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Service-Oriented Architecture: Concepts, Technology, and Design
Book
"Service Oriented Architecture is a hot, but often misunderstood topic in IT today. Thomas...
Bob Mann (459 KP) rated Finding your feet (2018) in Movies
Sep 29, 2021
Foot tapping and Tear Jerking.
There are some films whose trailers really don’t properly represent their contents. The trailer for the new ‘grey-pound’ film “Finding Your Feet” promised a light hearted and witty foray into an elderly dance-club. And, yes, you get some laughs. But it’s very much a bitter sweet comedy, and the bitterness is ladled on by the bucketload leading to more tears than smiles through the majority of the running time.
Sandra (Imelda Staunton, “Pride“) – now Lady Sandra, after her husband’s latest knighthood – is in a predictable, sex-free but reasonably happy marriage to legal beagle Mike (John Sessions, “Denial“, “Florence Foster Jenkins“) when her world is shaken to its core on discovering that Mike has been having a five-year affair with her best friend Pamela (Josie Lawrence). Moving in with her Bohemian sister Bif (Celia Imrie, “Bridget Jones Baby“), she struggles to integrate into her decidedly lower class lifestyle and find common ground with Bif’s dance club friends Charlie (Timothy Spall, “Denial“, “Mr Turner”), Ted (David Hayman) and Jackie (Joanna Lumley, “The Wolf of Wall Street“).
Can Sandra turn her downward spiral around and find love and happiness again? Well, the posters scream “The Feel Good Film of the Year” so you don’t need to be a rocket scientist to know the answer to that! But it’s a bumpy journey for sure.
Getting all the acting honours is Timothy Spall, who is far too good to be buried away in this small British rom com. To watch him do “ordinary bloke doing ordinary things” is an absolute delight. He adds class and distinction to every scene he’s in, especially for those concerned with his truly tragic and upsetting back-story. Running a close second is Celia Imrie who has a wicked smile off to perfection and adds a lot of emotional depth to her performance: and she needs the range, since she too is on a pretty emotional journey through the second half of the film.
John Sessions and Josie Lawrence – old compatriots of course from the original version of TV’s “Whose Line Is It Anyway” – also deliver marvellous cameo performances, as does Phoebe Nicholls (“The Elephant Man”, “Downton Abbey”) as the tennis playing friend Janet.
Less convincing for me was Imelda Staunton, particularly in the first half of the film: for me she never quite pulls off the icy cold emotional wreck of Sandra, but is much better once the thaw has set in.
The film is written by Meg Leonard (in a debut script) and Nick Moorcroft (who did the “St Trinians” scripts). And there are some funny lines in there, although it has to be said that there are not enough of them. The majority of the best ones in fact are in the trailer, never bettered by Joanna Lumley’s zinger…. “My last marriage ended for religious reasons…. he thought he was God and I didn’t”! There’s not much more room for comic lines, since the rest of the script is stuffed with the dramatic outcomes from various flavours of old-age malady. Fortunately I was one of the younger members of the generally grey-haired audience, but for those further up the scale it must have been like staring into the void!
The film will win no awards for choreography, since the dance scenes are gloriously inept and out of sync. But this all rather adds to the charm of the piece.
Directed by Richard Loncraine, director of the equally forgettable Brit-flick “Wimbledon” and the rather more memorable “Brimstone and Treacle”, this is as Douglas Adams would have said “Mostly Harmless”: a film that most over-50’s will find a pleasant way to spend two hours. But go in expecting a drama with comic moments, rather than the hilarious comedy predicted by the trailer, and you will be better prepared.
(I should comment that the rating below is my view: my illustrious wife declared it a triumphant chick-flick and gave it FFFFf).
Sandra (Imelda Staunton, “Pride“) – now Lady Sandra, after her husband’s latest knighthood – is in a predictable, sex-free but reasonably happy marriage to legal beagle Mike (John Sessions, “Denial“, “Florence Foster Jenkins“) when her world is shaken to its core on discovering that Mike has been having a five-year affair with her best friend Pamela (Josie Lawrence). Moving in with her Bohemian sister Bif (Celia Imrie, “Bridget Jones Baby“), she struggles to integrate into her decidedly lower class lifestyle and find common ground with Bif’s dance club friends Charlie (Timothy Spall, “Denial“, “Mr Turner”), Ted (David Hayman) and Jackie (Joanna Lumley, “The Wolf of Wall Street“).
Can Sandra turn her downward spiral around and find love and happiness again? Well, the posters scream “The Feel Good Film of the Year” so you don’t need to be a rocket scientist to know the answer to that! But it’s a bumpy journey for sure.
Getting all the acting honours is Timothy Spall, who is far too good to be buried away in this small British rom com. To watch him do “ordinary bloke doing ordinary things” is an absolute delight. He adds class and distinction to every scene he’s in, especially for those concerned with his truly tragic and upsetting back-story. Running a close second is Celia Imrie who has a wicked smile off to perfection and adds a lot of emotional depth to her performance: and she needs the range, since she too is on a pretty emotional journey through the second half of the film.
John Sessions and Josie Lawrence – old compatriots of course from the original version of TV’s “Whose Line Is It Anyway” – also deliver marvellous cameo performances, as does Phoebe Nicholls (“The Elephant Man”, “Downton Abbey”) as the tennis playing friend Janet.
Less convincing for me was Imelda Staunton, particularly in the first half of the film: for me she never quite pulls off the icy cold emotional wreck of Sandra, but is much better once the thaw has set in.
The film is written by Meg Leonard (in a debut script) and Nick Moorcroft (who did the “St Trinians” scripts). And there are some funny lines in there, although it has to be said that there are not enough of them. The majority of the best ones in fact are in the trailer, never bettered by Joanna Lumley’s zinger…. “My last marriage ended for religious reasons…. he thought he was God and I didn’t”! There’s not much more room for comic lines, since the rest of the script is stuffed with the dramatic outcomes from various flavours of old-age malady. Fortunately I was one of the younger members of the generally grey-haired audience, but for those further up the scale it must have been like staring into the void!
The film will win no awards for choreography, since the dance scenes are gloriously inept and out of sync. But this all rather adds to the charm of the piece.
Directed by Richard Loncraine, director of the equally forgettable Brit-flick “Wimbledon” and the rather more memorable “Brimstone and Treacle”, this is as Douglas Adams would have said “Mostly Harmless”: a film that most over-50’s will find a pleasant way to spend two hours. But go in expecting a drama with comic moments, rather than the hilarious comedy predicted by the trailer, and you will be better prepared.
(I should comment that the rating below is my view: my illustrious wife declared it a triumphant chick-flick and gave it FFFFf).
Ambulance Services: Leadership and Management Perspectives: 2015
Paresh Wankhade and Kevin Mackway-Jones
Book
This volume provides fresh insights and management understanding of the changing role of the...
The Blue Horse
Book
Recently bereaved, George Newhouse, is an art historian and newly appointed curator at the National...
Elephant Simulator
Games and Education
App
Enter into the wild savanna and live the life of an Elephant! Explore a vast world filled with...
BookwormMama14 (18 KP) rated The Thorn Keeper (Penned in Time #2) in Books
Jan 2, 2019
If you were to ask me right now, what my favorite book of the year is...I would mumble and grunt for a few minutes and then rattle off a list of at least 10 books. But without a doubt, The Thorn Keeper will be at the top of the list.
The Thorn Keeper posses a certain eloquence that enraptures you from the very beginning. I can't count the number of times that I had tears in my eyes as I read (tearing up right now in fact, thinking about the message of this story), or squealed with delight, or wanted to purse whomp someone, and there was one instance that I was in such shock, I literally felt like I was going to hurl. Out of all the books that I have read this year, The Thorn Keeper is the one that touched the depth of my soul in a way that completely turned my world upside down. The romance is so sweet and quite passionate (all clean of course), but that only scratches the surface of the content of the book.
Whether through decisions in our past or reasons unknown to us, sometimes we have been given difficulties that we have to walk through. We would not recommend making those choices and hope that others are spared the pain and suffering we have endured. Yet even though it is hard, we would not be the people we are today if we had not gone through it. God has brought us through the valley...Not so that we can look over our shoulder and long to be back on the other side, but to look forward and press onwards. Do not let your dreams be forgotten along the way. Even if it doesn't seem as if they can or will ever come true. If God has placed a dream in your heart, never let go of it. Whether it is ministry, missions, art, dance, fashion or family.
In conclusion, I would have to say that Pepper Basham's books are among the best I have ever read. Filled with hard lessons and real life, balanced with passion and faith. Only a very talented author can take someone whom I despised in book one, bring them to redemption, and within 36 pages of the book they find a way to worm their way into my heart. Catherine and David's journey of discovering true love is so very tender. When life throws them a curveball, will they rely on their own strength to make it through, or will they trust in the love of the Father to carry them? In order to truly understand and appreciate Catherine and David's history, I highly recommend reading The Thorn Bearer first (which is another favorite of mine).
I purchased a print copy of The Thorn Keeper for my personal enjoyment. I was not required to write a review, positive or otherwise. All opinions expressed are mine alone.
The Thorn Keeper posses a certain eloquence that enraptures you from the very beginning. I can't count the number of times that I had tears in my eyes as I read (tearing up right now in fact, thinking about the message of this story), or squealed with delight, or wanted to purse whomp someone, and there was one instance that I was in such shock, I literally felt like I was going to hurl. Out of all the books that I have read this year, The Thorn Keeper is the one that touched the depth of my soul in a way that completely turned my world upside down. The romance is so sweet and quite passionate (all clean of course), but that only scratches the surface of the content of the book.
Whether through decisions in our past or reasons unknown to us, sometimes we have been given difficulties that we have to walk through. We would not recommend making those choices and hope that others are spared the pain and suffering we have endured. Yet even though it is hard, we would not be the people we are today if we had not gone through it. God has brought us through the valley...Not so that we can look over our shoulder and long to be back on the other side, but to look forward and press onwards. Do not let your dreams be forgotten along the way. Even if it doesn't seem as if they can or will ever come true. If God has placed a dream in your heart, never let go of it. Whether it is ministry, missions, art, dance, fashion or family.
In conclusion, I would have to say that Pepper Basham's books are among the best I have ever read. Filled with hard lessons and real life, balanced with passion and faith. Only a very talented author can take someone whom I despised in book one, bring them to redemption, and within 36 pages of the book they find a way to worm their way into my heart. Catherine and David's journey of discovering true love is so very tender. When life throws them a curveball, will they rely on their own strength to make it through, or will they trust in the love of the Father to carry them? In order to truly understand and appreciate Catherine and David's history, I highly recommend reading The Thorn Bearer first (which is another favorite of mine).
I purchased a print copy of The Thorn Keeper for my personal enjoyment. I was not required to write a review, positive or otherwise. All opinions expressed are mine alone.
BookwormLea (3034 KP) rated Love and Monsters (2021) in Movies
Apr 17, 2021
Good take on an apocalypse. But really?
Contains spoilers, click to show
So the world's going to end with a huge comet but they save themselves with a rocket. But the rocket is made of some weird crap that lands back on earth and mutates all the bugs and lizards. Don't ask me why only those things and not actual animals because I don't know.
In a year, 95% of the worlds population has been wiped out. Those that are left have spent 7 years in bunkers, safe houses and other hidey holes. Joel is one of them. He was 16 when the world ended and now he wants to go find his ex girlfriend who lives in a different (what they call) colony. He's lonely because all his colony family have shacked up and he's the odd one out. He's also totally useless. He freezes up at the sight of the giant mutant bugs. But yes, he leaves to take a 7 day journey across mutant filled terrain, thats overgrown over 7 years.
Far fetched right? But he does it. With the help of a dog (yeah, a dog survived 7 years alone) an old man and his adopted daughter who know everything there is to know about the mutants, and at some weird point, a broken AI who just happens to have a few moments spare to comfort him. Also, sky jellies??? Mutations can't make sea animals fly...
So he gets there eventually, and finds her looking after old people. She's about to pack up and boars a yacht for a creepy youngish captain. And after some deliberation, Joel realises he's not who he says he is and he's actually a food stealer which, haha, ironically Joel kept being accused of being just that!! The captain sets this giant crab onto the biddies and sets sail to loot some other colony. But Joel looks right into that creepy crabs slightly human looking eyes and realises, he just wants to be free like any other self respecting mutant crab. So of course he frees him.
And then because his ex is a bitch who totally forgot about him and didn't really want him to go there, he goes back to his old colony to help them get to the mountain where there is a huge safe haven supposedly.
No romantic ending. He mysteriously survived 14 days on the surface, only coming close to being eaten like 5 times. And we don't even see if they make it to the mountain. Instead we hear his speech over the radio signals, encouraging people who've been safe for 7 years to risk their lives outside trying to make it to the mountains. Because if he can, anyone can.... gross.
So in summary, if they'd skipped the romance part, and maybe made it about a guy finding his parents or something, great movie. And someone give the damn dog his human back!
In a year, 95% of the worlds population has been wiped out. Those that are left have spent 7 years in bunkers, safe houses and other hidey holes. Joel is one of them. He was 16 when the world ended and now he wants to go find his ex girlfriend who lives in a different (what they call) colony. He's lonely because all his colony family have shacked up and he's the odd one out. He's also totally useless. He freezes up at the sight of the giant mutant bugs. But yes, he leaves to take a 7 day journey across mutant filled terrain, thats overgrown over 7 years.
Far fetched right? But he does it. With the help of a dog (yeah, a dog survived 7 years alone) an old man and his adopted daughter who know everything there is to know about the mutants, and at some weird point, a broken AI who just happens to have a few moments spare to comfort him. Also, sky jellies??? Mutations can't make sea animals fly...
So he gets there eventually, and finds her looking after old people. She's about to pack up and boars a yacht for a creepy youngish captain. And after some deliberation, Joel realises he's not who he says he is and he's actually a food stealer which, haha, ironically Joel kept being accused of being just that!! The captain sets this giant crab onto the biddies and sets sail to loot some other colony. But Joel looks right into that creepy crabs slightly human looking eyes and realises, he just wants to be free like any other self respecting mutant crab. So of course he frees him.
And then because his ex is a bitch who totally forgot about him and didn't really want him to go there, he goes back to his old colony to help them get to the mountain where there is a huge safe haven supposedly.
No romantic ending. He mysteriously survived 14 days on the surface, only coming close to being eaten like 5 times. And we don't even see if they make it to the mountain. Instead we hear his speech over the radio signals, encouraging people who've been safe for 7 years to risk their lives outside trying to make it to the mountains. Because if he can, anyone can.... gross.
So in summary, if they'd skipped the romance part, and maybe made it about a guy finding his parents or something, great movie. And someone give the damn dog his human back!
Chris Sawin (602 KP) rated Carriers (2009) in Movies
Jun 20, 2019
Brian and Danny grew up as two brothers who were relatively close to one another. They cherish the memories they have of Turtle Beach, a beach their family vacationed to every summer. The abandoned motel in Turtle Beach may be their best bet of surviving the highly contagious disease that now plagues the entire country and possibly the world. Not much is known about the virus other than the victims coughing up blood and bleeding from the ears as their condition worsens. Brian actually came up with a few rules that will hopefully get him, his girlfriend Bobby, his brother Danny, and Danny's friend Kate through this disease ridden world to Turtle Beach clean. The rules include avoiding the infected at all costs, disinfecting anything they've touched in the past 24 hours, and that the infected are already dead as there is no cure. You may survive if you stick to the rules, but actually abiding by them is an entirely different story.
Right off the bat, people are probably going to compare Carriers to Zombieland because of the rules. Carriers was released a full month before Zombieland, but Paramount Vantage folded upon its initial release causing its wide release to be an extremely limited one at the last minute (I think it wound up playing at only two theaters in the country). Expectations rise unintentionally in situations such as this. "This is that horror film that was practically shelved earlier this year and is finally being released." The result is a horror film that is well worth watching, but may not be entirely what you're expecting.
Carriers is more about establishing an atmosphere than anything else. Everything is abandoned and rightfully so as most people were picked off handfuls at a time by this pandemic. The entire film is more like the first half hour of 28 Days Later where Jim wakes up in an abandoned hospital and realizes how empty the streets of London are. There aren't masses of the infected running around lusting for brains or wanting to tear humans apart in Carriers. The story follows these four friends as they journey across the country to this supposed sanctuary where they hope to tough it out until this disease runs its course. Carriers is more of a slow burn as things turn from bad to worse very slowly and snowball as the film goes on.
Chris Pine is really the drawing factor of the film. His role as Brian is kind of like a more intense version of his role as Kirk in Star Trek from earlier this year. Brian comes off as an inconsiderate prick the first half of the film and seems to only do things that benefit himself. The second half is where his character gets interesting though. The speech he gives Danny about their parents and telling Danny that he only told him what he wanted to hear is the turning point for Brian. Chris Pine shines as things begin to roll downhill for Brian as his emotions take center stage and his true demeanor is revealed.
Everything else in the film pretty much feels like routine manuevers when it comes to films revolving around viral outbreaks as some main characters contract the disease, they resort to drastic measures to survive, and begin to question their humanity along the way. The most disappointing part of the film is the ending as things just seem to kind of stop without much of a resolution. It seems like films like this either end this way or have a really depressing ending and that's its biggest flaw. Movie buffs who have seen films concerning pandemics already have a rough idea of how the film is going to end and it's about time to mix that up a bit. There's got to be a decent way to end the film that offers something a bit different that could wrap everything up until that point, but also leave enough room open for a sequel if need be.
Carriers may be a bit slow at first and doesn't really offer anything you probably haven't seen before in a film like this, but is still worth seeing for Chris Pine's performance. It's kind of a more serious take on Zombieland without actual zombies running or stumbling around with an atmosphere similar to the one established in Danny Boyle's 28 Days Later. If you're a fan of films involving a virus that has wiped out most of the human population, then this is still worth a watch.
Right off the bat, people are probably going to compare Carriers to Zombieland because of the rules. Carriers was released a full month before Zombieland, but Paramount Vantage folded upon its initial release causing its wide release to be an extremely limited one at the last minute (I think it wound up playing at only two theaters in the country). Expectations rise unintentionally in situations such as this. "This is that horror film that was practically shelved earlier this year and is finally being released." The result is a horror film that is well worth watching, but may not be entirely what you're expecting.
Carriers is more about establishing an atmosphere than anything else. Everything is abandoned and rightfully so as most people were picked off handfuls at a time by this pandemic. The entire film is more like the first half hour of 28 Days Later where Jim wakes up in an abandoned hospital and realizes how empty the streets of London are. There aren't masses of the infected running around lusting for brains or wanting to tear humans apart in Carriers. The story follows these four friends as they journey across the country to this supposed sanctuary where they hope to tough it out until this disease runs its course. Carriers is more of a slow burn as things turn from bad to worse very slowly and snowball as the film goes on.
Chris Pine is really the drawing factor of the film. His role as Brian is kind of like a more intense version of his role as Kirk in Star Trek from earlier this year. Brian comes off as an inconsiderate prick the first half of the film and seems to only do things that benefit himself. The second half is where his character gets interesting though. The speech he gives Danny about their parents and telling Danny that he only told him what he wanted to hear is the turning point for Brian. Chris Pine shines as things begin to roll downhill for Brian as his emotions take center stage and his true demeanor is revealed.
Everything else in the film pretty much feels like routine manuevers when it comes to films revolving around viral outbreaks as some main characters contract the disease, they resort to drastic measures to survive, and begin to question their humanity along the way. The most disappointing part of the film is the ending as things just seem to kind of stop without much of a resolution. It seems like films like this either end this way or have a really depressing ending and that's its biggest flaw. Movie buffs who have seen films concerning pandemics already have a rough idea of how the film is going to end and it's about time to mix that up a bit. There's got to be a decent way to end the film that offers something a bit different that could wrap everything up until that point, but also leave enough room open for a sequel if need be.
Carriers may be a bit slow at first and doesn't really offer anything you probably haven't seen before in a film like this, but is still worth seeing for Chris Pine's performance. It's kind of a more serious take on Zombieland without actual zombies running or stumbling around with an atmosphere similar to the one established in Danny Boyle's 28 Days Later. If you're a fan of films involving a virus that has wiped out most of the human population, then this is still worth a watch.
Katherine of Aragon, the True Queen
8.0
Rate It
Book
*A Sunday Times Top Ten Bestseller* Katherine of Aragon: The True Queen by bestselling historian...
Movie Metropolis (309 KP) rated Love, Simon (2018) in Movies
Jun 10, 2019
One of the most important films in a generation
I don’t think anyone will have any qualms in me saying that the LGBT community is one of the most vastly underrepresented parts of society when it comes to mainstream Hollywood movies.
Sure, we’ve had indie hits like Call Me by Your Name and Moonlight that have also performed well at the Oscars, but the closest we’ve ever gotten to a mass-market crowd pleaser has been Ang Lee’s 2005 flick Brokeback Mountain and if we’re being honest, that wasn’t marketed in a way that made it particularly mainstream.
Aiming to change all that is Love, Simon. Based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli, Love, Simon is the first truly mainstream rom-com that features a lead gay character. But is the film a beacon of hope for a massively underrepresented LGBT community or a movie that daren’t go too far?
Everyone deserves a great love story, but for 17-year-old Simon Spier (Nick Robinson), it’s a little more complicated. He hasn’t told his family or friends that he’s gay, and he doesn’t know the identity of the anonymous classmate that he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing.
Love, Simon is one of the most important films in a generation. Aiming to please both everyday movie-goers and be sensitive to the issues that gay people face on a daily basis, it needs to tread a very careful line, and I’m pleased to say, it does so beautifully. From the exceptional performances of the entire cast, to the warming attempts at humour, it succeeds on almost every level.
Jurassic World’s Nick Robinson is outstanding as Simon. A 17-year-old who consistently struggles to accept who he truly is would be an incredibly difficult role for even the most seasoned actors to take on, but he really is wonderful to watch. As we journey across his troubled story, the audience feels fully immersed in his actions, even those that are, shall we say, questionable.
The supporting cast too, is excellent. Jennifer Garner and Josh Duhamel are a great, if slightly underused presence, as Simon’s parents and along with his sister Nora (played by Talitha Bateman), they make an entirely believable family unit and it’s lovely to see them rallying around him when the inevitable ‘outing’ occurs. One touching scene in particular featuring Garner speaking to her son is sure to turn on the waterworks for many.
Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson
Director Greg Berlanti is a relative newcomer to the world of romantic comedy, but he leads with a confidence that makes him appear seasoned at this game. Touching scenes of emotion are nicely interspersed with sequences of genuinely funny comedy – the sign of a great rom-com.
Special mention must go to Natasha Rothwell as drama teacher Ms. Albright, who manages to garner most of the laughs throughout. All of this culminates in a sweet finale that ties together everything that’s happened over the previous 110 minutes very well indeed.
If we’re to look at some of the flaws then it’s fair to say that the story outside of it featuring a gay lead is completely unoriginal. It’s been done before, but that’s kind of its charm. Flipping the classic rom-com story on its head by allowing audiences across the world to see that being gay really isn’t easy is a really nice thing to see.
In a nutshell, Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson. It’ll make you laugh and it’ll make you cry, but this is a touching romantic comedy that will absolutely go down in the history books of film. Like Brokeback Mountain did for the older gay man, Love, Simon can be a shining light for young men who are struggling to accept who they truly are.
Is this a turning point for Hollywood? Well, let’s hope so.
https://moviemetropolis.net/2018/04/07/love-simon-review-one-of-the-most-important-films-in-a-generation/
Sure, we’ve had indie hits like Call Me by Your Name and Moonlight that have also performed well at the Oscars, but the closest we’ve ever gotten to a mass-market crowd pleaser has been Ang Lee’s 2005 flick Brokeback Mountain and if we’re being honest, that wasn’t marketed in a way that made it particularly mainstream.
Aiming to change all that is Love, Simon. Based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli, Love, Simon is the first truly mainstream rom-com that features a lead gay character. But is the film a beacon of hope for a massively underrepresented LGBT community or a movie that daren’t go too far?
Everyone deserves a great love story, but for 17-year-old Simon Spier (Nick Robinson), it’s a little more complicated. He hasn’t told his family or friends that he’s gay, and he doesn’t know the identity of the anonymous classmate that he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing.
Love, Simon is one of the most important films in a generation. Aiming to please both everyday movie-goers and be sensitive to the issues that gay people face on a daily basis, it needs to tread a very careful line, and I’m pleased to say, it does so beautifully. From the exceptional performances of the entire cast, to the warming attempts at humour, it succeeds on almost every level.
Jurassic World’s Nick Robinson is outstanding as Simon. A 17-year-old who consistently struggles to accept who he truly is would be an incredibly difficult role for even the most seasoned actors to take on, but he really is wonderful to watch. As we journey across his troubled story, the audience feels fully immersed in his actions, even those that are, shall we say, questionable.
The supporting cast too, is excellent. Jennifer Garner and Josh Duhamel are a great, if slightly underused presence, as Simon’s parents and along with his sister Nora (played by Talitha Bateman), they make an entirely believable family unit and it’s lovely to see them rallying around him when the inevitable ‘outing’ occurs. One touching scene in particular featuring Garner speaking to her son is sure to turn on the waterworks for many.
Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson
Director Greg Berlanti is a relative newcomer to the world of romantic comedy, but he leads with a confidence that makes him appear seasoned at this game. Touching scenes of emotion are nicely interspersed with sequences of genuinely funny comedy – the sign of a great rom-com.
Special mention must go to Natasha Rothwell as drama teacher Ms. Albright, who manages to garner most of the laughs throughout. All of this culminates in a sweet finale that ties together everything that’s happened over the previous 110 minutes very well indeed.
If we’re to look at some of the flaws then it’s fair to say that the story outside of it featuring a gay lead is completely unoriginal. It’s been done before, but that’s kind of its charm. Flipping the classic rom-com story on its head by allowing audiences across the world to see that being gay really isn’t easy is a really nice thing to see.
In a nutshell, Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson. It’ll make you laugh and it’ll make you cry, but this is a touching romantic comedy that will absolutely go down in the history books of film. Like Brokeback Mountain did for the older gay man, Love, Simon can be a shining light for young men who are struggling to accept who they truly are.
Is this a turning point for Hollywood? Well, let’s hope so.
https://moviemetropolis.net/2018/04/07/love-simon-review-one-of-the-most-important-films-in-a-generation/