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Entertainment Editor (1988 KP) created a video about Mindhunter - Season 1 in TV
Oct 13, 2017
Rachel (2 KP) rated Mindhunter - Season 1 in TV
Nov 6, 2017
Ross (3282 KP) rated Mindhunter - Season 1 in TV
Sep 2, 2020
Superb series
Fantastic series documenting a fictionalised account of the ground-breaking FBI agents who tried to define a system of using psychology and profiling to try and identify what kind of person may have committed a crime.
Includes portrayals of some famous serial killers, Edmond Kemper's is sublime, as they are interviewed to try and assess what drove them to commit their atrocious crimes (spoiler: it's usually their mums and absent dads).
Excellently acted, Jonathan Groff is a perfect antisocial, driven investigator who doesn't pull his punches and shares a lot of personality traits with those he is analysing.
This series was a gentle introduction to their methodology and starting to use it to identify who may have committed crimes - this is done at a good pace, rather than getting drawn into a "one crime per episode" mentality.
Includes portrayals of some famous serial killers, Edmond Kemper's is sublime, as they are interviewed to try and assess what drove them to commit their atrocious crimes (spoiler: it's usually their mums and absent dads).
Excellently acted, Jonathan Groff is a perfect antisocial, driven investigator who doesn't pull his punches and shares a lot of personality traits with those he is analysing.
This series was a gentle introduction to their methodology and starting to use it to identify who may have committed crimes - this is done at a good pace, rather than getting drawn into a "one crime per episode" mentality.
Nick Beaty (70 KP) rated Mindhunter - Season 1 in TV
Jan 14, 2020 (Updated Jan 14, 2020)
Cameron Britton steals every scene...
I went in to Mindhunter with high expectations and ended up with a mixed bag of emotions by the end.
The scene's in which they interview the 'Serial Killers' are fascinating and make up the best parts of Mindhunter by far. They were intense, creepy and completely captivating. Cameron Britton's portrayal of Ed Kemper in particular, is absolutely superb and he steals every scene.
A few people have mentioned the slow pace of the show as a problem, I personally didn't mind this. For me the main problem lies with the lead character Holden Ford (Jonathan Groff) who is very unlikable to say the least, he is arrogant, manipulative and very selfish. However his partnership with FBI agent Bill Tench (Holt McCallany) is another highlight, as they do have a good on screen chemistry.
Without adding any spoilers, I would say that for me the ending to season 1 is a bit of an anticlimax.
After all is said and done Mindhunter is still a good watch and I am looking forward to seeing where they take it in season 2.
The scene's in which they interview the 'Serial Killers' are fascinating and make up the best parts of Mindhunter by far. They were intense, creepy and completely captivating. Cameron Britton's portrayal of Ed Kemper in particular, is absolutely superb and he steals every scene.
A few people have mentioned the slow pace of the show as a problem, I personally didn't mind this. For me the main problem lies with the lead character Holden Ford (Jonathan Groff) who is very unlikable to say the least, he is arrogant, manipulative and very selfish. However his partnership with FBI agent Bill Tench (Holt McCallany) is another highlight, as they do have a good on screen chemistry.
Without adding any spoilers, I would say that for me the ending to season 1 is a bit of an anticlimax.
After all is said and done Mindhunter is still a good watch and I am looking forward to seeing where they take it in season 2.
BankofMarquis (1832 KP) rated The Matrix Resurrections (2021) in Movies
Dec 31, 2021
Unnecessary
And now from the unnecessary sequels department…
And, that, pretty much sums up THE MATRIX RESURRECTIONS - a title that is a confession of a studio and creator that is looking to milk a few more bucks out of a dormant franchise.
Written and Directed by Lana Wachowski (one of the creators/directors of the original Matrix trilogy), MATRIX RESURRECTIONS drops us back into the Matrix that is the same, yet different, and - intriguingly enough - brings us back to Neo and Trinity, 2 characters that died in the 3rd film.
Of course, this being Science Fiction/Fantasy, no one needs to stay dead, if another story can be built around them.
Keanu Reeves and Carrie-Anne Moss are back as Neo & Trinity (this film would not have happened if they didn’t say yes to this) - and they are the best thing in this film. Their chemistry is strong and any film that can bring back Carrie-Anne Moss as a lead in a film, is okay by me.
The best newcomer in this film is Jonathan Groff as “Agent Smith” (Hugo Weaving was set to reprise his role, but had to drop out due to Theater Commitments). Groff channels his inner “King George” (the character that he was Tony Nominated for in the Stage Musical Hamilton) and it works well in this film.
As for the other “character/actors” - like the characters that Jada Pinkett-Smith (the only other returning actor from the original trilogy), Yahya Abdbul-Mateen II (playing a version of Morpheus), Thelma Hopkins, Jessica Henwick and…yes that IS Cristina Ricci - they are all pretty generic and serve as plot machinations to get us from one action set piece to another.
And, of course, there is Neil Patrick Harris as “THE ANALYST”, it’s an interesting, pivotal, role in this film and would have been better served being played by someone less “well known”. All I kept thinking as I watched this performance was - “it’s evil Neil Patrick Harris”!
As for the special effects/set pieces, they are “fine” but nothing “special”. The first Matrix film was a brilliant, groundbreaking and mind-bending piece of filmmaking that introduced cinema (for good or ill) to “bullet time” - a Special F/X that has been en vogue ever since. But this film is just a mismash of CGI that is neither brilliant nor groundbreaking and the dense mythology plot of this film is not “mind-bending”, it is more like “headache-inducing”.
Do yourself a favor and skip the Resurrection of The Matrix and, instead, check out the brilliant 1999 original - it holds up well (and is the subject of my January podcast).
Letter Grade: B- (thanks to Reeves, Moss and Groff)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
And, that, pretty much sums up THE MATRIX RESURRECTIONS - a title that is a confession of a studio and creator that is looking to milk a few more bucks out of a dormant franchise.
Written and Directed by Lana Wachowski (one of the creators/directors of the original Matrix trilogy), MATRIX RESURRECTIONS drops us back into the Matrix that is the same, yet different, and - intriguingly enough - brings us back to Neo and Trinity, 2 characters that died in the 3rd film.
Of course, this being Science Fiction/Fantasy, no one needs to stay dead, if another story can be built around them.
Keanu Reeves and Carrie-Anne Moss are back as Neo & Trinity (this film would not have happened if they didn’t say yes to this) - and they are the best thing in this film. Their chemistry is strong and any film that can bring back Carrie-Anne Moss as a lead in a film, is okay by me.
The best newcomer in this film is Jonathan Groff as “Agent Smith” (Hugo Weaving was set to reprise his role, but had to drop out due to Theater Commitments). Groff channels his inner “King George” (the character that he was Tony Nominated for in the Stage Musical Hamilton) and it works well in this film.
As for the other “character/actors” - like the characters that Jada Pinkett-Smith (the only other returning actor from the original trilogy), Yahya Abdbul-Mateen II (playing a version of Morpheus), Thelma Hopkins, Jessica Henwick and…yes that IS Cristina Ricci - they are all pretty generic and serve as plot machinations to get us from one action set piece to another.
And, of course, there is Neil Patrick Harris as “THE ANALYST”, it’s an interesting, pivotal, role in this film and would have been better served being played by someone less “well known”. All I kept thinking as I watched this performance was - “it’s evil Neil Patrick Harris”!
As for the special effects/set pieces, they are “fine” but nothing “special”. The first Matrix film was a brilliant, groundbreaking and mind-bending piece of filmmaking that introduced cinema (for good or ill) to “bullet time” - a Special F/X that has been en vogue ever since. But this film is just a mismash of CGI that is neither brilliant nor groundbreaking and the dense mythology plot of this film is not “mind-bending”, it is more like “headache-inducing”.
Do yourself a favor and skip the Resurrection of The Matrix and, instead, check out the brilliant 1999 original - it holds up well (and is the subject of my January podcast).
Letter Grade: B- (thanks to Reeves, Moss and Groff)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Daniel Boyd (1066 KP) rated Mindhunter - Season 1 in TV
Oct 24, 2017 (Updated Oct 24, 2017)
Fantastic Performances (3 more)
Brilliant Script
Good Direction
Great Soundtrack
A Method In The Madness?
Mindhunter is a Netflix series set in the late 70's, that follows two FBI detectives as they embark to learn more about serial killers and why they do the things that they do. One of the detectives, Bill Tench, actually coins the phrase, 'serial killer,' at one point and the team do seem to be making progressive steps into understanding a disturbed psyche, even if some of the methods they use along the way are fairly questionable.
The series is produced by David Fincher, who also directs 4 episodes of this first season. If you are a fan of Fincher's other work, then this will be right up your street. It shares a lot of similarities with Se7en, The Social Network, Gone Girl, Panic Room and definitely Zodiac. The two main series stars, Jonathan Groff and Holt McCallany are brilliant in their roles. You may recognise McCallany from Fight Club and Groff from Glee, but this show couldn't be a further departure from Glee if it tried, which makes Groff's already electric performance, even better.
McCallany plays Bill Tench, an older FBI agent who has a good few years of experience under his belt. Groff plays Holden Ford, a young maverick, who barges his way towards progress, regardless of who gets caught up in the collateral damage. The two work fantastically together and the chemistry between the two actors is one of the best things about this show. The supporting cast are also solid, with Hannah Gross standing out as Holden's girlfriend, as well as Anna Torv, who plays a doctor of psychology helping the two detectives analyse the data that they collect from interviews held with various serial killers. The serial killers featured throughout the show are also memorable, especially Jerry Brudos and Ed Kemper. Cameron Britton, who plays Kemper, gives a subtly terrifying performance and is exponentially engaging for every minute that he is onscreen.
The performances are helped with a brilliant script. The dialogue is snappy and effective, causing as many existential questions as it does unorthodox observations. Fincher's direction, is of course, fantastic and the other directors who work on this show also do a good job. The soundtrack to the show is sometimes antithetic to what is going on in the storyline, but it is always effective and never distracting. The shot composition and cinematography was also on point in each episode, with some really effective imagery being implemented throughout.
Overall, this is a brilliantly made, psychological drama. The writing is of a very high standard and the performances are excellent all around. If you are a fan of serial killer stories or anything David Fincher has worked on before, this will be for you. The characters are all interesting and deep and although they may do some questionable things, I can't wait to see where this endeavour takes them next.
The series is produced by David Fincher, who also directs 4 episodes of this first season. If you are a fan of Fincher's other work, then this will be right up your street. It shares a lot of similarities with Se7en, The Social Network, Gone Girl, Panic Room and definitely Zodiac. The two main series stars, Jonathan Groff and Holt McCallany are brilliant in their roles. You may recognise McCallany from Fight Club and Groff from Glee, but this show couldn't be a further departure from Glee if it tried, which makes Groff's already electric performance, even better.
McCallany plays Bill Tench, an older FBI agent who has a good few years of experience under his belt. Groff plays Holden Ford, a young maverick, who barges his way towards progress, regardless of who gets caught up in the collateral damage. The two work fantastically together and the chemistry between the two actors is one of the best things about this show. The supporting cast are also solid, with Hannah Gross standing out as Holden's girlfriend, as well as Anna Torv, who plays a doctor of psychology helping the two detectives analyse the data that they collect from interviews held with various serial killers. The serial killers featured throughout the show are also memorable, especially Jerry Brudos and Ed Kemper. Cameron Britton, who plays Kemper, gives a subtly terrifying performance and is exponentially engaging for every minute that he is onscreen.
The performances are helped with a brilliant script. The dialogue is snappy and effective, causing as many existential questions as it does unorthodox observations. Fincher's direction, is of course, fantastic and the other directors who work on this show also do a good job. The soundtrack to the show is sometimes antithetic to what is going on in the storyline, but it is always effective and never distracting. The shot composition and cinematography was also on point in each episode, with some really effective imagery being implemented throughout.
Overall, this is a brilliantly made, psychological drama. The writing is of a very high standard and the performances are excellent all around. If you are a fan of serial killer stories or anything David Fincher has worked on before, this will be for you. The characters are all interesting and deep and although they may do some questionable things, I can't wait to see where this endeavour takes them next.
Gareth von Kallenbach (965 KP) rated Frozen (2013) in Movies
Aug 6, 2019
One thing that easily wins my heart over in animated movies is the adorable little kid. Think Boo in Monsters, Inc. or Agnes from Despicable Me. Wide-eyed, funny and cute is the winning formula. In Frozen it’s Anna who wins me over with a simple flop and a sigh as she tries to entice her sister, Elsa in a late night snow adventure. As the older of the two princesses of Arendelle, young Elsa tries to be the responsible one, but even she can’t resist little Anna’s whispered, “Do you want to build a snowman?”
Because the only trailers I saw for this movie were the funny scenes with Olaf the snowman and Sven the reindeer, I honestly had no idea the movie was going to be a musical treat about two princesses. Disney knows the formula of a simple but engaging story, an attractive heroine, catchy songs and comical supporting characters has worked for them time and time again, so they doubled their efforts with two princesses, voiced beautifully by Kristin Bell (Anna) and Glee’s Idina Menzel (Elsa), two funny supporting characters and a plethora of memorable songs. While strongly geared toward little Disney princesses, boys will enjoy the antics of Olaf, voiced perfectly by Jon Gad and the bravery of Kristoff and his reindeer Sven, both voiced by another Glee alum, Jonathan Groff.
Disney must love the fact that every movie they release about princesses sparks nostalgic feelings of other Disney favorites. Because of the constant reference to “A true love’s kiss” in this movie, I’m digging around for my copy of “Enchanted”. While the songs are more broadway than the Disney pop little kids love, weeks after screening this movie both my husband and I still sing, “Do you want to build a snowman?” to each other and try to look as adorable as Anna. A definitely must-watch again.
Because the only trailers I saw for this movie were the funny scenes with Olaf the snowman and Sven the reindeer, I honestly had no idea the movie was going to be a musical treat about two princesses. Disney knows the formula of a simple but engaging story, an attractive heroine, catchy songs and comical supporting characters has worked for them time and time again, so they doubled their efforts with two princesses, voiced beautifully by Kristin Bell (Anna) and Glee’s Idina Menzel (Elsa), two funny supporting characters and a plethora of memorable songs. While strongly geared toward little Disney princesses, boys will enjoy the antics of Olaf, voiced perfectly by Jon Gad and the bravery of Kristoff and his reindeer Sven, both voiced by another Glee alum, Jonathan Groff.
Disney must love the fact that every movie they release about princesses sparks nostalgic feelings of other Disney favorites. Because of the constant reference to “A true love’s kiss” in this movie, I’m digging around for my copy of “Enchanted”. While the songs are more broadway than the Disney pop little kids love, weeks after screening this movie both my husband and I still sing, “Do you want to build a snowman?” to each other and try to look as adorable as Anna. A definitely must-watch again.
Emma @ The Movies (1786 KP) rated Knock at the cabin (2023) in Movies
Feb 28, 2023
When M. Night Shyamalan's name comes up on something, my brow furrows and I purse my lips... I'm never quite sure how to feel.
Eric, Andrew and Wen, take an idyllic trip to a peaceful cabin. But that peace is shattered when the knock-off Guardians of the Galaxy show up.
First thing I want to say, despite it being an M.NS film, it doesn't have the usual dubious tangent in it. I suspect we can put this down to the fact it's based on source material, namely The Cabin at the End of the World by Paul Trembley.
I wanted to see what I could talk about without spoiling the film at all. The synopsis is fairly vague, but intriguing. Then I rewatched the trailer, and from that, I could probably talk about the majority of this hour and forty minute film. The latter basically telling everything makes me wonder how it wasn't spoiled for me going in.
Knock at the Cabin boils down to a look at personal faith in the face of terror, for those on both sides of the incident.
While the majority of the story is set in the isolated cabin, we're shown flashbacks to Eric and Andrew's life. Heartbreak, trauma, joy, vengeance, it has been filled with so much, and that being peppered into the main story really helps to shape how we see their separate personalities and reactions.
The acting is an interesting one. The nature of the situation means that everyone is feeling a massive cycle of emotions... and somehow that works.
The group dynamic of Eric, Andrew and Wen was incredible, with Jonathan Groff and Kristen Cui being the standouts. I don't know that I would have been on board with Ben Aldridge as Andrew if it hadn't been for the pairing with Groff.
Opposite them, we get an interesting mix of characters who are led by Leonard... I am so proud of Dave Bautista right now, this was an amazing performance. I love him doing comedy (My Spy is still probably my favourite), but this was a great change of pace, he channels the character's profession into the situation so well... 5 stars for Bautista, no notes.
The other three bring up the rear with some chaotic energy. I just cannot unsee Ron Weasley though. I know he's been in other things since then, but I haven't happened across any of them, and as such, he was entirely distracting. It wasn't a bad turn, but it did overwhelm Nikki Amuka-Bird and Abby Quinn's roles for me.
M. Night Shymalan does his cameo and throws in his usual colour references for the regular viewers. I won't go into that, as it definitely constitutes spoilers, but it might not be something that's common knowledge, so absolutely worth a Google afterwards.
IMDb lists Knock at the Cabin as horror, mystery and thriller. Thriller, check. Mystery, a stretch. Horror, in my opinion, completely inaccurate. Having "horror" over everything about this film put people off watching it, and that's a great shame.
I was left with one big thought after seeing this, and that's that somewhere, in a remote cabin, a group of people have been playing this game for the last 3 years.
Originally posted on: https://emmaatthemovies.blogspot.com/2023/02/knock-at-cabin-movie-review.html
Eric, Andrew and Wen, take an idyllic trip to a peaceful cabin. But that peace is shattered when the knock-off Guardians of the Galaxy show up.
First thing I want to say, despite it being an M.NS film, it doesn't have the usual dubious tangent in it. I suspect we can put this down to the fact it's based on source material, namely The Cabin at the End of the World by Paul Trembley.
I wanted to see what I could talk about without spoiling the film at all. The synopsis is fairly vague, but intriguing. Then I rewatched the trailer, and from that, I could probably talk about the majority of this hour and forty minute film. The latter basically telling everything makes me wonder how it wasn't spoiled for me going in.
Knock at the Cabin boils down to a look at personal faith in the face of terror, for those on both sides of the incident.
While the majority of the story is set in the isolated cabin, we're shown flashbacks to Eric and Andrew's life. Heartbreak, trauma, joy, vengeance, it has been filled with so much, and that being peppered into the main story really helps to shape how we see their separate personalities and reactions.
The acting is an interesting one. The nature of the situation means that everyone is feeling a massive cycle of emotions... and somehow that works.
The group dynamic of Eric, Andrew and Wen was incredible, with Jonathan Groff and Kristen Cui being the standouts. I don't know that I would have been on board with Ben Aldridge as Andrew if it hadn't been for the pairing with Groff.
Opposite them, we get an interesting mix of characters who are led by Leonard... I am so proud of Dave Bautista right now, this was an amazing performance. I love him doing comedy (My Spy is still probably my favourite), but this was a great change of pace, he channels the character's profession into the situation so well... 5 stars for Bautista, no notes.
The other three bring up the rear with some chaotic energy. I just cannot unsee Ron Weasley though. I know he's been in other things since then, but I haven't happened across any of them, and as such, he was entirely distracting. It wasn't a bad turn, but it did overwhelm Nikki Amuka-Bird and Abby Quinn's roles for me.
M. Night Shymalan does his cameo and throws in his usual colour references for the regular viewers. I won't go into that, as it definitely constitutes spoilers, but it might not be something that's common knowledge, so absolutely worth a Google afterwards.
IMDb lists Knock at the Cabin as horror, mystery and thriller. Thriller, check. Mystery, a stretch. Horror, in my opinion, completely inaccurate. Having "horror" over everything about this film put people off watching it, and that's a great shame.
I was left with one big thought after seeing this, and that's that somewhere, in a remote cabin, a group of people have been playing this game for the last 3 years.
Originally posted on: https://emmaatthemovies.blogspot.com/2023/02/knock-at-cabin-movie-review.html
Gareth von Kallenbach (965 KP) rated Knock at the cabin (2023) in Movies
Feb 4, 2023
Writer/Director M. Night Shyamalan is back with his new thriller “Knock at
the Cabin” and like his earlier works; the film blends reality with
supernatural elements to put ordinary people in circumstances that are
dangerous and unnatural.
The film involves a same-sex couple named Eric (Jonathan Groff) and Andrew
(Ben Aldridge), who have taken their adopted daughter Wen (Kristen Cui),
to a secluded cabin for a relaxing vacation.
The arrival of four strangers lead by the imposing but soft-spoken Leonard
(Dave Bautista) becomes dangerous when Leonard informs them that the world
is about to end and only by choosing to sacrifice one of them can the
Apocalypse be diverted.
Leonard explains that the four had the same vision of the end of the world
and that they were drawn to save it by taking such drastic actions. They
inform their captives that they will not harm them but they will not be
allowed to leave as they must make the choice and failure to do so will
doom everyone and force the three of them to exist as the sole-survivors
of the aftermath.
Convinced that the intruders are insane; Eric and Andrew refuse the offer
and watch as one of the four captives sacrifices themselves which is soon
followed by news on the television of a massive earthquakes which resulted
in tsunamis.
Convinced it is a ruse or simply timed events to the days news; the
captives again refuse a request only to see another sacrifice followed by
more news of devastation happening around the world.
What follows is a tight thriller as Eric and Andrew learn more about their
captives and the changing world situation which forces them to confront a
world gone mad.
The film is good at setting a tone and maintaining a mild tension
throughout as the audience is left to wonder how real what is being
presented by Leonard and his associates are. I liked the fact that the
movie did not try to wrap things up nice and tidy and left the audiences
with some questions about the events as well as what would happen in the
aftermath.
Bautista gives an career-best performance and shows that his is capable of
doing more than the action-comedy genre which he has been playing to date
and I hope he continues to seek roles such as this.
While the film may not reach the levels of some of his earlier classics,
Shyamalan has crafted an entertaining film that keeps you guessing.
3.5 stars out of 5
the Cabin” and like his earlier works; the film blends reality with
supernatural elements to put ordinary people in circumstances that are
dangerous and unnatural.
The film involves a same-sex couple named Eric (Jonathan Groff) and Andrew
(Ben Aldridge), who have taken their adopted daughter Wen (Kristen Cui),
to a secluded cabin for a relaxing vacation.
The arrival of four strangers lead by the imposing but soft-spoken Leonard
(Dave Bautista) becomes dangerous when Leonard informs them that the world
is about to end and only by choosing to sacrifice one of them can the
Apocalypse be diverted.
Leonard explains that the four had the same vision of the end of the world
and that they were drawn to save it by taking such drastic actions. They
inform their captives that they will not harm them but they will not be
allowed to leave as they must make the choice and failure to do so will
doom everyone and force the three of them to exist as the sole-survivors
of the aftermath.
Convinced that the intruders are insane; Eric and Andrew refuse the offer
and watch as one of the four captives sacrifices themselves which is soon
followed by news on the television of a massive earthquakes which resulted
in tsunamis.
Convinced it is a ruse or simply timed events to the days news; the
captives again refuse a request only to see another sacrifice followed by
more news of devastation happening around the world.
What follows is a tight thriller as Eric and Andrew learn more about their
captives and the changing world situation which forces them to confront a
world gone mad.
The film is good at setting a tone and maintaining a mild tension
throughout as the audience is left to wonder how real what is being
presented by Leonard and his associates are. I liked the fact that the
movie did not try to wrap things up nice and tidy and left the audiences
with some questions about the events as well as what would happen in the
aftermath.
Bautista gives an career-best performance and shows that his is capable of
doing more than the action-comedy genre which he has been playing to date
and I hope he continues to seek roles such as this.
While the film may not reach the levels of some of his earlier classics,
Shyamalan has crafted an entertaining film that keeps you guessing.
3.5 stars out of 5
BankofMarquis (1832 KP) rated Frozen II (2019) in Movies
Mar 23, 2020
Better Than The Original
I never really had much desire/interest in revisiting the sisters from Arendelle and thought the much-hyped sequel to the 2013 mega-hit, FROZEN, was nothing more than a cash grab. But...my daughter talked me into checking it out, so it was with much harumphing that I sat down for a viewing of FROZEN 2.
I loved it.
Loved it, so much so, that I have since watched it a 2nd time - and liked it even more.
Set 6 years after the events in the first film, life in Arendelle has settled down for Queen Elsa, her sister Anna, Anna's boyfriend Kristoff, his reindeer Sven and good ol' Olaf the Snowman (who still likes warm hugs). But something is stirring inside Elsa. Is it a longing for more? Is it a calling from outside? Is it something more? I won't spoil it, but the journey/adventure that this stirring from Elsa begets is a welcome "road trip" for some old friends. It lets us, the audience, spend some more quality time with these characters - with some wonderful music, to boot.
All voice actors from the first film are back (why wouldn't they be) and their voice performances are stronger and more self-assured than in the first film. Idina Menzel, Jonathan Groff, Josh Gad and the under-rated Kristin Bell all "bring-it" to this adventure while newcomers like Sterling K. Brown, Evan Rachel Wood and Martha Plimpton all join in with aplomb making a very appealing film with an fun adventure that has, at it's core, heart. Which, I think, is what makes both of the Frozen films work. The deep heart at the core of these films, and their underlying theme of familial love will win out against all odds.
Add to that the FANTASTIC songs written, yet again, by Robert Lopez and Kristen Anderson-Lopez. They are catchy, fun, hummable and TERRIFIC. It was worth the 2nd viewing just to hear the songs again.
The direction by Chris Buck and Jennifer Lee (the Directors of the first FROZEN) is just as self-assured and strong. They "up" the precedings by picking up the pace and adding to the "difficulty" level (shooting much of this film on water) and they succeed mostly throughout the film.
It is always fun for me to be surprised by a film - and I was most definitely surpised by Frozen 2 - and I would venture to guess that you will be too, especially if you drop any "attitude" you have about this sequel existing and just sit back and enjoy the ride that you are going to be on.
Letter Grade: A
9 stars (out of 10) and you can take that to the BankofMarquis
FROZEN 2 is free to stream for subscribers of DISNEY+ or can be streamed for a fee (to rent or own) on most major platforms like YouTube, GooglePlay, Vudu and Amazon.
I loved it.
Loved it, so much so, that I have since watched it a 2nd time - and liked it even more.
Set 6 years after the events in the first film, life in Arendelle has settled down for Queen Elsa, her sister Anna, Anna's boyfriend Kristoff, his reindeer Sven and good ol' Olaf the Snowman (who still likes warm hugs). But something is stirring inside Elsa. Is it a longing for more? Is it a calling from outside? Is it something more? I won't spoil it, but the journey/adventure that this stirring from Elsa begets is a welcome "road trip" for some old friends. It lets us, the audience, spend some more quality time with these characters - with some wonderful music, to boot.
All voice actors from the first film are back (why wouldn't they be) and their voice performances are stronger and more self-assured than in the first film. Idina Menzel, Jonathan Groff, Josh Gad and the under-rated Kristin Bell all "bring-it" to this adventure while newcomers like Sterling K. Brown, Evan Rachel Wood and Martha Plimpton all join in with aplomb making a very appealing film with an fun adventure that has, at it's core, heart. Which, I think, is what makes both of the Frozen films work. The deep heart at the core of these films, and their underlying theme of familial love will win out against all odds.
Add to that the FANTASTIC songs written, yet again, by Robert Lopez and Kristen Anderson-Lopez. They are catchy, fun, hummable and TERRIFIC. It was worth the 2nd viewing just to hear the songs again.
The direction by Chris Buck and Jennifer Lee (the Directors of the first FROZEN) is just as self-assured and strong. They "up" the precedings by picking up the pace and adding to the "difficulty" level (shooting much of this film on water) and they succeed mostly throughout the film.
It is always fun for me to be surprised by a film - and I was most definitely surpised by Frozen 2 - and I would venture to guess that you will be too, especially if you drop any "attitude" you have about this sequel existing and just sit back and enjoy the ride that you are going to be on.
Letter Grade: A
9 stars (out of 10) and you can take that to the BankofMarquis
FROZEN 2 is free to stream for subscribers of DISNEY+ or can be streamed for a fee (to rent or own) on most major platforms like YouTube, GooglePlay, Vudu and Amazon.