"A dirty sexy rock & roll track from the future: that was my concept of it when I first heard it. At the time when he wrote it, it sounded pretty far out from anything he had written before. So, the challenge was finding an approach that would fit with the other songs we'd be doing. He'd write on a 12-string guitar mainly, so it always had a little bit of a folky element to it. It would sound like it came from a folk singer, but we knew it wasn't going to come out like a folk song so we would have to figure out how to break it down into a rock & roll context. Those are the things that would go through our heads as a band, and that one was, lyrically, summing up the whole Ziggy thing. You know: 'I'm an alien' and just the atmosphere around it. And when Mick Ronson did his solo on it, that was a new kind of solo. I think he used an echoplex thing, where it sort of went round on a tape machine and kept going and going and then he played on top of it – and it was pretty freaky! Pretty far out to play along with! The whole thing sounded as big as the universe while you were playing, but you had to keep grounded, keep that solid beat going and not be affected. Then when we heard it back it was like 'wow!' It went to the stars, but we still had our feet on the ground."

"This is Bruce’s first album and probably one of his best. There’s a richness and naïvety on this record that ends up in these lyrical paintings that speak something dear to my heart. It’s about my home, and it’s in a language I understand. I always felt like this was “our” record. The people like “us” who were outcasts growing up. It’s one part Dylan, one part Van Morrison, and then there’s this Marlon Brando part that encapsulates the beautiful losers. There aren’t any winners on this record, only people in “Lost in the Flood.” Even the brighter moments have a sadness to them. “Does this Bus Stop at 82nd Street?” says it well: “Drink this and you’ll grow wings on your feet.” Since reality is so hard, at some point the fantasy takes over. Fantasy, and die hard belief in a different life just over the horizon. It’s that fantasy of rock and roll that some people are too affected to believe in anymore. But this record helps me keep the faith in the childlike wonder of music, and rock and roll in particular. This was my rulebook starting out writing songs. It still is. For the lost, for the lovers, for the crazies, and everyone in between—""For You."" It was like he was saying to me and everyone I knew who lost but believed in spite of those losses, you could still win. “I came for you.”"