, conflict comes in waves throughout BlackkKlansman. You keep waiting for bad things to happen and sometimes they do. When they don’t, you know it’s only a matter of time before things get harry again. There was never a point where I was bored in the movie. Even the planning scenes where they were trying to figure out just how to get a black man to infiltrate a white supremacist organization was fun to watch.
Genre: 10
One of the most important dramas of our generation. Period. Nothing else needs to be said here.
Memorability: 10
The story in and of itself brings an originality you won’t soon forget. On paper, it sounds absolutely nuts. Watching it unfold on the big screen is even more nuts. Even though it’s based on a true story, it’s still very much hard to believe. It’s powerful and real with solid messaging that translates to the now. Even the comedy in certain moments has a way of leaving a real impact.
Pace: 10
The film is long, but it’s a smooth long. The pacing feels like a brisk jog. You always know the direction you’re heading and it never feels like it has to cheat or take shortcuts to properly tell the story. Not boring in the least. Engaging and entertaining throughout.
Plot: 8
Again, much respect for an original story. My one gripe: I don’t think the love story was necessary. It didn’t really contribute to the movie as a whole. Everything outside of that was wonderful and beautifully done.
Resolution: 10
Overall: 97
Expected to like BlackkKlansman, but I fell in love with this movie. It tells a wonderful story that leaves you talking long after it’s over. I’ve said this already, but it bears repeating: This is one of the most important films of our generation. See it. Don’t think twice.
Ross (3284 KP) rated A Time of Dread in Books
Jan 16, 2018
Twists were quite obvious from very early on (1 more)
Less action on much smaller scale than previous
A new series following on from the events of The Faithful and the Fallen
*** Disclosure: I received an advance copy of this book from NetGalley in return for an honest review. Typos and formatting issues (of which there were many) have not been reflected in this review ***
The first book in John Gwynne's new series (Of Blood and Bone) comes a little over 100 years after the conclusion of Wrath.
In some senses, and I have seen a number of reviews opining this, this marks the start of a different series, and no prior knowledge of the Banished Lands is needed. I would agree to an extent, though I would imagine a lot of things are taken for granted (the creatures and races of people for one, if not the actual storyline). However, if someone then wants to read the previous series I think a lot of the events of those books has been spoilt, not the overall conclusion but certain little details would be annoying to have spoilt. I would strongly encourage readers to read Malice et all first (though beware of the epic scope and cast of characters from the off).
The story follows three main paths which at times become two. Riv (a trainee warrior) and Bleda (a young ward, stolen from his family at a young age) are living with the "angels" that have broken through to the real world and are training to fight the "demons". Their story serves to chronicle the events of the first series quite neatly, and shows how the angels are not perfect in their role as mankind's guardians. Drem is a trapper living in the wilderness with his father and begins to uncover some unusual signs of dark work afoot. Finally, Sig the giant (a minor character in the first series) also works to eliminate the demons from the world, but does so independently of the angels.
The scope of the story and cast of characters is so much smaller more focused than Gwynne's previous books, which took some getting used to. While I felt the scope of the first series was so epic it was hard work, here it seems like a very different, simpler work. Almost, but not quite, like a step backwards.
As usual, there are twists and turns along the way, not all of which were particularly surprising (sometimes you just know that unless someone's head was cut off, they're going to come back again later!) and I felt they could have been dealt with better.
I felt there was maybe another chunk of the story that could have been added as the final 50 pages rattled along all of a sudden and ended abruptly with more still to tell.
I very much enjoyed the book and am looking forward to the next instalment to see where the story goes from here, though I expect it will be a smaller series than TFAF, looking to tie up loose ends.
The first book in John Gwynne's new series (Of Blood and Bone) comes a little over 100 years after the conclusion of Wrath.
In some senses, and I have seen a number of reviews opining this, this marks the start of a different series, and no prior knowledge of the Banished Lands is needed. I would agree to an extent, though I would imagine a lot of things are taken for granted (the creatures and races of people for one, if not the actual storyline). However, if someone then wants to read the previous series I think a lot of the events of those books has been spoilt, not the overall conclusion but certain little details would be annoying to have spoilt. I would strongly encourage readers to read Malice et all first (though beware of the epic scope and cast of characters from the off).
The story follows three main paths which at times become two. Riv (a trainee warrior) and Bleda (a young ward, stolen from his family at a young age) are living with the "angels" that have broken through to the real world and are training to fight the "demons". Their story serves to chronicle the events of the first series quite neatly, and shows how the angels are not perfect in their role as mankind's guardians. Drem is a trapper living in the wilderness with his father and begins to uncover some unusual signs of dark work afoot. Finally, Sig the giant (a minor character in the first series) also works to eliminate the demons from the world, but does so independently of the angels.
The scope of the story and cast of characters is so much smaller more focused than Gwynne's previous books, which took some getting used to. While I felt the scope of the first series was so epic it was hard work, here it seems like a very different, simpler work. Almost, but not quite, like a step backwards.
As usual, there are twists and turns along the way, not all of which were particularly surprising (sometimes you just know that unless someone's head was cut off, they're going to come back again later!) and I felt they could have been dealt with better.
I felt there was maybe another chunk of the story that could have been added as the final 50 pages rattled along all of a sudden and ended abruptly with more still to tell.
I very much enjoyed the book and am looking forward to the next instalment to see where the story goes from here, though I expect it will be a smaller series than TFAF, looking to tie up loose ends.
Louise (64 KP) rated The Unseeing in Books
Jul 2, 2018
I am a lover of Historical fiction especially Victorian London so when I read the synopsis of ‘The Unseeing’ I knew I had to read it. This is Anna Mazzola’s debut novel and I can tell you it certainly delivered.
The year is 1837 and Sarah Gale is sentenced to be hung, she is believed to have aid and abet James Greenacre in the death of Hannah Brown. Sarah Gale was having an on/off relationship with Greenacre and living with him in his home until he met Hannah. Hannah Brown was a spinster with a bit of money and business’s in her possession,until her body parts were found randomly around London.Greenacre a conniving man that he is only wanted Hannah for her money and threw Sarah out a few days before Christmas. A few days after Christmas Hannah Brown is gone and Sarah Gale is back in Greenacre’s bed. Sarah is adamant that she knows nothing about the disappearance or death of Hannah Brown, but no-one believes her.
Sarah Gale and a Women’s institute have requested Sarah to be pardoned as she is to be hung but is adamant she knows nothing. Edmund Fleetwood has been assigned the case, his job is to see if she will talk or if there is any new evidence. This is one of the most spoken about cases of the time and this could be the career break that Edmund needs, however Sarah Gale is still adamant that she knows nothing. Can this meek, pale women really be involved in a murder?
This book was amazing, I felt like I had been transported to London in 1837. The writing was so atmospheric, the descriptions of the sounds, the streets and the way the characters spoke just blew me away, and it was consistent throughout the book. The Unseeing is a slow burn book that drip feeds you information slowly and you start piecing it together like a jigsaw puzzle. I was definitely hooked and needed to know how Hannah had come to be in pieces around London and what was going to happen to Sarah. There is a twist and I didn’t see it coming whatsoever and was left shocked for some time.
This book is based on a true crime that happened in 1837 and is known as the Edgeware Murder. Sarah Gale and John Greenacre are the names of the actual people involved and the court scripts can be seen at the Old Bailey website. You can definitely tell that the Mazzola had knowledge of the justice system as it was very well researched. I loved that Mazzola managed to make a fictional book out of a true crime and it makes it even more intriguing to read. It does make you think of how the justice system failed a lot of people back in Victorian times.
I will definitely be reading anything else Anna Mazzola release and recommend this book you are interested true crime and historical fiction.
I rated this 4 out of 5 stars
The year is 1837 and Sarah Gale is sentenced to be hung, she is believed to have aid and abet James Greenacre in the death of Hannah Brown. Sarah Gale was having an on/off relationship with Greenacre and living with him in his home until he met Hannah. Hannah Brown was a spinster with a bit of money and business’s in her possession,until her body parts were found randomly around London.Greenacre a conniving man that he is only wanted Hannah for her money and threw Sarah out a few days before Christmas. A few days after Christmas Hannah Brown is gone and Sarah Gale is back in Greenacre’s bed. Sarah is adamant that she knows nothing about the disappearance or death of Hannah Brown, but no-one believes her.
Sarah Gale and a Women’s institute have requested Sarah to be pardoned as she is to be hung but is adamant she knows nothing. Edmund Fleetwood has been assigned the case, his job is to see if she will talk or if there is any new evidence. This is one of the most spoken about cases of the time and this could be the career break that Edmund needs, however Sarah Gale is still adamant that she knows nothing. Can this meek, pale women really be involved in a murder?
This book was amazing, I felt like I had been transported to London in 1837. The writing was so atmospheric, the descriptions of the sounds, the streets and the way the characters spoke just blew me away, and it was consistent throughout the book. The Unseeing is a slow burn book that drip feeds you information slowly and you start piecing it together like a jigsaw puzzle. I was definitely hooked and needed to know how Hannah had come to be in pieces around London and what was going to happen to Sarah. There is a twist and I didn’t see it coming whatsoever and was left shocked for some time.
This book is based on a true crime that happened in 1837 and is known as the Edgeware Murder. Sarah Gale and John Greenacre are the names of the actual people involved and the court scripts can be seen at the Old Bailey website. You can definitely tell that the Mazzola had knowledge of the justice system as it was very well researched. I loved that Mazzola managed to make a fictional book out of a true crime and it makes it even more intriguing to read. It does make you think of how the justice system failed a lot of people back in Victorian times.
I will definitely be reading anything else Anna Mazzola release and recommend this book you are interested true crime and historical fiction.
I rated this 4 out of 5 stars
Darren (1599 KP) rated A Very Harold & Kumar Christmas (2011) in Movies
Jun 20, 2019
Story: The hijinks of this duo is always hilarious and this time is no different, getting themselves in all sorts of trouble as well as finding funny ways to get out of them. They always find colourful characters some seen before some new ones. It is all fun but not too serious and the story offers not too much more original than the first two. (7/10)
Actor Review: Kal Penn – The stoner friend who needs to learn to grow up and throughout the film he finally learns to. Continues to do a good job in the role showing he has some very good comic timing. (8/10)
kumar
Actor Review: John Cho – Has always been the more serious of the pairing and now has taken that too the next level. Just like Kal he is good again working to be more serious to his more laid back what will be role. Lesley’s Stud Muffin Award (8/10)
harold
Actor Review: Neil Patrick Harris – Always turns up as himself in these films and always steals the scene. This is no different making his character even funnier. Scene Stealer Award (9/10)
HPH
Actor Review: Danny Trejo – The disapproving father of Harold who starts out being very against Harold, but letting Harold prove he has what it takes to look after his daughter. Very much written for Trejo letting him poke fun at the characters he has created through the years. (8/10)
Actor Review: Amir Blumenfeld – Kumar’s friend who ends up taking everyone to a party helping leading to the mess the guys end up in. Good addition to the cast has some of the funnier scenes. (8/10)
Actor Review: Thomas Lennon – Has to look after his baby daughter and ends up in situations where the baby gets stoned by accident. They panic stricken character adds some many funny moments in this film. They Have the Laughs Award, Funniest Character Award (9/10)
Todd & Adrian with the stoned baby
Todd & Adrian with the stoned baby
Director Review: Todd Strauss-Schulson – This small time director steps up to create a good comedy. (8/10)
Comedy: Good comedy, very funny scenarios created. (8/10)
Special Effects: Pokes fun at the 3D era in the cinema with some funny special effects. (9/10)
Chemistry: Harold & Kumar have great chemistry throughout the film. (9/10)
Believability: I am sure some stoner have had some wild adventures not as wild as these guys but still similar. (6/10)
Chances of Tears: None (0/10)
Oscar Chances: NONE
Chances of Sequel: I am sure they have enough to make a sequel.
Suggestion: A comedy that should be enjoyed by all fans of the mature audience. If you like the first two you will like this one. If you want serious you are looking in the wrong place. (Enjoy The Trip)
Best Part: Clay doe scene.
clay
Kill Of The Film: By the waffle machine.
Funniest Scene: The stoned baby
Similar Too: Harold & Kumar’s previous adventures.
Overall: Outrageous comedy with plenty of laughs
Lesley’s Rating 60%
https://moviesreview101.com/2013/12/21/a-very-harold-kumar-3d-christmas-2011/
Actor Review: Kal Penn – The stoner friend who needs to learn to grow up and throughout the film he finally learns to. Continues to do a good job in the role showing he has some very good comic timing. (8/10)
kumar
Actor Review: John Cho – Has always been the more serious of the pairing and now has taken that too the next level. Just like Kal he is good again working to be more serious to his more laid back what will be role. Lesley’s Stud Muffin Award (8/10)
harold
Actor Review: Neil Patrick Harris – Always turns up as himself in these films and always steals the scene. This is no different making his character even funnier. Scene Stealer Award (9/10)
HPH
Actor Review: Danny Trejo – The disapproving father of Harold who starts out being very against Harold, but letting Harold prove he has what it takes to look after his daughter. Very much written for Trejo letting him poke fun at the characters he has created through the years. (8/10)
Actor Review: Amir Blumenfeld – Kumar’s friend who ends up taking everyone to a party helping leading to the mess the guys end up in. Good addition to the cast has some of the funnier scenes. (8/10)
Actor Review: Thomas Lennon – Has to look after his baby daughter and ends up in situations where the baby gets stoned by accident. They panic stricken character adds some many funny moments in this film. They Have the Laughs Award, Funniest Character Award (9/10)
Todd & Adrian with the stoned baby
Todd & Adrian with the stoned baby
Director Review: Todd Strauss-Schulson – This small time director steps up to create a good comedy. (8/10)
Comedy: Good comedy, very funny scenarios created. (8/10)
Special Effects: Pokes fun at the 3D era in the cinema with some funny special effects. (9/10)
Chemistry: Harold & Kumar have great chemistry throughout the film. (9/10)
Believability: I am sure some stoner have had some wild adventures not as wild as these guys but still similar. (6/10)
Chances of Tears: None (0/10)
Oscar Chances: NONE
Chances of Sequel: I am sure they have enough to make a sequel.
Suggestion: A comedy that should be enjoyed by all fans of the mature audience. If you like the first two you will like this one. If you want serious you are looking in the wrong place. (Enjoy The Trip)
Best Part: Clay doe scene.
clay
Kill Of The Film: By the waffle machine.
Funniest Scene: The stoned baby
Similar Too: Harold & Kumar’s previous adventures.
Overall: Outrageous comedy with plenty of laughs
Lesley’s Rating 60%
https://moviesreview101.com/2013/12/21/a-very-harold-kumar-3d-christmas-2011/
Darren (1599 KP) rated I Am Wrath (2016) in Movies
Jul 25, 2019
Story: I Am Wrath starts as we learn the war on crime was getting out of hand, but the Governor has started winning against the gangs. Stanley (Travolta) returns home after a business trip meeting his wife Vivian (De Mornay) where the two are attack with Vivian murdered.
With the police not getting the suspects, Stanley turns to a previous life working his former partner Dennis (Meloni) as a black-ops soldier that will stop at nothing to extract revenge on the people who murdered his wife.
Thoughts on I Am Wrath
Characters – Stanley is a mile-mannered businessman working in the car industry. When is wife is murdered in a senseless crime, he returns to a former life on a warpath with the gang involved as the cold-hearted killer. Dennis is the former partner of Stanley’s that still has the connections in the underworld, he helps Stanley in his revenge mission, he supplies the weapons and details of who were responsible. Abbie is the daughter of Stanley that tries to be there for her father while continue on her adult life. Detective Gibson is the lead on the case, he is forced to let the suspect go believing he will get himself killed soon enough.
Performances – John Travolta is solid enough in this leading role, we do get to see a large number of 50+ year old actors going into this action films, he isn’t the best, but he isn’t the worst. Christopher Meloni plays the best character in the film and is easily the one you want to see more of in this film. Amanda Schull is fine in her role, we need a figure that isn’t involved in the action and she offers it. The rest of the cast bring us the targets for the most part and give us generic bad guy performances.
Story – The story follows one man that goes to war on the gangs of his city to learn who killed his wife and get revenge. When it comes to the story this isn’t the most original, it is extremely watchable for a time killing hour and half, it doesn’t test the audience and doesn’t have any twists along the way. This is one of those stories that is mostly forgettable over bad and checks all the boxes needed to make the audience watch.
Action/Crime – The action is filled with old man action style that Liam Neeson made famous, it works for the film with Meloni getting the best sequence. The crime throws us into the world where gangs are controlling the streets with drug sales going through the roof and one man doing anything to get revenge.
Settings – The film takes us to a city overrun by crime and shows us how people can be forced into actions to get revenge for the lost loved one.
Scene of the Movie – Dennis versus the thugs in the shop.
That Moment That Annoyed Me – We have seen this before.
Final Thoughts – This is a basic action film that will keep you entertained through the whole film without being anything overly original.
Overall: Easy to watch action film.
With the police not getting the suspects, Stanley turns to a previous life working his former partner Dennis (Meloni) as a black-ops soldier that will stop at nothing to extract revenge on the people who murdered his wife.
Thoughts on I Am Wrath
Characters – Stanley is a mile-mannered businessman working in the car industry. When is wife is murdered in a senseless crime, he returns to a former life on a warpath with the gang involved as the cold-hearted killer. Dennis is the former partner of Stanley’s that still has the connections in the underworld, he helps Stanley in his revenge mission, he supplies the weapons and details of who were responsible. Abbie is the daughter of Stanley that tries to be there for her father while continue on her adult life. Detective Gibson is the lead on the case, he is forced to let the suspect go believing he will get himself killed soon enough.
Performances – John Travolta is solid enough in this leading role, we do get to see a large number of 50+ year old actors going into this action films, he isn’t the best, but he isn’t the worst. Christopher Meloni plays the best character in the film and is easily the one you want to see more of in this film. Amanda Schull is fine in her role, we need a figure that isn’t involved in the action and she offers it. The rest of the cast bring us the targets for the most part and give us generic bad guy performances.
Story – The story follows one man that goes to war on the gangs of his city to learn who killed his wife and get revenge. When it comes to the story this isn’t the most original, it is extremely watchable for a time killing hour and half, it doesn’t test the audience and doesn’t have any twists along the way. This is one of those stories that is mostly forgettable over bad and checks all the boxes needed to make the audience watch.
Action/Crime – The action is filled with old man action style that Liam Neeson made famous, it works for the film with Meloni getting the best sequence. The crime throws us into the world where gangs are controlling the streets with drug sales going through the roof and one man doing anything to get revenge.
Settings – The film takes us to a city overrun by crime and shows us how people can be forced into actions to get revenge for the lost loved one.
Scene of the Movie – Dennis versus the thugs in the shop.
That Moment That Annoyed Me – We have seen this before.
Final Thoughts – This is a basic action film that will keep you entertained through the whole film without being anything overly original.
Overall: Easy to watch action film.