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LeftSideCut (3778 KP) rated The Babysitter: Killer Queen (2020) in Movies
Sep 12, 2020
I have a soft spot for The Babysitter. It's a little middle of the road and has some flaws but it's fun, it's gory, and just a good time.
The sequel, The Babysitter: Killer Queen, is pretty much more of the same, albeit with a few more issues that render it inferior to it's predecessor.
The main problem is the absence of Samara Weaving. Her screentime in this probably totals around the 5 minute mark.
Judah Lewis returns as Cole, and takes the lead this time around. He's a decent enough lead for sure, but the chemistry between him and Weaving is what made the first movie stand out.
Elsewhere, some hastily explained exposition explains the return of the other members of the cult that were all offed in the first one, and it's a little hit and miss. Robbie Amell is pretty entertaining once again, but the screenplay doubles down on constant jokes, to the point where a lot of them don't land, and it feels like each character is just trying to out-edge the others with their edginess, and relentless pop culture references.
Another issue I found was the increase in role for Cole's Dad, played by Ken Marino. I tend to like him in most things he's in but he's given too much screentime this time around, and it doesn't take long for his character to wear thin. Same goes for Chris Wylde's character.
Apart from all that though, it's still fun to a degree. There's plenty of gore on display - a mix of so so CGI and practical effects by the looks of it - and it's suitably over the top. It pushes this sequel into more schlocky territory than the first, which isn't necessarily a bad thing and the two likable protagonists (Judah Lewis and Jenna Ortega) ensure that it's still a watchable comedy horror, even if it does have a gaping Samara Weaving shaped hole.
The sequel, The Babysitter: Killer Queen, is pretty much more of the same, albeit with a few more issues that render it inferior to it's predecessor.
The main problem is the absence of Samara Weaving. Her screentime in this probably totals around the 5 minute mark.
Judah Lewis returns as Cole, and takes the lead this time around. He's a decent enough lead for sure, but the chemistry between him and Weaving is what made the first movie stand out.
Elsewhere, some hastily explained exposition explains the return of the other members of the cult that were all offed in the first one, and it's a little hit and miss. Robbie Amell is pretty entertaining once again, but the screenplay doubles down on constant jokes, to the point where a lot of them don't land, and it feels like each character is just trying to out-edge the others with their edginess, and relentless pop culture references.
Another issue I found was the increase in role for Cole's Dad, played by Ken Marino. I tend to like him in most things he's in but he's given too much screentime this time around, and it doesn't take long for his character to wear thin. Same goes for Chris Wylde's character.
Apart from all that though, it's still fun to a degree. There's plenty of gore on display - a mix of so so CGI and practical effects by the looks of it - and it's suitably over the top. It pushes this sequel into more schlocky territory than the first, which isn't necessarily a bad thing and the two likable protagonists (Judah Lewis and Jenna Ortega) ensure that it's still a watchable comedy horror, even if it does have a gaping Samara Weaving shaped hole.
Sarah (7798 KP) rated The Babysitter: Killer Queen (2020) in Movies
Sep 26, 2020
Not a patch on the first
The Babysitter was a surprisingly good film, in all it's cheesy gory goodness and whilst it was a shock to see they had made a sequel, I was really hoping it'd have the same music. Sadly it didn't.
I feel like the success of the first film may have gone to the makers heads. They've tried to take what worked in the first film and take it to the extremes - the back stories of the original characters, in jokes and references - but the problem is that for the most part it just doesn't work. Seeing the original characters back is fun for a minute and then it (and they) just become irritating. This film really does suffer from the lack of Samara Weaving who doesn't have nearly enough screen time. Judah Lewis is fine but his relationship with Phoebe isn't at all interesting and watchable like his one with Bea.
The gore and deaths are quite fun, but the majority of this film just comes across as cringeworthy rather than cheesily good like the original. I really don't know what the ending was about and why they decided to go down this route. This almost spoils the original and I think is yet another case of a sequel that should never have been made.
I feel like the success of the first film may have gone to the makers heads. They've tried to take what worked in the first film and take it to the extremes - the back stories of the original characters, in jokes and references - but the problem is that for the most part it just doesn't work. Seeing the original characters back is fun for a minute and then it (and they) just become irritating. This film really does suffer from the lack of Samara Weaving who doesn't have nearly enough screen time. Judah Lewis is fine but his relationship with Phoebe isn't at all interesting and watchable like his one with Bea.
The gore and deaths are quite fun, but the majority of this film just comes across as cringeworthy rather than cheesily good like the original. I really don't know what the ending was about and why they decided to go down this route. This almost spoils the original and I think is yet another case of a sequel that should never have been made.
LeftSideCut (3778 KP) rated The Babysitter (2017) in Movies
Dec 5, 2019 (Updated Jan 22, 2020)
On the surface, The Babysitter looks like a by the numbers comedy horror, but thanks in no small part to Samara Weaving, it's actually a bit more than that.
Samara Weaving plays Bee, the titular babysitter, who watches over (a not so convincing)12 year old Cole (Judah Lewis) when his parents head off on vacation.
After Cole has gone to bed, he secretly stays up to see what Bee gets up to after hours, and things take a bloody turn when it become apparent that Bee and her friends are part of a Satan worshipping murder cult.
It's a simple and silly premise, but it works pretty well in this instance.
The opening 20 minutes is all out silly comedy. The chemistry between the two leads is clearly strong and a huge highlight. It's obvious that the two of them were having a blast filming this.
When the Satan worshipping murder cult part comes into play, the gore comes thick and fast (there are some genuinely nasty moments), but it continues to be funny.
The Babysitter made me laugh quite a bit, with some ridiculous dialogue and self awareness, especially from Robbie Amell.
Director McG makes a lot of Scott Pilgrim-esque style choices, but never goes too overboard, making sure they land for the most part.
The rest of the characters are portrayed as cliché annoying millennial types, obviously written as characters that we want to die, but the joke wears thin pretty quickly, especially in the case of Bella Thorne's character.
The movie is also guilty of the often seen try-hard pop culture discussion sequences, which are a little cringey, but these kind of complaints are minimal.
With an 85 minute runtime, The Babysitter is a swift and fun horror comedy romp that has a decent lead. A solid 7/10.
Samara Weaving plays Bee, the titular babysitter, who watches over (a not so convincing)12 year old Cole (Judah Lewis) when his parents head off on vacation.
After Cole has gone to bed, he secretly stays up to see what Bee gets up to after hours, and things take a bloody turn when it become apparent that Bee and her friends are part of a Satan worshipping murder cult.
It's a simple and silly premise, but it works pretty well in this instance.
The opening 20 minutes is all out silly comedy. The chemistry between the two leads is clearly strong and a huge highlight. It's obvious that the two of them were having a blast filming this.
When the Satan worshipping murder cult part comes into play, the gore comes thick and fast (there are some genuinely nasty moments), but it continues to be funny.
The Babysitter made me laugh quite a bit, with some ridiculous dialogue and self awareness, especially from Robbie Amell.
Director McG makes a lot of Scott Pilgrim-esque style choices, but never goes too overboard, making sure they land for the most part.
The rest of the characters are portrayed as cliché annoying millennial types, obviously written as characters that we want to die, but the joke wears thin pretty quickly, especially in the case of Bella Thorne's character.
The movie is also guilty of the often seen try-hard pop culture discussion sequences, which are a little cringey, but these kind of complaints are minimal.
With an 85 minute runtime, The Babysitter is a swift and fun horror comedy romp that has a decent lead. A solid 7/10.
Phillip McSween (751 KP) rated The Christmas Chronicles (2018) in Movies
Dec 20, 2018
Solid Holiday Film
Two siblings have to help Santa save Christmas after they are responsible for destroying his sleigh.
Acting: 8
Beginning: 8
The movie takes a little bit of time to get ramped up, but it’s a somewhat understandable setup. Director Clay Kaytis is trying to get us emotionally involved in the characters and succeeds to a certain extent. I have to admit, I wasn’t fully invested in the movie after watching the first ten minutes. Once it gets going, though, you’re in for a treat.
Characters: 8
I wasn’t in love with the two main characters Kate (Darby Camp) and Teddy (Judah Lewis). They seemed very cookie-cutter, almost too “Hallmarky” for me. The acting could have something to do with it, I don’t know. I will say that I grew to really like them over time.
Kurt Russell’s Santa Clause was outstanding, hands-down one of the most creative depictions of Santa I have ever seen. He made the entire movie fun. He’s cool, but naive at the same time. He has a big heart, but he doesn’t take any crap either. He stole every moment of every scene he was in to the point where I wouldn’t mind seeing him again running the helm in a sequel. Call me crazy, but I think it’s one of his best roles. I could use another two hours of just him and the elves.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 9
It’s all about the creativity here as that’s what made the film so memorable. Christmas films have been done and redone so it’s always refreshing to get a new spin on things. While the basics are similar, I can guarantee you this is a Christmas film unlike any you have ever seen. The angry elves were probably my favorite touch, but there are a number of other fun things that stood out as well like Santa’s magic hat.
Pace: 9
Plot: 9
Resolution: 8
Overall: 87
While The Christmas Chronicles does few things exceptionally well, the film succeeds with a solid Santa and a big heart. It’s a solid holiday movie to add to the collection for adults and children alike. Well worth the watch.
Acting: 8
Beginning: 8
The movie takes a little bit of time to get ramped up, but it’s a somewhat understandable setup. Director Clay Kaytis is trying to get us emotionally involved in the characters and succeeds to a certain extent. I have to admit, I wasn’t fully invested in the movie after watching the first ten minutes. Once it gets going, though, you’re in for a treat.
Characters: 8
I wasn’t in love with the two main characters Kate (Darby Camp) and Teddy (Judah Lewis). They seemed very cookie-cutter, almost too “Hallmarky” for me. The acting could have something to do with it, I don’t know. I will say that I grew to really like them over time.
Kurt Russell’s Santa Clause was outstanding, hands-down one of the most creative depictions of Santa I have ever seen. He made the entire movie fun. He’s cool, but naive at the same time. He has a big heart, but he doesn’t take any crap either. He stole every moment of every scene he was in to the point where I wouldn’t mind seeing him again running the helm in a sequel. Call me crazy, but I think it’s one of his best roles. I could use another two hours of just him and the elves.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 9
It’s all about the creativity here as that’s what made the film so memorable. Christmas films have been done and redone so it’s always refreshing to get a new spin on things. While the basics are similar, I can guarantee you this is a Christmas film unlike any you have ever seen. The angry elves were probably my favorite touch, but there are a number of other fun things that stood out as well like Santa’s magic hat.
Pace: 9
Plot: 9
Resolution: 8
Overall: 87
While The Christmas Chronicles does few things exceptionally well, the film succeeds with a solid Santa and a big heart. It’s a solid holiday movie to add to the collection for adults and children alike. Well worth the watch.