"When I heard this I was just completely floored. I was like 'What the fuck is this?' [Laughs]. Radio was amazing, it was so good. Similarly to Public Enemy, I heard this album and I wanted to know how he did it – I just had no idea how. He was talking my language and speaking to me but in styles I had never heard or experienced before. I wanted to know how he did this. The whole album is fire; the beats were hard and the rhymes were hard. It banged and undoubtedly became the sound of a generation. It was almost like punk rock in sentiment, urban punk rock which is effectively what hip hop is. It didn't matter which part of the world you were from either when you listened to this. The people that got this record were all going through the same shit. The worlds might have been somewhat different, but it was the same oppressive shit and it united people."

"It’s so good—so subtle, truthful, and simple. This movie allows you to just look at human beings as human beings for a second. Wong Kar-wai is a master, and I have an admiration for his ability to direct your attention to certain things but not in an obvious way. I got to see Asian people as real people who could be flawed and make choices that are selfish and don’t take into account social graces all the time. Being raised in a very Christian, traditional Korean household, you’re kind of just seeing the surface and what you’re supposed to be at all times. I remember growing up thinking all Korean people were church deacons, and then you see a Korean man driving a taxi and all of a sudden you’re like, what’s going on? This doesn’t make sense to me! Wong’s films are like traveling to Hong Kong without going to Hong Kong."