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Leanne Crabtree (480 KP) rated Tell Me It's Real (At First Sight, #1) in Books
Nov 18, 2019
Well, right from the start this had me laughing as Paul introduced himself. It was very frank and pretty much laugh-out-loud at times. He doesn't have the best opinion of himself, bless him, but he's so fun. And then he meets eyes with Vince while out at his friends drag queen performance at a bar/club and things go from there. Vince is not backing down about his intentions to date Paul, while Paul cannot believe that this younger, attractive, really nice if slightly dumb man, wants him and fights it tooth and nail.
They have a text conversation about a third of the way through the book that almost had me laughing like an idiot. The text faces that Vince was sending Paul were frigging hilarious. The Sex Face one is going to stick with me for a long time: >_<
And let's not forget Paul's parents. Oh. My. God! They are so funny it's not fair. I almost had tears streaming down my face at one point. They all go to nan's house for a meal and ignoring Johnny Depp, the homophobic parrot, they get into a conversation about how they met and it's stuff like this that has me crying with laughter at times. Vince, bless him. Not the smartest but he's a real sweetheart.
"He was choking to death in a restaurant," Vince explained
"I was not!" I said.
"On like a burrito or something."
"It was spinach."
"Anyway, he would have died had I not done the haemorrhoid manoeuvre."
"Heimlich. It's Heimlich."
There were so many conversations like this, with some crazy stuff being discussed and I LOVED it! They were such a cute couple and they gelled so well. It was so obvious they truly needed each other at the time that they found each other. Paul needed to let himself be loved and Vince needed someone to be there for him after a family issue. It was amazing!
I'm going to be keeping my eye out for other books in this series.
They have a text conversation about a third of the way through the book that almost had me laughing like an idiot. The text faces that Vince was sending Paul were frigging hilarious. The Sex Face one is going to stick with me for a long time: >_<
And let's not forget Paul's parents. Oh. My. God! They are so funny it's not fair. I almost had tears streaming down my face at one point. They all go to nan's house for a meal and ignoring Johnny Depp, the homophobic parrot, they get into a conversation about how they met and it's stuff like this that has me crying with laughter at times. Vince, bless him. Not the smartest but he's a real sweetheart.
"He was choking to death in a restaurant," Vince explained
"I was not!" I said.
"On like a burrito or something."
"It was spinach."
"Anyway, he would have died had I not done the haemorrhoid manoeuvre."
"Heimlich. It's Heimlich."
There were so many conversations like this, with some crazy stuff being discussed and I LOVED it! They were such a cute couple and they gelled so well. It was so obvious they truly needed each other at the time that they found each other. Paul needed to let himself be loved and Vince needed someone to be there for him after a family issue. It was amazing!
I'm going to be keeping my eye out for other books in this series.
Scott Tostik (389 KP) rated Jay and Silent Bob Reboot (2019) in Movies
Feb 6, 2020
The man writes some hilarious dialogue (2 more)
The return of the View Askew-niverse
Some pretty sweet cameos
Kevin Smith returns to his roots... And it's awesome!!!!
When approaching Kevin Smith's work, I am apprehensive... His past forays into the realm of horror proved to ve a little too fucking weird for me... Red State was cool. Tusk was...well.... Tusk... And Yoga Hosers was almost a complete bust... Johnny Depp was hilarious... But it was still a fail for me.
Enter Red Bank New Jersey... The land of Askew... The home of the Stash... And the birth place of Clerks...
What could go wrong???
I admit I was skeptical to have him return to the characters that made him a superstar in the writer/director world. But my apprehension soon faded during the opening 5 minutes... I was nearly crying with laughter and I'm not ashamed to admit it.
This return proves that you never forget where you came from...
Smith reopens a universe he never should have left. It felt like he became comfortable writing a script for people he loved. He returned to what was fun for him... Making a movie with his friends. And if that is where he is comfortable and does his best work. Then that's where he should be.
Jason Mewes is the unsung hero of this film. He took a different turn playing Jay this time around. He kept up with the dick and fart jokes that made him who he is and expanded it to include a performance that was actually heart felt. Little bastard almost made me cry ffs.
With appearances by Matt Damon, Ben Affleck and even Thor himself, Chris Hemsworth... Reboot is going to put Smith back where he belongs... On top of a game that he started, making movies with his friends and family... And making people laugh their asses off....
Snootch to the mutha fuckin Nuge...
Enter Red Bank New Jersey... The land of Askew... The home of the Stash... And the birth place of Clerks...
What could go wrong???
I admit I was skeptical to have him return to the characters that made him a superstar in the writer/director world. But my apprehension soon faded during the opening 5 minutes... I was nearly crying with laughter and I'm not ashamed to admit it.
This return proves that you never forget where you came from...
Smith reopens a universe he never should have left. It felt like he became comfortable writing a script for people he loved. He returned to what was fun for him... Making a movie with his friends. And if that is where he is comfortable and does his best work. Then that's where he should be.
Jason Mewes is the unsung hero of this film. He took a different turn playing Jay this time around. He kept up with the dick and fart jokes that made him who he is and expanded it to include a performance that was actually heart felt. Little bastard almost made me cry ffs.
With appearances by Matt Damon, Ben Affleck and even Thor himself, Chris Hemsworth... Reboot is going to put Smith back where he belongs... On top of a game that he started, making movies with his friends and family... And making people laugh their asses off....
Snootch to the mutha fuckin Nuge...
Gareth von Kallenbach (971 KP) rated Alice in Wonderland (2010) in Movies
Aug 8, 2019
About to take her place as a lady of civilized society, Alice is having trouble fitting in with the expectations of the world around her. How will she ever fit in with her wondering mind and regular dreams of a fantasyland filled with magic, creatures, and more than a tea pot filled with nonsense.
Tim Burton’s new live action “Alice in Wonderland” takes us past the tale of the animated Disney classic and into an even more vivid plot-filled adventure. The film merges elements from both of Lewis Carroll’s much beloved tomes, “Alice’s Adventures in Wonderland” and “Through the Looking Glass, and What Alice Found There”. For those who do not know the books, the new live action film will introduce you to characters not encountered in the original Disney film. Those who have patiently waited to see their favorite characters on the screen will delight in the precise details; from the wild environment to the strategic use of literary quotes.
As much as it is a visual spectacle filled with eye-popping clothing, explosive color, and delightful dialogue, where “Alice in Wonderland” most impresses is in characters. The most familiar characters, the Mad Hatter (Johnny Depp), the Cheshire Cat (voice by Stephen Fry) and The Red Queen (Helena Bonham Carter), are zanier, more charming, and definitely madder then ever before. And new characters such as the White Queen (Anne Hathaway) and Knave of Hearts (Crispin Glover) also captivate and amuse. In fact, audiences will be hard pressed to choose a favorite character let alone scene.
Viewers who opt to see the film in the intended 3D (better still in IMAX 3D) will be highly rewarded; the effects are engrossing straight down to credits. For those who forgo the additional dimension “Alice in Wonderland” is so well plotted that even without the bells and whistles it will prove to be exceptional.
A must for an Alice fan of any age and a delight for anyone with a strong imagination, “Alice in Wonderland” blows past the dreary expectations by bringing curiosity and nonsense back to the big screen.
Tim Burton’s new live action “Alice in Wonderland” takes us past the tale of the animated Disney classic and into an even more vivid plot-filled adventure. The film merges elements from both of Lewis Carroll’s much beloved tomes, “Alice’s Adventures in Wonderland” and “Through the Looking Glass, and What Alice Found There”. For those who do not know the books, the new live action film will introduce you to characters not encountered in the original Disney film. Those who have patiently waited to see their favorite characters on the screen will delight in the precise details; from the wild environment to the strategic use of literary quotes.
As much as it is a visual spectacle filled with eye-popping clothing, explosive color, and delightful dialogue, where “Alice in Wonderland” most impresses is in characters. The most familiar characters, the Mad Hatter (Johnny Depp), the Cheshire Cat (voice by Stephen Fry) and The Red Queen (Helena Bonham Carter), are zanier, more charming, and definitely madder then ever before. And new characters such as the White Queen (Anne Hathaway) and Knave of Hearts (Crispin Glover) also captivate and amuse. In fact, audiences will be hard pressed to choose a favorite character let alone scene.
Viewers who opt to see the film in the intended 3D (better still in IMAX 3D) will be highly rewarded; the effects are engrossing straight down to credits. For those who forgo the additional dimension “Alice in Wonderland” is so well plotted that even without the bells and whistles it will prove to be exceptional.
A must for an Alice fan of any age and a delight for anyone with a strong imagination, “Alice in Wonderland” blows past the dreary expectations by bringing curiosity and nonsense back to the big screen.
Kirk Bage (1775 KP) rated Fantastic Beasts: Crimes of Grindelwald (2018) in Movies
Mar 3, 2020
It is an inevitability in life that eventually you will watch all the films in the Harry Potter world, whether you want to or not. Mostly, I want to, but do find them a little difficult to hold in my mind as separate entities. I remember that I saw each one and generally enjoyed the magic and inventiveness of them, but pushed to identify which set piece happens in which film would probably stump me.
Fantastic Beasts and Where to Find Them, the first of the extended world of J. K. Rowling’s wizarding wonderland, is no exception. Couldn’t tell you a single thing that happened, having seen it once over a year ago. But I can tell you I thought it was slightly better than I thought it would be. And the same goes for the sequel, which I thought had a nice balance of the dark and light elements, and some really entertaining sequences.
Eddie Redmayne as Newt Scamander particularly impresses me in this context, being such a mild mannered hero, with a twinkle in his eye and hidden depths: an interesting character to observe. As do Johnny Depp, as the titular Grindelwald, and Jude Law as a younger Dumbledore – two ageing actors it is becoming increasingly hard to cast these days, but who are very well placed here. There is also some nice support from Ezra Miller and Katherine Waterston, both of who I wish would do more high profile stuff and Zoë Kravitz, who keeps popping up on my radar.
Of course, the effects are pretty good: this franchise has a few quid. And David Yates knows his way around this stuff competently enough by now, it being his 6th film in the Potter universe. He is also already signed on for a further 3 of these, making it a very lively franchise, with one film a year scheduled for the foreseeable future. I have no argument with them. They don’t change the world, but as distracting entertainment they are perfectly fine. I know I’d be chuffed as a parent of a youngish child that at least something semi intelligent and magical was out there.
Fantastic Beasts and Where to Find Them, the first of the extended world of J. K. Rowling’s wizarding wonderland, is no exception. Couldn’t tell you a single thing that happened, having seen it once over a year ago. But I can tell you I thought it was slightly better than I thought it would be. And the same goes for the sequel, which I thought had a nice balance of the dark and light elements, and some really entertaining sequences.
Eddie Redmayne as Newt Scamander particularly impresses me in this context, being such a mild mannered hero, with a twinkle in his eye and hidden depths: an interesting character to observe. As do Johnny Depp, as the titular Grindelwald, and Jude Law as a younger Dumbledore – two ageing actors it is becoming increasingly hard to cast these days, but who are very well placed here. There is also some nice support from Ezra Miller and Katherine Waterston, both of who I wish would do more high profile stuff and Zoë Kravitz, who keeps popping up on my radar.
Of course, the effects are pretty good: this franchise has a few quid. And David Yates knows his way around this stuff competently enough by now, it being his 6th film in the Potter universe. He is also already signed on for a further 3 of these, making it a very lively franchise, with one film a year scheduled for the foreseeable future. I have no argument with them. They don’t change the world, but as distracting entertainment they are perfectly fine. I know I’d be chuffed as a parent of a youngish child that at least something semi intelligent and magical was out there.
Gareth von Kallenbach (971 KP) rated Pirates of the Caribbean: On Stranger Tides (2011) in Movies
Aug 7, 2019
“ Yo ho, yo ho, a pirates life for me. We pillage plunder, we rifle a loot. Drink up me ‘earties, yo ho. We kidnap and ravage and don’t give a hoot drink up me ‘earties yo ho”.
Captain Jack Sparrow is at it again with a map in one hand and a bottle of rum in the other. In the fourth installment of Pirates of the Caribbean: On Stranger Tides, Captain Jack Sparrow teams up with an old flame Angelica (Penelope Cruz) and her father Blackbeard (Ian McShane) in the hopes of finding the Fountain of Eternal Youth. There are a group of Englishmen captained by Barbossa and a group of Spaniards who are on the quest to find the fountain as well. In order to reap the benefits of said fountain they have to find two chalices that are in the possession of Ponce de Leon and a mermaids tear. With a great storyline from Tedd Elliot and Terry Rossio the summer movie season has started off on the right foot and looks very promising.
Jerry Bruckheimer brings us Pirates of the Caribbean: On Stranger tides in excellent 3D. Unlike a lot of the other recent 3D movies converted into 3D, POTC is actually shot with a 3D camera providing the audience with better graphics and exciting effects. Unlike the others this new installment is based upon the book On Stranger Tides written by Tim Powers and includes but is not limited to mermaids, Zombie crewmembers, lots of rum, revenge, romance, mystery and a lot of swashbuckling excitement.
Orlando Bloom and Keira Nightly are not missed as Capt. Jack once again steels the show. The 1967 Disney attraction has changed over the years and most recently Capt Jack himself, Capt. Barbossa and coming soon they will be adding Blackbeard to the previous Davy Jones fog projection screen. The future for Jack Sparrow looks very promising as it has been rumored that Johnny Depp is already signed on for more pirate adventures. I loved this movie and is a great kick off to the summer movie season and I plan on seeing it again only this time in “4-D” at the closest D-Box(motion simulation seats) theater.
Captain Jack Sparrow is at it again with a map in one hand and a bottle of rum in the other. In the fourth installment of Pirates of the Caribbean: On Stranger Tides, Captain Jack Sparrow teams up with an old flame Angelica (Penelope Cruz) and her father Blackbeard (Ian McShane) in the hopes of finding the Fountain of Eternal Youth. There are a group of Englishmen captained by Barbossa and a group of Spaniards who are on the quest to find the fountain as well. In order to reap the benefits of said fountain they have to find two chalices that are in the possession of Ponce de Leon and a mermaids tear. With a great storyline from Tedd Elliot and Terry Rossio the summer movie season has started off on the right foot and looks very promising.
Jerry Bruckheimer brings us Pirates of the Caribbean: On Stranger tides in excellent 3D. Unlike a lot of the other recent 3D movies converted into 3D, POTC is actually shot with a 3D camera providing the audience with better graphics and exciting effects. Unlike the others this new installment is based upon the book On Stranger Tides written by Tim Powers and includes but is not limited to mermaids, Zombie crewmembers, lots of rum, revenge, romance, mystery and a lot of swashbuckling excitement.
Orlando Bloom and Keira Nightly are not missed as Capt. Jack once again steels the show. The 1967 Disney attraction has changed over the years and most recently Capt Jack himself, Capt. Barbossa and coming soon they will be adding Blackbeard to the previous Davy Jones fog projection screen. The future for Jack Sparrow looks very promising as it has been rumored that Johnny Depp is already signed on for more pirate adventures. I loved this movie and is a great kick off to the summer movie season and I plan on seeing it again only this time in “4-D” at the closest D-Box(motion simulation seats) theater.
Leanne Crabtree (480 KP) rated Tell Me It's Real (At First Sight, #1) in Books
Jan 12, 2021
This review and more can be found at my blog
https://aromancereadersreviews.blogspot.com
A Romance Reader's Reviews
Well, right from the start this had me laughing as Paul introduced himself. It was very frank and pretty much laugh-out-loud at times. He doesn't have the best opinion of himself, bless him, but he's so fun. And then he meets eyes with Vince while out at his friends drag queen performance at a bar/club and things go from there. Vince is not backing down about his intentions to date Paul, while Paul cannot believe that this younger, attractive, really nice if slightly dumb man, wants him and fights it tooth and nail.
They have a text conversation about a third of the way through the book that almost had me laughing like an idiot. The text faces that Vince was sending Paul were frigging hilarious. The Sex Face one is going to stick with me for a long time: >_<
And let's not forget Paul's parents. Oh. My. God! They are so funny it's not fair. I almost had tears streaming down my face at one point. They all go to nan's house for a meal and ignoring Johnny Depp, the homophobic parrot, they get into a conversation about how they met and it's stuff like this that has me crying with laughter at times. Vince, bless him. Not the smartest but he's a real sweetheart.
"He was choking to death in a restaurant," Vince explained
"I was not!" I said.
"On like a burrito or something."
"It was spinach."
"Anyway, he would have died had I not done the haemorrhoid manoeuvre."
"Heimlich. It's Heimlich."
There were so many conversations like this, with some crazy stuff being discussed and I LOVED it! They were such a cute couple and they gelled so well. It was so obvious they truly needed each other at the time that they found each other. Paul needed to let himself be loved and Vince needed someone to be there for him after a family issue. It was amazing!
I'm going to be keeping my eye out for other books in this series.
https://aromancereadersreviews.blogspot.com
A Romance Reader's Reviews
Well, right from the start this had me laughing as Paul introduced himself. It was very frank and pretty much laugh-out-loud at times. He doesn't have the best opinion of himself, bless him, but he's so fun. And then he meets eyes with Vince while out at his friends drag queen performance at a bar/club and things go from there. Vince is not backing down about his intentions to date Paul, while Paul cannot believe that this younger, attractive, really nice if slightly dumb man, wants him and fights it tooth and nail.
They have a text conversation about a third of the way through the book that almost had me laughing like an idiot. The text faces that Vince was sending Paul were frigging hilarious. The Sex Face one is going to stick with me for a long time: >_<
And let's not forget Paul's parents. Oh. My. God! They are so funny it's not fair. I almost had tears streaming down my face at one point. They all go to nan's house for a meal and ignoring Johnny Depp, the homophobic parrot, they get into a conversation about how they met and it's stuff like this that has me crying with laughter at times. Vince, bless him. Not the smartest but he's a real sweetheart.
"He was choking to death in a restaurant," Vince explained
"I was not!" I said.
"On like a burrito or something."
"It was spinach."
"Anyway, he would have died had I not done the haemorrhoid manoeuvre."
"Heimlich. It's Heimlich."
There were so many conversations like this, with some crazy stuff being discussed and I LOVED it! They were such a cute couple and they gelled so well. It was so obvious they truly needed each other at the time that they found each other. Paul needed to let himself be loved and Vince needed someone to be there for him after a family issue. It was amazing!
I'm going to be keeping my eye out for other books in this series.
Chris Sawin (602 KP) rated A Nightmare on Elm Street (1984) in Movies
Jun 20, 2019 (Updated Jun 23, 2019)
Nancy Thompson (Heather Langenkamp) and her friends have more on their plate to worry about than typical high school drama. A child murderer named Fred Krueger (Robert Englund) was killed by the parents residing on Elm Street after they took matters into their own hands when the justice system failed to get the redemption the parents so desperately seeked. That was thought to be the end of it and everyone tried to move on with their lives. That is until Nancy, her boyfriend Glen (Johnny Depp), her best friend Tina (Amanda Wyss), and Tina's boyfriend Rod (Jsu Garcia) begin having nightmares about the same man. A man wearing a red and green striped sweater, brown fedora, and a four finger-bladed leather glove. Could Fred Krueger really be exacting his revenge from beyond the grave and in the dreams of his victims?
Wes Craven is probably best known for the Scream franchise since it's the most successful set of films he's ever been a part of, at least as far as the box office is concerned, but there was another film that he created that spawned seven sequels and a remake. A film that is looked at as a horror classic and is considered to be the first commercially successful release from New Line Cinema. That film is A Nightmare on Elm Street.
A Nightmare on Elm Street is looked at by some (including myself) as the best film in the franchise. While most of the sequels feature a Freddy that is more interested in cracking a joke than being an intimidating serial killer, the original film is where he seems to shine brightest. He seems to always be lurking in the shadows making it nearly impossible to get a clear look at his face. Remember when films left a bit of a mystery to things rather than being entirely realistic and showing every little detail when it came to gore? Well, this is a good example.
The deaths of Tina and Glen could arguably be reason alone to watch the film. Tina's death is so original and so well done. One of the reasons it still holds up today is because it was done with practical effects. The same can be said about Glen's death. The only thing more impressive than his death is the fact that it's Johnny Depp's debut. Both deaths are two of the most memorable in horror film history.
Despite A Nightmare on Elm Street being one of the most influential horror films of our time, it still has that cheesiness associated with most horror films that come out of the eighties. Bad acting (Heather Langenkamp especially. The "Screw your pass!" scene is a good example, but is hilarious in its own right) and dated special effects being the best examples. While the practical effects are a good thing and are much preferred over CGI, some of them haven't aged well over the past 26 years. The scene of Freddy chasing Tina is probably the best example of this. His arms stretching inhuman lengths to scratch the walls and Tina ripping off his face just didn't hold up as well as other effects in the film.
A Nightmare on Elm Street is a beloved horror classic that gave birth to one of the most iconic serial killers in the genre. The original film features some of the most creative deaths and practical effects (seeing Freddy in the wall above Nancy's bed in the beginning of the film is one of the best scenes) to come out of any horror film held in such high regard. The film's charm will go over a lot of people's heads who look into it for the first time after seeing the remake which will probably result in the film getting more flack than it deserves. But nevertheless, it's hard to deny the impact Freddy and Wes Craven have had on this genre thanks to this film.
Special Features: The two-disc Infinifilm is packed with extras including:
Feature commentary including a variety of topics: the financial problems the film had with writer/director Wes Craven, producer Bob Shaye, actor John Saxon, and cinematographer Jacques Haitkin sharing their thoughts, Heather Langenkamp and Wes Craven talk about how great it was to work with Johnny Depp, Amanda Wyss goes into detail about not knowing much about the horror genre before taking her role as Tina, a discussion of how Robert Englund got the role of Fred Krueger and Englund shares his thoughts on the Fred Krueger character. Everything from the problems the film had to Freddy's popularity to the film's reputation and more are discussed by the cast and crew.
Original commentary includes Heather Langenkamp, John Saxon, Wes Craven, and Jacques Haitkin.
Beyond the Movie Features include The House That Freddy Built: The Legacy of New Line Horror and Night Terrors: The Origins of Wes Craven's Nightmares.
All Access Pass Features include three alternate endings, Never Sleep Again: The making of A Nightmare on Elm Street, a trivia challenge and the theatrical trailer.
There's also Infinifilm bonus features that can be accessed while the film is playing and the original screenplay can be viewed as a DVD-ROM feature.
The film is remastered and restored from the original film negative and is presented in both Dolby Digital 5.1-EX surround sound and DTS-ES 6.1 Surround Sound.
Wes Craven is probably best known for the Scream franchise since it's the most successful set of films he's ever been a part of, at least as far as the box office is concerned, but there was another film that he created that spawned seven sequels and a remake. A film that is looked at as a horror classic and is considered to be the first commercially successful release from New Line Cinema. That film is A Nightmare on Elm Street.
A Nightmare on Elm Street is looked at by some (including myself) as the best film in the franchise. While most of the sequels feature a Freddy that is more interested in cracking a joke than being an intimidating serial killer, the original film is where he seems to shine brightest. He seems to always be lurking in the shadows making it nearly impossible to get a clear look at his face. Remember when films left a bit of a mystery to things rather than being entirely realistic and showing every little detail when it came to gore? Well, this is a good example.
The deaths of Tina and Glen could arguably be reason alone to watch the film. Tina's death is so original and so well done. One of the reasons it still holds up today is because it was done with practical effects. The same can be said about Glen's death. The only thing more impressive than his death is the fact that it's Johnny Depp's debut. Both deaths are two of the most memorable in horror film history.
Despite A Nightmare on Elm Street being one of the most influential horror films of our time, it still has that cheesiness associated with most horror films that come out of the eighties. Bad acting (Heather Langenkamp especially. The "Screw your pass!" scene is a good example, but is hilarious in its own right) and dated special effects being the best examples. While the practical effects are a good thing and are much preferred over CGI, some of them haven't aged well over the past 26 years. The scene of Freddy chasing Tina is probably the best example of this. His arms stretching inhuman lengths to scratch the walls and Tina ripping off his face just didn't hold up as well as other effects in the film.
A Nightmare on Elm Street is a beloved horror classic that gave birth to one of the most iconic serial killers in the genre. The original film features some of the most creative deaths and practical effects (seeing Freddy in the wall above Nancy's bed in the beginning of the film is one of the best scenes) to come out of any horror film held in such high regard. The film's charm will go over a lot of people's heads who look into it for the first time after seeing the remake which will probably result in the film getting more flack than it deserves. But nevertheless, it's hard to deny the impact Freddy and Wes Craven have had on this genre thanks to this film.
Special Features: The two-disc Infinifilm is packed with extras including:
Feature commentary including a variety of topics: the financial problems the film had with writer/director Wes Craven, producer Bob Shaye, actor John Saxon, and cinematographer Jacques Haitkin sharing their thoughts, Heather Langenkamp and Wes Craven talk about how great it was to work with Johnny Depp, Amanda Wyss goes into detail about not knowing much about the horror genre before taking her role as Tina, a discussion of how Robert Englund got the role of Fred Krueger and Englund shares his thoughts on the Fred Krueger character. Everything from the problems the film had to Freddy's popularity to the film's reputation and more are discussed by the cast and crew.
Original commentary includes Heather Langenkamp, John Saxon, Wes Craven, and Jacques Haitkin.
Beyond the Movie Features include The House That Freddy Built: The Legacy of New Line Horror and Night Terrors: The Origins of Wes Craven's Nightmares.
All Access Pass Features include three alternate endings, Never Sleep Again: The making of A Nightmare on Elm Street, a trivia challenge and the theatrical trailer.
There's also Infinifilm bonus features that can be accessed while the film is playing and the original screenplay can be viewed as a DVD-ROM feature.
The film is remastered and restored from the original film negative and is presented in both Dolby Digital 5.1-EX surround sound and DTS-ES 6.1 Surround Sound.
Chris Sawin (602 KP) rated Alice in Wonderland (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
13 years have passed since Alice first visited Wonderland. She was just a little girl back then. A mad, little girl plagued by a nightmare. Now, almost 20, Alice finds herself thrust headfirst into adulthood yet continues to have the same dream for as long as she can remember. On the verge of being thrown into a marriage she's unsure of, Alice finds herself easily distracted by the simplest things. What would it be like to fly? What if women wore trousers and men wore dresses? Or the fact that wearing a corset is similar to wearing a codfish on your head. The White Rabbit eventually distracts Alice long enough to lead her back down the rabbit hole for a return visit to Wonderland, but Alice is still under the impression that it's all a dream and has no recollection of her first trip there. Since Alice's first visit, however, the Red Queen used the Jabberwocky to relinquish the crown from her sister, the White Queen, and now reigns supreme as the queen of Wonderland. As the creatures of Wonderland debate whether this Alice is the "right Alice" that is destined to kill the Jabberwocky and end the Red Queen's reign, Alice struggles with trying to wake up from this very realistic dream.
As a huge fan of Alice in Wonderland and Through the Looking Glass, I was seriously looking forward to this. The pairing of Tim Burton and Johnny Depp, whether you love it or hate it, has resulted in some fairly creative and successful works. At this point in his career, it's fairly easy to spot something that Tim Burton has done. Like most directors, he has a specific style and Burton's seems to revolve around things that are dark, grisly, and bizarre all rolled into one. So how would Burton's wonderfully grotesque style mesh with Lewis Carroll's delightfully imaginative Alice and her trip to Wonderland? To be blunt, beautifully.
The way Burton went about the subject matter is probably the best way to go. It's an original tale with characters that are already well-established and are admired by a mass audience. That thin line often tread in situations like this between homage and plagiarism isn't quite so thin anymore and mainly follows the homage path. Burton's style also sheds new light on Wonderland or casts a larger shadow on it depending on how you look at it. Beheadings are common, the monsters like the Bandersnatch and the Jabberwocky are gruesome, and the Dormouse has a thing about stabbing creatures in the eye. It's like if Lewis Carroll's vision met a bizarro, cracked out, Grimm's Fairy Tale version of itself.
The bizarre thing is that the secondary characters seem to be more interesting than the primary ones. I found myself drawn to characters like the Dodo Bird, the White Rabbit, the March Hare, the Cheshire Cat, the Executioner, the Red Queen's knights, and the Jabberwocky more than say Alice or the White Queen. That could be due to the fact that I'm drawn to the peculiar and I'm also an aficionado of the ridiculous. However, some characters seemed to be lacking interest (The White Queen) or enthusiasm (Alice) while secondary characters would fill that gap, so it seemed to balance out in the end.
I loved nearly everything about the film ranging from the Red Queen's outlandish reign to Johnny Depp's portrayal of The Mad Hatter to Tim Burton's version of Wonderland itself. Even Crispin Glover's role as the Knave of Hearts was exceptional. There are a few things about the film that didn't sit well with me or that seemed questionable. The addition of Bayard the Bloodhound being one of them. The addition isn't necessarily bad as the character gains sympathy from the audience rather effortlessly, but the character just didn't seem essential to the story like the other characters were. Maybe it's because it's a character Lewis Carroll didn't create. It wound up being something that wasn't good or bad, but leaves you scratching your head a bit. Alice rode Bayard across Wonderland. If you were going to introduce a character into an oddball world, wouldn't something more odd be the answer? Something like an ostrich or a roadrunner? What didn't sit well with me about the film can be summed up with one four syllable word; futterwhacken. What the hell was that? It was like if Regan from The Exorcist decided to start river dancing during a rather serious seizure. The concept wasn't a bad one, but its execution should have been something completely different.
I'm not sure if it was just the theater I was in or what, but it was hard to understand the characters at times. The Mad Hatter and the tea party scene, especially. Every other character was perfectly audible, the music was booming, and the battle scenes were exceptionally loud. The Mad Hatter's mumbling and the March Hare's ramblings are just hard to understand, which is unfortunate as they're two of the things you'll want to hear the most.
Tim Burton's Alice in Wonderland is frame-for-frame Burton's ghastly version of the tale everyone knows and loves. While his particular vision may appear to not be for everyone on the surface, if you're a fan of Burton's previous work, Johnny Depp, the original Alice in Wonderland, or even all three, then it's safe to say you're more than likely going to love this adaptation.
As a huge fan of Alice in Wonderland and Through the Looking Glass, I was seriously looking forward to this. The pairing of Tim Burton and Johnny Depp, whether you love it or hate it, has resulted in some fairly creative and successful works. At this point in his career, it's fairly easy to spot something that Tim Burton has done. Like most directors, he has a specific style and Burton's seems to revolve around things that are dark, grisly, and bizarre all rolled into one. So how would Burton's wonderfully grotesque style mesh with Lewis Carroll's delightfully imaginative Alice and her trip to Wonderland? To be blunt, beautifully.
The way Burton went about the subject matter is probably the best way to go. It's an original tale with characters that are already well-established and are admired by a mass audience. That thin line often tread in situations like this between homage and plagiarism isn't quite so thin anymore and mainly follows the homage path. Burton's style also sheds new light on Wonderland or casts a larger shadow on it depending on how you look at it. Beheadings are common, the monsters like the Bandersnatch and the Jabberwocky are gruesome, and the Dormouse has a thing about stabbing creatures in the eye. It's like if Lewis Carroll's vision met a bizarro, cracked out, Grimm's Fairy Tale version of itself.
The bizarre thing is that the secondary characters seem to be more interesting than the primary ones. I found myself drawn to characters like the Dodo Bird, the White Rabbit, the March Hare, the Cheshire Cat, the Executioner, the Red Queen's knights, and the Jabberwocky more than say Alice or the White Queen. That could be due to the fact that I'm drawn to the peculiar and I'm also an aficionado of the ridiculous. However, some characters seemed to be lacking interest (The White Queen) or enthusiasm (Alice) while secondary characters would fill that gap, so it seemed to balance out in the end.
I loved nearly everything about the film ranging from the Red Queen's outlandish reign to Johnny Depp's portrayal of The Mad Hatter to Tim Burton's version of Wonderland itself. Even Crispin Glover's role as the Knave of Hearts was exceptional. There are a few things about the film that didn't sit well with me or that seemed questionable. The addition of Bayard the Bloodhound being one of them. The addition isn't necessarily bad as the character gains sympathy from the audience rather effortlessly, but the character just didn't seem essential to the story like the other characters were. Maybe it's because it's a character Lewis Carroll didn't create. It wound up being something that wasn't good or bad, but leaves you scratching your head a bit. Alice rode Bayard across Wonderland. If you were going to introduce a character into an oddball world, wouldn't something more odd be the answer? Something like an ostrich or a roadrunner? What didn't sit well with me about the film can be summed up with one four syllable word; futterwhacken. What the hell was that? It was like if Regan from The Exorcist decided to start river dancing during a rather serious seizure. The concept wasn't a bad one, but its execution should have been something completely different.
I'm not sure if it was just the theater I was in or what, but it was hard to understand the characters at times. The Mad Hatter and the tea party scene, especially. Every other character was perfectly audible, the music was booming, and the battle scenes were exceptionally loud. The Mad Hatter's mumbling and the March Hare's ramblings are just hard to understand, which is unfortunate as they're two of the things you'll want to hear the most.
Tim Burton's Alice in Wonderland is frame-for-frame Burton's ghastly version of the tale everyone knows and loves. While his particular vision may appear to not be for everyone on the surface, if you're a fan of Burton's previous work, Johnny Depp, the original Alice in Wonderland, or even all three, then it's safe to say you're more than likely going to love this adaptation.
Darren (1599 KP) rated Alice Through the Looking Glass (2016) in Movies
Jun 20, 2019
Story: Alice Through the Looking Glass starts as Alice (Wasikowska) returns from one of her voyages around the world only to find her dreams of seeing the world have been taken from her. Escaping the real world Wonderland calls Alice back with Queen Mirana (Hathaway) and the rest of the characters need Alice to bring the Hatter (Depp) back to his senses after he falls through memories of his loss.
Alice must travel back through time to save the Hatter’ family and bring him back to his colourful ways. Alice finds herself having to go to Time (Cohen) himself to find a way to save the Hatter where she finds herself coming across an old foe Iracebeth (Carter) who wants to use time to control the kingdoms regaining her crown.
Alice Through the Looking Glass does what Oz the Great and Powerful and Wicked have done to The Wizard of Oz by making us want to sympathise with the villainous characters by showing us how they got driven into evil ways because of the bad decisions by the good one. The travel through time works because it does explain certain moments from the story like why Hatter and co have been waiting so long for the tea party. In the end this just tries slightly too much to not bring any new villainous threat to the world to show Alice the important lesson in the real life she is living.
Actor Review
Johnny Depp: Hatter Tarrant Hightopp has gone into a deep depression when he learns to remember the fate of his family, Alice is trying to go through his past to stop this event so we get to meet Hatter as he was younger and struggling to decide whether to follow in his father’s footsteps. Johnny continues his streak of quirky roles but does get over shadowed by Mia.
Mia Wasikowska: Alice is now an adventurer who travels the world only to return home and find her future gone and being forced to give up her dreams. When she returns to Wonderland she must battle the forces of time to save her old friend Hatter and learn to accept her own changes in her life. Mia is good in this role but it is strange seeing an older version of Alice.
Helena Bonham Carter: Iracebeth is the evil queen who lost her crown in the first film, she wants to use time to change the past keeping her power over the kingdoms, but this time we learn about what drove her to be the way she is. Helena continues her blatant rip off performance from Queenie in Blackadder.
Anne Hathaway: Mirana is the good queen of the kingdom who asks Alice to help the Hatter only for us to learn about her younger ways. Anne is very basic in this supporting performance where she doesn’t get much to work with.
Support Cast: Alice Through the Looking Glass has a big supporting cast with Sacha Baron Cohen shining as Time itself chasing Alice down through time.
Director Review: James Bobin – James gives us a solid sequel but seems to mix Oz the Great and Powerful with time travel.
Adventure: Alice Through the Looking Glass does put Alice on an adventure she could only dream of through time itself.
Family: Alice Through the Looking Glass does feel slightly too dark for the youngest members of family to enjoy.
Fantasy: Alice Through the Looking Glass builds on the fantasy world created on the first outing looking deeper into the backstory of the characters involved.
Settings: Alice Through the Looking Glass brings us back to the Wonderland location with the inclusion of the time warehouse location.
Special Effects: Alice Through the Looking Glass is a film you can almost feel the green screen behind the actors.
Suggestion: Alice Through the Looking Glass is only one to try really I don’t think it is one that is that special. (Try It)
Best Part: Time is a good character.
Worst Part: Just feels like a copy of Oz the Great and the Powerful with time travel.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $170 Million
Runtime: 1 Hour 53 Minutes
Tagline: This spring, it’s time for a little madness.
Overall: Simple sequel that offers nothing new to the overall Wonderland world.
https://moviesreview101.com/2016/06/23/alice-through-the-looking-glass-2016/
Alice must travel back through time to save the Hatter’ family and bring him back to his colourful ways. Alice finds herself having to go to Time (Cohen) himself to find a way to save the Hatter where she finds herself coming across an old foe Iracebeth (Carter) who wants to use time to control the kingdoms regaining her crown.
Alice Through the Looking Glass does what Oz the Great and Powerful and Wicked have done to The Wizard of Oz by making us want to sympathise with the villainous characters by showing us how they got driven into evil ways because of the bad decisions by the good one. The travel through time works because it does explain certain moments from the story like why Hatter and co have been waiting so long for the tea party. In the end this just tries slightly too much to not bring any new villainous threat to the world to show Alice the important lesson in the real life she is living.
Actor Review
Johnny Depp: Hatter Tarrant Hightopp has gone into a deep depression when he learns to remember the fate of his family, Alice is trying to go through his past to stop this event so we get to meet Hatter as he was younger and struggling to decide whether to follow in his father’s footsteps. Johnny continues his streak of quirky roles but does get over shadowed by Mia.
Mia Wasikowska: Alice is now an adventurer who travels the world only to return home and find her future gone and being forced to give up her dreams. When she returns to Wonderland she must battle the forces of time to save her old friend Hatter and learn to accept her own changes in her life. Mia is good in this role but it is strange seeing an older version of Alice.
Helena Bonham Carter: Iracebeth is the evil queen who lost her crown in the first film, she wants to use time to change the past keeping her power over the kingdoms, but this time we learn about what drove her to be the way she is. Helena continues her blatant rip off performance from Queenie in Blackadder.
Anne Hathaway: Mirana is the good queen of the kingdom who asks Alice to help the Hatter only for us to learn about her younger ways. Anne is very basic in this supporting performance where she doesn’t get much to work with.
Support Cast: Alice Through the Looking Glass has a big supporting cast with Sacha Baron Cohen shining as Time itself chasing Alice down through time.
Director Review: James Bobin – James gives us a solid sequel but seems to mix Oz the Great and Powerful with time travel.
Adventure: Alice Through the Looking Glass does put Alice on an adventure she could only dream of through time itself.
Family: Alice Through the Looking Glass does feel slightly too dark for the youngest members of family to enjoy.
Fantasy: Alice Through the Looking Glass builds on the fantasy world created on the first outing looking deeper into the backstory of the characters involved.
Settings: Alice Through the Looking Glass brings us back to the Wonderland location with the inclusion of the time warehouse location.
Special Effects: Alice Through the Looking Glass is a film you can almost feel the green screen behind the actors.
Suggestion: Alice Through the Looking Glass is only one to try really I don’t think it is one that is that special. (Try It)
Best Part: Time is a good character.
Worst Part: Just feels like a copy of Oz the Great and the Powerful with time travel.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $170 Million
Runtime: 1 Hour 53 Minutes
Tagline: This spring, it’s time for a little madness.
Overall: Simple sequel that offers nothing new to the overall Wonderland world.
https://moviesreview101.com/2016/06/23/alice-through-the-looking-glass-2016/
Chris Sawin (602 KP) rated Public Enemies (2009) in Movies
Jun 22, 2019
The year is 1933 and bank robberies are at an all time high. John Dillinger, Baby Face Nelson, and Pretty Boy Floyd are at the top of their game. In the public eye, robbers are looked at as heroes instead of criminals. Dillinger enjoys the fruit of his labor to the fullest until the day Melvin Purvis is put in charge of the FBI division down in Chicago. Word traveled fast of how one of FBI's top agents (Purvis) took down Pretty Boy Floyd and hopes are high that he can help in the newly announced "war on crime." Once Purvis arrived in Chicago, the crime wave of the 30's that was on a steady uprise took a drastic decline. Bank robberies were never the same as Dillinger's friends began dropping like flies. As Dillinger's motto of not thinking about tomorrow since he's too busy enjoying today comes back to haunt him, he soon realizes that he can only hide for so long and that the feds will catch up with him sooner or later.
The most noticeable thing about the film is its cinematography. Michael Mann has used the same method of shooting Public Enemies with HD digital cameras like he did with Collateral. This could be a hassle to some viewers as the picture isn't as shaky as it was in something like Cloverfield, but isn't as crystal clear and steady as you may have found in some of Mann's earlier work like Heat or most other films, for that matter. Perspective plays a huge role in this film. Certain lighting seems to come off better being shot in HD digital and it certainly shows, but the imperfections seem to give the film more character. Some people might throw the word, "edgy," around, but we'll settle on saying this style of filming feels like a more realistic approach. It makes the audience feel like they're actually amongst these gangsters during their heyday.
It almost felt like Christian Bale didn't really want to be there. Between this and Terminator: Salvation, he's really lacking the charisma and talent he's shown in films like The Prestige and The Machinist or even American Psycho. Maybe he's just hit his peak and has nothing else up his sleeve to wow audiences. Bale has hit an eye-catching slump, which is hard to say since this is coming from a long time fan. As long as he continues to be cast in big budget films though and those films wind up doing extremely well at the box office, then not many people are going to notice a difference in the actor's lackluster performance.
Johnny Depp, on the other hand, stole every scene he was in. His cockiness and confidence in his abilities in what he does just gave life to Dillinger that makes you generally like him. You want to see him escape as soon as he gets caught, pull off that next big robbery, and succeed at everything he does so he can run off with Billie Frechette (Marion Cotillard) and live happily ever after. His dialogue is also generally pretty incredible. In the scene where he's confronting Agent Purvis from behind bars, Dillinger is asking Purvis about what it was like to kill a man. How their eyes looked and how you can literally watch a man just drift away by staring into their eyes while they're dying. That that whole experience could keep a man up at night. Purvis asks Dillinger what keeps him up at night. Dillinger, who always seemed to be chewing gum, replies, "Coffee." Dillinger just felt like one of Depp's better acting roles, as of late. He showed more emotion than we're generally used to seeing from him and it was just an incredibly strong performance from the Oscar nominee.
The film has a lot of great dialogue, intriguing character interaction, and it's interesting watching the story unfold of how the crime wave of the 30s may have come to an end, but what really makes the film worth seeing is the shootouts. Any scene that begins with somebody holding a gun is worth getting excited over. There's a scene in the woods in the latter half of the film that is worth the price of admission alone. It takes place at night and everything is littered with darkness until the tommy guns make an appearance. The way the guns light up everything else around the characters firing them was a nice touch. Small explosions erupting from a chamber every time somebody pulled the trigger. This is some of the best gunfire to ever be filmed.
When it comes to Public Enemies, it is one of the best films of the year which is mentioned in at least one of the TV spots. Anyone who was a fan of Michael Mann's previous films (or gangster films, in general) will more than likely walk away from this film satisfied. Johnny Depp is still at the top of his game while Christian Bale seems to be winding down. Public Enemies is a film worthy of the summer blockbuster season which will satisfy the appetite of any fan of crime films.
The most noticeable thing about the film is its cinematography. Michael Mann has used the same method of shooting Public Enemies with HD digital cameras like he did with Collateral. This could be a hassle to some viewers as the picture isn't as shaky as it was in something like Cloverfield, but isn't as crystal clear and steady as you may have found in some of Mann's earlier work like Heat or most other films, for that matter. Perspective plays a huge role in this film. Certain lighting seems to come off better being shot in HD digital and it certainly shows, but the imperfections seem to give the film more character. Some people might throw the word, "edgy," around, but we'll settle on saying this style of filming feels like a more realistic approach. It makes the audience feel like they're actually amongst these gangsters during their heyday.
It almost felt like Christian Bale didn't really want to be there. Between this and Terminator: Salvation, he's really lacking the charisma and talent he's shown in films like The Prestige and The Machinist or even American Psycho. Maybe he's just hit his peak and has nothing else up his sleeve to wow audiences. Bale has hit an eye-catching slump, which is hard to say since this is coming from a long time fan. As long as he continues to be cast in big budget films though and those films wind up doing extremely well at the box office, then not many people are going to notice a difference in the actor's lackluster performance.
Johnny Depp, on the other hand, stole every scene he was in. His cockiness and confidence in his abilities in what he does just gave life to Dillinger that makes you generally like him. You want to see him escape as soon as he gets caught, pull off that next big robbery, and succeed at everything he does so he can run off with Billie Frechette (Marion Cotillard) and live happily ever after. His dialogue is also generally pretty incredible. In the scene where he's confronting Agent Purvis from behind bars, Dillinger is asking Purvis about what it was like to kill a man. How their eyes looked and how you can literally watch a man just drift away by staring into their eyes while they're dying. That that whole experience could keep a man up at night. Purvis asks Dillinger what keeps him up at night. Dillinger, who always seemed to be chewing gum, replies, "Coffee." Dillinger just felt like one of Depp's better acting roles, as of late. He showed more emotion than we're generally used to seeing from him and it was just an incredibly strong performance from the Oscar nominee.
The film has a lot of great dialogue, intriguing character interaction, and it's interesting watching the story unfold of how the crime wave of the 30s may have come to an end, but what really makes the film worth seeing is the shootouts. Any scene that begins with somebody holding a gun is worth getting excited over. There's a scene in the woods in the latter half of the film that is worth the price of admission alone. It takes place at night and everything is littered with darkness until the tommy guns make an appearance. The way the guns light up everything else around the characters firing them was a nice touch. Small explosions erupting from a chamber every time somebody pulled the trigger. This is some of the best gunfire to ever be filmed.
When it comes to Public Enemies, it is one of the best films of the year which is mentioned in at least one of the TV spots. Anyone who was a fan of Michael Mann's previous films (or gangster films, in general) will more than likely walk away from this film satisfied. Johnny Depp is still at the top of his game while Christian Bale seems to be winding down. Public Enemies is a film worthy of the summer blockbuster season which will satisfy the appetite of any fan of crime films.