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Daniel Boyd (1066 KP) rated Spectre (2015) in Movies
Jul 20, 2017
Well written (1 more)
Good direction
Mr Hinx (1 more)
Not enough Cristoph Waltz
As good as the last?
Contains spoilers, click to show
When Casino Royale released in 2006, it was to be a soft reboot of the franchise that showed viewers the events of Bond’s first mission and it strived to rectify some of the silly gadgets etc that were being over-used with Brosnan’s Bond. In my opinion, Casino Royale was a great film, it just wasn’t a Bond film. It done away with all of the silly gimmicks and cheesy one liners and was an introduction to a more grounded version of the iconic character, which made for a great spy thriller but not a great Bond movie. Then Quantum of Solace came out and literally nobody cared, not many people went to see it, it didn’t make much money at the box office and to this day I’ve still not seen that whole movie from start to finish and to be honest, I’m perfectly okay with that. Skyfall was the third Craig Bond movie to be released and it was a triumph. Finally Craig felt like he was actually playing Bond and not just some random hard ass military spy. It even flirted with the idea of gadgets, had a flamboyant supervillain and introduced a young, fresh faced Q, which was a nice touch. The movie ended with Silva killing Judi Dench’s M and Bond killing Silva, Ralph Fiennes was then appointed with the title of M and Naomi Harris was revealed to be the new Moneypenny. So with the last movie pleasing both long time Bond fans and newcomers alike, SPECTRE had a lot to live up to.
The movie opens with Bond in Mexico City, during the Day Of The Dead festival, Bond listens in on a meeting of two Mafioso and learns about a mysterious organisation hoping to achieve world domination and their illusive leader known as ‘The Pale King.’ He then blows up the building they are in and ends up in a chopper fight with one of the gangsters, whom he eventually kills. This leads into a stunning opening credits sequence, that really is one of the best I’ve seen, (even though the song is still crap.) This is an awesome intro and probably tops Skyfall’s intro which was also very cool.
The rest of the movie is a joy to a long time Bond fan like me. It checks off all of the boxes that make up a classic Bond movie. An awesome Aston Martin car chase – check, a big bad henchman who doesn’t say much but is very hard to kill – check, an effective use of gadgets and cheesy one liners – check, a supervillain that has an epic secret layer that he invites Bond to – check, Bond being strapped to an elaborate device in that secret layer and tortured – check. Now all of this is really well executed, but the problem with it is that it throws any of the gritty realism shown in the last three movies right out of the window, which like I say is perfectly okay, but it causes this movie to feel as if it is taking place in a separate universe from the last three. This is not a problem to me, I am more than happy to have a good old fashioned Bond movie back on our screens that isn’t afraid to shy away from the use of gadgets and witty quips and it’s a movie that actually handles it well unlike some of the naff late Brosnan movies. On the other hand though, I can totally see why some people would have a problem with this movie, especially if you aren’t a long time Bond fan and prefer Craig’s more realistic turn as Bond. If that is the case then this movie really won’t be for you and the chances are that you will leave the cinema leaving pretty disappointed.
Now, let’s forget for a minute that this is a 007 movie and just analyse it as a traditional piece of cinema. First off, I’m really glad that they brought Sam Mendes back to direct this one, he is very obviously a passionate Bond fan and I think he has done a great job with both Bond movies that he has made and I also really hope they can keep him on to do at least one more movie in the series. This is also a well written movie, its script is witty and fast paced, while keeping making sure that although the audience is kept intrigued, they are never lost in whatever is going on. The cinematography in this movie is also great, besides a shaky cam chase sequence during the opening of the movie, I’d actually say that this is a masterfully shot movie. Hoyte Van Hoytema was the principle of photography for this movie and that guy really likes his eye pleasing shots and his use of the rule of thirds, which is especially evident in the funeral scene where Monica Belluci is introduced. There were two Bond girls in this movie and they were both serviceable, Belluci was really only there for exposition, but Lea Seadoux did a good job with her more fleshed out role.
Now, I want to talk about the main villain in the movie, played by the incredible Christophe Waltz. When he is in the movie, he steals every scene, however that leads me on to a problem I have with the movie. He is introduced near the beginning of the movie, within the first half hour, then a good hour passes before he is reintroduced, and although what is going on during that hour is entertaining, when you have already introduced a villain played by the master of playing villains that is Mr Waltz, it’s hard not to wonder when he is going to be back in the movie. Also I feel that this movie is quite long, possibly due to the large number of different locales and although it is actually only a few more minutes longer than Skyfall, Skyfall didn’t feel that long and this movie feels a lot longer. Also Mr Hinx is a pretty rubbish henchman, he is as forgetful as Jaws and Oddjob were memorable and doesn’t have a line until the last fight with Bond, I felt he was just very underused.
Now I’m going to go into spoiler territory, so if you haven’t seen the film yet, you may want to jump to the end of the review. Okay, we all good? Well turns out Christophe Waltz is actually the new Blofeld, which really isn’t surprising since he is the head of SPECTRE. What did annoy me a little, is the fact that he was Bond’s step-brother, kind of? But whatever, I can live with it. Also, although the villains lair was kind of a trope and wasn’t really used all too much before it was blown up, once Blofeld got his scar, he did look the part. So that is another classic Bond thing to introduce, Blofeld is to Bond what The Joker is to Batman and it is nice to have the arch nemesis introduced. One of the downsides to introducing Blofeld though is that it was obvious they weren’t going to kill him off, at least not in this movie, also Mr Hinx’s death was also rather anticlimactic. Andrew Scott’s character C was revealed to be a spy for SPECTRE and again had a fairly anticlimactic death, but he was perfectly serviceable in the role.
Overall I did enjoy the movie a great deal and although this is a review based on my opinion, I do somewhat have to take into consideration the bigger picture and how other fans will feel upon seeing this film. Like I have said, I think fans of old fashioned traditional Bond will love this movie as it finally fulfils the criteria for it to be labelled a ‘Bond’ movie, I can definitely see a lot of people being disappointed in the film if they go in expected another realistic spy thriller.
The movie opens with Bond in Mexico City, during the Day Of The Dead festival, Bond listens in on a meeting of two Mafioso and learns about a mysterious organisation hoping to achieve world domination and their illusive leader known as ‘The Pale King.’ He then blows up the building they are in and ends up in a chopper fight with one of the gangsters, whom he eventually kills. This leads into a stunning opening credits sequence, that really is one of the best I’ve seen, (even though the song is still crap.) This is an awesome intro and probably tops Skyfall’s intro which was also very cool.
The rest of the movie is a joy to a long time Bond fan like me. It checks off all of the boxes that make up a classic Bond movie. An awesome Aston Martin car chase – check, a big bad henchman who doesn’t say much but is very hard to kill – check, an effective use of gadgets and cheesy one liners – check, a supervillain that has an epic secret layer that he invites Bond to – check, Bond being strapped to an elaborate device in that secret layer and tortured – check. Now all of this is really well executed, but the problem with it is that it throws any of the gritty realism shown in the last three movies right out of the window, which like I say is perfectly okay, but it causes this movie to feel as if it is taking place in a separate universe from the last three. This is not a problem to me, I am more than happy to have a good old fashioned Bond movie back on our screens that isn’t afraid to shy away from the use of gadgets and witty quips and it’s a movie that actually handles it well unlike some of the naff late Brosnan movies. On the other hand though, I can totally see why some people would have a problem with this movie, especially if you aren’t a long time Bond fan and prefer Craig’s more realistic turn as Bond. If that is the case then this movie really won’t be for you and the chances are that you will leave the cinema leaving pretty disappointed.
Now, let’s forget for a minute that this is a 007 movie and just analyse it as a traditional piece of cinema. First off, I’m really glad that they brought Sam Mendes back to direct this one, he is very obviously a passionate Bond fan and I think he has done a great job with both Bond movies that he has made and I also really hope they can keep him on to do at least one more movie in the series. This is also a well written movie, its script is witty and fast paced, while keeping making sure that although the audience is kept intrigued, they are never lost in whatever is going on. The cinematography in this movie is also great, besides a shaky cam chase sequence during the opening of the movie, I’d actually say that this is a masterfully shot movie. Hoyte Van Hoytema was the principle of photography for this movie and that guy really likes his eye pleasing shots and his use of the rule of thirds, which is especially evident in the funeral scene where Monica Belluci is introduced. There were two Bond girls in this movie and they were both serviceable, Belluci was really only there for exposition, but Lea Seadoux did a good job with her more fleshed out role.
Now, I want to talk about the main villain in the movie, played by the incredible Christophe Waltz. When he is in the movie, he steals every scene, however that leads me on to a problem I have with the movie. He is introduced near the beginning of the movie, within the first half hour, then a good hour passes before he is reintroduced, and although what is going on during that hour is entertaining, when you have already introduced a villain played by the master of playing villains that is Mr Waltz, it’s hard not to wonder when he is going to be back in the movie. Also I feel that this movie is quite long, possibly due to the large number of different locales and although it is actually only a few more minutes longer than Skyfall, Skyfall didn’t feel that long and this movie feels a lot longer. Also Mr Hinx is a pretty rubbish henchman, he is as forgetful as Jaws and Oddjob were memorable and doesn’t have a line until the last fight with Bond, I felt he was just very underused.
Now I’m going to go into spoiler territory, so if you haven’t seen the film yet, you may want to jump to the end of the review. Okay, we all good? Well turns out Christophe Waltz is actually the new Blofeld, which really isn’t surprising since he is the head of SPECTRE. What did annoy me a little, is the fact that he was Bond’s step-brother, kind of? But whatever, I can live with it. Also, although the villains lair was kind of a trope and wasn’t really used all too much before it was blown up, once Blofeld got his scar, he did look the part. So that is another classic Bond thing to introduce, Blofeld is to Bond what The Joker is to Batman and it is nice to have the arch nemesis introduced. One of the downsides to introducing Blofeld though is that it was obvious they weren’t going to kill him off, at least not in this movie, also Mr Hinx’s death was also rather anticlimactic. Andrew Scott’s character C was revealed to be a spy for SPECTRE and again had a fairly anticlimactic death, but he was perfectly serviceable in the role.
Overall I did enjoy the movie a great deal and although this is a review based on my opinion, I do somewhat have to take into consideration the bigger picture and how other fans will feel upon seeing this film. Like I have said, I think fans of old fashioned traditional Bond will love this movie as it finally fulfils the criteria for it to be labelled a ‘Bond’ movie, I can definitely see a lot of people being disappointed in the film if they go in expected another realistic spy thriller.
BookInspector (124 KP) rated Ragdoll in Books
Sep 24, 2020
The main leads in this novel are two detectives, Wolf and Baxter, and they are absolutely incredible. The story is told from multiple perspectives, showing the hard work of many, smaller characters mentioned throughout the book. Wolf and Baxter are very complex and messed up people, but their witty and sarcastic life stories were a real joy to read. The bond between Wolf and Baxter is truly special and reading about their interactions with each other and other characters provided so much insight into their true personalities. I really loved the way Daniel Cole developed and presented all the characters in this novel.
The narrative of this book was full of suspense and surprises. It is pretty fast-paced, and the characters are being killed off quite quickly.
The narrative of this book was full of suspense and surprises. It is pretty fast-paced, and the characters are being killed off quite quickly.
Merissa (11656 KP) rated Reason (The Dreughan #2) in Books
Nov 6, 2018
Reason (The Dreughan #2) by Lena North
Reason is the second book in the Dreughan series, and this time it is Sannah who is the main character. This follows on from Courage and should definitely be read as part of the series, rather than a standalone.
She has said she doesn't want Kee, but we all know she is lying. Through this book, we learn just why she lied, plus how they overcome that and become the happy couple we want them to be. Although this is Sannah's book, and she tells a magnificent story, I will admit to holding Valerian in my heart! He played a part in Vilda's story, and certainly plays a part here. He is kind and considerate, whilst also being firm when needed. He is the General after all.
Vilda and Drake are still going strong, and I love the jokes that happen between this close-knit family by bond.
Once again, I will say there were a couple of errors in this book. But as before, the writing was so good I am more than happy to overlook those as they definitely didn't impact my enjoyment of the story at all.
I am going straight into Joy. I am LOVING this series, with its amazing characters and world building that is good enough for the reader to see, and can't recommend it highly enough. Absolutely fantastic.
* Verified Purchase ~ July 2018. *
Merissa
Archaeolibrarian - I Dig Good Books!
She has said she doesn't want Kee, but we all know she is lying. Through this book, we learn just why she lied, plus how they overcome that and become the happy couple we want them to be. Although this is Sannah's book, and she tells a magnificent story, I will admit to holding Valerian in my heart! He played a part in Vilda's story, and certainly plays a part here. He is kind and considerate, whilst also being firm when needed. He is the General after all.
Vilda and Drake are still going strong, and I love the jokes that happen between this close-knit family by bond.
Once again, I will say there were a couple of errors in this book. But as before, the writing was so good I am more than happy to overlook those as they definitely didn't impact my enjoyment of the story at all.
I am going straight into Joy. I am LOVING this series, with its amazing characters and world building that is good enough for the reader to see, and can't recommend it highly enough. Absolutely fantastic.
* Verified Purchase ~ July 2018. *
Merissa
Archaeolibrarian - I Dig Good Books!
Nikki Massey (8 KP) rated Insomnia in Books
Feb 7, 2019
Likable characters (1 more)
Portrays actual life fears
I found this book was an amazingly in-depth read and so minutely detailed; I could see and feel everything that was happening at any given point in the story.
I really connected with the main characters, especially Ralph Roberts, and felt quite a bond towards them, although it did take a little longer to warm to Lois.
There were times I laughed out loud, felt a little scared, could feel the joy of the characters and (trying not to give anything away) felt their pain when close people passed away and the sheer terror or trauma felt at these losses.
I did take a long time to read this book but that was mainly down to my personal circumstances and some deep things I was going through at the time.
Some parts were complete non-sensical but still, I could see in a vivid plethora of colours exactly what was happening. I have to say I was going at the pace of understanding of the characters too - when they were confused and weren't sure what was next, I also felt the same. I have to say the ending and climatic moments weren't as I expected. I'm not even sure what I expected, if anything! But I wasn't able to second guess the main scenarios and felt compelled to continue reading to the end. Between reading sessions, I was literally itching to want to continue!
I would highly recommend this as an intrinsically described, oftentimes sarcastic, but also very witty read.
I really connected with the main characters, especially Ralph Roberts, and felt quite a bond towards them, although it did take a little longer to warm to Lois.
There were times I laughed out loud, felt a little scared, could feel the joy of the characters and (trying not to give anything away) felt their pain when close people passed away and the sheer terror or trauma felt at these losses.
I did take a long time to read this book but that was mainly down to my personal circumstances and some deep things I was going through at the time.
Some parts were complete non-sensical but still, I could see in a vivid plethora of colours exactly what was happening. I have to say I was going at the pace of understanding of the characters too - when they were confused and weren't sure what was next, I also felt the same. I have to say the ending and climatic moments weren't as I expected. I'm not even sure what I expected, if anything! But I wasn't able to second guess the main scenarios and felt compelled to continue reading to the end. Between reading sessions, I was literally itching to want to continue!
I would highly recommend this as an intrinsically described, oftentimes sarcastic, but also very witty read.
Eleanor Luhar (47 KP) rated Highland Fling in Books
Jun 24, 2019
I can't say there are many classic novels that I've really enjoyed, but I was pleasantly surprised by this book when I really focused on it. It is a comedy, and I was a bit concerned that I wouldn't appreciate the humour as the book was originally published back in 1931. I will admit that I maybe didn't enjoy it as much as I could have, but I did quite like it and find it quite interesting.
It follows Albert Gates, an artist who has moved to Paris, as he accompanies friends to Dalloch Castle in the Scottish Highlands. He meets Jane there, and they bond while irritating the other guests to keep themselves amused. The friends of Albert's, Sally and Walter, have their own happenings both during the holiday and after returning home.
Albert opens an art exhibition that receives more attention than Jane anticipated, and Jane starts to panic. Is there a wedding on the horizon, or will Albert be going back to Paris alone?
This actually has some rather dramatic moments, including a fire that strikes in the night. The characters are all very different, such as the foreigner-hating General Murgatroyd (whom Albert takes great joy in winding up). At first, I really wasn't taken with this book. But when I sat and really read it, I actually did start to enjoy it.
I really don't read books like this usually, and I wasn't sure how much I would like it. But it is a good book, and I definitely recommend it for lovers of classics or similar genres to this. 3 to 3.5 stars.
It follows Albert Gates, an artist who has moved to Paris, as he accompanies friends to Dalloch Castle in the Scottish Highlands. He meets Jane there, and they bond while irritating the other guests to keep themselves amused. The friends of Albert's, Sally and Walter, have their own happenings both during the holiday and after returning home.
Albert opens an art exhibition that receives more attention than Jane anticipated, and Jane starts to panic. Is there a wedding on the horizon, or will Albert be going back to Paris alone?
This actually has some rather dramatic moments, including a fire that strikes in the night. The characters are all very different, such as the foreigner-hating General Murgatroyd (whom Albert takes great joy in winding up). At first, I really wasn't taken with this book. But when I sat and really read it, I actually did start to enjoy it.
I really don't read books like this usually, and I wasn't sure how much I would like it. But it is a good book, and I definitely recommend it for lovers of classics or similar genres to this. 3 to 3.5 stars.
Adam Colclough (3 KP) rated The January Man: A Year of Walking Britain in Books
Apr 19, 2018
The Long and Winding Road
The relationship between fathers and sons is contested ground. An emotional boxing match with incomprehension at golden opportunities wasted in one corner, and frustration at being held to impossible standards in the other.
The sometimes awkward, but always close, relationship between journalist Christopher Somerville and his war hero father is at the heart of this hugely engaging mix of memoir and nature writing. Their shared love of walking was the bond that united two very different characters in a story that unfolds against a backdrop of profound social change.
The quiet stoicism that saw a generation of men through the war giving way to rebellion born of affluence, then morphing into the busy atomisation of twenty first century life. This could make for a maudlin exercise in chin stroking, but is saved from it by Somerville’s good humour and inherent optimism.
Added to this is a deep love of nature and the English countryside and the people who have painted, written about or made their living from it over the centuries. Somerville is able to translate this into nature writing that carries the message that we should value what we’ve got without being either sentimental or didactic.
As a memoirist, he has an eye for the eccentricities of family life and a welcome sense of empathy with the experience of his parent’s generation and how it shaped their outlook. Being reserved is not the same thing as being distant, love strong enough to last a lifetime doesn’t need to announce itself with flowers and candy hearts; it manifests in the little acts that make up a life.
This is also a resolutely practical book, something Somerville senior would have approved of, with several associated walks that can be downloaded. Even if the journey from the bookcase to your easy chair is the closest you get to hiking, it is still worth reading.
The sometimes awkward, but always close, relationship between journalist Christopher Somerville and his war hero father is at the heart of this hugely engaging mix of memoir and nature writing. Their shared love of walking was the bond that united two very different characters in a story that unfolds against a backdrop of profound social change.
The quiet stoicism that saw a generation of men through the war giving way to rebellion born of affluence, then morphing into the busy atomisation of twenty first century life. This could make for a maudlin exercise in chin stroking, but is saved from it by Somerville’s good humour and inherent optimism.
Added to this is a deep love of nature and the English countryside and the people who have painted, written about or made their living from it over the centuries. Somerville is able to translate this into nature writing that carries the message that we should value what we’ve got without being either sentimental or didactic.
As a memoirist, he has an eye for the eccentricities of family life and a welcome sense of empathy with the experience of his parent’s generation and how it shaped their outlook. Being reserved is not the same thing as being distant, love strong enough to last a lifetime doesn’t need to announce itself with flowers and candy hearts; it manifests in the little acts that make up a life.
This is also a resolutely practical book, something Somerville senior would have approved of, with several associated walks that can be downloaded. Even if the journey from the bookcase to your easy chair is the closest you get to hiking, it is still worth reading.
Cyn Armistead (14 KP) rated Dragon Ship (Theo Waitley, #4; Liaden Universe, #17) in Books
Mar 1, 2018
[a:Sharon Lee|57980|Sharon Lee|http://photo.goodreads.com/authors/1249574929p2/57980.jpg] and [a:Steve Miller|5829|Steve Miller|http://photo.goodreads.com/authors/1249575165p2/5829.jpg] continue to please with this latest installment in the Liaden Universe series. Theo Waitley, now First Pilot on the sentient ship Bechimo, is in the process of deciding whether she's going to bond with the ship permanently as its Captain. She and the Bechimo are being pursued, together and separately, by the Department of the Interior. Despite that fact, she goes out to establish a new trade route for Clan Korval, with former Juntavas Boss Clarence O'Berin sitting as Co-pilot.
Theo's former lover Win Ton is confined in Bechimo's restructuring facility, something a step beyond the autodoc, where he is being rebuilt cell by cell after being tortured by the Department of the Interior in its pursuit of the Bechimo. There's no guarantee that Win Ton will survive the process, or what shape he'll be in when it is completed.
They aren't far into the route when they receive a distress signal from space station Codrescu, in orbit around Eylot, the planet where Theo began training as a Pilot. The political situation on Eylot has come to a head, and all Pilots there are in danger. Codrescu has put out an emergency call for help, so Theo takes Bechimo to the rescue — despite the fact that she has good reason to never want to see that system again.
Theo is a very young woman, but growing by leaps and bounds. She makes any decision that doesn't rely on social intelligence very well, guided by good basic instincts and other types of intelligence. Her social skills still leave much to be desired, but she's slowly improving those and she knows she has a weakness in that area.
It is always a joy to read a Liaden novel, but watching Theo grow up adds a new dimension of pleasure to the reading. While I've paused to read and re-read some of the chapbooks in order to put off the time before I ran out of new material, the time is here now. I'm back to the same old complaint: I want more, now! Please?
Theo's former lover Win Ton is confined in Bechimo's restructuring facility, something a step beyond the autodoc, where he is being rebuilt cell by cell after being tortured by the Department of the Interior in its pursuit of the Bechimo. There's no guarantee that Win Ton will survive the process, or what shape he'll be in when it is completed.
They aren't far into the route when they receive a distress signal from space station Codrescu, in orbit around Eylot, the planet where Theo began training as a Pilot. The political situation on Eylot has come to a head, and all Pilots there are in danger. Codrescu has put out an emergency call for help, so Theo takes Bechimo to the rescue — despite the fact that she has good reason to never want to see that system again.
Theo is a very young woman, but growing by leaps and bounds. She makes any decision that doesn't rely on social intelligence very well, guided by good basic instincts and other types of intelligence. Her social skills still leave much to be desired, but she's slowly improving those and she knows she has a weakness in that area.
It is always a joy to read a Liaden novel, but watching Theo grow up adds a new dimension of pleasure to the reading. While I've paused to read and re-read some of the chapbooks in order to put off the time before I ran out of new material, the time is here now. I'm back to the same old complaint: I want more, now! Please?
Gareth von Kallenbach (965 KP) rated War Horse (2011) in Movies
Aug 7, 2019
“War Horse” is one of Steven Spielberg’s newest silver screen stories. His flair and panache are present, as ever. This gorgeous film pulls on the heart strings, and plays on several different emotional chords.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
The story starts as you might guess: a young British lad, Albert Narracot, who is present at the birth of our four-legged hero, Joey the horse, becomes immediately entranced by the grace and majesty of said equine. As any equestrian will tell you, a bond between person and horse is about as magical and mysterious as this film alludes to.
As Joey the horse comes of age, Albert’s father, a drunk, down-and-out soldier-turned-farmer, also sees the beauty of this animal, and bids exceedingly high at auction to win Joey, but does so against his own landlord.
Albert’s father comes home with the horse, intent upon using this thoroughbred as a workhorse, tilling fields instead of running free. Unfortunately for Albert, demands on the farm soon force the horse to be sold, in order to save the family’s home. The British military purchases Joey, and off starts the wild adventure of one horse through the landscape of World War II.
Though many of the scenarios Joey faces are fantastical, this film mixes moments of great sadness, brutal war scenes and amazing joy, sprinkled throughout with laugh-out-loud humor. The unexpected humor accentuates the film, though it occasionally feels awkward, since the subject matter doesn’t lend itself to laughter and merriment. Perhaps this is what makes it so unique; it’s a delightful departure from sad stories that only have a single uplifting moment at the end.
A word of caution to all horse lovers: Joey the horse experiences what the director wants us to perceive as great physical pain, in various parts of the film. I can imagine for some equestrians this will be a bit much to handle.
The only major flaw I found in this film is that they made the horse appear overly intelligent. While I know horses to be very intelligent creatures, there was one scene in particular where Joey took the place of his buddy (another horse) in such dramatic fashion that it seems far too human-like to be plausible.
All in all, the film is a win. The cinematography alone is captivatingly beautiful. The acting, writing and music make up for whatever the film lacks in realism regarding the horse’s fantastical journey.
Purple Phoenix Games (2266 KP) rated Loopin' Chewie in Tabletop Games
Aug 21, 2019 (Updated Mar 31, 2021)
Cue the opening crawl! Chewbacca is attempting to take out the entire army of Storm Troopers on his own! Will he succeed, or can you fend him off in this unpredictable family game for 2-3 Storm Troopers?
Loopin’ Chewie is a re-theming of an older game titled Loopin’ Louie. I never played Loopin’ Louie, and I am a fan of Star Wars (not a super duper fan, but I like the series), so when I saw this at Wal-Mart (of all places) I picked it up. For $13. I knew my son would love it, so that’s why I bought it. Yeah, that’s why.
In Loopin’ Chewie the players are supposed to be protecting the Death Star from Chewbacca flying in the Millennium Falcon. Chewie flies around the play area and dives at the players’ Storm Trooper discs trying to cut them down. The players are readied at their own personal station to swat Chewie away and rein terror on their opponents using colorful levers.
To setup the game, assemble the components as instructed in the rule sheet to build a teetering tower of unpredictable Chewbacca Falcon dives. Give each player three Storm Trooper discs to be loaded in their play area, turn on the central motor and the game is off!
Players will be tapping their lever when Chewie dives close to their area in attempts to shoo him away to opponents. Players are eliminated from the round when all three of their Storm Trooper discs have been flattened by Chewbacca. Play continues as players swat Chewie this way and that until one player remains with discs in their area. This player is the victor and will need to accept challenges from their opponents to play just one more round. Again and again.
Components. For a $13 family game from Hasbro found at Wal-Mart, the components here are actually quite stellar. The Chewbacca riding the Millennium Falcon is great, the overall design of the player areas and Storm Trooper discs is wonderful, and I have not had one problem with the motorized components presented. A+ from me on components here.
This is obviously not a gamer’s game, but it certainly is fun when you are playing with other people, especially with children. The sheer joy on their faces is worth everything as Chewie comes attacking and they are able to fend him off and send him your way as you (maybe purposefully) are too slow on the swat and your Storm Troopers are defeated. It is quick, super light, and can effectively work as a filler game, or just something to pull out when you need to entertain the littles for a few minutes. It won’t last throughout an entire nap period, but it will certainly do well to bond with your children (or drinking buddies I guess) over a silly game of Chewbacca pouncing on your Storm Troopers.
If you find this one out in the wild, pick it up. Your kids will thank you.
Loopin’ Chewie is a re-theming of an older game titled Loopin’ Louie. I never played Loopin’ Louie, and I am a fan of Star Wars (not a super duper fan, but I like the series), so when I saw this at Wal-Mart (of all places) I picked it up. For $13. I knew my son would love it, so that’s why I bought it. Yeah, that’s why.
In Loopin’ Chewie the players are supposed to be protecting the Death Star from Chewbacca flying in the Millennium Falcon. Chewie flies around the play area and dives at the players’ Storm Trooper discs trying to cut them down. The players are readied at their own personal station to swat Chewie away and rein terror on their opponents using colorful levers.
To setup the game, assemble the components as instructed in the rule sheet to build a teetering tower of unpredictable Chewbacca Falcon dives. Give each player three Storm Trooper discs to be loaded in their play area, turn on the central motor and the game is off!
Players will be tapping their lever when Chewie dives close to their area in attempts to shoo him away to opponents. Players are eliminated from the round when all three of their Storm Trooper discs have been flattened by Chewbacca. Play continues as players swat Chewie this way and that until one player remains with discs in their area. This player is the victor and will need to accept challenges from their opponents to play just one more round. Again and again.
Components. For a $13 family game from Hasbro found at Wal-Mart, the components here are actually quite stellar. The Chewbacca riding the Millennium Falcon is great, the overall design of the player areas and Storm Trooper discs is wonderful, and I have not had one problem with the motorized components presented. A+ from me on components here.
This is obviously not a gamer’s game, but it certainly is fun when you are playing with other people, especially with children. The sheer joy on their faces is worth everything as Chewie comes attacking and they are able to fend him off and send him your way as you (maybe purposefully) are too slow on the swat and your Storm Troopers are defeated. It is quick, super light, and can effectively work as a filler game, or just something to pull out when you need to entertain the littles for a few minutes. It won’t last throughout an entire nap period, but it will certainly do well to bond with your children (or drinking buddies I guess) over a silly game of Chewbacca pouncing on your Storm Troopers.
If you find this one out in the wild, pick it up. Your kids will thank you.
Movie Metropolis (309 KP) rated American Assassin (2017) in Movies
Jun 10, 2019
Great, another terrorism thriller
Just what the world needs, another ill-timed terrorism-based thriller – you can almost hear the groans can’t you? It seems the movie-going public just can’t get enough of these accounts of urban terrorism.
Last year’s diabolical London Has Fallen inexplicably took over $200million at the box office and the better-received Unlocked also performed well commercially. All of this in spite of the constant threat posed by terrorism across the globe.
Now, there’s a new kid on the block. American Assassin. But does this film based on the novel of the same name do enough to be different?
When Cold War veteran Stan Hurley (Michael Keaton) takes CIA black ops recruit Mitch Rapp (Dylan O’Brien) under his wing, they receive an assignment to investigate a wave of random attacks on both military and civilian targets. After discovering a pattern of violence, Hurley and Rapp join forces with a lethal Turkish agent to stop a mysterious operative who wants to start a global war.
Michael Cuesta’s film is propped up by a nicely shot opening in which Dylan O’Brien’s Mitch comes up against Islamic terrorists while on holiday with his fiancé. Naturally, she’s brutally murdered and it becomes Mitch’s life-ambition to hunt down terrorist cells across the world.
Yes, you heard me right. That’s the plot. Ridiculous in every way and frankly, a little boring, American Assassin is a poor excuse for a film riddled with dreadful dialogue, phoned-in performances and uninspiring camerawork.
What makes it worse is that Maze Runner rising star Dylan O’Brien thought it would be a good idea to helm such a vehicle. He performs well but feels at odds with the film’s dark tone and is in serious danger of doing a post-Abduction Taylor Lautner and tanking his promising career. Michael Keaton’s bizarre effort here is the polar opposite of his genuinely menacing turn in Spider-Man: Homecoming only two months ago.
The rest of the cast might as well be made of cardboard they’re that uninteresting and while globe-trotting should evoke some visual joy, the scenery feels flat, hampered by a dull colour palette and the fact it’s been done to death already.
As American Assassin steamrolls to a 70s-esque Bond finale, we’re subjected to some torturous CGI, though Cuesta does well to ramp up the tension a little, but it’s the subject matter once again that proves a sticking point.
In a world where our fears of urban terrorism are greater than ever, should we be classing films like this as ‘entertainment’? Take the opening sequence for example, as nicely choreographed as it is, the parallels to the dreadful Tunisian beach attack of 2015 linger in the back of my mind and I find it all very much in poor taste.
Overall, American Assassin is yet another addition to the already overstuffed terrorism thriller genre that adds absolutely nothing new. The performances are dull, the story is flat and the cinematography is uninspired. Poor Dylan O’Brien left the Maze for this?
https://moviemetropolis.net/2017/09/15/american-assassin-review/
Last year’s diabolical London Has Fallen inexplicably took over $200million at the box office and the better-received Unlocked also performed well commercially. All of this in spite of the constant threat posed by terrorism across the globe.
Now, there’s a new kid on the block. American Assassin. But does this film based on the novel of the same name do enough to be different?
When Cold War veteran Stan Hurley (Michael Keaton) takes CIA black ops recruit Mitch Rapp (Dylan O’Brien) under his wing, they receive an assignment to investigate a wave of random attacks on both military and civilian targets. After discovering a pattern of violence, Hurley and Rapp join forces with a lethal Turkish agent to stop a mysterious operative who wants to start a global war.
Michael Cuesta’s film is propped up by a nicely shot opening in which Dylan O’Brien’s Mitch comes up against Islamic terrorists while on holiday with his fiancé. Naturally, she’s brutally murdered and it becomes Mitch’s life-ambition to hunt down terrorist cells across the world.
Yes, you heard me right. That’s the plot. Ridiculous in every way and frankly, a little boring, American Assassin is a poor excuse for a film riddled with dreadful dialogue, phoned-in performances and uninspiring camerawork.
What makes it worse is that Maze Runner rising star Dylan O’Brien thought it would be a good idea to helm such a vehicle. He performs well but feels at odds with the film’s dark tone and is in serious danger of doing a post-Abduction Taylor Lautner and tanking his promising career. Michael Keaton’s bizarre effort here is the polar opposite of his genuinely menacing turn in Spider-Man: Homecoming only two months ago.
The rest of the cast might as well be made of cardboard they’re that uninteresting and while globe-trotting should evoke some visual joy, the scenery feels flat, hampered by a dull colour palette and the fact it’s been done to death already.
As American Assassin steamrolls to a 70s-esque Bond finale, we’re subjected to some torturous CGI, though Cuesta does well to ramp up the tension a little, but it’s the subject matter once again that proves a sticking point.
In a world where our fears of urban terrorism are greater than ever, should we be classing films like this as ‘entertainment’? Take the opening sequence for example, as nicely choreographed as it is, the parallels to the dreadful Tunisian beach attack of 2015 linger in the back of my mind and I find it all very much in poor taste.
Overall, American Assassin is yet another addition to the already overstuffed terrorism thriller genre that adds absolutely nothing new. The performances are dull, the story is flat and the cinematography is uninspired. Poor Dylan O’Brien left the Maze for this?
https://moviemetropolis.net/2017/09/15/american-assassin-review/