Search
Search results
Sassy Brit (97 KP) rated A Week to Be Wild in Books
Jun 6, 2019
Smart and intelligent books for smart and intelligent people. I would say women, by why should we have all the fun?
^^ A Week to be Wild by JC Harroway is the first in a daring new, sexy series — aptly named DARE — by Mills and Boon, and boy have they upped their sizzle with this range, if this book is anything to go by!
^^ This bold story features an intelligent American business woman, Libby Noble, and her adventure with British billionaire businessman Alex Lancaster. When I say adventure, I mean that on more levels than one. He wants to invest in services as a marketer for Able-Active, a new charity, which is very meaningful to him. With a week to be wild, he’d agreed to play a sensual game by her rules, and as part of that agreement, she’ll have to agree to try out his charity’s programme, forcing her to step outside her comfort zone with some daredevil pursuits of his own. All for a good cause, of course! If you’re going to work for any company, it’s certainly wise to get stuck right in and get down and dirty, as they say. Well, I hope they do!
^^ The only trouble is, will she be able to focus with Alex around? After all, he’s a movie star, bad-boy, gentleman rogue, geeky surfer dude, with brains and business acumen, (and quite a mouthful!) all rolled into one mouth-watering package. He’s also worth quite a bit, too. Always a bonus.
^^ I love the way both Libby and Alex are vying for alpha status, yet she comes out on top (pun intended) and manages to control an alpha male who is usually used to getting his own way. Alex thinks she’s a stubborn, independent women, and Libby is keen to show she’s no pushover, whilst forcing his natural alpha tendencies into submission. It’s a battle of wills, I can tell you!
^^ In addition to the actual storyline I must also comment on the style of this new range and branding. It. Is. Gorgeous! They’re hot, without being in your face pornographic. Very classy. The paperbacks are just the right size to carry around in a handbag for when you’re on the go.
^^ In fact, their whole site has had a stunning makeover, and they’ve launched a definitive guide to the Rules of Romance. Check it out!
Overall: I’m really pleased to be part of Mills and Boon’s Dare launch, and excited to read more stories from this range. If I could compare this style to other books I’ve read like this, I’d say it’s up there with the Black Lace titles. Happy to recommend JC Harroway’s book, A Week to be Wild, because it’s a well-written story, highly engaging and brimming with passion. As is, I suspect, the rest of this range is going to be… Stay seated, and switch on that electric fan. It doesn’t matter what the weather’s like out there, it’s going to get hot in here!
^^ A Week to be Wild by JC Harroway is the first in a daring new, sexy series — aptly named DARE — by Mills and Boon, and boy have they upped their sizzle with this range, if this book is anything to go by!
^^ This bold story features an intelligent American business woman, Libby Noble, and her adventure with British billionaire businessman Alex Lancaster. When I say adventure, I mean that on more levels than one. He wants to invest in services as a marketer for Able-Active, a new charity, which is very meaningful to him. With a week to be wild, he’d agreed to play a sensual game by her rules, and as part of that agreement, she’ll have to agree to try out his charity’s programme, forcing her to step outside her comfort zone with some daredevil pursuits of his own. All for a good cause, of course! If you’re going to work for any company, it’s certainly wise to get stuck right in and get down and dirty, as they say. Well, I hope they do!
^^ The only trouble is, will she be able to focus with Alex around? After all, he’s a movie star, bad-boy, gentleman rogue, geeky surfer dude, with brains and business acumen, (and quite a mouthful!) all rolled into one mouth-watering package. He’s also worth quite a bit, too. Always a bonus.
^^ I love the way both Libby and Alex are vying for alpha status, yet she comes out on top (pun intended) and manages to control an alpha male who is usually used to getting his own way. Alex thinks she’s a stubborn, independent women, and Libby is keen to show she’s no pushover, whilst forcing his natural alpha tendencies into submission. It’s a battle of wills, I can tell you!
^^ In addition to the actual storyline I must also comment on the style of this new range and branding. It. Is. Gorgeous! They’re hot, without being in your face pornographic. Very classy. The paperbacks are just the right size to carry around in a handbag for when you’re on the go.
^^ In fact, their whole site has had a stunning makeover, and they’ve launched a definitive guide to the Rules of Romance. Check it out!
Overall: I’m really pleased to be part of Mills and Boon’s Dare launch, and excited to read more stories from this range. If I could compare this style to other books I’ve read like this, I’d say it’s up there with the Black Lace titles. Happy to recommend JC Harroway’s book, A Week to be Wild, because it’s a well-written story, highly engaging and brimming with passion. As is, I suspect, the rest of this range is going to be… Stay seated, and switch on that electric fan. It doesn’t matter what the weather’s like out there, it’s going to get hot in here!
Lee (2222 KP) rated The Incredibles 2 (2018) in Movies
Jul 16, 2018 (Updated Jul 17, 2018)
Worthy sequel, although a bit patchy in places
Contains spoilers, click to show
It's hard to believe that the original Incredibles movie is now 14 years old. It was, and still is, a fun, original and highly enjoyable superhero movie that was always deserving of a sequel. I re-watched it recently with my daughter who had never seen it, and despite it's age, and the fact that we've now had a decade of non-stop Marvel superhero movies since it was made, it still holds up 'incredibly' well.
The sequel picks up right where the original finished off, with The Incredibles battling supervillain The Underminer. It's the first of many impressive battle sequence, and does a good job of reminding us of the skills and abilities of each individual family member, not to mention how well they all work together as a team. The advances in animation quality over the last 14 years are obvious, while still managing to retain the unique look and feel of the original.
Unfortunately, the Parr's attempts to save the city don't quite go to plan, leading once again to their helpfulness being questioned by the US Government. They find themselves in a motel, contemplating their futures, until they are approached by Winston Deavor (Bob Odenkirk). He claims that the public have only seen the negative side of superheroes that is portrayed by the government, and wants to provide microscopic cameras embedded within the superhero costumes so that they can capture what they see. By showing the hero's side of the story, Winston plans to generate enough good publicity to start winning over the general public once again and hopefully reverse the law that makes superheroes illegal. Elastigirl is chosen to kick things off, largely due to the minimal government damage she's likely to cause in comparison to her husband! As a result, Mr Incredible is left at home to care for the kids, while Elastigirl is out having fun and saving the world.
The domestic comedy with Mr Incredible stuck at home is just brilliant. Not only does he have to try and get to grips with 'New Math' homework for son Dash, but also with daughter Violet and her boyfriend trouble. Not to mention the discovery that baby Jack-Jack has a set of impressive and highly unpredictable superpowers of his own. Meanwhile, the plan involving Elastigirl is working so well, that plans to make superheroes legal again get underway. But then mysterious new villain Screenslaver begins causing hypnotic chaos around town, and the family must band together once again in order to save the day.
Aside from the impressive action, and the hilarious scenes involving Jack-Jack, the rest of the movie in comparison does feel a little flat in places. In my opinion it falls slightly short of matching the original, although still a highly enjoyable and worthy sequel.
The sequel picks up right where the original finished off, with The Incredibles battling supervillain The Underminer. It's the first of many impressive battle sequence, and does a good job of reminding us of the skills and abilities of each individual family member, not to mention how well they all work together as a team. The advances in animation quality over the last 14 years are obvious, while still managing to retain the unique look and feel of the original.
Unfortunately, the Parr's attempts to save the city don't quite go to plan, leading once again to their helpfulness being questioned by the US Government. They find themselves in a motel, contemplating their futures, until they are approached by Winston Deavor (Bob Odenkirk). He claims that the public have only seen the negative side of superheroes that is portrayed by the government, and wants to provide microscopic cameras embedded within the superhero costumes so that they can capture what they see. By showing the hero's side of the story, Winston plans to generate enough good publicity to start winning over the general public once again and hopefully reverse the law that makes superheroes illegal. Elastigirl is chosen to kick things off, largely due to the minimal government damage she's likely to cause in comparison to her husband! As a result, Mr Incredible is left at home to care for the kids, while Elastigirl is out having fun and saving the world.
The domestic comedy with Mr Incredible stuck at home is just brilliant. Not only does he have to try and get to grips with 'New Math' homework for son Dash, but also with daughter Violet and her boyfriend trouble. Not to mention the discovery that baby Jack-Jack has a set of impressive and highly unpredictable superpowers of his own. Meanwhile, the plan involving Elastigirl is working so well, that plans to make superheroes legal again get underway. But then mysterious new villain Screenslaver begins causing hypnotic chaos around town, and the family must band together once again in order to save the day.
Aside from the impressive action, and the hilarious scenes involving Jack-Jack, the rest of the movie in comparison does feel a little flat in places. In my opinion it falls slightly short of matching the original, although still a highly enjoyable and worthy sequel.
Darren (1599 KP) rated Alien (1979) in Movies
Jun 20, 2019
Story: It would be fair to say when this came out it was brilliant and stand alone on the type of film. Now the story has been copied, pinched from and used to the death. This paved the way for the truly trapped horror films because the space mission means it’s the ship of nothing. The twist that comes half way through offers a surprise and of cause the mood of the film changes drastically when the alien makes its first appearance. (10/10)
Actor Review: Sigourney Weaver – Ripley, just part of the crew really but steps up when the alien starts wreaking havoc. In a role that will be remembered as one of the best and most iconic in sci-fi history this performance will never be forgotten. Breakout Performance Award, Iconic Performance Award, Star Performance Award (10/10)
ripley
Actor Review: Tom Skerritt – Captain Dallas puts the team together to investigate the planet but has to step up when they don’t come back alone. Good performance showing leadership in time of panic. (9/10)
Actor Review: Ian Holm – Ash the science officer who is very distant as well as keeping a big secret from the rest of the crew. Good performance from Holm that opened a door for a twist in films that people actually have to think about. (9/10)
holm
Actor Review: John Hurt – Kane gets a creature stuck on his face before looking like making a full recovery only to make film history. This character has one of the most iconic sci-fi horror deaths in history. Unluckiest Character Award (9/10)
hurt
Director Review: Ridley Scott – Creates a world that no one saw coming and shows brilliant direction to create atmosphere throughout. (10/10)
Horror: There is no escape from a creature you have never met. (10/10)
Sci-Fi: Redefines the sci-fi genre to use true horror. (10/10)
Special Effects: Stunning special effects that even after 30 plus years still haven’t dated. (10/10)
Believability: We don’t know what is really in space until we go deeper enough. (5/10)
Chances of Tears: No (0/10)
Settings: When it comes to horror you need great location isolation is the best as we know the characters have nowhere to run, this offers that making the setting perfect. (10/10)
Suggestion: Most films can come and go and gain a few fans, this is not one of them it is one of the first films people will say when you say sci-fi. This makes it a must watch and when you do you will be reward but I expect most of you have already seen it so watch it again. (Watch)
Best Part: Alien first reveal.
Kill Of The Film: Kane
Trivia: The original title was Space Beast.
Oscar Chances: Won for Best Effects.
Chances of Sequel: Has three direct sequels and a couple of versus films.
Overall: Masterpiece classic must see
https://moviesreview101.com/2014/02/12/alien-1979/
Actor Review: Sigourney Weaver – Ripley, just part of the crew really but steps up when the alien starts wreaking havoc. In a role that will be remembered as one of the best and most iconic in sci-fi history this performance will never be forgotten. Breakout Performance Award, Iconic Performance Award, Star Performance Award (10/10)
ripley
Actor Review: Tom Skerritt – Captain Dallas puts the team together to investigate the planet but has to step up when they don’t come back alone. Good performance showing leadership in time of panic. (9/10)
Actor Review: Ian Holm – Ash the science officer who is very distant as well as keeping a big secret from the rest of the crew. Good performance from Holm that opened a door for a twist in films that people actually have to think about. (9/10)
holm
Actor Review: John Hurt – Kane gets a creature stuck on his face before looking like making a full recovery only to make film history. This character has one of the most iconic sci-fi horror deaths in history. Unluckiest Character Award (9/10)
hurt
Director Review: Ridley Scott – Creates a world that no one saw coming and shows brilliant direction to create atmosphere throughout. (10/10)
Horror: There is no escape from a creature you have never met. (10/10)
Sci-Fi: Redefines the sci-fi genre to use true horror. (10/10)
Special Effects: Stunning special effects that even after 30 plus years still haven’t dated. (10/10)
Believability: We don’t know what is really in space until we go deeper enough. (5/10)
Chances of Tears: No (0/10)
Settings: When it comes to horror you need great location isolation is the best as we know the characters have nowhere to run, this offers that making the setting perfect. (10/10)
Suggestion: Most films can come and go and gain a few fans, this is not one of them it is one of the first films people will say when you say sci-fi. This makes it a must watch and when you do you will be reward but I expect most of you have already seen it so watch it again. (Watch)
Best Part: Alien first reveal.
Kill Of The Film: Kane
Trivia: The original title was Space Beast.
Oscar Chances: Won for Best Effects.
Chances of Sequel: Has three direct sequels and a couple of versus films.
Overall: Masterpiece classic must see
https://moviesreview101.com/2014/02/12/alien-1979/
Don’t Wake Up is the story of Alex, a Doctor working in a busy emergency department. Alex seems to have everything going for her. She has a fiance, she has a home, a career. Until one day, she is attacked and sexually assaulted, in circumstances that seem totally unrealistic to anyone and everyone. Support quickly dies, and nobody believes her. Her fiance leaves, her friends and colleagues leave. She’s left doubting her own sanity. Then, she ends up framed for a murder she didn’t commit. The trail of destruction runs through her life whilst she tries to prove that she’s innocent, and is indeed a victim herself.
With well thought out unpredictable twists and a very good element of surprise, I found this book to be a fantastic read. The main character, the victim Alex, is well thought out with an enormous layer of depth to her. You truly feel empathy for her, and her situation. Her story takes you on a rollercoaster of emotion, where you feel like you want to reach through the pages and hold her hand as she stumbles and falls through trying to survive her ordeal. Although what happened to Alex seems unbelievable to the other characters, you as a reader know the truth, and you’ll want to scream it. Especially to a certain Detective Best.
There are too many positives from this book to list. So I’ll keep it as short as I can. The character depth is amazing, the story world is immersive and interesting. Every details is covered, you’re left imagining nothing as the whole picture is painted for you. The entire book is consistent without, as are the characters and their belief systems and backstories. It’s a brilliantly thought out plot, and an ending so unique I haven’t seen it in a while.
I only have two criticisms, and even then they’re mild. One is the books length. It’s shorter than it needed to be. I’d have loved for an extra few chapters on the end, showing Alex truly move from victim to survivor. It wouldn’t affect the main story in any way at all, and doesn’t cause the book to be anything less than brilliant. It just would’ve been nice from a personal point of view, to watch Alex step into her future. The second, and again only small, criticism I have is that the time hops are often hard to place. A chapter will skip ahead by a few days / weeks etc, and it’s hard to know where we are. Within a few pages though it’s either a] easier to work out, or b] it doesn’t actually matter as it doesn’t affect the story.
Overall, this book is fantastic. It’s a thoroughly good read, with twists and an ending, that comes out of no where. A genuine page turner that really keeps you interested in what’s to come next.
With well thought out unpredictable twists and a very good element of surprise, I found this book to be a fantastic read. The main character, the victim Alex, is well thought out with an enormous layer of depth to her. You truly feel empathy for her, and her situation. Her story takes you on a rollercoaster of emotion, where you feel like you want to reach through the pages and hold her hand as she stumbles and falls through trying to survive her ordeal. Although what happened to Alex seems unbelievable to the other characters, you as a reader know the truth, and you’ll want to scream it. Especially to a certain Detective Best.
There are too many positives from this book to list. So I’ll keep it as short as I can. The character depth is amazing, the story world is immersive and interesting. Every details is covered, you’re left imagining nothing as the whole picture is painted for you. The entire book is consistent without, as are the characters and their belief systems and backstories. It’s a brilliantly thought out plot, and an ending so unique I haven’t seen it in a while.
I only have two criticisms, and even then they’re mild. One is the books length. It’s shorter than it needed to be. I’d have loved for an extra few chapters on the end, showing Alex truly move from victim to survivor. It wouldn’t affect the main story in any way at all, and doesn’t cause the book to be anything less than brilliant. It just would’ve been nice from a personal point of view, to watch Alex step into her future. The second, and again only small, criticism I have is that the time hops are often hard to place. A chapter will skip ahead by a few days / weeks etc, and it’s hard to know where we are. Within a few pages though it’s either a] easier to work out, or b] it doesn’t actually matter as it doesn’t affect the story.
Overall, this book is fantastic. It’s a thoroughly good read, with twists and an ending, that comes out of no where. A genuine page turner that really keeps you interested in what’s to come next.
Sophia (Bookwyrming Thoughts) (530 KP) rated Smoke and Key in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><b>Kelsey Sutton sucked me right into <em>Smoke and Key</em>.</b></h2>
I thought <em>Smoke and Key</em> would be a fascinating murder mystery set underground with the dead. But as I got in the story, I discovered I was so <em>so</em> wrong. From early in the novel, Sutton sucks me into the world of Under. Key wakes up dead with no memories other than a key around her neck. Others who live in Under are the same as well, and like Key each of them has an item they came with they identify themselves with.
<h2><strong>Mysterious and creepy.</strong></h2>
<em>Smoke and Key</em> is everything I thought a world of dead people would be - mysterious and creepy. When Key awakens in Under, she has a feeling everyone around her is in the world for a reason - she just can't remember why. As she sets out to discover who she is, some of the residents are murdered brutally with no return. Key hopes that as she discovers the reason why everyone is there, she'll solve the cause as well before she is murdered.
Sutton creates an atmospheric world while building a mystery that kept me turning the pages. There were moments where I thought I would know how the story will play out in the end, but I would turn out to be entirely wrong. Sutton continues to do this until near the end when everything circles together.
<h2><strong>A little romance underneath.</strong></h2>
Sutton includes a good amount of romance in her latest novel developing throughout that I enjoyed. Despite the romance being a trope I normally have a dislike for, Sutton turns the tables and handles it nicely. There is also a good balance between the romance and everything else in the story, so it doesn't overshadow the plot despite ultimately being a love story.
<h2><strong>Superb character development.</strong></h2>
I adored all of the characters who made up the world of Under. Each of them has individual contributions to the society that is developed. What's neat about <em>Smoke and Key</em> is the story is in two timelines that come together in the end. One timeline is in the present in Under while the other as Key discovers her past that led them all to this world. Having the two timelines allows readers to see how the relationships have developed.
<h2><em><strong>Smoke and Key</strong></em><strong> is a beautifully written novel with magic and romance built with mysterious and creepy vibes.</strong></h2>
<a href="https://bookwyrmingthoughts.com/smoke-and-key-by-kelsey-sutton/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><b>Kelsey Sutton sucked me right into <em>Smoke and Key</em>.</b></h2>
I thought <em>Smoke and Key</em> would be a fascinating murder mystery set underground with the dead. But as I got in the story, I discovered I was so <em>so</em> wrong. From early in the novel, Sutton sucks me into the world of Under. Key wakes up dead with no memories other than a key around her neck. Others who live in Under are the same as well, and like Key each of them has an item they came with they identify themselves with.
<h2><strong>Mysterious and creepy.</strong></h2>
<em>Smoke and Key</em> is everything I thought a world of dead people would be - mysterious and creepy. When Key awakens in Under, she has a feeling everyone around her is in the world for a reason - she just can't remember why. As she sets out to discover who she is, some of the residents are murdered brutally with no return. Key hopes that as she discovers the reason why everyone is there, she'll solve the cause as well before she is murdered.
Sutton creates an atmospheric world while building a mystery that kept me turning the pages. There were moments where I thought I would know how the story will play out in the end, but I would turn out to be entirely wrong. Sutton continues to do this until near the end when everything circles together.
<h2><strong>A little romance underneath.</strong></h2>
Sutton includes a good amount of romance in her latest novel developing throughout that I enjoyed. Despite the romance being a trope I normally have a dislike for, Sutton turns the tables and handles it nicely. There is also a good balance between the romance and everything else in the story, so it doesn't overshadow the plot despite ultimately being a love story.
<h2><strong>Superb character development.</strong></h2>
I adored all of the characters who made up the world of Under. Each of them has individual contributions to the society that is developed. What's neat about <em>Smoke and Key</em> is the story is in two timelines that come together in the end. One timeline is in the present in Under while the other as Key discovers her past that led them all to this world. Having the two timelines allows readers to see how the relationships have developed.
<h2><em><strong>Smoke and Key</strong></em><strong> is a beautifully written novel with magic and romance built with mysterious and creepy vibes.</strong></h2>
<a href="https://bookwyrmingthoughts.com/smoke-and-key-by-kelsey-sutton/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Night Reader Reviews (683 KP) rated A Warrior's Blush in Books
Jan 9, 2020
A Warriors Blush by Shannon Whittall is an action-adventure fantasy story with just a hit of romance. This book could z easily be the beginning of a very interesting series if the author wanted to go that route with it. The ending is also surprising, but I do not encourage any readers to skip ahead in the book to see what I mean.
Lenora Belavier has been held prisoner and was used as a slave in the female prison, Golnar. It is here in Golnar that Lenora makes two names for herself. The first is Iron-Will for the excellent blades she forges. The second is Golnars Ghost, for protecting her fellow prisoners from the guards without them finding out who the ghost is. One day after much planning Lenora escapes from Golnar and brings an eleven-year-old prisoner, Mear, with her. Elijah finds Lenora (who has now adopted a new name) and Mear injured in the desert and takes them to Drodals Keep for healing.
In Drodal Lenora endures training for a magical ability that she does not believe she possesses, by a temperamental Elijah. Mear, on the other hand, seems to be enjoying her freedom and wonders off for some unknown reason. Lenora and Elijah slowly form an unlikely friendship as they start looking into the appearance of Bolgran, the evil monsters controlled by Myrna. Myrna, the evil Queen who Lenora was fighting against when she was arrested has learned of Lenora surviving Golnar and seeking refuge at Drodal. In an attempt to destroy her enemy Myrna floods Drodal with Bolgren and it doesn't look good for the small keep.
What I liked best about this book was that it was not predictable nor was it confusing. The twists in the story were extremely enjoyable and even surprised me. I am purposely leaving these twists out of the review as to not ruin them for the interested reader. What I did not like was how some of the characters and creatures were named similar to each other. The biggest of these issues was Bolgran, a terrible monster, and Brogan, a blacksmith. This did cause a bit of confusion because one is obviously evil and the other is not.
This book is age-appropriate for readers who are at least in high school. Younger readers would enjoy most of the story but would have to be mature. The rape and abuse of female prisoners is a big driving factor for Lenora and readers must be able to handle that. Overall I rate this book 3 out of 4. While it was a good book the name issue felt a little sloppy and lost it some points with me. I would still recommend this book to people who like fantasy but they would have to pay close attention to the names.
https://nightreaderreviews.blogspot.cpm
https://www.facebook.com/nightreadersreviews
https://www.austinmacauley.com/book/warriors-blush
Lenora Belavier has been held prisoner and was used as a slave in the female prison, Golnar. It is here in Golnar that Lenora makes two names for herself. The first is Iron-Will for the excellent blades she forges. The second is Golnars Ghost, for protecting her fellow prisoners from the guards without them finding out who the ghost is. One day after much planning Lenora escapes from Golnar and brings an eleven-year-old prisoner, Mear, with her. Elijah finds Lenora (who has now adopted a new name) and Mear injured in the desert and takes them to Drodals Keep for healing.
In Drodal Lenora endures training for a magical ability that she does not believe she possesses, by a temperamental Elijah. Mear, on the other hand, seems to be enjoying her freedom and wonders off for some unknown reason. Lenora and Elijah slowly form an unlikely friendship as they start looking into the appearance of Bolgran, the evil monsters controlled by Myrna. Myrna, the evil Queen who Lenora was fighting against when she was arrested has learned of Lenora surviving Golnar and seeking refuge at Drodal. In an attempt to destroy her enemy Myrna floods Drodal with Bolgren and it doesn't look good for the small keep.
What I liked best about this book was that it was not predictable nor was it confusing. The twists in the story were extremely enjoyable and even surprised me. I am purposely leaving these twists out of the review as to not ruin them for the interested reader. What I did not like was how some of the characters and creatures were named similar to each other. The biggest of these issues was Bolgran, a terrible monster, and Brogan, a blacksmith. This did cause a bit of confusion because one is obviously evil and the other is not.
This book is age-appropriate for readers who are at least in high school. Younger readers would enjoy most of the story but would have to be mature. The rape and abuse of female prisoners is a big driving factor for Lenora and readers must be able to handle that. Overall I rate this book 3 out of 4. While it was a good book the name issue felt a little sloppy and lost it some points with me. I would still recommend this book to people who like fantasy but they would have to pay close attention to the names.
https://nightreaderreviews.blogspot.cpm
https://www.facebook.com/nightreadersreviews
https://www.austinmacauley.com/book/warriors-blush
5 Minute Movie Guy (379 KP) rated Godzilla (2014) in Movies
Jun 26, 2019
Godzilla's gigantic scale is impressive. (1 more)
Bryan Cranston gives a terrific performance.
Aaron Taylor-Johnson is a horribly lifeless protagonist. (2 more)
The film repeatedly obscures our chances to see Godzilla or cuts away from him completely.
There seems to be very little sense of panic or concern despite Godzilla and MUTO's destruction.
As promising as this new Godzilla movie may appear to be, it falls far short of expectations, and dare I say, it isn’t even much better than the 1998 version.
This year marks the 60th anniversary of the original Godzilla film, when the King of the Monsters first emerged from the Pacific and terrorized Tokyo, Japan. Roughly 10 years after America dropped two atomic bombs on Japan to end World War II, Godzilla was artistically created to be a physical, living representation of the destructive force of those bombs. Even the texture of his skin is modelled after keloid scars, which were found on survivors as a result of the radiation. Godzilla’s arrival and subsequent attacks were spurred by the use of nuclear weapons, and he as a character wholly embodies the consequences of nuclear warfare.
60 years later, Godzilla remains a global icon, having spawned dozens of movie sequels, while introducing several other enormous monsters to battle with. Then 16 years ago, he was reimagined as he first came to America in Roland Emmerich’s lackluster 1998 film Godzilla, leaving many fans severely disappointed with not only the film, but also the new rendition of the famous monster. While Godzilla is visually depicted much more accurately in Gareth Edward’s new 2014 Godzilla than he was in ’98, his entire presence is surprisingly different than usual. This isn’t the angry, vengeful Godzilla of the past. He actually now seems almost entirely indifferent to humans. Unfortunately, as promising as this new Godzilla movie may appear to be, it falls far short of expectations, and dare I say, it isn’t even much better than the 1998 Godzilla.
Godzilla (2014) starts off pretty well, strengthened by the performance of Bryan Cranston, who plays Joe Brody, a nuclear power plant engineer living in Japan. Brody is present when an unknown disaster occurs at the plant, costing many innocent lives. Despite what the trailers suggest, Cranston’s Brody is not the main character of the film. Nor is it fellow all-star actor Ken Watanabe. The main character is actually only seen for about 4 seconds of the film’s original 2 and a half minute trailer. It’s Joe Brody’s son, Ford, played by Aaron Taylor-Johnson, in a performance that is decent but far from engaging. The protagonist Ford Brody is a character that is largely uninteresting, and who just casually wants to get back to his family after the monster invasion. He fails to convey any genuine sense of urgency amidst the chaos, although the same can be said for the entire cast, with the exception of Cranston’s Brody. Cranston’s performance is the only one that has any emotional weight to it, but he can’t carry the film alone. Meanwhile, Ken Watanabe is essentially reduced to being the quiet, ever-present voice of reason that no one wants to listen to. The film has a solid cast of actors, but they’re not given enough to work with in this convoluted mess of a movie.
For a movie that has so much death and destruction, the people in the film never seem all that concerned. You get no sense of global panic and hysteria. You have a 300-foot-tall monster destroying cities, with millions of people dying, and yet nobody seems all that freaked out by it. It’s almost like the situation isn’t treated as a serious threat, and there’s a major lack of suspense altogether. There’s rarely any edge-of-your-seat terror or excitement, and the lack of emotion just makes the action come off as sort of flat and dull. Not only that, the majority of the destruction that’s taking place isn’t even seen, with the movie instead opting to show you the aftermath. Throughout the first two-thirds of the movie, the camera continuously cuts away from the action you’ve been waiting for. Rather than showing you what you want to see in full-glory, the movie frequently will take you to a different location where you’ll briefly see a few seconds of the catastrophe being watched by someone on television. It feels like a cheap trick to build up to some amazing climax, but it’s incredibly frustrating. It’s like when watching a reality TV show and then the show cuts to a commercial break before revealing the winner. Perhaps it would be more forgivable if the end was enjoyable, but even though it does give you a full display of the showdown, it’s bogged down by a tiresome human story and still lacks any real emotional punch. Despite the fact that the movie tries to convey a serious tone, it’s also incredibly cheesy. To the extent that the big finale that this movie has been trying so hard to build up to ends up being almost laughable. Ultimately the movie ends up just being unsatisfying, disappointing, and overly long.
There are a lot of ways in which Godzilla goes wrong, despite the film’s great potential. One of my issues is with the musical score, which ends up coming off like a bad punchline. Music is supposed to accentuate the action and drama of a film, yet the film feels emotionless and boring. The only time the music really stood out to me was when it was being used to heighten the suspense of the climactic battle, and essentially narrate who was winning. It was done so ineffectively that it was both kind of comical and embarrassing. I also have an issue with all of the special effects, which are being touted as absolutely amazing. They’re not. However, I will say that the use of special effects in the movie is quite ambitious, but it works to the film’s detriment. There’s simply too much of them, and this excessive nature of the film is, I think, its biggest mistake. Godzilla (2014) is ridiculously CGI-heavy, and while their scope is admirable, I really think the quality would have been substantially improved if they didn’t overdo it so much. I think a less-is-more approach would have benefited the film in many ways. It’s excessive to the point of making good things turn bad. Everything is way too over the top, causing the action to lose its impact. It’s evident the filmmakers were trying so hard to make this big-budget movie as epic as possible, but this enormous scale ends up backfiring. The rampage covers two continents, multiple cities, and even traverses the length of the Pacific Ocean. I can appreciate their attempt, but the movie is trying to do too much. In other words, Godzilla (2014) bites off more than it can chew.
I also have some problems with the film’s treatment of the titular character, Godzilla. First of all, for a movie named after him, he sure doesn’t appear much in it. He’s the reason why we want to see the movie, but he’s absent for the majority of the film. Even when he’s around, he’s largely obscured by CGI smoke and storm clouds, up until the final moments of the movie. I’m also not particularly fond of his appearance. He just doesn’t quite look like Godzilla to me. It’s like looking at a T-Rex head on Godzilla’s body. I’m aware that Godzilla’s facial appearance has changed many times over 60 years, but something just doesn’t look quite right here. Additionally, I feel that Godzilla’s face is actually too expressive in this new film. I wonder if this was done to cause viewers to feel more sympathetic to him, because in the film, Godzilla is actually depicted as something of a tragic hero, rather than a colossal beast. This is my biggest concern with the movie’s handling of his character. Godzilla’s destruction in the film is treated like it’s all unintentional, and just a result of his massive size. Even though humans attack him, he’s not angry about it or anything. Never mind the movie’s claim that all of America’s nuclear bomb tests after Hiroshima and Nagasaki were actually secretive but unsuccessful attempts to kill Godzilla. He doesn’t mind. He’s just a poor gentle giant that’s misunderstood. Really, Hollywood? Give me a break!
To say that Godzilla (2014) is almost as bad of a film as Godzilla (1998) is a statement that I don’t take lightly. It’s a bold and controversial thing to say, and it may seem a bit absurd considering that this film goes in the right direction, whereas the previous film was all wrong from the beginning. Yet while the new movie has all the right pieces for greatness, it extends its reach too far and attempts to do too much, while never managing to make any of it very good. In all seriousness, I was more entertained with the ’98 film than I was with this one. I can hardly comprehend how a movie with a giant 300-foot-tall monster destroying cities can be so boring. Godzilla (2014) focuses so much on trying to build up to an epic conclusion that it forgets to worry about making the audience care, or even about keeping them entertained, and it just gets worse as it goes on. It repeatedly tries to raise the stakes, as well as our expectations, while attempting to delay gratification until the end. It’s a risky move, and unsurprisingly, it certainly doesn’t pay off. On the bright side, Godzilla (2014) is probably a pretty sweet movie if you’re a 12-year-old. There’s plenty of action, some cool special effects, and he’s still a pretty awesome monster. However, for me, I was totally pumped up for this movie, but an hour and a half into it, I had endured enough and wanted to walk out. Godzilla (2014) disappointed me on so many levels. It’s a movie without a beating heart. It’s predictable, overly long, has uninspired characters and a weak story, and the action just never hits the right note. A little more emotion and a little less CGI could have a gone a long way in making this movie better. As a fan of Godzilla, I felt frustrated, detached, and perplexed with how they were able to do so much wrong when they had the groundwork for something great. You know, perhaps I’m wrong in claiming it’s comparably bad as Godzilla (1998). After all, the last time I saw that movie was in the theaters when I was 12.
(This review was originally posted at 5mmg.com on 5.17.14.)
60 years later, Godzilla remains a global icon, having spawned dozens of movie sequels, while introducing several other enormous monsters to battle with. Then 16 years ago, he was reimagined as he first came to America in Roland Emmerich’s lackluster 1998 film Godzilla, leaving many fans severely disappointed with not only the film, but also the new rendition of the famous monster. While Godzilla is visually depicted much more accurately in Gareth Edward’s new 2014 Godzilla than he was in ’98, his entire presence is surprisingly different than usual. This isn’t the angry, vengeful Godzilla of the past. He actually now seems almost entirely indifferent to humans. Unfortunately, as promising as this new Godzilla movie may appear to be, it falls far short of expectations, and dare I say, it isn’t even much better than the 1998 Godzilla.
Godzilla (2014) starts off pretty well, strengthened by the performance of Bryan Cranston, who plays Joe Brody, a nuclear power plant engineer living in Japan. Brody is present when an unknown disaster occurs at the plant, costing many innocent lives. Despite what the trailers suggest, Cranston’s Brody is not the main character of the film. Nor is it fellow all-star actor Ken Watanabe. The main character is actually only seen for about 4 seconds of the film’s original 2 and a half minute trailer. It’s Joe Brody’s son, Ford, played by Aaron Taylor-Johnson, in a performance that is decent but far from engaging. The protagonist Ford Brody is a character that is largely uninteresting, and who just casually wants to get back to his family after the monster invasion. He fails to convey any genuine sense of urgency amidst the chaos, although the same can be said for the entire cast, with the exception of Cranston’s Brody. Cranston’s performance is the only one that has any emotional weight to it, but he can’t carry the film alone. Meanwhile, Ken Watanabe is essentially reduced to being the quiet, ever-present voice of reason that no one wants to listen to. The film has a solid cast of actors, but they’re not given enough to work with in this convoluted mess of a movie.
For a movie that has so much death and destruction, the people in the film never seem all that concerned. You get no sense of global panic and hysteria. You have a 300-foot-tall monster destroying cities, with millions of people dying, and yet nobody seems all that freaked out by it. It’s almost like the situation isn’t treated as a serious threat, and there’s a major lack of suspense altogether. There’s rarely any edge-of-your-seat terror or excitement, and the lack of emotion just makes the action come off as sort of flat and dull. Not only that, the majority of the destruction that’s taking place isn’t even seen, with the movie instead opting to show you the aftermath. Throughout the first two-thirds of the movie, the camera continuously cuts away from the action you’ve been waiting for. Rather than showing you what you want to see in full-glory, the movie frequently will take you to a different location where you’ll briefly see a few seconds of the catastrophe being watched by someone on television. It feels like a cheap trick to build up to some amazing climax, but it’s incredibly frustrating. It’s like when watching a reality TV show and then the show cuts to a commercial break before revealing the winner. Perhaps it would be more forgivable if the end was enjoyable, but even though it does give you a full display of the showdown, it’s bogged down by a tiresome human story and still lacks any real emotional punch. Despite the fact that the movie tries to convey a serious tone, it’s also incredibly cheesy. To the extent that the big finale that this movie has been trying so hard to build up to ends up being almost laughable. Ultimately the movie ends up just being unsatisfying, disappointing, and overly long.
There are a lot of ways in which Godzilla goes wrong, despite the film’s great potential. One of my issues is with the musical score, which ends up coming off like a bad punchline. Music is supposed to accentuate the action and drama of a film, yet the film feels emotionless and boring. The only time the music really stood out to me was when it was being used to heighten the suspense of the climactic battle, and essentially narrate who was winning. It was done so ineffectively that it was both kind of comical and embarrassing. I also have an issue with all of the special effects, which are being touted as absolutely amazing. They’re not. However, I will say that the use of special effects in the movie is quite ambitious, but it works to the film’s detriment. There’s simply too much of them, and this excessive nature of the film is, I think, its biggest mistake. Godzilla (2014) is ridiculously CGI-heavy, and while their scope is admirable, I really think the quality would have been substantially improved if they didn’t overdo it so much. I think a less-is-more approach would have benefited the film in many ways. It’s excessive to the point of making good things turn bad. Everything is way too over the top, causing the action to lose its impact. It’s evident the filmmakers were trying so hard to make this big-budget movie as epic as possible, but this enormous scale ends up backfiring. The rampage covers two continents, multiple cities, and even traverses the length of the Pacific Ocean. I can appreciate their attempt, but the movie is trying to do too much. In other words, Godzilla (2014) bites off more than it can chew.
I also have some problems with the film’s treatment of the titular character, Godzilla. First of all, for a movie named after him, he sure doesn’t appear much in it. He’s the reason why we want to see the movie, but he’s absent for the majority of the film. Even when he’s around, he’s largely obscured by CGI smoke and storm clouds, up until the final moments of the movie. I’m also not particularly fond of his appearance. He just doesn’t quite look like Godzilla to me. It’s like looking at a T-Rex head on Godzilla’s body. I’m aware that Godzilla’s facial appearance has changed many times over 60 years, but something just doesn’t look quite right here. Additionally, I feel that Godzilla’s face is actually too expressive in this new film. I wonder if this was done to cause viewers to feel more sympathetic to him, because in the film, Godzilla is actually depicted as something of a tragic hero, rather than a colossal beast. This is my biggest concern with the movie’s handling of his character. Godzilla’s destruction in the film is treated like it’s all unintentional, and just a result of his massive size. Even though humans attack him, he’s not angry about it or anything. Never mind the movie’s claim that all of America’s nuclear bomb tests after Hiroshima and Nagasaki were actually secretive but unsuccessful attempts to kill Godzilla. He doesn’t mind. He’s just a poor gentle giant that’s misunderstood. Really, Hollywood? Give me a break!
To say that Godzilla (2014) is almost as bad of a film as Godzilla (1998) is a statement that I don’t take lightly. It’s a bold and controversial thing to say, and it may seem a bit absurd considering that this film goes in the right direction, whereas the previous film was all wrong from the beginning. Yet while the new movie has all the right pieces for greatness, it extends its reach too far and attempts to do too much, while never managing to make any of it very good. In all seriousness, I was more entertained with the ’98 film than I was with this one. I can hardly comprehend how a movie with a giant 300-foot-tall monster destroying cities can be so boring. Godzilla (2014) focuses so much on trying to build up to an epic conclusion that it forgets to worry about making the audience care, or even about keeping them entertained, and it just gets worse as it goes on. It repeatedly tries to raise the stakes, as well as our expectations, while attempting to delay gratification until the end. It’s a risky move, and unsurprisingly, it certainly doesn’t pay off. On the bright side, Godzilla (2014) is probably a pretty sweet movie if you’re a 12-year-old. There’s plenty of action, some cool special effects, and he’s still a pretty awesome monster. However, for me, I was totally pumped up for this movie, but an hour and a half into it, I had endured enough and wanted to walk out. Godzilla (2014) disappointed me on so many levels. It’s a movie without a beating heart. It’s predictable, overly long, has uninspired characters and a weak story, and the action just never hits the right note. A little more emotion and a little less CGI could have a gone a long way in making this movie better. As a fan of Godzilla, I felt frustrated, detached, and perplexed with how they were able to do so much wrong when they had the groundwork for something great. You know, perhaps I’m wrong in claiming it’s comparably bad as Godzilla (1998). After all, the last time I saw that movie was in the theaters when I was 12.
(This review was originally posted at 5mmg.com on 5.17.14.)
Lottie disney bookworm (1056 KP) rated Mirror, Mirror in Books
Aug 16, 2019
Review by Disney Bookworm
Contains spoilers, click to show
If I’m honest I initially thought the tagline to this Snow White twisted tale novel was a massive plot spoiler but, when you are 300 pages into a book and no-one has eaten a poisoned apple, it may be the ideal opportunity to admit you were wrong. This book is not that simple!
Mirror, Mirror explores the traditional Grimm fairy tale of Snow White through the eyes of the two main characters: the Evil Queen and Snow White herself. The reader is completely under the control of these two women: finding themselves with no choice but to witness the familiar story from their perspective.
Jen Calonita’s novel is also heavily built on story telling through flashbacks. In my opinion, this is a genius idea as it provides an undeniable depth to her characters. Let’s be honest, everyone knows the story of Snow White but not everyone knows the story before Snow White and it is here where the twisted tale evolves.
Through these flashbacks we meet Katherine and Ingrid: two sisters whom have lost their mother and are being raised by their neglectful, sometimes violent, father. As a result of their upbringing, Ingrid, the elder sister, has adopted a motherly role towards her younger sister Katherine and strives to protect the innocent girl at all times. They leave home, finding work on a farm where Katherine finds her passion within the apple orchard, cultivating a new variety of apple which will later attract the attention of the King.
Ingrid however, always wants more than what she has. Older and more aware of the hardship life can bring, Ingrid is not as sweet and innocent as her sister: people do not dote on Ingrid as they do Katherine and eventually Ingrid finds that she cannot settle for a simple life- instead opting for a job in a small shop known for its association with dark magic and the home of a certain mirror.
You may have guessed by now that Ingrid is, in fact, the Evil Queen and her sister Katherine is Snow White’s mother! I know what you are thinking, I have just described how protective Ingrid was of the future Queen: surely she wouldn’t “off” her own sister and try to collect her niece’s heart in a box?
This is where the complexity of Ingrid’s character really shines through and where, (if hats suited me) I will take my hat off to Jen Calonita. Mirror Mirror takes you on a journey with Ingrid. You experience her love for her sister first-hand as well as her frustration with her sheltered life but later you also witness her lust for power and how easily Ingrid’s choices lead her down the wrong path.
I also believe that Ingrid is truly scarred by her past. She sneers upon her sister’s kindness and villainises Katherine for letting a man, and later her baby, come between them. Ingrid views herself as wiser and more intelligent than her little sister: believing that she would certainly rule the Kingdom more efficiently and not stopping until this becomes a reality.
Despite being a formidable woman, Ingrid is not devoid of vulnerabilities and, as the story progresses, the readers will witness Ingrid’s ghosts and note how one in particular never leaves her until the very end.
Of course, Ingrid’s enabler is the magic mirror. Calonita paints a picture of a mirror identical to the one we remember from the Disney 1938 classic animated film with a haunting mask dominating and manipulating The Evil Queen with every chance it gets.
The mirror creates an obsession and dependence within Ingrid that is chillingly portrayed. It is undoubtedly the real villain of the story: demanding blood from the start and weakening Ingrid until she cleaves to its will. However, we all know who is standing between the mirror and its plans for domination and undisputed power: the princess Snow White.
In the past, I have made no secret of the fact that Snow is my least favourite Disney princess. Her voice in the film grated on me and I just genuinely found her irritating. Thankfully Calonita’s Snow White is more akin to the ‘Once Upon A Time’ interpretation and so much easier to form a relationship with as a reader.
While fulfilling our expectations of being kind, innocent and prone to falling in love with conveniently handsome Princes: Mirror Mirror’s Snow White is bolder than we are used to and, as her story progresses, becomes more confident in herself as the heir to the kingdom. Her priorities are more political in nature, with a strong focus on rebuilding her kingdom and her bravery shines through almost from the very beginning. Snow does encounter challenges and dark thoughts as any person does but earns her Disney princess badge by helping true love to save the day!
Similarly, the seven dwarves are not as one-dimensional as the classic movie. They assist the Princess of course and shelter her in the forest but they also seem more street-wise (or should that be forest-wise?), squirreling away diamonds for bartering and mustering armies for Snow’s cause. There isn’t too much focus on the seven men in Mirror Mirror but I don’t think that the book is necessarily missing this. I think the characters are so well-known that too much character development would stray away from the main plot.
Mirror, Mirror is a modern adaptation of the familiar fairytale: centring itself around two very strong women in their own right but polar opposites in terms of their characters and choices in life.
The novel makes several nods to the iconic images formed in 1938 by Walt Disney such as the apple, the glass coffin and, of course, the seven dwarves. However, the recurring theme of choosing your own story and the complex backgrounds to her characters cause Jen Calonita’s novel to stand out on its own.
It may not have been the traditional “happy ever after” but this adaptation of Snow White was, in my opinion, the “fairest of them all”.
Written by The Disney Bookworm:
https://disneybookworm.home.blog
Mirror, Mirror explores the traditional Grimm fairy tale of Snow White through the eyes of the two main characters: the Evil Queen and Snow White herself. The reader is completely under the control of these two women: finding themselves with no choice but to witness the familiar story from their perspective.
Jen Calonita’s novel is also heavily built on story telling through flashbacks. In my opinion, this is a genius idea as it provides an undeniable depth to her characters. Let’s be honest, everyone knows the story of Snow White but not everyone knows the story before Snow White and it is here where the twisted tale evolves.
Through these flashbacks we meet Katherine and Ingrid: two sisters whom have lost their mother and are being raised by their neglectful, sometimes violent, father. As a result of their upbringing, Ingrid, the elder sister, has adopted a motherly role towards her younger sister Katherine and strives to protect the innocent girl at all times. They leave home, finding work on a farm where Katherine finds her passion within the apple orchard, cultivating a new variety of apple which will later attract the attention of the King.
Ingrid however, always wants more than what she has. Older and more aware of the hardship life can bring, Ingrid is not as sweet and innocent as her sister: people do not dote on Ingrid as they do Katherine and eventually Ingrid finds that she cannot settle for a simple life- instead opting for a job in a small shop known for its association with dark magic and the home of a certain mirror.
You may have guessed by now that Ingrid is, in fact, the Evil Queen and her sister Katherine is Snow White’s mother! I know what you are thinking, I have just described how protective Ingrid was of the future Queen: surely she wouldn’t “off” her own sister and try to collect her niece’s heart in a box?
This is where the complexity of Ingrid’s character really shines through and where, (if hats suited me) I will take my hat off to Jen Calonita. Mirror Mirror takes you on a journey with Ingrid. You experience her love for her sister first-hand as well as her frustration with her sheltered life but later you also witness her lust for power and how easily Ingrid’s choices lead her down the wrong path.
I also believe that Ingrid is truly scarred by her past. She sneers upon her sister’s kindness and villainises Katherine for letting a man, and later her baby, come between them. Ingrid views herself as wiser and more intelligent than her little sister: believing that she would certainly rule the Kingdom more efficiently and not stopping until this becomes a reality.
Despite being a formidable woman, Ingrid is not devoid of vulnerabilities and, as the story progresses, the readers will witness Ingrid’s ghosts and note how one in particular never leaves her until the very end.
Of course, Ingrid’s enabler is the magic mirror. Calonita paints a picture of a mirror identical to the one we remember from the Disney 1938 classic animated film with a haunting mask dominating and manipulating The Evil Queen with every chance it gets.
The mirror creates an obsession and dependence within Ingrid that is chillingly portrayed. It is undoubtedly the real villain of the story: demanding blood from the start and weakening Ingrid until she cleaves to its will. However, we all know who is standing between the mirror and its plans for domination and undisputed power: the princess Snow White.
In the past, I have made no secret of the fact that Snow is my least favourite Disney princess. Her voice in the film grated on me and I just genuinely found her irritating. Thankfully Calonita’s Snow White is more akin to the ‘Once Upon A Time’ interpretation and so much easier to form a relationship with as a reader.
While fulfilling our expectations of being kind, innocent and prone to falling in love with conveniently handsome Princes: Mirror Mirror’s Snow White is bolder than we are used to and, as her story progresses, becomes more confident in herself as the heir to the kingdom. Her priorities are more political in nature, with a strong focus on rebuilding her kingdom and her bravery shines through almost from the very beginning. Snow does encounter challenges and dark thoughts as any person does but earns her Disney princess badge by helping true love to save the day!
Similarly, the seven dwarves are not as one-dimensional as the classic movie. They assist the Princess of course and shelter her in the forest but they also seem more street-wise (or should that be forest-wise?), squirreling away diamonds for bartering and mustering armies for Snow’s cause. There isn’t too much focus on the seven men in Mirror Mirror but I don’t think that the book is necessarily missing this. I think the characters are so well-known that too much character development would stray away from the main plot.
Mirror, Mirror is a modern adaptation of the familiar fairytale: centring itself around two very strong women in their own right but polar opposites in terms of their characters and choices in life.
The novel makes several nods to the iconic images formed in 1938 by Walt Disney such as the apple, the glass coffin and, of course, the seven dwarves. However, the recurring theme of choosing your own story and the complex backgrounds to her characters cause Jen Calonita’s novel to stand out on its own.
It may not have been the traditional “happy ever after” but this adaptation of Snow White was, in my opinion, the “fairest of them all”.
Written by The Disney Bookworm:
https://disneybookworm.home.blog
KittyMiku (138 KP) rated What I've Done in Books
May 23, 2019
Contains spoilers, click to show
As with the previous books in the Morgan Dane series, we are able to see the romance grow between Lance and Morgan, have the suspense of the case and the ever lying danger that awaits our characters as they investigate for the truth. I found that it was enjoyable to see some more of Sharp's past as well. After all, he is the one character you don't see a whole lot about and to have a case that gives you some insight to the man behind a lot of support to Morgan and Lance is always a bonus. I enjoyed how characters in the book, though creepy, gave off how some people think and act in times of chaos. To see how everything plays out when you have psychopaths and innocents involved is always interesting.
In this particular book, I enjoyed how technology, though doesn't always help, was used to manipulate people's images and how some people react. Though, Haley, the woman being convicted for murder, was ill and traumatized, I enjoyed the strength she was given to protect herself and those who are close to her. To watch her struggle through discovering the guy she liked to be dead, while she slept and have no recollection how it happened, was truly heart wrenching. Then to watch her have nightmares about it because she couldn't remember what happened was able to show how post-traumatic stress disorder can affect after a traumatic event, made it harder but kept you wondering if her nightmares were memories resurfacing in an unpleasant way. With so many potential suspects coming and going in the book, you can't help but to continuously wonder what is causing the nightmares and if they are memories or not. It definitely kept you question until the very end.
It was also made clear how easy it is to cause people to doubt someone's skill or distort their image through social media. I thoroughly enjoyed, seeing this aspect. After all, though it isn't nice or even ethical, it happens all the time to people who do what they are good, and sometimes bad, at for a living. Though meme's and gifs are made to amuse and create laughter and joy, too often is it used to hurt someone without a whole lot of people truly understanding the whole meaning behind it. To have something aimed at Morgan, to make a threat and humiliate her, caused me to get angry. I enjoyed it in the aspect it raises the issue of gifs and memes being used to hurt and humiliate other, rather than spread joy. This particular piece, though not extremely important, had indeed stuck with me through out the whole book, I couldn't shake the feeling that it happens to us all at some point, even if we never see it. It had also brought up how hard it was to contain something once it goes viral. To track down the source can be impossible when everyone is sharing it on their social medias.
To get away with a crime doesn't mean to repeat it, but it you are never caught, wouldn't you be tempted to do it again? That was a question raised about some characters in this book. The crime doesn't have to illegal to be a crime. Disrespecting people's privacy, trust, and tampering with drinks are just a few crimes that aren't always caught, or even punishable. However, What I've Done, highlighted how people who may have gotten away with a crime once (whether punishable or not), they often feel they can repeat it and never get caught. Even though we all know eventually you will get caught, it was quite nice to see it highlighted in the fictional world as well. It was just a nice surprise that some of the characters thought and felt that way.
However, my absolute favorite thing was the ending. This I will not even attempt to spoil, but I will say that this ending left me wanting so much more. I expect the next book to give us some juicy information about our favorite characters, Lance, Sharp, and Morgan. I do look forward to it. I would definitely rate this book 5 stars out of 5 stars. It was entertaining, highlighted things that not everyone pay attention to, and kept me turning the pages.
In this particular book, I enjoyed how technology, though doesn't always help, was used to manipulate people's images and how some people react. Though, Haley, the woman being convicted for murder, was ill and traumatized, I enjoyed the strength she was given to protect herself and those who are close to her. To watch her struggle through discovering the guy she liked to be dead, while she slept and have no recollection how it happened, was truly heart wrenching. Then to watch her have nightmares about it because she couldn't remember what happened was able to show how post-traumatic stress disorder can affect after a traumatic event, made it harder but kept you wondering if her nightmares were memories resurfacing in an unpleasant way. With so many potential suspects coming and going in the book, you can't help but to continuously wonder what is causing the nightmares and if they are memories or not. It definitely kept you question until the very end.
It was also made clear how easy it is to cause people to doubt someone's skill or distort their image through social media. I thoroughly enjoyed, seeing this aspect. After all, though it isn't nice or even ethical, it happens all the time to people who do what they are good, and sometimes bad, at for a living. Though meme's and gifs are made to amuse and create laughter and joy, too often is it used to hurt someone without a whole lot of people truly understanding the whole meaning behind it. To have something aimed at Morgan, to make a threat and humiliate her, caused me to get angry. I enjoyed it in the aspect it raises the issue of gifs and memes being used to hurt and humiliate other, rather than spread joy. This particular piece, though not extremely important, had indeed stuck with me through out the whole book, I couldn't shake the feeling that it happens to us all at some point, even if we never see it. It had also brought up how hard it was to contain something once it goes viral. To track down the source can be impossible when everyone is sharing it on their social medias.
To get away with a crime doesn't mean to repeat it, but it you are never caught, wouldn't you be tempted to do it again? That was a question raised about some characters in this book. The crime doesn't have to illegal to be a crime. Disrespecting people's privacy, trust, and tampering with drinks are just a few crimes that aren't always caught, or even punishable. However, What I've Done, highlighted how people who may have gotten away with a crime once (whether punishable or not), they often feel they can repeat it and never get caught. Even though we all know eventually you will get caught, it was quite nice to see it highlighted in the fictional world as well. It was just a nice surprise that some of the characters thought and felt that way.
However, my absolute favorite thing was the ending. This I will not even attempt to spoil, but I will say that this ending left me wanting so much more. I expect the next book to give us some juicy information about our favorite characters, Lance, Sharp, and Morgan. I do look forward to it. I would definitely rate this book 5 stars out of 5 stars. It was entertaining, highlighted things that not everyone pay attention to, and kept me turning the pages.
Gareth von Kallenbach (971 KP) rated Sky Captain and the World of Tomorrow (2004) in Movies
Aug 14, 2019
Harkening back to the days of episodic serials, “Sky Captain and the World of Tomorrow” attempts to blend the thrills of the old adventure films and serials with the high tech computer effects of the modern age.
The film stars Gwyneth Paltrow and Jude Law as reporter Polly Prince and Aviator Sky Captain, who are reunited during a surprise attack on New York by an army of robot . Polly has been investigating a recent wake of scientists who have vanished under mysterious circumstances, and when the robots attack, Polly sees a connection and gets in contact with her old flame the Sky Captain.
Sky Captain is not thrilled to see Polly as he does not trust her, especially when they last parted under a difficult situation where the Sky Captain was left in a dangerous situation as a result of Polly’s ambition. Nevertheless, the duo team up and investigate the cause of the attacks. No sooner does the duo start the investigation, then Sky Captain’s base is attacked and his friend and gadget creator Dex (Giovanni Ribisi), has been kidnapped.
In a race against time to save Dex and stop the evil Dr. Totenkoph from destroying the world, Sky Captain and Polly must travel the globe meeting all manner of deadly and bizarre resistance in some of the most remote locations on the planet. Eventually the team meets up with Captain Franky Cook, (Angelina Jolie), who also has a past with Sky Captain, and her legion of flying forces help stage an attack on the good doctors compound in a lavish display of FX and action as they attempt to gain entry to a hidden fortress.
With the clock ticking, and the situation growing tense, Sky Captain and his crew must traverse the exotic and deadly location of the hidden location before it is to late if they are to stop the doctor and his henchmen (Bai Ling), and save Dex, the missing scientists, and the world.
While ambitious “Sky Captain” suffers from a lack of focus as the film tries to do too much. Writer/Director Kerry Conran does a good job in his first feature, as he is able to blend lavish visuals in a unique and creative way to create and populate the world of the film. Sadly though, the performances of Paltrow and Law are remarkably understated and the talented cast often comes across as bland. This causes the audience to have little connection with the characters and any real tension or chemistry is sadly lacking. We know there was some history between the two lead characters but it is mostly glossed over in favor of the action that after a while comes across as more of the same and becomes bland. Only the Franky character stands out as Jollie plays her with a sultry charm and flair that hides her devilish streak, yet emphasizes the strength of her character and her loyalty to the captain.
I had really wanted to like this film, as I found the premise to be interesting, however the action sequences were rather under whelming and to me it was very obvious that the film was filmed entirely against screens and used CGI for everything from buildings to sets. While ambitious, it became overwhelming after a while and in more than one instance the backgrounds were obviously false and did not match up well with the actors.
While this can be excused, what cant be a pedestrian plot that borrows heavily from other works, and while they like this film were inspired by the serials of old, and pulp comics, I could not help but see the “Indiana Jones”, “Star Wars”, and “Jurassic Park”, over and over in the film. Law, Jolie and Paltrow are talented actors but they are given little to do aside from run around and spout stale dialogue from a story that is already muddled down by a lackluster plot, lack of tension, pacing, and average special effects.
Conran is a director with promise and it should be noted that despite the film’s faults, the film was a daunting task as it was shot in just 29 days, which would strain even the most seasoned of directors. As it stands “Sky Captain” is an average film that could have been much better with just a little more time in the hangar.
The film stars Gwyneth Paltrow and Jude Law as reporter Polly Prince and Aviator Sky Captain, who are reunited during a surprise attack on New York by an army of robot . Polly has been investigating a recent wake of scientists who have vanished under mysterious circumstances, and when the robots attack, Polly sees a connection and gets in contact with her old flame the Sky Captain.
Sky Captain is not thrilled to see Polly as he does not trust her, especially when they last parted under a difficult situation where the Sky Captain was left in a dangerous situation as a result of Polly’s ambition. Nevertheless, the duo team up and investigate the cause of the attacks. No sooner does the duo start the investigation, then Sky Captain’s base is attacked and his friend and gadget creator Dex (Giovanni Ribisi), has been kidnapped.
In a race against time to save Dex and stop the evil Dr. Totenkoph from destroying the world, Sky Captain and Polly must travel the globe meeting all manner of deadly and bizarre resistance in some of the most remote locations on the planet. Eventually the team meets up with Captain Franky Cook, (Angelina Jolie), who also has a past with Sky Captain, and her legion of flying forces help stage an attack on the good doctors compound in a lavish display of FX and action as they attempt to gain entry to a hidden fortress.
With the clock ticking, and the situation growing tense, Sky Captain and his crew must traverse the exotic and deadly location of the hidden location before it is to late if they are to stop the doctor and his henchmen (Bai Ling), and save Dex, the missing scientists, and the world.
While ambitious “Sky Captain” suffers from a lack of focus as the film tries to do too much. Writer/Director Kerry Conran does a good job in his first feature, as he is able to blend lavish visuals in a unique and creative way to create and populate the world of the film. Sadly though, the performances of Paltrow and Law are remarkably understated and the talented cast often comes across as bland. This causes the audience to have little connection with the characters and any real tension or chemistry is sadly lacking. We know there was some history between the two lead characters but it is mostly glossed over in favor of the action that after a while comes across as more of the same and becomes bland. Only the Franky character stands out as Jollie plays her with a sultry charm and flair that hides her devilish streak, yet emphasizes the strength of her character and her loyalty to the captain.
I had really wanted to like this film, as I found the premise to be interesting, however the action sequences were rather under whelming and to me it was very obvious that the film was filmed entirely against screens and used CGI for everything from buildings to sets. While ambitious, it became overwhelming after a while and in more than one instance the backgrounds were obviously false and did not match up well with the actors.
While this can be excused, what cant be a pedestrian plot that borrows heavily from other works, and while they like this film were inspired by the serials of old, and pulp comics, I could not help but see the “Indiana Jones”, “Star Wars”, and “Jurassic Park”, over and over in the film. Law, Jolie and Paltrow are talented actors but they are given little to do aside from run around and spout stale dialogue from a story that is already muddled down by a lackluster plot, lack of tension, pacing, and average special effects.
Conran is a director with promise and it should be noted that despite the film’s faults, the film was a daunting task as it was shot in just 29 days, which would strain even the most seasoned of directors. As it stands “Sky Captain” is an average film that could have been much better with just a little more time in the hangar.