"I’m in a total John Ford mood. I saw The Searchers again on Turner Classic Movies the other night and I just said, “Oh, I gotta go and see John Ford’s movies, like all over again.” The Searchers is such an obvious choice because everyone knows that one. I’m gonna put down They Were Expendable, which was a John Ford Movie…"

"Close Encounters of the Third Kind is my favourite film of all time. That will always be number one. I can watch it today and it’s like a time machine; it completely takes me back to the way I felt when I first watched it as a kid. For me it never dates, it never ages, and it’s just perfect."

"“It’s by far my favourite film and so different to anything I’ve seen before. It feels like an artform in itself. I think I could just watch that movie and no other for the rest of my life and not feel as though I’d missed anything. It’s basically three men walking around a field. That’s all it is, yet it’s utterly mind- blowing.”"

"I picked this mainly because most people are probably familiar with the regular three studio records that came out. I would hope they are. This record, Hendrix In The West, is a compilation of live versions. I think four songs are from this San Diego show in 1969 and shortly after that tour Noel Redding was out of the band so it was the last part of the Experience. There's a version of 'Spanish Castle Magic' on the record that is just so incredible, and the bass is distorted and driving. That song alone is worth the whole record. And if you can get your hands on it, there's actually a bootleg of that whole San Diego show and I recommend that, but Hendrix In The West is a little more accessible. My friend Darren who was the drummer in Mr. Epp, we were in high school and he had one of those portable eight-track players. I think he pretty much only had three eight-tracks I can remember, and one was Jimi Hendrix's Smash Hits and another was The Who: Live At Leeds and we would play those constantly. I've always been really impressed by Mitch Mitchell's drumming. It spoke to me. I think he's maybe the best drummer in rock & roll. I just love that kind of loose, fluid feel. It's not stiff, there's sort of a jazz thing going through it. It's really propulsive. Have you ever seen 'Message To Love', the Isle of Wight set that Hendrix plays? It's weird what happened to Mitch Mitchell over the years he was playing with Hendrix. In the early days he's sitting upright and playing like he does on the records but by that almost last performance he's got a double kick drum which he's just slumped over and his back is hunched and he's really low. It's like he isn't playing the beats at all, he's just playing around it. It's like he's become a rock version of Elvin Jones - it's crazy. Rock & roll has taken its toll on a lot of people. There's a bit in the Isle of Wight thing where a couple of songs in, Hendrix just goes behind the speakers and you can hear his guitar hitting shit. And he comes back out and he's on fire. The song ends and he says "I just woke up two minutes ago!" I was like: "Gee, I wonder what he was doing back there?""