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ClareR (5561 KP) rated The Leviathan in Books
Feb 3, 2023
It’s 1643 and Thomas Treadwater has returned home injured from the Civil War. His father’s farm is in Norfolk, and his sister sent Thomas a letter, accusing their maidservant of bewitching their religious father. When Thomas arrives on the family land, it is to the sight of dead livestock, a sick father (a stroke), and a servant held responsible for both occurrences by way of witchcraft. Thomas doesn’t believe in witchcraft though, and decides to investigate what has happened for himself.
This beautiful story really does evoke the time: how women were regarded as witches if they knew too much, looked to beautiful, looked too ugly, or were simply in the wrong place at the wrong time. I enjoyed reading about their thoughts on religion, philosophy and how the law worked. There was even a part for John Milton himself.
There are secrets galore, a shipwreck and a real leviathan. The menace seems to be constantly radiating off the page in this dark (and it felt to me) grey and damp time!
Recommended.
This beautiful story really does evoke the time: how women were regarded as witches if they knew too much, looked to beautiful, looked too ugly, or were simply in the wrong place at the wrong time. I enjoyed reading about their thoughts on religion, philosophy and how the law worked. There was even a part for John Milton himself.
There are secrets galore, a shipwreck and a real leviathan. The menace seems to be constantly radiating off the page in this dark (and it felt to me) grey and damp time!
Recommended.
John Hawkes recommended The Big Lebowski (1998) in Movies (curated)
Suswatibasu (1701 KP) rated Days Without End in Books
Jul 25, 2017
Unusual, descriptive, horrors of war
While I feel a lot of the descriptions about the genocide of Native Americans was grotesque, Barry's other descriptions was rich and beautiful especially describing the relationship between John and Thomas. It is a love story within the context of war. It is uncommon because it describes a homosexual relationship in a very natural way and also talks about the protagonist's desire to be a woman in terms of the historic backdrop.
David McK (3185 KP) rated Twisted Metal - season 1 in TV
May 4, 2024 (Updated May 4, 2024)
Twisted Metal, the console game, is a post apocalyptic racer of sorts from all accounts.
I've never played it.
It does seem to be a strange choice for an action-adventure comedy series, but I actually found this to work quite well, largely based in the chemistry of the co-leads (Mackie as the 'milkman' John Doe, hired to deliver a package cross country and encountering Beatriz's Quiet along the way) and the antagonist played by Thomas Haden-Church.
Oh, and never forgetting the murderous clown Sweet Tooth who steals pretty much every scene he is in ...
I've never played it.
It does seem to be a strange choice for an action-adventure comedy series, but I actually found this to work quite well, largely based in the chemistry of the co-leads (Mackie as the 'milkman' John Doe, hired to deliver a package cross country and encountering Beatriz's Quiet along the way) and the antagonist played by Thomas Haden-Church.
Oh, and never forgetting the murderous clown Sweet Tooth who steals pretty much every scene he is in ...
Sophia (Bookwyrming Thoughts) (530 KP) rated Elemental (Elemental, #1) in Books
Jan 23, 2020
The first book in the <i>Elemental</i> trilogy is set in a futuristic United States colony where people called Guardians have powers over the elements: water, wind, earth, and fire. For years, sixteen-year-old Thomas believed that he doesn't have powers like everyone else in the colony, until pirates kidnap the Guardians and the remaining colonists fight for a survival on an abandoned town.
<b><i>Elemental</i> has its good elements that worked out well in favor, but it had some elements that just didn't work out too well</b> it just had more elements that didn't work out really well.
The book is <b>primarily a survival book, but there's a mysterious aura surrounding the book that kept it somewhat interesting. However, the mysterious aspect? Antony John overdid it.</b> You're immediately thrown into action when the book starts and it doesn't actually stop. A huge chunk of the beginning is dedicated to surviving from the pirates who kidnapped the guardians and Thomas and his friends trying to survive on this mysterious Skeleton Town.
<b>There's not much about this Plague the Guardians keep talking about or how their elements work what, precisely, is an echo?</b> It's obviously a side effect, and it seems to leave a negative remnant on the person, but what is it <i>exactly?</i>. <b>I'm confused on how this Plague works or how it started, even with that newspaper-esque clip</b> it sounds like an experiment gone absolutely awry and blew up not only in the experimenters' faces, but the entire world. No one appreciates an experiment gone awry inside and outside the lab, but the dead can't complain.
<b>There's this "solution" the pirates are looking for, but Antony jumps between Griffin and Thomas intermittently</b> I'm still not too sure who the "solution" is. <b>I'm not sure about this whole Guardians thing</b> sounds like an experiment similar to the one done to Captain America in a different style even with Thomas and his companions coming across things in Skeleton Town that make them question the origins of the Guardians.
<i>Elemental</i> is also <b>heading into highly awkward love triangle it's in absolute danger zone</b> and I'm not sure I want to stick around for two girls pining for Thomas' attention. It's not noticeable yet <b>it's very subtle and certainly doesn't disturb anything going on in the story or the overall plot.</b>
By the end, <b>Antony John leaves you with curiosity and perhaps a need to continue the series, but he leaves more questions and confusion with loose ends than a solid answer or two.</b>
<a href="https://bookwyrmingthoughts.com/review-elemental-by-antony-john/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<b><i>Elemental</i> has its good elements that worked out well in favor, but it had some elements that just didn't work out too well</b> it just had more elements that didn't work out really well.
The book is <b>primarily a survival book, but there's a mysterious aura surrounding the book that kept it somewhat interesting. However, the mysterious aspect? Antony John overdid it.</b> You're immediately thrown into action when the book starts and it doesn't actually stop. A huge chunk of the beginning is dedicated to surviving from the pirates who kidnapped the guardians and Thomas and his friends trying to survive on this mysterious Skeleton Town.
<b>There's not much about this Plague the Guardians keep talking about or how their elements work what, precisely, is an echo?</b> It's obviously a side effect, and it seems to leave a negative remnant on the person, but what is it <i>exactly?</i>. <b>I'm confused on how this Plague works or how it started, even with that newspaper-esque clip</b> it sounds like an experiment gone absolutely awry and blew up not only in the experimenters' faces, but the entire world. No one appreciates an experiment gone awry inside and outside the lab, but the dead can't complain.
<b>There's this "solution" the pirates are looking for, but Antony jumps between Griffin and Thomas intermittently</b> I'm still not too sure who the "solution" is. <b>I'm not sure about this whole Guardians thing</b> sounds like an experiment similar to the one done to Captain America in a different style even with Thomas and his companions coming across things in Skeleton Town that make them question the origins of the Guardians.
<i>Elemental</i> is also <b>heading into highly awkward love triangle it's in absolute danger zone</b> and I'm not sure I want to stick around for two girls pining for Thomas' attention. It's not noticeable yet <b>it's very subtle and certainly doesn't disturb anything going on in the story or the overall plot.</b>
By the end, <b>Antony John leaves you with curiosity and perhaps a need to continue the series, but he leaves more questions and confusion with loose ends than a solid answer or two.</b>
<a href="https://bookwyrmingthoughts.com/review-elemental-by-antony-john/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Anohni recommended Warzone by Yoko Ono / Plastic Ono Band in Music (curated)
Adventure and Redemption
I received this book for free through Goodreads First Reads.
Is the Bible really gospel truth? This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, Gospels. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore Gospels is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled Gospels, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, Gospels is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.
Is the Bible really gospel truth? This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, Gospels. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore Gospels is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled Gospels, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, Gospels is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.
<i>I received this book for free through Goodreads First Reads.
Is the Bible really gospel truth?</i> This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, <i>Gospels</i>. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore <i>Gospels</i> is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled <i>Gospels</i>, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, <i>Gospels</i> is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.
Is the Bible really gospel truth?</i> This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, <i>Gospels</i>. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore <i>Gospels</i> is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled <i>Gospels</i>, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, <i>Gospels</i> is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.
AJaneClark (3962 KP) rated Seventh Son (2015) in Movies
Dec 2, 2019
Ageing master wizard John, played by Jeff Bridges, needs an apprentice when a malicious witch (Julianne Moore) escapes from her confines. After searching high and low, John finds Thomas (Ben Barnes), seventh son of the seventh son and hopes that he can learn the art and help the locals as the blood moon rises. Set in the 18th century the battle between good and evil, light and dark, see Tom and his visions undergo battle training quickly, learn the skills needed to be an “exorcist” and try not to fall in love with a witch from the other side played by Alicia Vikander. With great casting, including appearances from Kit Harrington and Olivia Williams; we see some good acting. The storyline was good, but had some holes, a lack of believability in places and some of the scripting was poor. But overall worth a watch
Sarah (7798 KP) rated Nowhere Boy (2010) in Movies
Sep 11, 2020
Well acted
This is a film that has been fairly underrated and almost forgotten which I think is a shame, as it's actually a good film driven by some stellar performances.
Aaron Taylor-Johnson excels in this as John and he's what makes this film so good to watch. I always forget that he's actually English until I see him in a film with an English accent, but even still his scouse accent in this is pretty impressive. And the rest of the cast too from Anne-Marie Duff to Kristin Scott-Thomas (there's a load of double barrelled names in this!) all perform admirably in this. The story in this is probably what lets it down. Yes it's interesting to see what happened in John Lennon's early life and how The Beatles first came to be, but there are some aspects with his mum and aunt that get a little too soap opera-esque at times. Personally I wouldve preferred a little more concentration on the music side. And i know the era this film is set in, but I got sick of every scene featuring cigarettes and someone smoking. It was just so noticeable all the time that it became irritating.
Overall this is a pretty decent film about John Lennon's early life made better by some brilliant performances.
Aaron Taylor-Johnson excels in this as John and he's what makes this film so good to watch. I always forget that he's actually English until I see him in a film with an English accent, but even still his scouse accent in this is pretty impressive. And the rest of the cast too from Anne-Marie Duff to Kristin Scott-Thomas (there's a load of double barrelled names in this!) all perform admirably in this. The story in this is probably what lets it down. Yes it's interesting to see what happened in John Lennon's early life and how The Beatles first came to be, but there are some aspects with his mum and aunt that get a little too soap opera-esque at times. Personally I wouldve preferred a little more concentration on the music side. And i know the era this film is set in, but I got sick of every scene featuring cigarettes and someone smoking. It was just so noticeable all the time that it became irritating.
Overall this is a pretty decent film about John Lennon's early life made better by some brilliant performances.