"I listened to it for years and I found myself singing songs from it by default all the time. All the time. And it's something about his delivery. My friend John pointed out probably 20 years ago that he sings like he plays trumpet, not the other way around. It betrays his sensitive delicate self. Somebody who would go hide himself in something as insidious as heroin. Yeah, and just his big fat gentle beating heat – never far from me, I love it."

"It could be any Curtis Mayfield record, really. When I hear his voice, it just lifts me up. His music puts me in the space to create. It’s quite rare, that mix of fragility and toughness. It’s there from day one with a song like It’s Alright by the Impressions, and it’s there on his late music too, this incredible ability to sweeten the message with beautiful melodies. He’s a complete inspiration as a songwriter, musician and arranger. Curtis lives!"

"I’ve come to appreciate all of Jean-Luc’s films, even the bad ones. They are all of a kind, and such a unique kind. He’s like a cat. If you drop him on the floor, he lands on his feet. A natural filmmaker. And having personally worked with him on One PM, I can say with authority that he doesn’t bother himself with all the nitty-gritty details I seem to have to carry around. He just flies, and the film follows."

"Just read this instead of reading about it. Almost nobody gets how simple it is. It's not about TV or radio. McLuhan's saying that everything is a medium. We keep looking at subjects, but we miss the field or medium in which the subject is operating. We see the "figure" but not the "ground." He's trying to teach pattern recognition, lateral thinking, and to bring people into a peer-to-peer, Medieval, Burning Man sensibility. It's nothing like Wired magazine in there."