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The Chocolate Lady (94 KP) rated The Noise of Time in Books
Oct 7, 2020
What is power? What is art? Who holds the power? Who does art belong to? In his latest novel, “The Noise of Time,” Julian Barnes investigates these questions via the life of Dmitri Shostakovich, a man who composed music under the thumb of oppression in Soviet Russia. Read more about this book in my review here. https://tcl-bookreviews.com/2018/04/21/music-and-silence/
Suswatibasu (1701 KP) rated The Sense of an Ending in Books
Mar 2, 2018
A chain reaction of events
Without revealing too much about the ending, the story follows retired Tony, who re-evaluates his life after receiving a letter from a solicitor. It's a fairly simple drama about how someone's inconsequential actions can have a big impact on another.
Tony is led to remember a time in which his school friend killed himself while dating his ex-girlfriend at university. And his own actions which ultimately causes him remorse. It is a poignant and tragic tale of thinking before speaking. Wonderful, humanistic writing by Julian Barnes.
Tony is led to remember a time in which his school friend killed himself while dating his ex-girlfriend at university. And his own actions which ultimately causes him remorse. It is a poignant and tragic tale of thinking before speaking. Wonderful, humanistic writing by Julian Barnes.
Suswatibasu (1701 KP) rated The Noise of Time in Books
Oct 9, 2017 (Updated Oct 9, 2017)
Historical fiction at its very best
There is a huge amount of non-fiction elements of this bleak novel about one of Russia's most noted composers and musicians Dmitri Shostakovich, who fought inner demons for the majority of his life due to the immense pressures and threats posed by the Soviet Union.
From his complex relationships with women, to the government, the artist was forced to live a life of paranoia, after many of his fellow composers and musicologists mysteriously disappeared following talks with the "Power" at the Big House. There were many moments where it resembled Room 101 from George Orwell's 1984, and the oppressive atmosphere that Shostakovich had to live through.
In the end, Julian Barnes explains that agreeing to Stalin's and Khrushchev's demands had been the ultimate downfall to his health. and in many ways it was a fate worse than death. It is grim and tragic to think about such an important composer in history being treated in such way.
From his complex relationships with women, to the government, the artist was forced to live a life of paranoia, after many of his fellow composers and musicologists mysteriously disappeared following talks with the "Power" at the Big House. There were many moments where it resembled Room 101 from George Orwell's 1984, and the oppressive atmosphere that Shostakovich had to live through.
In the end, Julian Barnes explains that agreeing to Stalin's and Khrushchev's demands had been the ultimate downfall to his health. and in many ways it was a fate worse than death. It is grim and tragic to think about such an important composer in history being treated in such way.
Suswatibasu (1701 KP) rated The Only Story in Books
Jan 10, 2018
Slightly irritating protagonist, but good story
This unusual romance is definitely not in the same ballpark as the likes of The Notebook and other such love stories - instead it begins as a pseudo-parody of the younger man-older woman genre - ending in a tragically realistic fashion.
Following the story of protagonist Paul, a 19-year-old man-child, attempts to find his feet in the world by defying social conventions. Enter Susan, a married woman with two grown children even older than Paul. Beginning innocently after joining a tennis club, Paul seems to grow increasingly attracted to the almost middle-aged woman, but is clearly ambiguous about his motives for pursuing her. Is it out of sheer rebellion against his traditional upbringing or just another yarn to tell his university friends? What does become increasingly apparent is that it is not just a summer affair, as things start to unravel over time. The question posed by the book at the end is: "Would you rather love the more, and suffer the more; or love the less, and suffer the less?"
As per usual, Julian Barnes is a unique storyteller, able to adapt his writing every single time. It is vastly different from some of his other works such as The Noise of Time, which is written almost like a Russian classic. This, on the other hand, is written in an honest first-person narrative, sounding genuinely like a happy-go-lucky teenager. While it is not a perfect story, especially as the chronology feels inconsistent, it is an easy read.
Following the story of protagonist Paul, a 19-year-old man-child, attempts to find his feet in the world by defying social conventions. Enter Susan, a married woman with two grown children even older than Paul. Beginning innocently after joining a tennis club, Paul seems to grow increasingly attracted to the almost middle-aged woman, but is clearly ambiguous about his motives for pursuing her. Is it out of sheer rebellion against his traditional upbringing or just another yarn to tell his university friends? What does become increasingly apparent is that it is not just a summer affair, as things start to unravel over time. The question posed by the book at the end is: "Would you rather love the more, and suffer the more; or love the less, and suffer the less?"
As per usual, Julian Barnes is a unique storyteller, able to adapt his writing every single time. It is vastly different from some of his other works such as The Noise of Time, which is written almost like a Russian classic. This, on the other hand, is written in an honest first-person narrative, sounding genuinely like a happy-go-lucky teenager. While it is not a perfect story, especially as the chronology feels inconsistent, it is an easy read.
