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Faster by Samantha Fish
7.5
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Samantha Fish has received practically every accolade a contemporary blues...
Darren Hayman recommended The Haden Triplets by The Haden Triplets in Music (curated)
Pure Comedy by Father John Misty
4.7
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Father John Misty's Pure Comedy is the highly anticipated follow-up to his internationally acclaimed...
Tell Me Something (Something, #1)
6.0
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He was my boss. I was his assistant. It was only supposed to be a temporary office romance. Until he...
Bidin' My Time by Chris Hillman
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'Bidin' My Time', produced by Tom Petty and executive-produced by Herb Pedersen, captures a rarity:...
country rock
Gareth von Kallenbach (968 KP) rated New Year's Eve (2011) in Movies
Aug 7, 2019
If you ask me, holiday movies have lost their way over the past few years. Not that there haven’t been any good holiday movies recently, but let’s face it… “A Very Harold & Kumar 3D Christmas” is no “It’s a Wonderful Life.” I think that New Year’s Eve brings us back to the feel good holiday movies that the film industry has been missing.
The cast in this is huge. Michelle Pfeiffer, Zac Efron, Robert De Niro, Halle Berry, Jessica Biel, Seth Meyers, Carla Gugino, Katherine Heigl, Jon Bon Jovi, Sofia Vergara, Ashton Kutcher, Lea Michele, Sarah Jessica Parker, Abigail Breslin, Hilary Swank and Josh Duhamel are all players in this film. This is only the tip of the ice berg too as there are many smaller roles with cameos from big names.
New Year’s Eve follows several different story lines that are all connected in some way, whether small or big, the stories do intertwine. Michelle Pfieffer plays a meek, timid office worker who finally has had it with her miserable job. She enlists the help of bike messenger Zac Efron to help her complete all the tasks on her “bucket list” type resolution list. Robert De Niro plays a dying cancer patient whose wish is to see the ball drop one last time, and Halle Berry is the nurse that is attending him. Seth Meyers and Jessica Biel play an expectant couple who are in a race with another couple to have the first baby of the New Year in order to win the Hospital’s contest and receive $25,000.
Katherine Heigl plays a chef for a catering company that has landed a huge gig at one of the largest parties in New York. Sofia Vergara is her sous chef who is humorously fanatic over Jon Bon Jovi. Jon Bon Jovi plays a version of himself (a musician) who happens to be Katherine Heigl’s ex-boyfriend. Ashton Kutcher is very anti-New Year’s and during his protest of the holiday ends up becoming stuck in an elevator with Lea Michele, a new tenant in his building who is on her way to a new job as a backup singer.
Sarah Jessica Parker is a single mother who gets to spend the New Year with her daughter, played by Abigail Breslin. But Abigail has her sights set on spending New Year’s Eve in Times Square. Hilary Swank plays the newly appointed Vice President of the Times Square Alliance, which for the intents of this movie means that she’s in charge of the Times Square ball dropping and runs into a few problems along the way. Josh Duhamel is desperately trying to make it from his cousin’s wedding to New York City in time to give an important speech at his company’s party, as well as make another very important meeting.
I found this movie to be a great date movie. It’s cute and funny, but without being overly obnoxious as some holiday movies try to be. It is very clever in its story telling, and makes great use of the stellar cast. Though I personally could have done without the Robert De Niro story line, I really enjoyed the film overall. It is great to see a wholesome Holiday movie that does not have to rely on gags and clichés (not too much anyway).
The cast in this is huge. Michelle Pfeiffer, Zac Efron, Robert De Niro, Halle Berry, Jessica Biel, Seth Meyers, Carla Gugino, Katherine Heigl, Jon Bon Jovi, Sofia Vergara, Ashton Kutcher, Lea Michele, Sarah Jessica Parker, Abigail Breslin, Hilary Swank and Josh Duhamel are all players in this film. This is only the tip of the ice berg too as there are many smaller roles with cameos from big names.
New Year’s Eve follows several different story lines that are all connected in some way, whether small or big, the stories do intertwine. Michelle Pfieffer plays a meek, timid office worker who finally has had it with her miserable job. She enlists the help of bike messenger Zac Efron to help her complete all the tasks on her “bucket list” type resolution list. Robert De Niro plays a dying cancer patient whose wish is to see the ball drop one last time, and Halle Berry is the nurse that is attending him. Seth Meyers and Jessica Biel play an expectant couple who are in a race with another couple to have the first baby of the New Year in order to win the Hospital’s contest and receive $25,000.
Katherine Heigl plays a chef for a catering company that has landed a huge gig at one of the largest parties in New York. Sofia Vergara is her sous chef who is humorously fanatic over Jon Bon Jovi. Jon Bon Jovi plays a version of himself (a musician) who happens to be Katherine Heigl’s ex-boyfriend. Ashton Kutcher is very anti-New Year’s and during his protest of the holiday ends up becoming stuck in an elevator with Lea Michele, a new tenant in his building who is on her way to a new job as a backup singer.
Sarah Jessica Parker is a single mother who gets to spend the New Year with her daughter, played by Abigail Breslin. But Abigail has her sights set on spending New Year’s Eve in Times Square. Hilary Swank plays the newly appointed Vice President of the Times Square Alliance, which for the intents of this movie means that she’s in charge of the Times Square ball dropping and runs into a few problems along the way. Josh Duhamel is desperately trying to make it from his cousin’s wedding to New York City in time to give an important speech at his company’s party, as well as make another very important meeting.
I found this movie to be a great date movie. It’s cute and funny, but without being overly obnoxious as some holiday movies try to be. It is very clever in its story telling, and makes great use of the stellar cast. Though I personally could have done without the Robert De Niro story line, I really enjoyed the film overall. It is great to see a wholesome Holiday movie that does not have to rely on gags and clichés (not too much anyway).
Gareth von Kallenbach (968 KP) rated The Wedding Ringer (2015) in Movies
Aug 6, 2019
When I first heard the title of this movie, I probably thought what 99% of the population thought… that sounds like The Wedding Singer. Without even knowing anything about the film I had this preconceived notion that it was about a jeweler for weddings who is the best jeweler in town! Sarcasm is so hard to convey, but picture the end of that last sentence dripping with it.
It seems like Kevin Hart is in everything these days. He is the big name to know, and on everyone’s short list (rim shot). But it’s for good reason. They guy is funny. So I had a little hope The Wedding Ringer. Especially when you partner him with Josh Gad, a person more commonly known for being the supporting actor. Who is still a supporting actor in this film, but you wouldn’t know it.
For those that don’t know, TWR is about Doug Harris (Gad), a bridegroom who finds himself in a little bit of a pickle. It’s 10 days before his wedding, and he still has yet to figure out how to tell Gretchen (Kaley Cuoco-Sweeting), his bride-to-be, that his Best Man, and entire wedding party, are entirely fictitious. Never fear, for Harris is lead to Jimmy Callahan (Hart), proprietor of The Best Man, Inc. Only Jimmy doesn’t know exactly what he’s getting into as he makes an attempt at the fabled “Golden Tuxedo”, a myth in the business of being able to provide a 7-man grooms party in 10 days. Hilarity and hijinks ensue.
This movie was far better than I imagined it would be. With edgy humor, and great cameo appearances, the film delivers. Not afraid to make inside jokes about the actors’ previous roles, and not focusing on racial humor that some may anticipate, the film did not disappoint. The chemistry between Hart and Gad was good. It wasn’t great, but you can tell there was some. Hearing Cuoco-Sweeting curse after watching her for years on network television was a bit of a shock at first, but it certainly seemed natural. It was just so hard to accept the fact that she played her character so well, being the opposite end of the spectrum from some of the things she is most known for.
As I mentioned earlier, there were some great cameos throughout the film. Without giving away the big surprises, be on the lookout for Josh Peck, Cloris Leachman, Mimi Rogers, Whitney Cummings and Jeffrey Ross (just to name a few). Surprisingly enough, the edgiest jokes did not even come from the main cast, but more the supporting actors. They did an excellent job of spreading the humor. And while soundtrack is not a huge focus for comedies, I thought it a nice touch that many of the selections were more than fitting for the scenes.
Was the movie formulaic? You betcha? I called the ending of the movie a mere 20 minutes in. Are all of the jokes original? No. There were some great ones that I have never heard before, and the ones that you’ve seen a lot were delivered in fresh, creative way. Is it a movie that’s going to win awards? Likely not, but it’s definitely worth checking out for date night.
Bottom line, the movie surpassed my expectations by a mile. It was nice to see a movie that doesn’t rely on the obvious jokes and humor you would expect given the cast and setting. This is definitely one that will be making its way into my collection when released for home viewing, and I may head out and take a gander at it again this weekend.
It seems like Kevin Hart is in everything these days. He is the big name to know, and on everyone’s short list (rim shot). But it’s for good reason. They guy is funny. So I had a little hope The Wedding Ringer. Especially when you partner him with Josh Gad, a person more commonly known for being the supporting actor. Who is still a supporting actor in this film, but you wouldn’t know it.
For those that don’t know, TWR is about Doug Harris (Gad), a bridegroom who finds himself in a little bit of a pickle. It’s 10 days before his wedding, and he still has yet to figure out how to tell Gretchen (Kaley Cuoco-Sweeting), his bride-to-be, that his Best Man, and entire wedding party, are entirely fictitious. Never fear, for Harris is lead to Jimmy Callahan (Hart), proprietor of The Best Man, Inc. Only Jimmy doesn’t know exactly what he’s getting into as he makes an attempt at the fabled “Golden Tuxedo”, a myth in the business of being able to provide a 7-man grooms party in 10 days. Hilarity and hijinks ensue.
This movie was far better than I imagined it would be. With edgy humor, and great cameo appearances, the film delivers. Not afraid to make inside jokes about the actors’ previous roles, and not focusing on racial humor that some may anticipate, the film did not disappoint. The chemistry between Hart and Gad was good. It wasn’t great, but you can tell there was some. Hearing Cuoco-Sweeting curse after watching her for years on network television was a bit of a shock at first, but it certainly seemed natural. It was just so hard to accept the fact that she played her character so well, being the opposite end of the spectrum from some of the things she is most known for.
As I mentioned earlier, there were some great cameos throughout the film. Without giving away the big surprises, be on the lookout for Josh Peck, Cloris Leachman, Mimi Rogers, Whitney Cummings and Jeffrey Ross (just to name a few). Surprisingly enough, the edgiest jokes did not even come from the main cast, but more the supporting actors. They did an excellent job of spreading the humor. And while soundtrack is not a huge focus for comedies, I thought it a nice touch that many of the selections were more than fitting for the scenes.
Was the movie formulaic? You betcha? I called the ending of the movie a mere 20 minutes in. Are all of the jokes original? No. There were some great ones that I have never heard before, and the ones that you’ve seen a lot were delivered in fresh, creative way. Is it a movie that’s going to win awards? Likely not, but it’s definitely worth checking out for date night.
Bottom line, the movie surpassed my expectations by a mile. It was nice to see a movie that doesn’t rely on the obvious jokes and humor you would expect given the cast and setting. This is definitely one that will be making its way into my collection when released for home viewing, and I may head out and take a gander at it again this weekend.
BankofMarquis (1832 KP) rated First Man (2018) in Movies
Oct 13, 2018
GREAT, Visceral Space Scenes - Boring, Soap-Opera-ish Earth Scenes
Get to the largest screen you can find with the best sound system and check out FIRST MAN. The visceral spectacle of space travel is expertly captured and needs to be seen on the BIG screen while your chair vibrates from the sound. You, the audience, fwill eel like you are in the spaceship with Neil Armstrong on his way to the moon.
Too bad the Earth-bound moments of this film don't go to the same heights.
Directed by Damien Chazelle in his follow-up to his Oscar winning Directorial stint with LA LA LAND, FIRST MAN tells the story of Neil Armstrong in the 1960s, going from test pilot to the First Man who stepped foot on the moon.
As I stated earlier, the times that we are in the space capsule, or flight plane or test simulator with Armstrong are a visceral experience not to be missed. Chazelle puts his camera close in, often times seeing what Armstrong is seeing - most of that time with loud, shimming and shaking noises and shimming and shaking cameras that left me wonder how these Pioneers of Space Flight ever made it to the Moon and back safely. These scenes - and especially the last 1/2 hour of the film when Armstrong & Co. go to the moon - are worth the price of admission alone. Add on top of that a driving, visceral (there's that word again) score by Chazelle's musical collaborator Justin Hurwitz (Oscar winner for the music for LA LA LAND) and your heart will be thumping loudly in your chest during these exhilarating scenes.
And that is good, for Chazelle and screenwriter Josh Singer (SPOTLIGHT) try to squeeze in a Soap-Opera-esque plot and motivation for Armstrong throughout this film that just didn't work for me. They tried too hard to give Armstrong some "personal" motivations for being stoic, pragmatic and driven to his vision.
As for the acting, Ryan Gosling is...well...stoic, pragmatic and driven to his vision as Armstrong. Do you see that look on Gosling/Armstrong's face in the picture that is accompanying this review? You get that 90% of the time with him. Most of the other actors - Jason Clarke, Kyle Chandler, Pablo Schreiber, Ethan Embry, Lukas Haas - all give the same stoic, pragmatic performance, so there is no real personality here. Even the great Ciaran Hinds - who normally can chew scenery with the best of them - was toned way down to stoic, pragmatic proportions.
This made the performance of Corey Stoll as Buzz Aldrin all the more jarring for he bursts into this film at about the halfway point, cracking jokes and having a personality. Unfortunately, this was annoying at this point, rather than refreshing and I ended up thinking what a jerk Aldrin is.
Add to that Claire Foy (THE CROWN) as Armstrong's wife who has a constant pained expression on her face. She will get an Oscar nomination, for she had the big "Oscars" speech as the worried wife and mother - a speech where Gosling/Armstrong looked at her pragmatically and with solid stoicism.
Fortunately, what saves this movie is that these Earth-bound scenes of fairly boring people in cliched situations are quickly wiped away with awe-inspiring action pieces - they really are worth the price of admission - even the higher price you will need to pay to see it in IMAX with a kick-butt sound system.
Letter Grade: B+
7 1/2 (out of 10) stars - have I mentioned how great the space scenes in this film are?
And you can take that to the Bank(ofMarquis)
Too bad the Earth-bound moments of this film don't go to the same heights.
Directed by Damien Chazelle in his follow-up to his Oscar winning Directorial stint with LA LA LAND, FIRST MAN tells the story of Neil Armstrong in the 1960s, going from test pilot to the First Man who stepped foot on the moon.
As I stated earlier, the times that we are in the space capsule, or flight plane or test simulator with Armstrong are a visceral experience not to be missed. Chazelle puts his camera close in, often times seeing what Armstrong is seeing - most of that time with loud, shimming and shaking noises and shimming and shaking cameras that left me wonder how these Pioneers of Space Flight ever made it to the Moon and back safely. These scenes - and especially the last 1/2 hour of the film when Armstrong & Co. go to the moon - are worth the price of admission alone. Add on top of that a driving, visceral (there's that word again) score by Chazelle's musical collaborator Justin Hurwitz (Oscar winner for the music for LA LA LAND) and your heart will be thumping loudly in your chest during these exhilarating scenes.
And that is good, for Chazelle and screenwriter Josh Singer (SPOTLIGHT) try to squeeze in a Soap-Opera-esque plot and motivation for Armstrong throughout this film that just didn't work for me. They tried too hard to give Armstrong some "personal" motivations for being stoic, pragmatic and driven to his vision.
As for the acting, Ryan Gosling is...well...stoic, pragmatic and driven to his vision as Armstrong. Do you see that look on Gosling/Armstrong's face in the picture that is accompanying this review? You get that 90% of the time with him. Most of the other actors - Jason Clarke, Kyle Chandler, Pablo Schreiber, Ethan Embry, Lukas Haas - all give the same stoic, pragmatic performance, so there is no real personality here. Even the great Ciaran Hinds - who normally can chew scenery with the best of them - was toned way down to stoic, pragmatic proportions.
This made the performance of Corey Stoll as Buzz Aldrin all the more jarring for he bursts into this film at about the halfway point, cracking jokes and having a personality. Unfortunately, this was annoying at this point, rather than refreshing and I ended up thinking what a jerk Aldrin is.
Add to that Claire Foy (THE CROWN) as Armstrong's wife who has a constant pained expression on her face. She will get an Oscar nomination, for she had the big "Oscars" speech as the worried wife and mother - a speech where Gosling/Armstrong looked at her pragmatically and with solid stoicism.
Fortunately, what saves this movie is that these Earth-bound scenes of fairly boring people in cliched situations are quickly wiped away with awe-inspiring action pieces - they really are worth the price of admission - even the higher price you will need to pay to see it in IMAX with a kick-butt sound system.
Letter Grade: B+
7 1/2 (out of 10) stars - have I mentioned how great the space scenes in this film are?
And you can take that to the Bank(ofMarquis)