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Bob Mann (459 KP) rated Judy (2019) in Movies
Sep 28, 2021
Neither a true biopic nor a musical, a very sad and sombre film worth seeing for a sure-fire nominee for Zellweger for the Oscars.
Decline and Fall (Part 1).
This is an extremely sombre film. I will go as far as saying that it is well-and-truly a “Father Ted” film (see glossary).
The Story.
Young Judy Garland is a starlet in the MGM studio system run by Louis B. Mayer (a villainous Richard Cordery). She doesn’t have a life outside of the movies; is fed diet pills and “pep-pills” that destroy her sleep; and she is starting to get fed up with it all. No wonder then that she grows up to be an alcoholic insomniac with a trail of failed marriages and a temperamental nature.
Thus, through flash-backs to the young Judy (the English Darci Shaw, in her movie debut) we track the older Judy (Renée Zellweger) through the last tragic years of her life. Unable to work, due to a reputation that proceeds her, she is forced to take up the offer from Bernard Delfont (Michael Gambon) of a residency at London’s “Talk of the Town”. This separates her from her older daughter (Liza Minnelli played by Gemma-Leah Devereux) and, crucially, her younger children Lorna (Bella Ramsey) and Joey (Lewin Lloyd). (Their Dad is Sidney Luft (“Victoria’s” Rufus Sewell): hence Lorna being Lorna Luft). This separation increases Judy’s mental decline.
Also in a constant state of stress is Rosalyn Wilder (Jessie Buckley) who has the unenviable job of trying to keep Garland on the straight and narrow to perform every night.
A Towering Performance.
Whatever I think about the film overall (and we’ll come to that), this is 100% the “Renée Zellweger show”. It’s an extraordinary performance, and is pitch perfect, both in terms of capturing Garland’s mannerisms and vocal style. If Zellweger doesn’t get an Oscar nomination for this then I’ll eat my favourite orange baseball hat! I’ll have to review the final short-list, but I would not be remotely surprised if she won for this.
Elsewhere is the cast, Michael Gambon gives a reliable performance as Delfont (his second depiction this year after the turn by Rufus Jones in “Stan and Ollie“!) and the rising star that is Jessie Buckley is also effective as Wilder in a much quieter role than we’re used to seeing her in.
Musical? Or biopic?
Is this a musical? Or a biopic? Or neither? Actually, I would suggest it’s neither. There’s been a curious split in the last year between films like “Bohemian Rhapsody“, which were biopics with music, to “Rocketman” which was very much a musical based around a biopic.
“Judy” can’t be classed as a musical since (and I checked my watch) the first musical number doesn’t come until FORTY MINUTES into the picture. Neither is it a true biopic, focusing only on a few short months of Garland’s extensive career, the ‘young Judy’ scenes being nothing but short flashbacks to set the scene. This probably makes sense, else a true biopic of the wonder that was Judy Garland would have turned into a 4 hour plus epic!
A rough ride, but could I care?
Above all, it’s a depressing watch, like seeing a sick animal in distress. But I never felt the film got to the heart of the matter to really make me CARE enough. The nearest it gets is with a moving portion where Judy makes the evening (if not the lifetime) of some super-fans – Dan (Andy Nyman) and Stan (Daniel Cerqueira). She goes home with them for omelettes and a sing-song: a strong nod towards Garland’s extensive following, even today, among the gay community. The finale, where the couple try to salvage an on-stage psychiatric session by Judy is touching but, for me, not tear-inducing.
The screenplay is by Tom Edge, from the stage play by Peter Quilter. The director is relative movie-newcomer Rupert Goold.
I liked this movie, but did I like it enough to rush and see it again? No, not really. Worth seeing though to appreciate the odds-on favourite (surely!) for the Best Actress Oscar of this year.
This is an extremely sombre film. I will go as far as saying that it is well-and-truly a “Father Ted” film (see glossary).
The Story.
Young Judy Garland is a starlet in the MGM studio system run by Louis B. Mayer (a villainous Richard Cordery). She doesn’t have a life outside of the movies; is fed diet pills and “pep-pills” that destroy her sleep; and she is starting to get fed up with it all. No wonder then that she grows up to be an alcoholic insomniac with a trail of failed marriages and a temperamental nature.
Thus, through flash-backs to the young Judy (the English Darci Shaw, in her movie debut) we track the older Judy (Renée Zellweger) through the last tragic years of her life. Unable to work, due to a reputation that proceeds her, she is forced to take up the offer from Bernard Delfont (Michael Gambon) of a residency at London’s “Talk of the Town”. This separates her from her older daughter (Liza Minnelli played by Gemma-Leah Devereux) and, crucially, her younger children Lorna (Bella Ramsey) and Joey (Lewin Lloyd). (Their Dad is Sidney Luft (“Victoria’s” Rufus Sewell): hence Lorna being Lorna Luft). This separation increases Judy’s mental decline.
Also in a constant state of stress is Rosalyn Wilder (Jessie Buckley) who has the unenviable job of trying to keep Garland on the straight and narrow to perform every night.
A Towering Performance.
Whatever I think about the film overall (and we’ll come to that), this is 100% the “Renée Zellweger show”. It’s an extraordinary performance, and is pitch perfect, both in terms of capturing Garland’s mannerisms and vocal style. If Zellweger doesn’t get an Oscar nomination for this then I’ll eat my favourite orange baseball hat! I’ll have to review the final short-list, but I would not be remotely surprised if she won for this.
Elsewhere is the cast, Michael Gambon gives a reliable performance as Delfont (his second depiction this year after the turn by Rufus Jones in “Stan and Ollie“!) and the rising star that is Jessie Buckley is also effective as Wilder in a much quieter role than we’re used to seeing her in.
Musical? Or biopic?
Is this a musical? Or a biopic? Or neither? Actually, I would suggest it’s neither. There’s been a curious split in the last year between films like “Bohemian Rhapsody“, which were biopics with music, to “Rocketman” which was very much a musical based around a biopic.
“Judy” can’t be classed as a musical since (and I checked my watch) the first musical number doesn’t come until FORTY MINUTES into the picture. Neither is it a true biopic, focusing only on a few short months of Garland’s extensive career, the ‘young Judy’ scenes being nothing but short flashbacks to set the scene. This probably makes sense, else a true biopic of the wonder that was Judy Garland would have turned into a 4 hour plus epic!
A rough ride, but could I care?
Above all, it’s a depressing watch, like seeing a sick animal in distress. But I never felt the film got to the heart of the matter to really make me CARE enough. The nearest it gets is with a moving portion where Judy makes the evening (if not the lifetime) of some super-fans – Dan (Andy Nyman) and Stan (Daniel Cerqueira). She goes home with them for omelettes and a sing-song: a strong nod towards Garland’s extensive following, even today, among the gay community. The finale, where the couple try to salvage an on-stage psychiatric session by Judy is touching but, for me, not tear-inducing.
The screenplay is by Tom Edge, from the stage play by Peter Quilter. The director is relative movie-newcomer Rupert Goold.
I liked this movie, but did I like it enough to rush and see it again? No, not really. Worth seeing though to appreciate the odds-on favourite (surely!) for the Best Actress Oscar of this year.
Neon's Nerd Nexus (360 KP) rated Judy (2019) in Movies
Oct 2, 2019
If I am a legend, then why am I so lonely?
Judy is a fabulous and dazzling look into the finally years of an all time greats life and while it maybe paint by numbers at times Judy takes the surprisingly darker and more depressing route that many other biopics dont dare to. I was gobsmacked to find after that renee zellweger played judy garland as at no stage of the movie could you tell at all. Never been a real fan of Zellweger but here she really has surpassed herself and you literally would be forgiven for believing she was the actual Judy Garland at times, an award wining performance for sure. Judy's pain/struggles are plain to see here and the way Renee manages to portray the sheer depression behind those eyes as well as the switching on of 'the act' when she steps out onto stage to perform are both saddening and admirable (the way the camera shows her eyes change really is impressive). Its clear as a person she just longs to be loved, to belong/find happiness and to live a happy life with her children who adore her and bring her joy and completeness. Seemingly forced into showbusiness at a young age she never had a real chance to discover who she really is and what she enjoys and everyone she gets close to uses her as a puppet adding to the weight on her mind. Yet somewhere in all the sadness I find it so inspirational that she still found the strength and drive to put on a confident happy face and deliver powerful performances. Maybe deep down in a way being loved by the audience was her only glimpse of feeling true real love from someone when away from her children. Cinematography really impressed me as well giving a warm glamorous look when on stage with colours and lights that simply boom off the screen and then a cold, isolated and lonely feel when off stage really giving the movie a unique and immersive atmosphere. Costumes and sets also stun and dazzle as does the music which is filmed so well you feel at times you are sat in the room. Some dialog annoyed me near the beginning and two characters ruined the tone/felt forced but other than that I really did enjoyed this movie dare I say it more than I did Rocketman and Bohemian Rhapsody. A tragic/sad story that is well worth seeing
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Or something similar, anyway, in the Audible Audiobook version of this story that I listened to: a bit of a sly dig, maybe, at the famous "We're off the see the wizard …" song from the Judy garland movie?
Talking about differences, in this it's magical silver shows that Dorothy wears (not ruby red), with the story making great play and numerous mentions of her having committed murder and being celebrated for the same (which is surprisingly messed up for a kids story) …
like, I'm sure, most of the rest of the population, I'm more familiar with that movie version than the original, so it's entertaining and informative to see just how close the two versions are, with the movie version (perhaps necessarily) taking in less events than this story does.
Or something similar, anyway, in the Audible Audiobook version of this story that I listened to: a bit of a sly dig, maybe, at the famous "We're off the see the wizard …" song from the Judy garland movie?
Talking about differences, in this it's magical silver shows that Dorothy wears (not ruby red), with the story making great play and numerous mentions of her having committed murder and being celebrated for the same (which is surprisingly messed up for a kids story) …
like, I'm sure, most of the rest of the population, I'm more familiar with that movie version than the original, so it's entertaining and informative to see just how close the two versions are, with the movie version (perhaps necessarily) taking in less events than this story does.