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Matthew Krueger (10051 KP) rated Knight and Day (2010) in Movies
Apr 13, 2020 (Updated Apr 14, 2020)
The Running of the Bulls
Knight and Day- is a good action, comedy film but its repeating alot of comedy action films, it feels like i have seen or watched this film before/a dozen times. Let me know if you heard of this before.
Two charcters who dont know each other, one is a spy and one is some unknkown. The spy gets into the unknown person life, and now their on the run because the spy betrayed someone or many people before him. The spy is also trying to save/protect a person and valveable that a evil bad guy wants to destory something/the world. Hmm sounds like i watched the before, thats because you have. This is just a repeat of that.
The plot: June Havens (Cameron Diaz) chats up her charming seatmate on a flight out of Kansas, but she doesn't realize that she will soon land in the middle of an international adventure. The fellow passenger, Roy Miller (Tom Cruise), is a covert operative who claims he has been set up to take a fall. Now his reluctant partner, June must dodge bullets in Boston, leap rooftops in Austria and evade bulls in Spain, while she and Roy learn that trust is the most important survival skill.
I like that chemistry between Tom Cruise and Cameron Diaz, its really good and the action and comedy is good. Other than that though its just a repeat of other comedy action films.
Two charcters who dont know each other, one is a spy and one is some unknkown. The spy gets into the unknown person life, and now their on the run because the spy betrayed someone or many people before him. The spy is also trying to save/protect a person and valveable that a evil bad guy wants to destory something/the world. Hmm sounds like i watched the before, thats because you have. This is just a repeat of that.
The plot: June Havens (Cameron Diaz) chats up her charming seatmate on a flight out of Kansas, but she doesn't realize that she will soon land in the middle of an international adventure. The fellow passenger, Roy Miller (Tom Cruise), is a covert operative who claims he has been set up to take a fall. Now his reluctant partner, June must dodge bullets in Boston, leap rooftops in Austria and evade bulls in Spain, while she and Roy learn that trust is the most important survival skill.
I like that chemistry between Tom Cruise and Cameron Diaz, its really good and the action and comedy is good. Other than that though its just a repeat of other comedy action films.
Bong Mines Entertainment (15 KP) rated Magic - Single by ABC Dialect in Music
Jun 17, 2019
Abc Dialect is an electronic duo based in Barcelona, Spain. Not too long ago, they released a lovely music video for their “Magic” single.
The audiovisual tells an interesting tale of a young man who purchases a bird from a pet store.
Later, the video follows him as he adapts a loving companionship between him and his new pet.
‘Magic’ contains a relatable storyline, pleasing vocals, and groovy instrumentation flavored with funky synthesizers, glistening keys, clean guitar chords, and enchanting flute.
Also, the likable tune showcases the group’s harmonically bright production which evokes a sense of smooth laidback euphoria.
“For this track, we’ve decided to go with a more organic approach. Recording live drums together with keyboards and bass and then adding some guitars, synths, flute, and vocals. We tried to keep the instrumental as simple and groovy as possible in order to give more space to the vocals and the flute which are the key elements on this track. The lyrics are simple but effective and relatable. The song had started being much more electronic and fast until we understood that it was meant to be much more real and pure.” – Abc Dialect
Abc Dialect formed in 2017 by London-based Argentinians, Tomás Susevich and Luca Oliva Knight.
The origin of their name was inspired by a trip to Japan, where they realized the dialect of their music was different than that of other cultures on the eastern side of the world.
This was a defining moment for the songwriters as they knew that they wanted their music to extend past the western hemisphere.
Therefore, they selected their name as a play on words addressing the dialect in which their music is created. Their goal is to have their music universally accepted by all.
Abc Dialect cites influences from both the past and present and draws inspiration from legacy acts such as Kool & The Gang, The Whispers, The Whitest Boy Alive, and Jamiroquai.
‘Magic’ is the first single from their upcoming EP, entitled, “Real Life”, available on June 13, 2019, via Casablanca Sunset.
https://www.bongminesentertainment.com/abc-dialect-magic/
The audiovisual tells an interesting tale of a young man who purchases a bird from a pet store.
Later, the video follows him as he adapts a loving companionship between him and his new pet.
‘Magic’ contains a relatable storyline, pleasing vocals, and groovy instrumentation flavored with funky synthesizers, glistening keys, clean guitar chords, and enchanting flute.
Also, the likable tune showcases the group’s harmonically bright production which evokes a sense of smooth laidback euphoria.
“For this track, we’ve decided to go with a more organic approach. Recording live drums together with keyboards and bass and then adding some guitars, synths, flute, and vocals. We tried to keep the instrumental as simple and groovy as possible in order to give more space to the vocals and the flute which are the key elements on this track. The lyrics are simple but effective and relatable. The song had started being much more electronic and fast until we understood that it was meant to be much more real and pure.” – Abc Dialect
Abc Dialect formed in 2017 by London-based Argentinians, Tomás Susevich and Luca Oliva Knight.
The origin of their name was inspired by a trip to Japan, where they realized the dialect of their music was different than that of other cultures on the eastern side of the world.
This was a defining moment for the songwriters as they knew that they wanted their music to extend past the western hemisphere.
Therefore, they selected their name as a play on words addressing the dialect in which their music is created. Their goal is to have their music universally accepted by all.
Abc Dialect cites influences from both the past and present and draws inspiration from legacy acts such as Kool & The Gang, The Whispers, The Whitest Boy Alive, and Jamiroquai.
‘Magic’ is the first single from their upcoming EP, entitled, “Real Life”, available on June 13, 2019, via Casablanca Sunset.
https://www.bongminesentertainment.com/abc-dialect-magic/
Gareth von Kallenbach (965 KP) rated Knight and Day (2010) in Movies
Aug 8, 2019
Knight and Day, directed by James Mangold (previous director of 3:10 to Yuma and Walk the Line), is an uninspiring, uninteresting action movie. Getting both of those words to work with the phrase “action movie” is quite a challenge, but somehow, through a group effort, it was pulled off. The movie itself gets boring primarily because the Tom Cruise and Cameron Diaz have little to no chemistry between them both. Useless action sequences merely add to the feeling that all those involved were ruining a great premise for an action/date movie.
The plot of the movie started out fun and original, but again, the lack of a spark between the two leads just led to disinterest. The director made ample use of what I’ll call the “invisible montage,” wherein one of the main characters is semi-conscious, and what happens to them is revealed in a series of blurred, but outlandishly crazy situations only a few seconds in length and increasing in surrealism. This was a clever, if overused technique, but oftentimes the entire movie felt like longer episodes of these montages, with little reason for each to be happening other than to fill the quota for requisite action sequences. Because of some poor foreshadowing in the beginning of the film, even the finale became extremely predictable and had no weight.
Tom Cruise, playing the bizarrely comic spy Roy Miller, manages to pull his weight in his role. Cruise’s special kind of natural crazy is actually an advantage to the character he is playing. His unpredictability and his utter charm kept me, at the very least, entertained throughout the film.
Cameron Diaz, playing clueless midwesterner June Havens is obviously the weak link here. She can’t seem to keep up with Cruise’s character on screen, and aside from a few cutesy moments in the film, is outclassed by her co-star, and often by members of the supporting cast as well. Diaz doesn’t have a reputation for doing in-depth character studies of her portrayals, but the very least she could do is drop the same confused face she uses for most of the movie.
Together, Cruise and Diaz lack the chemistry that would have made this a decent movie without forcing the audience to shut off the emotional parts of their brains. In fact, the key make-out scene between the two of them was so clichéd as to be boring. Looking back at the entire movie, I believe that after their first few minutes together, the rest of their interactions just felt forced.
As for the rest of the cast, I have no special complaints or accolades, but I would like to single out one individual, and say that I would have loved to see more of Peter Sarsgaard. It’s immediately obvious that knows what he is doing on screen, and he deserved a much larger role than the one given to him.
In summary, Knight and Day is definitely worth skipping out on. Wait a week and soon enough some real 4th of July action blockbusters will be coming out. We’ll be sure to let you know which ones are the real deal and which ones are the duds. It’s just too bad this one was a dud, because it definitely had a lot of potential.
The plot of the movie started out fun and original, but again, the lack of a spark between the two leads just led to disinterest. The director made ample use of what I’ll call the “invisible montage,” wherein one of the main characters is semi-conscious, and what happens to them is revealed in a series of blurred, but outlandishly crazy situations only a few seconds in length and increasing in surrealism. This was a clever, if overused technique, but oftentimes the entire movie felt like longer episodes of these montages, with little reason for each to be happening other than to fill the quota for requisite action sequences. Because of some poor foreshadowing in the beginning of the film, even the finale became extremely predictable and had no weight.
Tom Cruise, playing the bizarrely comic spy Roy Miller, manages to pull his weight in his role. Cruise’s special kind of natural crazy is actually an advantage to the character he is playing. His unpredictability and his utter charm kept me, at the very least, entertained throughout the film.
Cameron Diaz, playing clueless midwesterner June Havens is obviously the weak link here. She can’t seem to keep up with Cruise’s character on screen, and aside from a few cutesy moments in the film, is outclassed by her co-star, and often by members of the supporting cast as well. Diaz doesn’t have a reputation for doing in-depth character studies of her portrayals, but the very least she could do is drop the same confused face she uses for most of the movie.
Together, Cruise and Diaz lack the chemistry that would have made this a decent movie without forcing the audience to shut off the emotional parts of their brains. In fact, the key make-out scene between the two of them was so clichéd as to be boring. Looking back at the entire movie, I believe that after their first few minutes together, the rest of their interactions just felt forced.
As for the rest of the cast, I have no special complaints or accolades, but I would like to single out one individual, and say that I would have loved to see more of Peter Sarsgaard. It’s immediately obvious that knows what he is doing on screen, and he deserved a much larger role than the one given to him.
In summary, Knight and Day is definitely worth skipping out on. Wait a week and soon enough some real 4th of July action blockbusters will be coming out. We’ll be sure to let you know which ones are the real deal and which ones are the duds. It’s just too bad this one was a dud, because it definitely had a lot of potential.
RəX Regent (349 KP) rated Batman Begins (2005) in Movies
Feb 19, 2019
Batman has always seemed to make great viewing and with the darker takes on him of the past to decades, great movies. This was a real treat though. It’s almost a rational take on an irrational super hero. Christopher Nolan has managed to give Batman a human face and the world he inhabits a sense of scale and realism. But that’s not to say that it is lacking in the sense of the theatrical.
Back in 2005, the hype for this film was building, with a new take on the old comic hero taking shape. Though I must admit that the design of the new Batmobile didn’t look cool to me, but I loved the concept of rooting him in a real world. The other questionable point was that lack of the big hitters in terms of the villains. The Joker, Penguin, Riddler and Catwomen were dumped in favour of The Scarecrow and Ra’s al Ghul, with only one that I, as the un-indoctrinated in comic book lore, that I had heard of being The Scarecrow.
But this was not to be a typical Batman film in any sense of the word. In June 2005, Batman was reborn and not only had the career of an independently styled filmmaker, Christopher Nolan blown into the big leagues but Blockbusters had just been redefined, an event not dis-similar in effect t those of Jaws and Star Wars in the 1970’s.
Batman, a Warner Bros. cash cow for decades, was about to cross all the main lines within the industry and a blockbuster with art house sensibilities and real intelligence was about to born. It’s not the first, but it opened the door for Nolan and his like to change the way we think about movies of this kind. It doesn’t seem to be that long ago that Marvel was dominating cinemas was some first-rate adaptations such as X-Men, Spider-man and the underrated Hulk, which in many ways may be classed as a prototype for this, with art house direction from Ang Lee.
The plot of Batman Begins isn’t really that important though that’s not to sell it short. It’s a highly developed and conceived story, packed from the opening frame to the 140th minute, but it’s simply the perfect blend of the evolution of Bruce Wayne into Batman, and the usual diabolical plans of the super-villain, only it doesn’t feel like that when you’re watching it. It feels like a well judged story about a traumatised young man, struggling to come terms with his parents murder, and his place in the world.
Luckily for him, his family are billionaires and his butler is Alfred, or more importantly, Michael Caine! There are of course a whole host of contrivances to explain how Batman’s image was forged, how the Batcave was created and where the Batmobile came from, but no-one’s suggesting that this a documentary. This is a more grounded and psychological approach to the story of a nutcase who dressed up like a bat and fights crime without a single superpower to his aid.
But it’s how Nolan brings all this together that works so well. He addresses things so subtly that you can end up missing them if you blink, or at least fail to see them coming. Wayne is turned into a flamboyant excentric to maintain a distance from his friends, if he even has any. The Batcave never ends up looking how we’d expect either, but it is full of bats if that helps and he does park his car there.
It is not until The Dark Knight that we see a Batcave of sorts and that isn’t even in the grounds of Wayne Manor. So, the direction, conception and writing are great, what about the casting? Christian Bale is Wayne/Batman for me, though the animatistic tone to his voice maybe a little overdone, but I do get it. Katie Holmes is the weakest link and am glad that she was recast for the sequel. The rest of the players are first-rate and this may well be on of the best casts ever assembled for a single film in my opinion.
Gary Oldman, so understated as Lt. Gordon, Caine as Alfred is perfect; Liam Neeson is on top form, which he isn’t always, let’s face it and Morgan Freeman, like Oldman and Caine can seemingly do no wrong. Then there’s Hans Zimmer‘s collaboration with James Newton Howard for the score which is one of Zimmer’s best. Howard is an able composer and he clearly provided many of the excellent emotional riffs, but it was Zimmer who brought this together with his dominant, strident style, colossal beats and pacing.
The look and sound of this film sets it apart from so many of its brethren. Batman Begins is a truly original, relentless and groundbreaking movie that is the best of the comic book movies by a mile, but not necessarily the best comic book adaptation. Spider-man or Watchmen for example, may qualify for the fact that they more literally reflect their respective sources but Nolan’s masterpiece is a blueprint as to how film should tackle such adaptations.
And yes, that’s right; Batman Begins is a masterpiece if ever there was one, though a slightly lesser one in comparison to its own sequel, The Dark Knight which may have completely rewritten the handbook.
Back in 2005, the hype for this film was building, with a new take on the old comic hero taking shape. Though I must admit that the design of the new Batmobile didn’t look cool to me, but I loved the concept of rooting him in a real world. The other questionable point was that lack of the big hitters in terms of the villains. The Joker, Penguin, Riddler and Catwomen were dumped in favour of The Scarecrow and Ra’s al Ghul, with only one that I, as the un-indoctrinated in comic book lore, that I had heard of being The Scarecrow.
But this was not to be a typical Batman film in any sense of the word. In June 2005, Batman was reborn and not only had the career of an independently styled filmmaker, Christopher Nolan blown into the big leagues but Blockbusters had just been redefined, an event not dis-similar in effect t those of Jaws and Star Wars in the 1970’s.
Batman, a Warner Bros. cash cow for decades, was about to cross all the main lines within the industry and a blockbuster with art house sensibilities and real intelligence was about to born. It’s not the first, but it opened the door for Nolan and his like to change the way we think about movies of this kind. It doesn’t seem to be that long ago that Marvel was dominating cinemas was some first-rate adaptations such as X-Men, Spider-man and the underrated Hulk, which in many ways may be classed as a prototype for this, with art house direction from Ang Lee.
The plot of Batman Begins isn’t really that important though that’s not to sell it short. It’s a highly developed and conceived story, packed from the opening frame to the 140th minute, but it’s simply the perfect blend of the evolution of Bruce Wayne into Batman, and the usual diabolical plans of the super-villain, only it doesn’t feel like that when you’re watching it. It feels like a well judged story about a traumatised young man, struggling to come terms with his parents murder, and his place in the world.
Luckily for him, his family are billionaires and his butler is Alfred, or more importantly, Michael Caine! There are of course a whole host of contrivances to explain how Batman’s image was forged, how the Batcave was created and where the Batmobile came from, but no-one’s suggesting that this a documentary. This is a more grounded and psychological approach to the story of a nutcase who dressed up like a bat and fights crime without a single superpower to his aid.
But it’s how Nolan brings all this together that works so well. He addresses things so subtly that you can end up missing them if you blink, or at least fail to see them coming. Wayne is turned into a flamboyant excentric to maintain a distance from his friends, if he even has any. The Batcave never ends up looking how we’d expect either, but it is full of bats if that helps and he does park his car there.
It is not until The Dark Knight that we see a Batcave of sorts and that isn’t even in the grounds of Wayne Manor. So, the direction, conception and writing are great, what about the casting? Christian Bale is Wayne/Batman for me, though the animatistic tone to his voice maybe a little overdone, but I do get it. Katie Holmes is the weakest link and am glad that she was recast for the sequel. The rest of the players are first-rate and this may well be on of the best casts ever assembled for a single film in my opinion.
Gary Oldman, so understated as Lt. Gordon, Caine as Alfred is perfect; Liam Neeson is on top form, which he isn’t always, let’s face it and Morgan Freeman, like Oldman and Caine can seemingly do no wrong. Then there’s Hans Zimmer‘s collaboration with James Newton Howard for the score which is one of Zimmer’s best. Howard is an able composer and he clearly provided many of the excellent emotional riffs, but it was Zimmer who brought this together with his dominant, strident style, colossal beats and pacing.
The look and sound of this film sets it apart from so many of its brethren. Batman Begins is a truly original, relentless and groundbreaking movie that is the best of the comic book movies by a mile, but not necessarily the best comic book adaptation. Spider-man or Watchmen for example, may qualify for the fact that they more literally reflect their respective sources but Nolan’s masterpiece is a blueprint as to how film should tackle such adaptations.
And yes, that’s right; Batman Begins is a masterpiece if ever there was one, though a slightly lesser one in comparison to its own sequel, The Dark Knight which may have completely rewritten the handbook.