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ClareR (5996 KP) rated The Foundling in Books
Jan 14, 2020
Gothic historical fiction - just my cup of tea!
The Foundling is set in Georgian London, and is packed full of secrets. No-one in it appears to be telling the truth.
Bess Bright, a hawker of shrimps on London’s streets, leaves her newborn, Clara, at the London Foundling Hospital with every intention of reclaiming her when she is older. When Bess does return having saved the money to pay for the care her daughter has received over the last six years, it’s to discover that Bess Bright has already claimed her baby the day after she left her. So someone has taken her daughter.
In a much wealthier part of London, a widow is persuaded by her doctor to take on a nursemaid for her daughter. The widow rarely leaves her home, and doesn’t let her daughter play outside. The child’s only time outside is the journey to church at the Foundling Hospital every Sunday. The new nursemaid, along with the doctor, convince the widow that she should allow the child some times outside to play, and some fresh air.
This is just the tip of the iceberg though. The widow is a complex, damaged character who tries to hide from her past - but as secrets have a habit of doing, hers catch up with her. The nursemaid is instrumental in this.
The descriptions in this book are all so vivid - I was transported into the contrasting world of Georgian London and those who lived in poverty living alongside (streets away from) those who lived with unmentionable amounts of money. The oppression in the widows household was overwhelming: claustrophobic, even.
I loved everything about this book - I loved the gothic, suspense-filled atmosphere, and spent a large part of the book with my heart in my mouth!
Another wonderful book by Stacey Halls, and one I’d highly recommend reading!
Many thanks to The Pigeonhole for the reading AND the listening experience (I loved the narrators on the audio book!), and Stacey Halls for reading along, too!
Bess Bright, a hawker of shrimps on London’s streets, leaves her newborn, Clara, at the London Foundling Hospital with every intention of reclaiming her when she is older. When Bess does return having saved the money to pay for the care her daughter has received over the last six years, it’s to discover that Bess Bright has already claimed her baby the day after she left her. So someone has taken her daughter.
In a much wealthier part of London, a widow is persuaded by her doctor to take on a nursemaid for her daughter. The widow rarely leaves her home, and doesn’t let her daughter play outside. The child’s only time outside is the journey to church at the Foundling Hospital every Sunday. The new nursemaid, along with the doctor, convince the widow that she should allow the child some times outside to play, and some fresh air.
This is just the tip of the iceberg though. The widow is a complex, damaged character who tries to hide from her past - but as secrets have a habit of doing, hers catch up with her. The nursemaid is instrumental in this.
The descriptions in this book are all so vivid - I was transported into the contrasting world of Georgian London and those who lived in poverty living alongside (streets away from) those who lived with unmentionable amounts of money. The oppression in the widows household was overwhelming: claustrophobic, even.
I loved everything about this book - I loved the gothic, suspense-filled atmosphere, and spent a large part of the book with my heart in my mouth!
Another wonderful book by Stacey Halls, and one I’d highly recommend reading!
Many thanks to The Pigeonhole for the reading AND the listening experience (I loved the narrators on the audio book!), and Stacey Halls for reading along, too!
Lee (2222 KP) rated Bill & Ted Face the Music (2020) in Movies
Sep 15, 2020
Back in 1991, I thought that Bill & Ted's Bogus Journey was the greatest movie of all time. Sure, Bill & Ted's Excellent Adventure was pretty incredible too, but with the addition of Death… Station… evil robot Bill & Ted… it was all just genius as far as I was concerned. My movie watching habits since the nineties have shown me that neither of those films is actually the greatest of all time (well, maybe top 50), but that certainly didn't stop me from getting ridiculously giddy with excitement at the prospect of a third outing. Even more so after successfully introducing my youngest daughter to both movies recently, at which point I also concluded that Excellent Adventure was, in fact, the better of the two!
So, here we are. 29 years on from Bogus Journey, and we find Bill & Ted at a very difficult time in their lives. Dwindling popularity and record sales mean that their destiny of uniting the world with a single song is now becoming increasingly unlikely. A wedding reception where Bill & Ted are unveiling their latest musical creation to a less than lukewarm reception gives us a nice nostalgic chance to see some familiar faces from the previous movies and also brings us quickly up to speed on the lives of our two heroes. Still married to the medieval princesses (Jayma Mays and Erinn Hayes), they now both have grown-up daughters, Thea (Brigette Lundy-Paine) and Billie (Samara Weaving). Both girls are like younger versions of their fathers, making heavy use of the word ‘dude’, and with extensive musical tastes and knowledge. They worship their fathers though and truly believe in their music.
Following the wedding reception, a trip to couples therapy shows us that it's not just their music career that's heading for the rocks. There's even talk of breaking up the band - “We’ve spent our entire lives trying to unite the world. And I’m tired, dude” Ted confesses to Bill. And as their destiny begins to fracture, reality also starts to unravel, with historical figures randomly being sucked from their own time and dumped into another.
Arriving just in the nick of time is a traveller from the future. Kelly (Kristen Schaal) lands in an egg-shaped time machine and whisks the boys into the future where they find that they are now no longer being worshipped in the same way as they were before. They are told in no uncertain terms that they have just 77 minutes to come up with the song they were destined to write, or the past, present and future are all going to collide, resulting in the world collapsing in on itself. Whoah!
Resigning themselves to the fact that if they haven't been able to come up with the song in the last couple of decades, they're unlikely to come up with it in the next 77 minutes, Bill & Ted land on the genius idea that they can simply go to the future and steal the song from their future selves. So, they begin jumping forward to various points in time and meeting up with different versions of themselves. We get overweight rock star Bill & Ted, complete with dodgy British accents, muscular prison inmate Bill & Ted and even OAP nursing home Bill & Ted.
Meanwhile, daughters Thea and Billie come up with a slightly more solid plan of action that involves picking up prominent musicians from history and forming them into the ultimate band, in the hopes that their combined talents will come up with the song that saves the world. It's a race against time as both missions play out simultaneously, taking in a trip to hell, recruiting ex-band member Death (William Sandler) and trying to outwit a robot who's out to kill them. It's basically a greatest hits remix of the first two movies.
It took some time for me to adjust to seeing Keanu Reeves outside of his role as John Wick, clean-shaven and considerably less dangerous. Both he and Alex Winter are obviously much older than when we last saw them as Bill & Ted, but it was surprising just how well they slipped right back into the roles. It honestly felt so good to be back in the company of these guys. The daughters are also a welcome addition, although they feel underused, and being separated from their fathers for much of the movie means that everything feels a lot more chaotic than we’re used to.
Bill & Ted Face the Music rattles along at a fairly brisk pace and the ending felt very rushed and abrupt. Something about the whole thing just doesn’t feel right and I didn’t feel as though we were ever getting very much time to explore or experience a particular scene before we were straight onto the next. It’s funny at times, but with most of it essentially reworking themes and ideas from earlier movies it ends up as the weakest of the trilogy, which is a real shame.
I’ve got so much love for these characters and movies that I feel bad about being negative in any way. However, I can’t help feeling that Face the Music teeters on the edge of ‘maybe they should have just left alone with the last movie’ a little too often. At the end of the day though, I can't really knock a movie that's essentially all about harmless fun and, more importantly, carries with it a message about uniting the world, being excellent to each other. I think we all could appreciate that philosophy in our lives right now.
So, here we are. 29 years on from Bogus Journey, and we find Bill & Ted at a very difficult time in their lives. Dwindling popularity and record sales mean that their destiny of uniting the world with a single song is now becoming increasingly unlikely. A wedding reception where Bill & Ted are unveiling their latest musical creation to a less than lukewarm reception gives us a nice nostalgic chance to see some familiar faces from the previous movies and also brings us quickly up to speed on the lives of our two heroes. Still married to the medieval princesses (Jayma Mays and Erinn Hayes), they now both have grown-up daughters, Thea (Brigette Lundy-Paine) and Billie (Samara Weaving). Both girls are like younger versions of their fathers, making heavy use of the word ‘dude’, and with extensive musical tastes and knowledge. They worship their fathers though and truly believe in their music.
Following the wedding reception, a trip to couples therapy shows us that it's not just their music career that's heading for the rocks. There's even talk of breaking up the band - “We’ve spent our entire lives trying to unite the world. And I’m tired, dude” Ted confesses to Bill. And as their destiny begins to fracture, reality also starts to unravel, with historical figures randomly being sucked from their own time and dumped into another.
Arriving just in the nick of time is a traveller from the future. Kelly (Kristen Schaal) lands in an egg-shaped time machine and whisks the boys into the future where they find that they are now no longer being worshipped in the same way as they were before. They are told in no uncertain terms that they have just 77 minutes to come up with the song they were destined to write, or the past, present and future are all going to collide, resulting in the world collapsing in on itself. Whoah!
Resigning themselves to the fact that if they haven't been able to come up with the song in the last couple of decades, they're unlikely to come up with it in the next 77 minutes, Bill & Ted land on the genius idea that they can simply go to the future and steal the song from their future selves. So, they begin jumping forward to various points in time and meeting up with different versions of themselves. We get overweight rock star Bill & Ted, complete with dodgy British accents, muscular prison inmate Bill & Ted and even OAP nursing home Bill & Ted.
Meanwhile, daughters Thea and Billie come up with a slightly more solid plan of action that involves picking up prominent musicians from history and forming them into the ultimate band, in the hopes that their combined talents will come up with the song that saves the world. It's a race against time as both missions play out simultaneously, taking in a trip to hell, recruiting ex-band member Death (William Sandler) and trying to outwit a robot who's out to kill them. It's basically a greatest hits remix of the first two movies.
It took some time for me to adjust to seeing Keanu Reeves outside of his role as John Wick, clean-shaven and considerably less dangerous. Both he and Alex Winter are obviously much older than when we last saw them as Bill & Ted, but it was surprising just how well they slipped right back into the roles. It honestly felt so good to be back in the company of these guys. The daughters are also a welcome addition, although they feel underused, and being separated from their fathers for much of the movie means that everything feels a lot more chaotic than we’re used to.
Bill & Ted Face the Music rattles along at a fairly brisk pace and the ending felt very rushed and abrupt. Something about the whole thing just doesn’t feel right and I didn’t feel as though we were ever getting very much time to explore or experience a particular scene before we were straight onto the next. It’s funny at times, but with most of it essentially reworking themes and ideas from earlier movies it ends up as the weakest of the trilogy, which is a real shame.
I’ve got so much love for these characters and movies that I feel bad about being negative in any way. However, I can’t help feeling that Face the Music teeters on the edge of ‘maybe they should have just left alone with the last movie’ a little too often. At the end of the day though, I can't really knock a movie that's essentially all about harmless fun and, more importantly, carries with it a message about uniting the world, being excellent to each other. I think we all could appreciate that philosophy in our lives right now.
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Kevin Wilson (179 KP) rated Bohemian Rhapsody (2018) in Movies
Mar 4, 2019
Amazing cast (2 more)
The music
Was fantastically written and was a real tribute to Freddie Mercury
1 of my favourite movies of 2018
This was an incredible movie and have watched it twice in the space of 2 days and really want to watch it again.
I want to start by saying i do understand some of the facts are not true and was embellished for entertainment purposes. This does not stop the movie from inhabiting the spirit of who Freddie Mercury was. Rami Malek did a fantastic job and was perfect casting with Marc Martel providing impeccable vocals that could be mistaken for Freddies own.
Every single member of the cast was perfectly cast and i fell in love with each instantly.
I didnt even know until 2nd time watching it that Mike Myers was in it with a fun Wayne's World reference and that the actor who portrayed the bassist John Deacon was the kid ffom Jurassic Park.
I couldnt help but sing along to every song that came on. I was a fan before this movie but knowing more about Freddie Mercury and the stories behind each of the songs has made me more so. The struggles he experienced made this movie so emotional yet uplifting. You kind of know how its going to end if you know Freddie Mercury at all but i was still shocked by the journey he went on.
This is a movie i could watch over and over and i certainly plan to. This is my joint favourite movie of 2018 along with Searching.
I want to start by saying i do understand some of the facts are not true and was embellished for entertainment purposes. This does not stop the movie from inhabiting the spirit of who Freddie Mercury was. Rami Malek did a fantastic job and was perfect casting with Marc Martel providing impeccable vocals that could be mistaken for Freddies own.
Every single member of the cast was perfectly cast and i fell in love with each instantly.
I didnt even know until 2nd time watching it that Mike Myers was in it with a fun Wayne's World reference and that the actor who portrayed the bassist John Deacon was the kid ffom Jurassic Park.
I couldnt help but sing along to every song that came on. I was a fan before this movie but knowing more about Freddie Mercury and the stories behind each of the songs has made me more so. The struggles he experienced made this movie so emotional yet uplifting. You kind of know how its going to end if you know Freddie Mercury at all but i was still shocked by the journey he went on.
This is a movie i could watch over and over and i certainly plan to. This is my joint favourite movie of 2018 along with Searching.
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