"If somebody asked me at the time of this release 'What's it's like on the streets of New York?' I would just put on this Mobb Deep album and tell them to listen to it in its entirety. This album is Queens and it's representative of a whole part of New York City. There's a lot of anger in here – parts of it make you want to punch somebody in the face – but there's also a lot of classic club bangers in there too that just rock. It's a record of opposites and they were really a band all about opposites and differences. They were probably one of the last really different bands of that era who were just great. They always played such banging music."

"Breakfast Club. I was actually having trouble because I would say Pretty in Pink, Sixteen Candles and Breakfast Club, but that would be three. Of all three, Breakfast Club is my favorite. But those John Hughes films, with Molly Ringwald and the Brat Pack, those are my favorite grouped films. They’re just so… they’re timeless. I feel like, even when you’re watching them now, they’re so modern, and the characters are so real. They’re just so appealing to me. I watched them with my mom when I was really young. I always would watch things with my mom that maybe other moms wouldn’t allow their kids to watch. I associated with them right away. I just really, really love John Hughes."

"Number one is a movie that I think I underestimated a little bit when it came out. It is “Spy,” with Melissa McCarthy. A just amazing comedy. And The Academy is notoriously blind to comedies; comedy is very rarely in contention for the Best Picture. And, you know there’s the old saying, “Comedy is hard.” What Melissa McCarthy does, in going from a mousy desk jockey at the C.I.A. — with literal mice in her office — into an international woman of mystery and intrigue and an action heroine, is so incredible. It’s like Peter Sellers, like Inspector Clouseau. You know, it’s at that level of inventiveness, physical and verbal. bsolutely the Best Actress. Like, there’s no question that she was robbed for Best Actress. And yeah, Best Picture too. Why not? Get rid of “The Martian,” you know? Give it to “Spy.”"

"The first movie I ever saw in my life, interestingly enough, was The Gods Must Be Crazy. It was a South African movie. It’s ironic that years later, the next most commercially successful film from South Africa after The Gods Must Be Crazy is District 9. The effect was kind of an early imprint that South Africa belonged in motion pictures. Because there was nothing else for years, as I became an adult — or even a young man — I kind of realized it didn’t. Everything that South Africa made was terrible that I subsequently saw. Usually I was just ashamed of it. I was like, “Oh God, we make terrible television, we make terrible movies.” And even with Marius Weyers doing the South African accent — something that was uniquely South African and African could be commercial was just imprinted in my brain."

"Could listen to this on repeat forever and ever. It’s slightly nostalgic and melancholic but still really groovy. It doesn’t take me back to a specific memory but it does remind me of being a kid – there’s a warm fuzzy feeling that hits me when I hear this song. When I was growing up it was all about singles because that’s how my mom listened to music – she’d never buy the whole record. I guess that’s how I grew up. I’m just starting to get more into DJing and singles are pretty key to that. As of late, I’m listening to Sirius satellite radio, and there’s this channel called 1st Wave that plays rarer new wave and dance songs – not just the hits. I’ve been using that to collect songs for my sets – the stuff that gets overlooked. Stuff like this."