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The Chocolate Lady (94 KP) rated A Light of Her Own in Books
Oct 5, 2020 (Updated Oct 5, 2020)
Judith Leyster was a painter who lived in 17th Century Holland, and one of the first females to be admitted to the famed Haarlem Guild of St. Luke. You can read my #bookreview of “A Light of Her Own” by Carrie Callaghan on my blog now, which is part of the Historical Fiction Virtual Blog Tours, where you can enter to win a copy of this fascinating book here. https://tcl-bookreviews.com/2018/11/17/book-review-and-giveaway-blog-tour-a-light-of-her-own-by-carrie-callaghan/
Debbie (52 KP) rated The Immigrant Brides Romance Collection in Books
Mar 20, 2019
The Immigrant Brides Romance Collection Review
The Immigrant Brides Romance Collection
9 Stories Celebrate Settling in America
By: Irene B. Brand; Kristy Dykes; Nancy J. Farrier; Pamela Griffin; Joann A Grote; Sally Laity; Judith McCoy Miller; and Janet Spaeth
Barbour Publishing, Inc
Barbour Books
Christian, Romance
Publish Dater 1 March 2019
444 Pages
#TheImmigrantBridesRomanceCollection #NetGalley
<img src="https://www.netgalley.com/badge/23cda8f5b390052c84bafb486921760c8733c9f5"; width="80" height="80" alt="10 Book Reviews" title="10 Book Reviews"/>
<img src="https://www.netgalley.com/badge/9a41056d7201c045d3f9e5c161f9569494687ae1"; width="80" height="80" alt="Professional Reader" title="Professional Reader"/>
I read this book a little while ago so my review will be very short. It is also hard for me to review a short story collection. I did enjoy this book because it is historical fiction. The stories draw you in and you can feel what each character is going through. There are two stories that deals with Chinese immigrants and what they go through and how they are treated.
My favorite story is about an Irish immigrant who becomes a teacher. I love that her family was very supportive and how the young man who is interested in her helps her out also even though she doesn't give him the light of day.
I would recommend this book for you read.
The Immigrant Brides Romance Collection
9 Stories Celebrate Settling in America
By: Irene B. Brand; Kristy Dykes; Nancy J. Farrier; Pamela Griffin; Joann A Grote; Sally Laity; Judith McCoy Miller; and Janet Spaeth
Barbour Publishing, Inc
Barbour Books
Christian, Romance
Publish Dater 1 March 2019
444 Pages
#TheImmigrantBridesRomanceCollection #NetGalley
<img src="https://www.netgalley.com/badge/23cda8f5b390052c84bafb486921760c8733c9f5"; width="80" height="80" alt="10 Book Reviews" title="10 Book Reviews"/>
<img src="https://www.netgalley.com/badge/9a41056d7201c045d3f9e5c161f9569494687ae1"; width="80" height="80" alt="Professional Reader" title="Professional Reader"/>
I read this book a little while ago so my review will be very short. It is also hard for me to review a short story collection. I did enjoy this book because it is historical fiction. The stories draw you in and you can feel what each character is going through. There are two stories that deals with Chinese immigrants and what they go through and how they are treated.
My favorite story is about an Irish immigrant who becomes a teacher. I love that her family was very supportive and how the young man who is interested in her helps her out also even though she doesn't give him the light of day.
I would recommend this book for you read.
Lou Grande (148 KP) rated Robbie Riverton: Mail Order Bride in Books
Jun 9, 2018
Dumb title, awful art, but good book
Please don't judge this book by its atrocious cover. As a kid, I read all of my older sister's romance novels--Jude Devereaux, Judith McNaught, et cetera--but as a sentimental gay dude, there was a lot that didn't hit home for me. This is my first gay historical romance, and I really liked it. It has about the same amount of depth you would expect from a heterosexual romance novels (which is to say, not much), but it was no less an enjoyable read. I'm glad that Easton didn't rely on angst to further the story, but actually gave us a story that stands in its own two legs.
I admit that I was nervous going into the more erotic scenes. It's kind of a thorny issue, with Easton being a woman and describing an entirely male act. But they were surprisingly realistic (for a romance novel). That said, they didn't exactly light my fire, but they weren't "boobs feel like bags of sand" either. Nice, middle of the road. It's clear the focus is on the relationship, not sex, though she acknowledges the strong sexual intensity that (sometimes) manifests between men.
Just, please, Easton, if you read these at all, do something about the cover art. The title is a little hokey too. It made me underestimate your talent.
I admit that I was nervous going into the more erotic scenes. It's kind of a thorny issue, with Easton being a woman and describing an entirely male act. But they were surprisingly realistic (for a romance novel). That said, they didn't exactly light my fire, but they weren't "boobs feel like bags of sand" either. Nice, middle of the road. It's clear the focus is on the relationship, not sex, though she acknowledges the strong sexual intensity that (sometimes) manifests between men.
Just, please, Easton, if you read these at all, do something about the cover art. The title is a little hokey too. It made me underestimate your talent.
BankofMarquis (1832 KP) rated tick, tick...Boom! (2021) in Movies
Jan 11, 2022
A Love Letter
If you ever worked on a live theater performance, whether as a performer, tech crew, make-up, costumes, box office, etc…the Netflix Original film tick, tick…BOOM is for you.
If you are a theater lover, the Netflix Original film tick, tick…BOOM is for you.
If you are not interested in live theater at all..then, perhaps, tick, tick…BOOM might be a little too “inside baseball” for you.
Based on the one man concert/show/performance by the late Jonathan Larson, the writer of the the Pulitzer Prize winning musical RENT, tick, tick…BOOM expands this performance piece and turns it into a biopic of the artist who passed as his hit musical was just about ready to debut.
As written by Steven Levenson and Directed by Lin-Manuel Miranda, tick, tick…BOOM is a love letter to Broadway, to artists struggling to make it in the Great White Way, to the community of disaffected peoples in 1990 and, mostly, to Jonathan Larson himself.
Andrew Garfield is transcendent in his portrayal of Larson. He embodies this character with love, ambition, focus, flaws and a surprisingly strong singing voice. It is an Oscar-nomination worthy performance.
He is joined, lovingly, by a strong supporting cast starting with Alexandra Shipp (as Larson’s girlfriend), Robin de Jesus (as his best friend) and Vanessa Hudgens (as a performer in the show, called Superbia, that he is trying to get up on the boards). These young performers are joined by a couple of wily veterans including Judith Light (as his Agent) and Bradley Whitford (as the late Stephen Sondheim). They bring energy, star power and…yes…love…to the screen.
And that is what this film ultimately is, a love letter to all of the artists (both on-stage and off) that try, despite immeasurable odds, to get a show on it’s feet. Director Miranda infuses this film with homages to theater - and theater people - and sprinkles in some very good songs that drives this point home.
None of the numbers hit home as hard as the “Diner” song - a song that features many, many Broadway performers, both new and old, that were either inspirations to Larson - or were inspired by him (including Miranda himself).
Come for the musical, stay for the outstanding performance of Garfield, and immerse yourself into the world of struggling artists in NYC in the 1990’s. You’ll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
If you are a theater lover, the Netflix Original film tick, tick…BOOM is for you.
If you are not interested in live theater at all..then, perhaps, tick, tick…BOOM might be a little too “inside baseball” for you.
Based on the one man concert/show/performance by the late Jonathan Larson, the writer of the the Pulitzer Prize winning musical RENT, tick, tick…BOOM expands this performance piece and turns it into a biopic of the artist who passed as his hit musical was just about ready to debut.
As written by Steven Levenson and Directed by Lin-Manuel Miranda, tick, tick…BOOM is a love letter to Broadway, to artists struggling to make it in the Great White Way, to the community of disaffected peoples in 1990 and, mostly, to Jonathan Larson himself.
Andrew Garfield is transcendent in his portrayal of Larson. He embodies this character with love, ambition, focus, flaws and a surprisingly strong singing voice. It is an Oscar-nomination worthy performance.
He is joined, lovingly, by a strong supporting cast starting with Alexandra Shipp (as Larson’s girlfriend), Robin de Jesus (as his best friend) and Vanessa Hudgens (as a performer in the show, called Superbia, that he is trying to get up on the boards). These young performers are joined by a couple of wily veterans including Judith Light (as his Agent) and Bradley Whitford (as the late Stephen Sondheim). They bring energy, star power and…yes…love…to the screen.
And that is what this film ultimately is, a love letter to all of the artists (both on-stage and off) that try, despite immeasurable odds, to get a show on it’s feet. Director Miranda infuses this film with homages to theater - and theater people - and sprinkles in some very good songs that drives this point home.
None of the numbers hit home as hard as the “Diner” song - a song that features many, many Broadway performers, both new and old, that were either inspirations to Larson - or were inspired by him (including Miranda himself).
Come for the musical, stay for the outstanding performance of Garfield, and immerse yourself into the world of struggling artists in NYC in the 1990’s. You’ll be glad you did.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated The Menu (2022) in Movies
Nov 24, 2022
Puts the DARK in Dark Comedy
If a Film Comedy is Milk Chocolate and a Dark Comedy is Dark Chocolate, then the new film THE MENU (Directed by Mark Mylod - Game of Thrones) is the SPECIAL INTENSE (90%) Dark Chocolate of films.
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)