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State of Mind
6.0
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State of Mind is a futuristic thriller game delving into transhumanism. The game explores themes of...
action adventure
The Princess and the Pea – An Interactive Children’s Story Book HD
Book and Education
App
>>> FREE & packed with superb animation & stunning interactive activities Take your children on a...
Box Island - Award Winning Coding Adventure
Education and Games
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◆ Box Island - Award Winning Coding Adventure for Kids! Box Island is a mobile game that takes...
BankofMarquis (1832 KP) rated John Wick. Chapter 4 (2023) in Movies
Mar 26, 2023
More of the Same - which is a GOOD thing
Once a series gets to it’s 4th installment - and that installment is NOT a reboot or “prequel” - the audience for said series is pretty much settled in. There is a rabid group of movie-going watchers that are looking for the intimate details and Easter Eggs to further their immersion into this world while the rest of the movie going public has probably moved on and, just might, check it out on a whim.
Such is the case with JOHN WICK: CHAPTER 4 - the 4th installment of the Keanu Reeves led/Chad Stahelski Directed series that is long on style, action, intrigue and mythology while being low on logical plot-lines and…well…daylight.
But this won’t matter to the John Wick movie-goer. They are getting more of the same - cartoon violence professionally created by Stahelski and Reeves with plenty of bad guys battling (and losing) to Wick while the mysterious, underground society that Wick has run afoul of tries to take him down.
This insider intrigue will be enriching for the true John Wick fan but will be inconsequential for the casual movie-goer as these plot machinations are just an excuse to line Reeves up against seemingly insurmountable obstacle after seemingly insurmountable obstacle.
And what a journey it is. Starting with a tussle at the Osaka Continental (featuring veteran Martial Artists Hiroki Sanada and Donnie Yen) to a battle in Germany to the final in Paris, JOHN WICK: CHAPTER 4 is just one, long stylized fight sequence with both Stahelski (the Director and Fight Choreographer) and Reeves (as Wick) showing off their talents in new and interesting ways.
There are way too many fight sequences to mention, but there is one sequence in a building that is shot from on high (reminiscent of watching video game play) that is the most interesting/effective - but they all are a ton of fun.
Bill Skarsgard (Pennywise the Clown in the IT movies) is along as the Marquis (cool name) who is in charge of bringing Wick down. He is joined by the always good Clancy Brown (the voice of Mr. Krabs on Spongebob) on the “bad guy” side while Wick regulars Ian McShane, Lawrence Fishburne and the late, great Lance Reddick line up on Wick’s side.
It is a fun roller-coaster ride - if a bit long at almost 3 hours (the middle sags a bit) - that will entertain casual fans of action flicks while satisfying the hard-core “Wick-aphiles” (if that is a term) with a further peeling back of a layer of this world.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with JOHN WICK: CHAPTER 4 - the 4th installment of the Keanu Reeves led/Chad Stahelski Directed series that is long on style, action, intrigue and mythology while being low on logical plot-lines and…well…daylight.
But this won’t matter to the John Wick movie-goer. They are getting more of the same - cartoon violence professionally created by Stahelski and Reeves with plenty of bad guys battling (and losing) to Wick while the mysterious, underground society that Wick has run afoul of tries to take him down.
This insider intrigue will be enriching for the true John Wick fan but will be inconsequential for the casual movie-goer as these plot machinations are just an excuse to line Reeves up against seemingly insurmountable obstacle after seemingly insurmountable obstacle.
And what a journey it is. Starting with a tussle at the Osaka Continental (featuring veteran Martial Artists Hiroki Sanada and Donnie Yen) to a battle in Germany to the final in Paris, JOHN WICK: CHAPTER 4 is just one, long stylized fight sequence with both Stahelski (the Director and Fight Choreographer) and Reeves (as Wick) showing off their talents in new and interesting ways.
There are way too many fight sequences to mention, but there is one sequence in a building that is shot from on high (reminiscent of watching video game play) that is the most interesting/effective - but they all are a ton of fun.
Bill Skarsgard (Pennywise the Clown in the IT movies) is along as the Marquis (cool name) who is in charge of bringing Wick down. He is joined by the always good Clancy Brown (the voice of Mr. Krabs on Spongebob) on the “bad guy” side while Wick regulars Ian McShane, Lawrence Fishburne and the late, great Lance Reddick line up on Wick’s side.
It is a fun roller-coaster ride - if a bit long at almost 3 hours (the middle sags a bit) - that will entertain casual fans of action flicks while satisfying the hard-core “Wick-aphiles” (if that is a term) with a further peeling back of a layer of this world.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
The Complete Adventures of Pan (Books 1-7)
Book, Education and Stickers
1.0
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Includes ALL 7 BOOKS of Complete Series The Adventures of Pan (#1 Best Seller in App Store Kids &...
BookInspector (124 KP) rated Turbulence (The Wanderer #1) in Books
Sep 24, 2020
This book is really different from what I would normally read, and I think it’s one of those “either you love it or hate it” books and it definitely should not be judged by its cover. (I think it doesn’t really represent the book and it looks very cold) I read it in one day because to me it was awesome. This book is a collection of twelve trips between different destinations and every story talks about his encounters with women. The main character is an archaeologist and this journey starts when he was 22 years old. He doesn’t have a name or an obvious background story, but the reader can get a lot of snippets of his life through the stories. Everything, from appearance, careers even destinations suggests this book to be somehow directly related to the author himself. Was it real encounters or fictional? That’s what left me very intrigued.
I don’t normally like philosophical reads, but in this one, author disguised and blended in these parts very creatively. I do love to learn new things and facts, especially if it is related to history, and for me, all these parts were an absolute joy to read. I really loved different settings chosen for this novel as well, as I got a glimpse of different cultures and different countries. I really liked that author chose different story variations in this book, sometimes he used to get lucky with the women he met and sometimes he missed the chance or chose not to get involved. It was refreshing and very believable changes of course and I was very interested of what the next story will bring. My absolute favourite was the religious discussions. I think the author will make many Christians unhappy, but I loved all the supporting historical facts he mentioned in this book regarding religion. I don’t even have to mention any research for this book, the author has a PhD degree in history/archaeology so I trust all the information he provided. :)
The writing style of this novel is very poetic and absolutely beautiful. B. McLaren has an amazing way of portraying different topics and uniting them all in a wonderfully flowing story. I do have to throw in a disclaimer that there are some discussion and scenes regarding sex and alcohol, so this book is not suitable for young readers. The chapters were quite long for my liking, but they passed quite quickly because I used to get very absorbed in the story itself. I liked how the author decided to end this story and I think it rounded up this book well. So, to conclude, I had a great fun reading this funny, philosophical one man’s journey through life and his encounters with different women all over the world. I learned a lot, so if you like history, travelling and a little bit of philosophical discussion I think you will enjoy this book :)
I don’t normally like philosophical reads, but in this one, author disguised and blended in these parts very creatively. I do love to learn new things and facts, especially if it is related to history, and for me, all these parts were an absolute joy to read. I really loved different settings chosen for this novel as well, as I got a glimpse of different cultures and different countries. I really liked that author chose different story variations in this book, sometimes he used to get lucky with the women he met and sometimes he missed the chance or chose not to get involved. It was refreshing and very believable changes of course and I was very interested of what the next story will bring. My absolute favourite was the religious discussions. I think the author will make many Christians unhappy, but I loved all the supporting historical facts he mentioned in this book regarding religion. I don’t even have to mention any research for this book, the author has a PhD degree in history/archaeology so I trust all the information he provided. :)
The writing style of this novel is very poetic and absolutely beautiful. B. McLaren has an amazing way of portraying different topics and uniting them all in a wonderfully flowing story. I do have to throw in a disclaimer that there are some discussion and scenes regarding sex and alcohol, so this book is not suitable for young readers. The chapters were quite long for my liking, but they passed quite quickly because I used to get very absorbed in the story itself. I liked how the author decided to end this story and I think it rounded up this book well. So, to conclude, I had a great fun reading this funny, philosophical one man’s journey through life and his encounters with different women all over the world. I learned a lot, so if you like history, travelling and a little bit of philosophical discussion I think you will enjoy this book :)
The Little Book of Man City
Book
In 2012, 44 years of agonised waiting came to an end with Manchester City winning the Premier League...
Silent Landscape at Gallipoli: The Battlefields of the Dardanelles, One Hundred Years on
Book
In our first book, we explored the impact of the fighting on the landscape of the Western Front -...
Kelly (279 KP) rated Dumplin' (2018) in Movies
Dec 12, 2018
Great casting (1 more)
Strong female characters
A feel good movie
Contains spoilers, click to show
‘Dumplin’’ is an overweight teenager with a little bit of a Dolly Parton obsession - not your usual hero for a movie. She is overshadowed by her mother, a former beauty pageant winner, and current judge, played by Jennifer Aniston. The movie tells the story of Willowdean’s (Dumplin’), journey into discovering her own sense of worth after signing up to a beauty pageant planned by her mother, alongside a small group who are protesting against the standard perceived norms.
I really enjoyed the film, and felt that Jennifer Aniston in particular played a really good role, portraying a mother who really loves her daughter but can never foresee her in the pageant world- there is a really touching scene at the end where she tells Willowdean how proud she is of her, which was believable and brought a lump to my throat.
Danielle Macdonald, who played Willowdean did so masterfully, showing us what it would really be like to be an overweight teenager in a community obsessed with thin beauty queens.
I felt the introduction of the Dolly Parton drag queen acts were a touch of genius adding an element of lightheartedness to the movie. I personally would have liked to see more from this group, particularly around the preparation of our small group of pageant underdogs, and felt that their role in building the self esteem of the characters was very much underplayed.
I also enjoyed the fact that although the group were recognised within the pageant (one winning second place), they didn’t actually win overall. I think if this had of happened it would have made the film less realistic, as is often the case with Hollywood movies.
Overall, this was a very good film, and well worth the watch.
I really enjoyed the film, and felt that Jennifer Aniston in particular played a really good role, portraying a mother who really loves her daughter but can never foresee her in the pageant world- there is a really touching scene at the end where she tells Willowdean how proud she is of her, which was believable and brought a lump to my throat.
Danielle Macdonald, who played Willowdean did so masterfully, showing us what it would really be like to be an overweight teenager in a community obsessed with thin beauty queens.
I felt the introduction of the Dolly Parton drag queen acts were a touch of genius adding an element of lightheartedness to the movie. I personally would have liked to see more from this group, particularly around the preparation of our small group of pageant underdogs, and felt that their role in building the self esteem of the characters was very much underplayed.
I also enjoyed the fact that although the group were recognised within the pageant (one winning second place), they didn’t actually win overall. I think if this had of happened it would have made the film less realistic, as is often the case with Hollywood movies.
Overall, this was a very good film, and well worth the watch.
Movie Metropolis (309 KP) rated Christopher Robin (2018) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
A Future Classic
The characters of Pooh, Eeyore, Piglet and Tigger are synonymous with the childhood of millions of adults across the globe. A.A. Milne’s classic creatures are etched into the memories of many, passed down through generations with tatty old story books and stuffed animals.
Their film history is a little more chequered. True box-office domination has eluded the little critters, until now at least. Rolling off the success of Paddington and its arguably even better sequel, Disney gets in on the action, the live-action that is, and brings Pooh and co to life in Christopher Robin. But does it work?
Christopher Robin (Ewan McGregor) – now a family man living in London – receives a surprise visit from his old childhood pal, Winnie-the-Pooh. With Christopher’s help, Pooh embarks on a journey to find his friends — Tigger, Eeyore, Owl, Piglet, Rabbit, Kanga and Roo. Once reunited, the lovable bear and the gang travel to London to help Christopher rediscover the joy of life.
With Marc Forster’s name attached to directing duties, you’d be forgiven for thinking he’d been hired simply to get the job done. After all, this is the same Marc Forster that brought us the perfectly adequate Quantum of Solace and the enjoyable if undistinguished World War Z. These aren’t the directing credits you’d expect when looking at a film involving a honey-loving bear in a red jumper.
Nevertheless, Forster proves us wrong. Christopher Robin is a sumptuous tale, beautifully realised with a script that makes us stop and look at the little things in life. Much like the film itself as it happens. Ewan McGregor was the ideal choice to play a world-weary Robin. At the brink of exhaustion and close to losing the truly important things in life – his wife (Hayley Atwell) and daughter (Bronte Carmichael), McGregor plays the part beautifully. Watching his inner-child slowly but surely rise to the surface is wonderful to see.
Elsewhere, the entire cast of voices used to bring our cuddly cast to life are absolutely spot on. Jim Cummings’ return as Pooh and Tigger brings a warm familiarity to proceedings and this was a nice touch by Disney to have him back behind the microphone. Toby Jones and former Doctor Who Peter Capaldi are also great as Owl and Rabbit respectively. Brad Garrett’s turn as Eeyore really couldn’t be more perfect.
Christopher Robin…is sure to be a future classic that can be passed down for generations
To look at, Christopher Robin really is sublime. The spectacular Sussex countryside is brought to life in the Hundred Acre Wood and the post-war setting of London lives and breathes right before your eyes. This is a film that draws you in as the script moves our cast from 1940s London, rich with smoke and smog, to lush countryside, heavy with dew and dripping in colour.
The CGI to bring Pooh, Piglet, Eeyore, Tigger, Kanga, Roo, Owl and Rabbit to life is nothing short of astounding. The way their fur moves in the wind feels so real and it is this depth that proves to be the film’s strongest suit. Using Disney’s seemingly unending source of funds, Marc Foster and his team have managed to create something truly astonishing.
Above all though, this is a film about the importance of family, and on that level it succeeds, and then some. While brief, the moments in which we see McGregor and his family spending time together, with Pooh and company in tow, are Christopher Robin’s most poignant. In typical Disney fashion, the film tugs on the heartstrings on more than one occasion, just enough to wipe away a solitary tear, but not enough to dig out the Kleenex.
Christopher Robin is another success for Disney’s live-action arm. With understated performances, very much similar to 2016’s remake of Pete’s Dragon, the House of Mouse has achieved something rather extraordinary. Yes, they’ve brought these wonderful characters back to life, but in a way that honours the books and stuffed animals we will have all grown up with. Unlike this year’s Peter Rabbit that destroyed the legacy of a much-loved literary character, Christopher Robin builds on that and is sure to be a future classic that can be passed down for generations.
https://moviemetropolis.net/2018/08/18/christopher-robin-review-a-future-classic/
Their film history is a little more chequered. True box-office domination has eluded the little critters, until now at least. Rolling off the success of Paddington and its arguably even better sequel, Disney gets in on the action, the live-action that is, and brings Pooh and co to life in Christopher Robin. But does it work?
Christopher Robin (Ewan McGregor) – now a family man living in London – receives a surprise visit from his old childhood pal, Winnie-the-Pooh. With Christopher’s help, Pooh embarks on a journey to find his friends — Tigger, Eeyore, Owl, Piglet, Rabbit, Kanga and Roo. Once reunited, the lovable bear and the gang travel to London to help Christopher rediscover the joy of life.
With Marc Forster’s name attached to directing duties, you’d be forgiven for thinking he’d been hired simply to get the job done. After all, this is the same Marc Forster that brought us the perfectly adequate Quantum of Solace and the enjoyable if undistinguished World War Z. These aren’t the directing credits you’d expect when looking at a film involving a honey-loving bear in a red jumper.
Nevertheless, Forster proves us wrong. Christopher Robin is a sumptuous tale, beautifully realised with a script that makes us stop and look at the little things in life. Much like the film itself as it happens. Ewan McGregor was the ideal choice to play a world-weary Robin. At the brink of exhaustion and close to losing the truly important things in life – his wife (Hayley Atwell) and daughter (Bronte Carmichael), McGregor plays the part beautifully. Watching his inner-child slowly but surely rise to the surface is wonderful to see.
Elsewhere, the entire cast of voices used to bring our cuddly cast to life are absolutely spot on. Jim Cummings’ return as Pooh and Tigger brings a warm familiarity to proceedings and this was a nice touch by Disney to have him back behind the microphone. Toby Jones and former Doctor Who Peter Capaldi are also great as Owl and Rabbit respectively. Brad Garrett’s turn as Eeyore really couldn’t be more perfect.
Christopher Robin…is sure to be a future classic that can be passed down for generations
To look at, Christopher Robin really is sublime. The spectacular Sussex countryside is brought to life in the Hundred Acre Wood and the post-war setting of London lives and breathes right before your eyes. This is a film that draws you in as the script moves our cast from 1940s London, rich with smoke and smog, to lush countryside, heavy with dew and dripping in colour.
The CGI to bring Pooh, Piglet, Eeyore, Tigger, Kanga, Roo, Owl and Rabbit to life is nothing short of astounding. The way their fur moves in the wind feels so real and it is this depth that proves to be the film’s strongest suit. Using Disney’s seemingly unending source of funds, Marc Foster and his team have managed to create something truly astonishing.
Above all though, this is a film about the importance of family, and on that level it succeeds, and then some. While brief, the moments in which we see McGregor and his family spending time together, with Pooh and company in tow, are Christopher Robin’s most poignant. In typical Disney fashion, the film tugs on the heartstrings on more than one occasion, just enough to wipe away a solitary tear, but not enough to dig out the Kleenex.
Christopher Robin is another success for Disney’s live-action arm. With understated performances, very much similar to 2016’s remake of Pete’s Dragon, the House of Mouse has achieved something rather extraordinary. Yes, they’ve brought these wonderful characters back to life, but in a way that honours the books and stuffed animals we will have all grown up with. Unlike this year’s Peter Rabbit that destroyed the legacy of a much-loved literary character, Christopher Robin builds on that and is sure to be a future classic that can be passed down for generations.
https://moviemetropolis.net/2018/08/18/christopher-robin-review-a-future-classic/