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ClareR (5589 KP) rated The Close (Maeve Kerrigan #10) in Books
Apr 9, 2023
We’re back with Maeve Kerrigan and Josh Derwent in The Close, and they certainly have a full case load!
Maeve starts investigating the murder of a hospital consultant, whose body is found in his car in the hospital car park. She is also roped in to helping Josh on another case. One where they have to go undercover as a house/ dog sitting couple, whilst they investigate the death of a man with a learning disability. Oh, what a bind - to be stuck in a house with Josh Derwent for weeks!
Well, all doesn’t go quite as expected, but the tension is high with both Maeve, Josh and the case!
There are some great interactions in what appears at first glance to be an idyllic neighbourhood. It really isn’t.
The crimes are shocking, and it comes as no surprise that outwardly good people do terrible things.
I can’t wait to see what happens between Kerrigan and Derwent in the next book, but I suppose I’ll just have to!
Highly recommended!
Maeve starts investigating the murder of a hospital consultant, whose body is found in his car in the hospital car park. She is also roped in to helping Josh on another case. One where they have to go undercover as a house/ dog sitting couple, whilst they investigate the death of a man with a learning disability. Oh, what a bind - to be stuck in a house with Josh Derwent for weeks!
Well, all doesn’t go quite as expected, but the tension is high with both Maeve, Josh and the case!
There are some great interactions in what appears at first glance to be an idyllic neighbourhood. It really isn’t.
The crimes are shocking, and it comes as no surprise that outwardly good people do terrible things.
I can’t wait to see what happens between Kerrigan and Derwent in the next book, but I suppose I’ll just have to!
Highly recommended!
Merissa (11731 KP) rated Muted Chords (The Road to Rocktoberfest 2022) in Books
Nov 7, 2022
MUTED CHORDS is one of the Rocktoberfest 2022 books and we travel with Josh and the rest of his band to the festival itself. Eradicate Apathy has had some problems with their replacement bass player, so much so he is sacked. This is where Bran comes into play. He has wanted to play with them for quite a while but has his own baggage to contend with. When given the chance though, he can't say no. And once he meets Josh, all stops are pulled out.
The pacing of this story is fast and felt a little rushed to me in places, but you will be drawn into the close-knit relationships between the band members. You also get a look at some people who are not so nice, who have let fame (or the lack of it) sour them.
Overall, this was a sweet love story between Josh and Bran and brilliant relationships between the rest of the band members. However, there is some derogatory language, plus some angst near the ending, so consider yourself warned.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
The pacing of this story is fast and felt a little rushed to me in places, but you will be drawn into the close-knit relationships between the band members. You also get a look at some people who are not so nice, who have let fame (or the lack of it) sour them.
Overall, this was a sweet love story between Josh and Bran and brilliant relationships between the rest of the band members. However, there is some derogatory language, plus some angst near the ending, so consider yourself warned.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Hazel (2934 KP) rated The Close (Maeve Kerrigan #10) in Books
Mar 18, 2023
Yet another cracker from Jane Casey in her excellent Maeve Kerrigan series that never gets stale and whilst this may be book 10 in the series, I think you could just about get away with it as a standalone but I really would recommend you read the rest of the books if only because they are all excellent!
The Close is yet another gripping read with the right mix of intrigue and action, red herrings and plot twists. Being a fan of Maeve and Josh, I loved that they were working undercover together acting as a couple and it really brought a different dimension and added tension to the story and kept my grubby little eyes reading as fast as they possibly could.
Highly recommended series and I can't wait for the next and many thanks to HarperCollins UK, HarperFiction and NetGalley for enabling me to read and share my thoughts of The Close.
The Close is yet another gripping read with the right mix of intrigue and action, red herrings and plot twists. Being a fan of Maeve and Josh, I loved that they were working undercover together acting as a couple and it really brought a different dimension and added tension to the story and kept my grubby little eyes reading as fast as they possibly could.
Highly recommended series and I can't wait for the next and many thanks to HarperCollins UK, HarperFiction and NetGalley for enabling me to read and share my thoughts of The Close.
Jenny Lee Lindberg recommended track Everything Counts by Depeche Mode in People Are People by Depeche Mode in Music (curated)
10.0
Album
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Gareth von Kallenbach (971 KP) rated Office Christmas Party (2016) in Movies
Jun 19, 2019
Josh Parker (Jason Bateman) is a man with many things on his mind. He has just finalized a divorce which has cost him his house, tons of money, and his confidence. Known for bunting instead of swinging away, Josh heads to his office to move on with his life as Christmas approaches.
His lead programmer Tracey (Olivia Munn) constantly reminds him of his playing it safe mentality to the point where she fed up with him and his ways.
Thankfully for Josh his boss Clay (T.J. Miller), values him and even though he is a goof who happened to be given the office by his late father who started the company, things are looking up.
That is until Interim CEO Carol (Jennifer Aniston) arrives and makes no effort to hide her disdain for her brother Clay, nor the company not meeting her expectations.
Carol quickly tells Josh and Clay that they will have to downsize if they want to stay open and in a very unpopular move, eliminates bonuses and the office Christmas Party.
Since the movie is called “Office Christmas Party”, you know that Carol’s request will fall on deaf ears as Clay convinces his sister that they are about to close a major client (Courtney B. Vance), and as such will have the deal set before she lands in London later that evening.
With nothing to go on aside from desperation, Clay puts the lovable but highly eccentric office into overdrive to create a party unlike any other so they can land the contract needed to stay in business.
When the party arrives one series of epic misadventures and mishaps after another arises which threatens to sink the company and everyone involved once and for all.
The film follows a fairly linear and somewhat predictable path but the strong cast does a great job and Kate McKinnon as the ultra-weird H.R. lead steals several of the scenes in which she is in. Bateman plays pretty much the same character that he has played in most of his recent work as the everyman that tries to make the best of the bad situation and Miller is pretty much recycling the same character he plays on Silicon Valley. That being said, there are plenty of laughs if you do not mind the very bawdy humor and Directors Josh Gordon and Will Speck keep things moving at a steady pace with laughs throughout the film.
While it is likely not going to be a holiday classic, “Office Christmas Party”, is a very fun and enjoyable diversion.
http://sknr.net/2016/12/09/office-christmas-party/
His lead programmer Tracey (Olivia Munn) constantly reminds him of his playing it safe mentality to the point where she fed up with him and his ways.
Thankfully for Josh his boss Clay (T.J. Miller), values him and even though he is a goof who happened to be given the office by his late father who started the company, things are looking up.
That is until Interim CEO Carol (Jennifer Aniston) arrives and makes no effort to hide her disdain for her brother Clay, nor the company not meeting her expectations.
Carol quickly tells Josh and Clay that they will have to downsize if they want to stay open and in a very unpopular move, eliminates bonuses and the office Christmas Party.
Since the movie is called “Office Christmas Party”, you know that Carol’s request will fall on deaf ears as Clay convinces his sister that they are about to close a major client (Courtney B. Vance), and as such will have the deal set before she lands in London later that evening.
With nothing to go on aside from desperation, Clay puts the lovable but highly eccentric office into overdrive to create a party unlike any other so they can land the contract needed to stay in business.
When the party arrives one series of epic misadventures and mishaps after another arises which threatens to sink the company and everyone involved once and for all.
The film follows a fairly linear and somewhat predictable path but the strong cast does a great job and Kate McKinnon as the ultra-weird H.R. lead steals several of the scenes in which she is in. Bateman plays pretty much the same character that he has played in most of his recent work as the everyman that tries to make the best of the bad situation and Miller is pretty much recycling the same character he plays on Silicon Valley. That being said, there are plenty of laughs if you do not mind the very bawdy humor and Directors Josh Gordon and Will Speck keep things moving at a steady pace with laughs throughout the film.
While it is likely not going to be a holiday classic, “Office Christmas Party”, is a very fun and enjoyable diversion.
http://sknr.net/2016/12/09/office-christmas-party/
Paul "xenomorph" Warren (15 KP) rated Beauty and the Beast (2017) in Movies
Jun 17, 2017
The beast cgi is lacking (1 more)
The whole movie feels hollow
More beast than beauty
After watching jon favreau's fantastic the jungle book I was hyped to see what disney did with their 2nd attempt at a live action remake of their animated library of classics. Unfortunately it's no where near as polished imo. There is some good performances though. Josh gad is hilarious as LeFou and contributes the majority of the comedy. However the lack of emotion in what's supposed to be an emotional romance is lost in this movie. The choice to use a cgi beast baffles me. And there is so many opportunities with a cast as strong as this but unfortunately Bill Condon fails to stir up the romance and emotion that the animation did in 1991. Emma Watson took me off guard me with her singing which was a pleasant surprise. Overall it was fairly entertaining however with the calibre of talent on show i kinda expecred more.
LeftSideCut (3778 KP) rated Little Monsters (2019) in Movies
Nov 27, 2019
The most wholesome zombie film you will ever see
The biggest takeaway from Little Monsters is just how damn heart warming it is. Seriously.
The plot revolves around a group of young school children and their teacher becoming trapped at a petting farm whilst on a school trip, due to a zombie outbreak at an absurdly close military facility.
The conflicting styles of lighthearted family comedy, and typical zombie violence work pretty well, and offer up a solidly entertaining and genuinely funny movie, in a market that runs the risk of becoming increasingly saturated.
Lupita Nyong'o and Alexander England are two fantastic leads with great chemistry. The character growth attributed to both of their characters isbl great and is a huge part of why I enjoyed Little Monsters so much.
Josh Gad also stars and offers up a lot of humour with his character.
The cast is rounded out by a group of stupidly adorable kids, and combined with a witty and tight script, ensured I was smiling for the whole run time.
There's some decent zombie gore littered throughout, with some respectable practical effect, but please know, that Little Monsters is absolutely intended as a comedy, so don't watch it expecting to be scared!
Overall, if you like zombie comedy, then you could do a lot worse. Little Monsters is genuinely funny and extremely wholesome. Give it a go!
The plot revolves around a group of young school children and their teacher becoming trapped at a petting farm whilst on a school trip, due to a zombie outbreak at an absurdly close military facility.
The conflicting styles of lighthearted family comedy, and typical zombie violence work pretty well, and offer up a solidly entertaining and genuinely funny movie, in a market that runs the risk of becoming increasingly saturated.
Lupita Nyong'o and Alexander England are two fantastic leads with great chemistry. The character growth attributed to both of their characters isbl great and is a huge part of why I enjoyed Little Monsters so much.
Josh Gad also stars and offers up a lot of humour with his character.
The cast is rounded out by a group of stupidly adorable kids, and combined with a witty and tight script, ensured I was smiling for the whole run time.
There's some decent zombie gore littered throughout, with some respectable practical effect, but please know, that Little Monsters is absolutely intended as a comedy, so don't watch it expecting to be scared!
Overall, if you like zombie comedy, then you could do a lot worse. Little Monsters is genuinely funny and extremely wholesome. Give it a go!
Frank Carter recommended ...Like Clockwork by Queens Of The Stone Age in Music (curated)
Emma @ The Movies (1786 KP) rated The Forever Purge (2021) in Movies
Feb 20, 2022
I'm definitely late to the party on this series, I watched The Purge in preparation for First Purge and really enjoyed both... and let's face it, there's nothing like some gratuitous violence to fill your evening!
The annual Purge comes and goes with the usual drama, with those locked up safely in their spacious homes watching the events on TV. When morning comes and they come out of hiding, they get a welcome they weren't expecting. A rogue movement has no time for the law, it's now the forever purge.
So, a section of the population has decided to rise up and take their power back the only way they know how, through violence... you always worry that films might hit a little too close to home... let's not delve into that topic too much though.
Josh Lucas feels like he's making a resurgence these days. I'm not sure how I feel about him in this sort of role though. Dylan Tucker isn't exactly an exciting character, he has a rather unbelievable arc through the film, and there's no point where I felt any sympathy for him.
A lot of the other characters have similar flaws, there's no one that's really memorable apart from maybe Ana de la Reguera as Adele. She has some interesting moments to do with her backstory, but there's never much of an in-depth look at any of it throughout the film.
The Purge was a great concept and I loved the way it was very focused on one environment. The First Purge had an interesting story and I liked having the inception of the idea unfold. But the trouble with The Forever Purge was that it was somehow too much and not enough all at the same time. There were moments that had a lot of potential for the characters but they were cut off before they managed to get anywhere.
I got the escalating amount of the mindless violence I was looking for, but it seemed to mainly just be "travelling" action. There wasn't anything particularly gripping about it, and it didn't hold up to the previous instalments of the franchise I've seen, and that was a real shame.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/02/the-forever-purge-movie-review.html
The annual Purge comes and goes with the usual drama, with those locked up safely in their spacious homes watching the events on TV. When morning comes and they come out of hiding, they get a welcome they weren't expecting. A rogue movement has no time for the law, it's now the forever purge.
So, a section of the population has decided to rise up and take their power back the only way they know how, through violence... you always worry that films might hit a little too close to home... let's not delve into that topic too much though.
Josh Lucas feels like he's making a resurgence these days. I'm not sure how I feel about him in this sort of role though. Dylan Tucker isn't exactly an exciting character, he has a rather unbelievable arc through the film, and there's no point where I felt any sympathy for him.
A lot of the other characters have similar flaws, there's no one that's really memorable apart from maybe Ana de la Reguera as Adele. She has some interesting moments to do with her backstory, but there's never much of an in-depth look at any of it throughout the film.
The Purge was a great concept and I loved the way it was very focused on one environment. The First Purge had an interesting story and I liked having the inception of the idea unfold. But the trouble with The Forever Purge was that it was somehow too much and not enough all at the same time. There were moments that had a lot of potential for the characters but they were cut off before they managed to get anywhere.
I got the escalating amount of the mindless violence I was looking for, but it seemed to mainly just be "travelling" action. There wasn't anything particularly gripping about it, and it didn't hold up to the previous instalments of the franchise I've seen, and that was a real shame.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/02/the-forever-purge-movie-review.html
Movie Metropolis (309 KP) rated Labor Day (2014) in Movies
Jun 11, 2019
Director Jason Reitman is no stranger to obtaining a few awards from his varied career, with films like Juno and Up in the Air under his belt, you would be forgiven for thinking that he could put himself on autopilot – however his latest offering Labor Day stays well clear of such drama.
Starring Kate Winslet and Josh Brolin, the film stays on the right side of touching without feeling overly sentimental and cheesy. But is it worth a watch?
Following the story of Adele (Winslet) and her son Henry (Gattlin Griffith) as they comes to terms with repairing their lives after an unsuccessful marriage, Labor Day leaves the story and plot of Joyce Maynard’s hugely popular novel to the audience, who piece things together themselves, culminating in a pleasing if slightly clumsy final act.
Josh Brolin stars as Frank Chambers, an escaped murderer looking for somewhere tolabor-day-poster1 lay low whilst the police continue searching for him. Brolin is a master of playing the bad guy gone good and his performance here is no exception to that rule. His convict-like scowls are brilliantly juxtaposed with scenes involving him cooking and baking, leaving the viewer slightly perplexed by his real intentions – at the start that is anyway.
As the story takes place over a weekend, the film does feel a little drawn out in places but this adds to its simplistic charm, with the characters and their sublime acting doing most of the work.
Winslet is excellent as Adele, a woman so heartbroken and terrified by the painful effects of love she no longer leaves the house. Her fragility is exceptionally intense; her hands and facial expressions talk more than words ever could and this is a theme throughout the film. I wouldn’t be surprised if Winslet is nominated for an Oscar at next year’s awards.
However, by far the standout is Gattlin Griffith’s performance as young Henry. Here is a boy who would do anything for his mother. His transition from moody teenager to vulnerable young adult is beautiful to watch and again, his facial expressions speak volumes.
As the police close in on Frank’s location and Adele and Henry’s behaviour becomes ever more suspicious, Labor Day becomes increasingly intense in a ‘will they won’t they’ kind of way. As much as the film drives home the simplicity of its intentions, you can’t helped but get sucked into their predicament and this, along with the acting, is where it stuns most.
Unfortunately, the simple nature of the directing and cinematography leaves a lot of room for other areas to fill, and this doesn’t quite happen.
The score is mind-numbingly dull which is a true shame. Rolfe Kent has created some stunning pieces of music for films across the decades including his Golden Globe nominated work on Sideways, not forgetting the excellent score in The Wedding Crashers. Despite some lift in the latter half of the picture, it remains a relatively music-free affair.
Tobey Maguire’s narration is also a little dull. Those of you familiar with the Spider-Man trilogy will know how irritating Maguire’s voice can be, and unfortunately it’s the case here too.
Overall though, Labor Day fills the void in between the magic of the Christmas blockbuster and the frantic summer season which is approaching thick and fast. Filled with some fine performances from the three lead actors and a story which really makes you believe in second chances, it’s an utterly compelling and emotional spring flick. Only the poor score and uninspiring cinematography lets it down.
https://moviemetropolis.net/2014/03/27/labor-day-review/
Starring Kate Winslet and Josh Brolin, the film stays on the right side of touching without feeling overly sentimental and cheesy. But is it worth a watch?
Following the story of Adele (Winslet) and her son Henry (Gattlin Griffith) as they comes to terms with repairing their lives after an unsuccessful marriage, Labor Day leaves the story and plot of Joyce Maynard’s hugely popular novel to the audience, who piece things together themselves, culminating in a pleasing if slightly clumsy final act.
Josh Brolin stars as Frank Chambers, an escaped murderer looking for somewhere tolabor-day-poster1 lay low whilst the police continue searching for him. Brolin is a master of playing the bad guy gone good and his performance here is no exception to that rule. His convict-like scowls are brilliantly juxtaposed with scenes involving him cooking and baking, leaving the viewer slightly perplexed by his real intentions – at the start that is anyway.
As the story takes place over a weekend, the film does feel a little drawn out in places but this adds to its simplistic charm, with the characters and their sublime acting doing most of the work.
Winslet is excellent as Adele, a woman so heartbroken and terrified by the painful effects of love she no longer leaves the house. Her fragility is exceptionally intense; her hands and facial expressions talk more than words ever could and this is a theme throughout the film. I wouldn’t be surprised if Winslet is nominated for an Oscar at next year’s awards.
However, by far the standout is Gattlin Griffith’s performance as young Henry. Here is a boy who would do anything for his mother. His transition from moody teenager to vulnerable young adult is beautiful to watch and again, his facial expressions speak volumes.
As the police close in on Frank’s location and Adele and Henry’s behaviour becomes ever more suspicious, Labor Day becomes increasingly intense in a ‘will they won’t they’ kind of way. As much as the film drives home the simplicity of its intentions, you can’t helped but get sucked into their predicament and this, along with the acting, is where it stuns most.
Unfortunately, the simple nature of the directing and cinematography leaves a lot of room for other areas to fill, and this doesn’t quite happen.
The score is mind-numbingly dull which is a true shame. Rolfe Kent has created some stunning pieces of music for films across the decades including his Golden Globe nominated work on Sideways, not forgetting the excellent score in The Wedding Crashers. Despite some lift in the latter half of the picture, it remains a relatively music-free affair.
Tobey Maguire’s narration is also a little dull. Those of you familiar with the Spider-Man trilogy will know how irritating Maguire’s voice can be, and unfortunately it’s the case here too.
Overall though, Labor Day fills the void in between the magic of the Christmas blockbuster and the frantic summer season which is approaching thick and fast. Filled with some fine performances from the three lead actors and a story which really makes you believe in second chances, it’s an utterly compelling and emotional spring flick. Only the poor score and uninspiring cinematography lets it down.
https://moviemetropolis.net/2014/03/27/labor-day-review/